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Performance Strings: Peter Martin

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100% found this document useful (1 vote)
482 views43 pages

Performance Strings: Peter Martin

Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
  • Performance Strings Cover: The cover page for the Performance Strings collection by Peter Martin.
  • Title Page: Title page displaying the name of the work and composer.
  • 2. Gavotte: Score for 'Gavotte' from the Performance Strings arranged for orchestra.
  • 1. Allegro: Score for 'Allegro' from the Performance Strings arranged for orchestra.
  • 3. Choral: Score for 'Choral' from the Performance Strings arranged for orchestra.
  • 5. Les Bouffons: Score for 'Les Bouffons' from the Performance Strings arranged for orchestra.
  • 4. Menuet: Score for 'Menuet' from the Performance Strings arranged for orchestra.
  • 6. Soldier's March: Score for 'Soldier's March' from the Performance Strings arranged for orchestra.
  • 7. March: Score for 'March' from the Performance Strings arranged for orchestra.
  • 8. Der Kaffeelatsch: Score for 'Der Kaffeelatsch' from the Performance Strings arranged for orchestra.
  • 9. In Church: Score for 'In Church' from the Performance Strings arranged for orchestra.
  • 10. St. Anthony Chorale: Score for 'St. Anthony Chorale' from the Performance Strings arranged for orchestra.
  • Violin I Parts: Individual parts for Violin I across all pieces in the Performance Strings.
  • Violin II Parts: Individual parts for Violin II across all pieces in the Performance Strings.
  • Violin III Parts: Individual parts for Violin III across all pieces in the Performance Strings.
  • Viola Parts: Individual parts for Viola across all pieces in the Performance Strings.
  • Cello Parts: Individual parts for Cello across all pieces in the Performance Strings.
  • Double Bass Parts: Individual parts for Double Bass across all pieces in the Performance Strings.

Music for Strings

Peter Martin
Performance Strings
for String Orchestra

mm
Mainstream Music
Music for Strings
Peter Martin
Performance Strings
for String Orchestra

mm
Mainstream Music
Performance Strings
10 pieces arranged for string orchestra by Peter Martin

1. Allegro
Handel
Allegro h = 120
                  
Violin I            
f mf

    
Violin II    
                     
f mf
               
Viola            
mf

f
   
                  
Violoncello  
f mf

     
                 
Double bass
    
f mf

  
7
                        
  
 
f
                         
   
f
          
          
f
    
         
  
f
    
         
    
f

2. Gavotte
Purcell
Allegro q = 140
     
Violin I                       
mf f
 
Violin II                           
mf f

Viola           
             
mf f

        
            
 
Violoncello
  
mf f

        
            
 
Double bass
   
mf f

© Mainstream Music 2001


[Link]
        
7

            
     
mf

 
                     
      
mf

           
                 
mf
         
                  
 
mf


            
                
mf

   
    
14

                      

f

 
              
  
f

 
                
f

       
      
   
f

       
       
   
f

              
19

                   
 

 
                 
    

               
    

        
          
  

      
             
  

2
3. Choral
Schumann
Largo h = 60
               

    
Violin I    
p mf
 
                 
Violin II     
p mf
 
Viola                       
p mf
            

Violoncello
         
p mf
 
              
Double bass
        
p mf

 
11
         
 

f

             
f

            
f

         
    
f

             
 
f

    
molto rall.
      
18

   

             

            

           
  

           
   

3
4. Menuet
Maestoso q = 110
       
Handel

                
Violin I      
f

    
               
Violin II       
f
           
Viola         

 
f
      
            
 

Violoncello  
f

    
      
Double bass
               
f

                          
1.

2.
     
9

  
mf cresc. f

                         
          
mf f

cresc.
              
            
mf cresc. f
  
              
 
      
   
mf cresc. f

                 


     
 
    
mf cresc. f

5. Les Bouffons
French

Allegro deciso q = 140
   
            
        
             
Violin I

ff dim. mf
  
                             
         
Violin II

ff dim. mf
 
 
                                
           
Viola

ff dim. mf

     
  
  

    
  
  

             
 
Violoncello

ff dim. mf

     
  
  

    
  
  

             
 
Double bass

ff dim. mf

4

                             
14

         
  f mf

              
                
  f
            
mf
     
            
 
f

        
                                  
f mf

        
                     
         
f mf

 
28
             
           
  f


        
     
  
 
f

              
  
mf f

        
            
   
f

        
      
           
f

 
                           
38

            
ff
      
 

                         
       
 
ff
      
                    
  
ff

  

                       
 
ff  
    
      
  
                

ff

5
6. Soldier's March
Schumann
Allegro deciso q = 120
                                             
Violin I                   
f p f p f p

          

   
Violin II                                              
f p f p f p
   
                                              
Viola
   
f p f p f p
   
                                              
Violoncello  
f p f p f p
                                 
   
Double bass
                      
f p f p f p

  
12
                   
                              

f p f p f

                 
                      

          

f p f p f
            
                               
       
f p f p f
        
                 
 
              

f p f p f

        

    
             

      
            
f p f p f

                              
22

  
             
p f p
f
        
                               
   
      
p f p

f

                                       
         
p f p f
  
                                     
 
    
p f p f

                                    
     
          
p f p f

6
7. March
Handel
Maestoso q = 120
       
Violin I               
f

  
Violin II                   
f

                      
Viola

f

                   
Violoncello   
f

          
         
Double bass
  
f

               
9

               
 
mf cresc.

 
                        
mf cresc.

                    
mf cresc.
 
                

mf cresc.

          
     
   
mf cresc.

          
      
17

        

f

  
                    
f

                   

f

                       
   
f
    
      
                
f

7
8. Der Kaffeelatsch
Haydn
Presto q = 140

               

     
1. 2.

Violin I                 
p f p f p mf

     
Violin II                                
     
p f p f p
 
Viola                       
f f

     
Violoncello                   
f f

     
Double bass                   

f f

                                                     
12

  
pp mf

 
                                          

mf pp mf
              
                          
mf pp mf
 
                         
mf mf

                           
   
mf mf

        
23
                   
   
       
f p

  
                               
   
f p
 
                                  
f

           
                          
f

           
                           
f

8
  2.
                       
33 1.

           
f p f mf

             
                   
f p f

        
         
f f

  
                
f f

  
                

f f

9. In Church
Tschaikowsky
Largo e tenuto q = 70
                         
Violin I     
 
 
p cresc. f dim.

  
Violin II               
       
        
p cresc. f dim.

                             

Viola
 
p cresc. f dim.
     
              

 

  
   
Violoncello  
p cresc. f dim.

                       
Double bass          

p cresc. f dim.

            
12

                   
  
mf cresc. f dim.

    
                             
mf cresc. f dim.

                             
 
 
mf cresc. f dim.

                           
   

mf cresc. f dim.
                  

             

mf cresc. f dim.

9
      
25

            
p pp

  
               
p pp

                 
p pp
 
          
               
p pp
 
          
                
p pp

  
37
 
        
dim.

 
         
dim.

           
dim.

            


            
dim.

                        

dim.

  
45
    
     

  
        

           

 
                      
  

 
                     

10
10. St. Anthony Chorale
Haydn
Allegretto q = 70

                                           
Violin I      
mf f mp

  
Violin II     
   
         

   
          
mf f mp

             
                  
Viola 
      
mf f mp

        
      
        
 
Violoncello             
mf f mp

                      

      
        
Double bass

mf f mp

     
12
                          

mf f

            
          
mf f

              
        
mf f
     
          
    
mf f
     
          
     
mf f


1. 2.
                  
21


mp

 
                               
mp
  
         
                          
mp

 
                 
mp

 
                 

mp

11
Violin I
Performance Strings
10 pieces arranged for string orchestra by Peter Martin

1. Allegro
Allegro h = 120
          
Handel

       
   
f mf

              
6
 

f

                
9

  

2. Gavotte Purcell
Allegro q = 140
 
                              
mf f

          
            
6

          
mf

    
11
   
                   

16
 
                       
f

              
20

            

© Mainstream Music 2001


Violin I

3. Choral
Schumann
Largo h = 60
        
       
p

        
    
8

  
mf

     
16

    
f

  
molto rall.
 
21

   

4. Menuet
Handel
Maestoso q = 110
                 
       
f

9
                 
 
mf

       
1. 2.
     
13

 

cresc. f

5. Les Bouffons
French
Allegro deciso q = 140
 
              
  
         
ff dim. mf

2
Violin I
   
10

                 
 
f

                    
19

       
mf

 
29
               
          
  f

   
                         
39

          
ff
  

6. Soldier's March
Schumann
Allegro deciso q = 120
                           
                    
f p f p

                               
9

            
f p f p

                  
17

                  
 
f p f p

                     
25

       
       
f p f

3
Violin I

7. March
Handel
Maestoso q = 120
    
         

f

7
 
                   
mf

          
13

         
 
cresc. f

       
19
 
           

8. Der Kaffeelatsch
Haydn
Presto q = 140
                     
         
p f p f


                                   
10 1. 2.

   
p mf pp

18
                        
              

mf f

                   
26

        
p

    2.

           
1.

34

           

f p f mf

4
Violin I

9. In Church
Tschaikowsky
Largo e tenuto q = 70
 
                           

p cresc. f dim.

 
11

                


mf cresc.

 
18

      

   

  
f dim.

     
25

           
p pp

 
37
 
        
dim.

 
45
  
       

10. St. Anthony Chorale


Haydn
Allegretto q = 70
                                
 
mf f

                    
10
      
           
mp mf
19
              

f


1. 2.
 
25
       

mp

5
Violin II
Performance Strings
10 pieces arranged for string orchestra by Peter Martin

1. Allegro
Handel
Allegro h = 120
      
  
             
f mf

   
6

             
f

            
9
   
  

2. Gavotte
Purcell

 
Allegro q = 140

                    
mf f

6
 
                         
mf

12
 
                     
f


18

         


 
21

              

© Mainstream Music 2001


Violin II

3. Choral
Schumann
Largo h = 60


             

p

8

                
mf

16

         
f

21 molto rall.

       

4. Menuet
Handel
Maestoso q = 110
  
                       
f

               
9

   
mf

     
1. 2.
      
13

   

cresc. f

5. Les Bouffons
French

 
Allegro deciso q = 140
 
               
 
           
ff dim. mf

2
Violin II

10

          
           
  
f

              
20

         
mf

      
31

      
    
f

      
          
40

       
   
          
ff

6. Soldier's March
Schumann

               
Allegro deciso q = 120
     
                          
p p
f f

            
9

                         
p p
f f

         
17

                           
 p p
f f

       
25
     
                        
f p 
f

3
Violin II

7. March
Handel

 
Maestoso q = 120

               
f

8
 
                 
  
mf


15

                 
cresc. f


20

          

8. Der Kaffeelatsch
Haydn
Presto q = 140
    
                             
p f p

                       
9 1. 2.

  
   
  
 
f p mf pp

                
18

          
             
mf f

                   
27

         
p

        
35 1. 2.
     
          
f p f

4
Violin II

9. In Church
Tschaikowsky
Largo e tenuto q = 70
   
                      
p cresc. f dim.

 
11

               
mf cresc.

 
18

     
         
f dim.

  
25

              
p pp


37 
         
dim.


45
 
        

10. St. Anthony Chorale


Haydn
Allegretto q = 70
                     
           
mf f

    
                   
11

    
mp mf f


1. 2.
 
22

                             
mp

5
Violin III
Performance Strings
10 pieces arranged for string orchestra by Peter Martin

1. Allegro
Handel
Allegro h = 120
   
              
     
f mf


6

          
f


9

   
        

2. Gavotte
Purcell
Allegro q = 140
 
                
    
mf f

7
 
                
   mf
    

13
 
                     
f

 
19

 
                  

© Mainstream Music 2001


Violin III

3. Choral
Schumann
Largo h = 60

          
p
   

8

              
 
mf

16

         
f

21 molto rall.

       

4. Menuet
Handel

    
Maestoso q = 110

                   
 
f mf

 
10 1. 2.

 
  
    
  
       
cresc. f

5. Les Bouffons
French
Allegro deciso q = 140
       

 
             
ff dim. mf

2
Violin III

10

      
             
    f


20  
         

           
mf


33  
        
  
f ff


42

      
          

6. Soldier's March
Schumann
Allegro deciso q = 120
      
                                
     
f p f p

      
9

              
            
         
f p f p

  
17

            
               
f p f p

    
25

                     
      
f p f

3
Violin III

7. March
Handel
Maestoso q = 120
 
                
 
f

8
 
  
             
mf


15

         
     
cresc. f


20

  
       

8. Der Kaffeelatsch
Haydn
Presto q = 140
       
1. 2.  
   
            
    f mf
f

      
15

             
                 
pp mf

24
     
    
                   
f

31
    
1. 2.

       
       
f
f

4
Violin III

9. In Church
Tschaikowsky
Largo e tenuto q = 70
   
                      
p cresc. f dim.


11

              

 
mf cresc.


18

     

     

  
f dim.

  
25

              
p pp


37

         
dim.


45
 
         

10. St. Anthony Chorale


Allegretto q = 70 Haydn

  
                             
mf f

  
11

   
 
                   
mp mf f


1. 2.

22

   
                         
mp

5
Viola
Performance Strings
10 pieces arranged for string orchestra by Peter Martin

1. Allegro
Handel
Allegro h = 120
           
           
mf
f

6
        
   
f

9
     
        

2. Gavotte
Purcell
Allegro q = 140

                       
mf f

7

                         
mf

13

                     
f

19 
                    

© Mainstream Music 2001


Viola

3. Choral
Schumann
Largo h = 60

              
p

8
   
             
mf

16
        

f

21 molto rall.
       

4. Menuet
Handel
Maestoso q = 110
               
        
f mf

10 1. 2.
           
          
cresc. f

5. Les Bouffons
French
Allegro deciso q = 140
   
                  
           
ff dim. mf

2
Viola
10
     
                    
   
f

20 
              
         
 
mf

33         
    
f ff

42

                
  

6. Soldier's March
Schumann
Allegro deciso q = 120
  
                                  
        
f p f p

9
  
                                 
  
f p f p

17
                
             
       
f p f p

25

                             
 
f p f

3
Viola

7. March
Handel
Maestoso q = 120

                 

f

8

                
mf

15

              

cresc. f

20

          

8. Der Kaffeelatsch
Haydn
Presto q = 140
  1. 2. 
   
                  
f f mf

15
                         
      
pp mf

24

                           
f

31   1. 2.
 
              
f f

4
Viola

9. In Church
Tschaikowsky
Largo e tenuto q = 70

               

      

    
p cresc. f dim.

11

                


mf cresc.

18

       
      
   
f dim.

25
 
               
p pp

37

           
dim.

45

           

10. St. Anthony Chorale


Allegretto q = 70 Haydn
       

  
                    
  
mf f

11 
         
                      
mp mf f

1. 2.
22

                               
mp

5
Violoncello
Performance Strings
10 pieces arranged for string orchestra by Peter Martin

1. Allegro
Handel
Allegro h = 120
           
      
 
f mf

6  
               
    
f

2. Gavotte
Purcell
Allegro q = 140
                   
 
mf f

6
             
       
     
mf

12
                     

f

18
           
      
      

© Mainstream Music 2001


Violoncello

3. Choral
Schumann
Largo h = 60

              
p

8 
                
mf

16
        
 
f

21 molto rall.
      
 

4. Menuet
Handel
Maestoso q = 110
         
             

f

9  
         
 
mf

13 1. 2.
        
       
 
cresc. f

5. Les Bouffons
French
Allegro deciso q = 140

     
  
  

    
  
  

 

ff dim. mf

2
Violoncello
10
         
             
 
f

20
       
                
 
mf
  

31
         
        
      
f

40 
    
  
   

           
ff  

6. Soldier's March
Schumann
Allegro deciso q = 120
       
                                 

f p f p

9  
 
                                 


f p f p

17
      
                      
 
f p f p

25 
                            
     
f p f

3
Violoncello

7. March
Handel
Maestoso q = 120
                  
  
f

7  
      
          

mf

14
                
  
cresc. f

20
              
 

8. Der Kaffeelatsch
Haydn
Presto q = 140

   
    1. 2.  
              
f f mf

15  
       
                    
mf

26
  
                    
f

32   1. 2.
  
           
f f

4
Violoncello

9. In Church
Tschaikowsky
Largo e tenuto q = 70
      
                
 
 

p cresc. f dim.
11
               
 
mf cresc.
18    
        
   

f dim.
25 
      
    
p pp
32

               

37
                        
dim.
45  
                      
  

10. St. Anthony Chorale


Haydn
Allegretto q = 70
                    
        


mf f
11
           
           
mp mf f
21 1. 2.
 
                 
mp

5
Double bass
Performance Strings
10 pieces arranged for string orchestra by Peter Martin

1. Allegro
Handel
Allegro h = 120
     
            
 
f mf

6

                     
 
f

2. Gavotte
Purcell
Allegro q = 140
                    

mf f

6
   
      
                
mf

12
                     

f

18
           
       
     

© Mainstream Music 2001


Double bass

3. Choral
Schumann
Largo h = 60

      
       
p

8 
                
mf

16
        
 
f

21 molto rall.
      
 

4. Menuet
Handel
Maestoso q = 110
       

               
f

9
             
  
mf cresc.

14 1. 2.
       
      
f

5. Les Bouffons
French
Allegro deciso q = 140

     
  
  

    
  
  

 

ff dim. mf

2
Double bass
10
         
             
 
f

20
       
              
      
mf

31
         
               
f

40 
    
  
   

    
 
      
ff

6. Soldier's March
Schumann
Allegro deciso q = 120
                      
     
              
f p f p

9
                      
      

      
    
f p f p

17
         
                    
 
f p f p

25
                          
           
f p f

3
Double bass

7. March
Handel
Maestoso q = 120
          
          
f

7
     

          

mf

14
        
        

cresc. f

20
             
  

8. Der Kaffeelatsch
Haydn
Presto q = 140

   
    1. 2.  
              
f f mf

15  
    
                      
  
mf

26
  
                    
f

32   1. 2.
  
           
f f

4
Double bass

9. In Church
Tschaikowsky
Largo e tenuto q = 70

              

    
 

p cresc. f dim.
11
               
 
mf cresc.
18
             
   
f dim.
25 
      
    
p pp
32
  
             

37
                        
dim.
45

                      
 

10. St. Anthony Chorale


Haydn
Allegretto q = 70
                    
         


mf f
11
          
        
  
mp mf f
21 1. 2.
 
                 
mp

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