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Trombone Sheet Music: Welcome to the 60s

The document appears to be sheet music for a brass quintet. It contains musical notation across multiple pages, including measures labeled with letters from A to P. The sheet music directs the players on tempo, dynamics, and other musical elements through standard notation symbols.

Uploaded by

Eleonora Magnabosco
Copyright
© © All Rights Reserved
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Available Formats
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207 views2 pages

Trombone Sheet Music: Welcome to the 60s

The document appears to be sheet music for a brass quintet. It contains musical notation across multiple pages, including measures labeled with letters from A to P. The sheet music directs the players on tempo, dynamics, and other musical elements through standard notation symbols.

Uploaded by

Eleonora Magnabosco
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
  • Welcome to the 60s for Brass Quintet: This section contains the sheet music for 'Welcome to the 60s' arranged for a brass quintet, starting from the first musical note.

Trombone Welcome

to the 60s
Marc Shaiman
for Brass Quintet

   
Arr Maeve Lander

                       
 
      
 = 158 Shuffle

  A       


                    



B
      
8

  
                   
 


                
C


21

 
                 
 

  
               
D


29


   
     
  

                   
E

    
37


 
                    
F 


               
   
46


    
              
 

     


G

    
52

H         
               


        
 
59

   
        
               
   
I

    
   
67

                                      


 
     
74


      
  
  
 
                  
      
        
J

 
81

               
 

      
J

        
86

                   K    


 cresc.


  
     
   
96


         


         
(cresc.)

             
L

    
103

    
                          

     
    
 
110

                   
       
M N


116

 
 
              

  
   

                          
 
125

        
                                    
P
O


131

                       
  
              
  
137

 

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