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Tromba 1

The document is a musical score for a brass quintet. It contains musical notation across many pages, including notes, markings, and directions for playing. The piece is titled 'Welcome to the 60s' and was arranged for brass quintet.

Uploaded by

Eleonora Magnabosco
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
149 views2 pages

Tromba 1

The document is a musical score for a brass quintet. It contains musical notation across many pages, including notes, markings, and directions for playing. The piece is titled 'Welcome to the 60s' and was arranged for brass quintet.

Uploaded by

Eleonora Magnabosco
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
  • Welcome to the 60s - Trumpet 1: Sheet music for 'Welcome to the 60s' arranged for Trumpet 1 in a brass quintet.
  • Continuation of Welcome to the 60s - Trumpet 1: Continues the sheet music for 'Welcome to the 60s' for Trumpet 1.

Trumpet

1 Welcome to the 60s


Marc Shaiman
for Brass Quintet
Arr Maeve Lander

   
                            
A

 
 = 158 Shuffle

  


 
                
          
10

         

           
   
B

           


16


  


   
                        
         
C


21

 

         


        


     
             
30
D

        
 

  
                      
E


38

    

                       

F

       
45

 
      

         
                       
G

  
52

 

        


               
H

               
61


  
    
                   
 

            
I

       
69

 
       
       
                    

75

 

      
J J

                          
82

                                      


         
94

   


                                   
 
cresc.
K

   
99


 

       
    
L

             


108

   
                               
114
M

  

                       
 

   
N

                 

124

 

          
                           
O

            
130


           
                               
P

   
136

 

   
       
143 opt 

 


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