UPCOMING

Book by Fred Ebb and Bob Fosse

Music by John Kander Lyrics by Fred Ebb
Chicago is produced with special arrangement through Concord Theatricals

Direction by John Morales

Choreography by Heather Steele
Music Direction by Melanie Clinkscales with Joey Bernsen
Producer and Set by Travis Kirk Coombs
Costume Design by Ginn Velez with
Angie Campbell, Leigh Ann Korfhage, Dania Lair, Araceli Merkle, Lina Von Kanel, Jessica
Wilson, Kathryn Wright, Alicia Zepeda
Lighting Design by Jacob Zamarripa
Makeup Design by Ana Zepeda
Props by Chris Nardozzi, Kathy Pubentz, Tessa Mohwinkel
Dance Captain - Elisa Molldrem
Assistant Lighting Designer - Will Merkle
Lighting Supervisor - Ally Neal
Crew(s) - Dexter Benz, Alex Castillo, Logan Ezell, Mallory Labberton, Karly Martin
Backstage Crew - Evangilne Bradley, Lourdes Bradley, Hannah Holguin
Front of House - Hazel’s Dessert Shoppe




















 SONGS CAST
ACT I Roxie Hart - Sarah Morgan / Riley Korfhage
And All That Jazz Funny Honey
Cell Block Tango
Velma Kelly - Karaline Focke / Emma Robinson
When You’re Good to Mama A Little Bit of Good
Conductor - Abigail Velez
We Both Reached For the Gun Roxie
I Can’t Do It Alone Billy Flynn - Greyson Kramm
My Own Best Friend
Mama Morton - Abby Deloney / Ava Von Kanel
ACT II
I Know A Girl
Amos Hart - Dylan Mohwinkel / Logan Ezell
Me and My Baby Mister Cellophane
Hunyak - So a Medina / Johanna Miles
When Velma Takes the Stand
Razzle Dazzle June - So a Serna / Sophia Nardozzi / Riley Neal
Nowadays
Hot Honey Rag Annie - Olivia Powell / Elisa Molldrem
Finale
Liz - Eva Johnson / Madisyn Zatopek
From the Director: Mona - Riley Korphage / Sarah Morgan
The trust and support I received from everyone involved with this production is
astounding, and I have made it my purpose to justify their hard work and Mary Sunshine - Audrey Wilder / Daryn Wilmore
commitment.
I cannot thank everyone enough. Fred Casely - Cohen Cummings
The direction of this show is inspired by The Tragical History of the Life and Death
of Doctor Faustus by Christopher Marlowe circa 1592, in which the titular character
Kitty - Anika Lair
makes a pact with the devil in order to obtain knowledge and power. The use of
the seven deadly sins is part of Faustus, but is unique to this production of
Chicago. Additionally Faustus lends this production an examination of the weight
of sin and possibility of salvation, while questioning determination versus Ensemble - So ah Bright, Ian Campbell, Larkin
predestination: are we damned because we sin, or do we sin because we’re
damned? Coombs, Lorelei Coombs, Kaitlyn Gilbreath,
All quotes on the protest signs are direct lines of dialogue from Faustus.
The color red is used to represent sin. Some characters wear red in speci c Vivianne Jay, Miles Lair, Colton O’Donley, Reese
locations to represent a speci c deadly sin. For example, Roxie’s sin is “gluttony” or
“indulgence” which she wears at her throat to represent her insatiability. O’Donley, Hattie Potter, Ruby Roberts, So a
Finally, most characters are consistently descending the platform stairs and/or
downstage as a representation of their personal descent. Serna, Savannah Trueman



















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