Trademark Infringement Complaint: SIX9 vs 6IX9INE
Trademark Infringement Complaint: SIX9 vs 6IX9INE
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COMES NOW PLAINTIFF Warren Hamilton, Jr. (“Plaintiff” or “Hamilton”) and files
this original complaint against Defendants Daniel Hernandez, TenThousand Projects, LLC, and
I.
1. Plaintiff Warren Hamilton, Jr. (“Hamilton”) is a rap and hip-hop artist. Hamilton is
the senior user of the mark SIX9 that Hamilton has used in interstate commerce to promote and sell
2. Conversely, Defendant Daniel Hernandez (“Hernandez”), who is also rap and hip-
hop artist, subsequently started to use the infringing mark, 6IX9INE, to identify Hernandez’s goods
and services in the entertainment industry. Upon information and/or belief, TenThousand Projects,
LLC (“TenThousand Projects”) and UMG Recordings, Inc. (“UMG”) also acted in concert with
Hernandez in the sale of the same or similar goods and services as Hamilton that bear the infringing
mark, 6IX9INE.
3. Accordingly, Plaintiff Warren Hamilton, Jr. brings this action for trademark
II.
PARTIES
limited liability company with a principal address of 1880 Century Park East #1600, Los Angeles,
CA 90067. TenThousand Projects registered agent is Eresidentagent, Inc., 7801 Folsom Blvd., Suite
principal place of business and operational headquarters located at 2220 Colorado Ave, Santa
Monica, California, 90404. Also known as Universal Music Group, UMG is one of the world’s
largest recorded music and publishing companies and is considered one of the “Big Three” Record
labels, along with Sony Music and Warner Music Group. The registered agent of UMG is the
Corporation Trust Company located at Corporation Trust Center, 1209 Orange Street, Wilmington,
DE 19801.
III.
JURISDICTION
8. The Court has jurisdiction over the lawsuit under 28 U.S.C. § 1338 because the suit
arises under the Lanham Act, specifically 15 U.S.C. § 1125(a) and further seeks damages under 15
U.S.C. § 1117(a).
IV.
VENUE
9. Venue is proper in this district under 28 U.S.C. § 1391 because Defendant resides
V.
CONDITIONS PRECEDENT
VI.
FACTS
11. Warren Hamilton, Jr. is a recording and live performance artist and musician.
Hamilton specifically releases music in the rap and hip-hop genres. Hamilton has been using his
SIX9 mark for years to identify himself as the source of his goods and services sold in the
entertainment industry, specifically in the nature of audio and/or video recordings, live music
12. Hamilton first began using his SIX9 mark when he started performing live music
shows in 2007. Since then, Hamilton has performed numerous live musical performances using his
SIX9 mark throughout the United States in numerous states including but not limited to South
Carolina, Tennessee, Alabama, Georgia, North Carolina, Kentucky, Florida, and Mississippi.
13. Hamilton has used his SIX9 mark to also perform and record with famous and
well-known hip-hop and rap artists such as Shawty Lo, 2 Chainz, Lil Wayne, Metro Boomin,
14. Hamilton has expended substantial time, money, and resources marketing,
advertising, and promoting his SIX9 mark to sale his goods and services through various platforms
including but not limited to his website ([Link]), online music stores and digital
services providers (e.g., Google Play, iTunes and Amazon Music), social media platforms (e.g.
Twitter), and tangible paper sources (e.g. distribution of flyers and posters). Hamilton exploits and
distributes his music worldwide through online music stores and digital service providers.
15. Hamilton has released and published the following musical recordings using his
SIX9 mark:
• “The Streets Love Me” single was released on August 27, 2013;
16. Hamilton also uses his SIX9 mark to market and sell clothing goods in promotion
17. On March 31, 2014, Hamilton applied for federal registration of his trademark
SIX9 in class 41 for “entertainment services in the nature of music and video performances;
Production of musical sound recording; Production of musical videos.” The USPTO assigned
18. On October 28, 2014, the USPTO, after review and approval of Hamilton’s
application for registration and after publication for opposition, granted registration of Hamilton’s
SIX9 mark (serial number 86237502) and assigned registration number 4628568 to the registered
mark.
19. On June 4, 2021, the USPTO canceled Hamilton’s registration of the SIX9 mark
(Reg. No. 86237502) when Hamilton inadvertently failed to timely file his required section 8
20. When Hamilton realized that he had lost his federal registration of his SIX9 mark
(Reg. No. 86237502), Hamilton immediately reapplied for registration of his SIX9 mark (Serial
21. On March 28, 2022, the USPTO’s examiner issued a non-final office action on
Hamilton’s application for the SIX9 mark (Serial No. 90800431), because according to the
examiner Hamilton’s description of his goods and services in such application is indefinite and
needs to be further clarified. Accordingly, as of the filing of this pleading, Hamilton has responded
22. Regardless of the registration status of the SIX9 mark, Hamilton’s widespread,
continuous, and exclusive use of the SIX9 mark in commerce to identify Hamilton’s’ goods and
services in the entertainment industry evidences that Hamilton, at the very least, owns the
trademark SIX9 with valid and subsisting common law rights to his SIX9 mark.
23. Like Hamilton, Defendant Daniel Hernandez (“Hernandez”) is rapper and hip-hop
artist.
24. Upon information and belief, sometime on or around 2014, Hernandez decided to
become a rapper and hip-hop artist and began referring to himself and selling his goods and
25. Upon information and belief, in 2015, Hernandez pled guilty to a crime involving
the use of a child in a sexual performance. Upon information and belief, because of such
conviction, Hernandez sometime thereafter decided to stop referring to himself as Tekashi69 and
instead began rebranding himself as 6IX9INE. Hernandez even had the numerals “6” and “9”
26. Upon information and belief, Hernandez’s first used the 6IX9INE mark in the sale
of an audio recording on November 10, 2017, when Hernandez released his single entitled
“GUMMO”. Upon information and/or belief, Hernandez licensed the use of the 6IX9INE mark
to TenThousand Projects and UMG. Upon information and/or belief, TenThousand Projects and
UMG released and exploited the musical recordings of Hernandez under the 6IX9INE mark.
6IX9INE in the entertainment industry began to surge, and the Defendants continued to release
and exploit more new music using the infringing mark 6IX9INE. The Defendants made millions
28. Despite Defendants’ notice of Hamilton’s senior use and trademark registration of
SIX9, Defendants have continued to adversely use the infringing 6IX9INE mark in the sale of
29. Defendants’ subsequent and adverse use of the 6IX9INE mark to sell Hernandez’s
goods and services in the entertainment industry has caused confusion in the marketplace and
injured and stifled Hamilton’s career in the entertainment industry. Many rap and hip-hop
consumers have erroneously accused and criticized Hamilton of stealing Hamilton’s SIX9 mark
from Hernandez. Many rap and hip-hop consumers have also mistakenly attended Hamilton’s live
performance shows thinking that Hernandez was going to be performing. Many music promoters
and booking agents have refused to book live performance shows featuring Hamilton because his
trademark SIX9 is so confusingly similar or the same as Defendants’ infringing 6IX9INE mark.
Accordingly, Hamilton’s entire career as a recording artist, performer, and entertainer has been
injured and stifled by Defendants’ infringing, subsequent, and adverse use of the 6IX9INE mark.
30. As previously mentioned, from October 28, 2014 to June 2, 2021, Hamilton had a
federal registration on his SIX9 mark (Reg. No. 86237502) in class 41 for “entertainment services
in the nature of music and video performances; Production of musical sound recording; Production
of musical videos.”
31. On February 24, 2020, while Hamilton’s SIX9 mark appeared active on the federal
registry, Daniel Hernandez submitted a section 1(a) in-use application for the registration of
6IX9INE (Serial No. 88808682) in class 25 for “Clothing, namely, t-shirts, shirts, tops, hoodies,
sweatshirts, hooded sweat shirts, short-sleeve t-shirts, long-sleeve t-shirts” and in class 41 for
“Entertainment services, namely, audio and video recording services; Audio and video production,
namely, mastering sequencing, editing and mixing of compact discs, phono records, cassettes,
electronic recordings and other mediums of recording music; Entertainment services by a musical
artist and producer, namely, musical composition for others and production of musical sound
recordings; Production of sound and music video recordings; Entertainment services in the nature
Entertainment, namely, live music concerts; Music composition for others; Music publishing;
entertainer; Entertainment services by a musical artist and producer, namely, musical composition
for others and production of musical sound recordings; Entertainment services, namely,
32. On May 12, 2020, the USPTO issued a non-final office action refusing registration
of the proposed 6IX9INE mark (Serial No. 88808682) based in part on likelihood of confusion
33. On November 10, 2020, Hernandez responded to such non-final office action
arguing that there was no likelihood of confusion with Hamilton’s registered mark.
34. On December 1, 2020, the USPTO, by and through its examiner Susan Lawrence,
issued a final office action again refusing registration of the proposed 6IX9INE mark based on a
35. On June 1, 2021, Hernandez filed a Request for Reconsideration after the Final
Office Action was issued, again arguing that there was no likelihood of confusion with Hamilton’s
36. As mentioned, on June 4, 2021, the USPTO canceled Hamilton’s registered SIX9
mark when Hamilton inadvertently failed to timely file his section 8 declaration to maintain
37. Nevertheless, on or before June 18, 2021, Hamilton called Hernandez’s attorney
and told Hernandez’s attorney that Hamilton was the senior user of the SIX9 mark, that Hamilton
is still using his SIX9 mark, that Hernandez’s use of the 6IX9INE mark is infringing Hamilton’s
senior rights to the SIX9 mark, and that Hernandez needs to stop using the 6IX9INE mark or obtain
38. Despite such actual notice given by Hamilton to Hernandez’s attorney, on June 21,
1
Hernandez also filed a trademark registration application for “TEKASHI69” (Serial No. 88808679) on February
24, 2020 for the same or substantially similar products and services appearing his aforementioned 6IX9INE
application (Serial No. . 88808682). For the avoidance of any doubt, Hamilton’s action before this Court concerns
only Defendants’ use of the 6IX9INE mark.
2021, while Hernandez was awaiting a response from the USPTO to Hernandez’s Request for
Reconsideration after Final Office Action, Hernandez’s attorney sent an email to USPTO examiner
Susan Lawrence, informing the USPTO’s examiner that Hamilton’s SIX9 mark had been canceled
and then fraudulently suggested to the examiner that the likelihood of confusion refusal was now
moot due to such cancellation when in fact Hernandez and his attorneys’ knew that Hamilton was
still using the SIX9 mark and opposed Hernandez’s use of the 6IX9INE mark. The failure of
Hernandez’s attorney to disclose Hamilton’s continued use of the SIX9 mark and his opposition
to Hernandez’s use of the 6IX9INE mark to the USPTO’s examiner violated the declaration given
by Hernandez’s attorney’s in the registration application of the 6IX9INE mark, which states in
part: “To the best of signatory’s knowledge and belief, no other persons… have the right to use the
mark in commerce, either in the identical form or in such near resemblance as to be likely, when
used on or in connection with the goods/services of such other persons, to cause confusion or
mistake, or to deceive.”
disregard for Hamilton’s continued use of the SIX9 mark and failure to inform the USPTO of such
continued use, Hernandez’s application for the 6IX9INE mark was published for opposition on
registration of the 6IX9INE mark (Serial No. 88808682) in Proceeding Number 91271966 before
the United States Trademark Trial and Appeal Board (the “Proceeding”). In the Proceeding,
Warren Hamilton, Jr. opposes the registration of the 6IX9INE mark by Hernandez as identified in
Serial No. 88808682 pursuant to Section 2(d) of the Trademark Act based a likelihood of confusion
with Hamilton’s priority of use of the mark SIX9 in commerce. Warren Hamilton, Jr. also opposes
the registration of the 6IX9INE mark by Hernandez as identified in Serial No. 88808682 due to
41. Hamilton now brings this civil action against the Defendants before this Federal
District Court to further enforce Hamilton’s trademark rights and remedies under federal law.
VII.
COUNT 1
42. Hamilton incorporates by reference herein as if fully set forth all the statements
43. Common law unfair competition or trademark infringement claims and claims
under 15 U.S.C. § 1125(a) cover cases where the infringed trademarks are not registered, and they
allow the court more leeway to exercise its equitable powers than a federal statutory trademark
infringement claim does. Major League Baseball Promotion Corp. v. Colour-Tex, Inc., 729 F.
Supp. 1035, 1039 (D.N.J. 1990) (citing Boston Professional Hockey Ass'n v. Dallas Cap &
Emblem Mfg. Co., 510 F.2d 1004, 1010 (5th Cir.), cert. denied, 423 U.S. 868 (1975); Holiday Inns,
Inc. v. Trump, 617 F. Supp. 1443, 1465 (D.N.J. 1985); Estate of Presley v. Russen, 513 F. Supp.
44. Section 43(a) of the Lanham Act, 15 U.S.C. § 1125(a) provides, in relevant part,
that:
any container for goods, uses in commerce any word, term, name,
symbol, or device, or any combination thereof, or any false
designation of origin, false or misleading description of fact, or false
or misleading representation of fact, which—(1)(a) is likely to cause
confusion, or to cause mistake, or to deceive as to the affiliation,
connection, or association of such person with another person, or as
to the origin, sponsorship, or approval of his or her goods, services,
or commercial activities by another person . . . shall be liable in a
civil action by any person who believes that he or she is or is likely
to be damaged by such act.
the trademark's possessor must prove two elements: (1) that its trademark is valid and entitled to
protection and (2) that the contested use of the trademark is likely to cause confusion among
consumers.” Paco Sport, Ltd. v Paco Rabanne Parfums, 86 F Supp 2d 305, 309-310 (S.D.N.Y.
2000) (citing Time, Inc. v. Petersen Publ'g Co. L.L.C., 173 F.3d 113, 117 (2d Cir. 1999)).
46. “It is well settled in this Circuit that in evaluating the likelihood of confusion,
courts consider the eight factors established by Judge Friendly in Polaroid Corp. v. Polarad
Electronics Corp., 287 F.2d 492, 495 (2d Cir. 1961), ("the Polaroid factors"). These factors
include: (1) the strength of the senior user's trademark; (2) the degree of similarity between the
contested trademarks; (3) the competitive proximity of the products; (4) the likelihood that the
senior user will "bridge the gap" by entering the junior user's market; (5) actual confusion; (6) the
junior user's good faith in adopting its mark; (7) the quality of the junior user's product; and (8)
the sophistication of relevant consumers.” Paco Sport, Ltd. v. Paco Rabanne Parfums, 86 F. Supp.
trademark's inherent capacity to identify the source of a product and classifying the trademark in
one of four categories of inherent distinctiveness. These categories, outlined in Abercrombie &
Fitch Co. v. Hunting World, Inc., 537 F.2d 4, 9-11 (2d Cir. 1976), are generic, descriptive,
suggestive, and arbitrary/fanciful. Generic terms are never entitled to protection. Suggestive,
arbitrary and fanciful terms, on the other hand, are inherently distinctive and generally entitled to
protection. Descriptive terms are not inherently distinctive, but are nonetheless entitled to
protection if they acquire secondary meaning in the marketplace.” Paco Sport, Ltd. v. Paco
Rabanne Parfums, 86 F. Supp. 2d 305, 310 (S.D.N.Y. 2000) (citing PaperCutter, Inc. v. Fay's
Drug Co., 900 F.2d 558, 561-62 (2d Cir. 1990); Abercrombie & Fitch, 537 F.2d at 9-11.).
48. Plaintiff’s mark, 6IX9, is an arbitrary or fanciful term that is inherently distinctive
similar to Hamilton’s use of the SIX9 Mark. The Polaroid factors weigh in favor of finding of
confusion.
Paco Sport, Ltd. v. Paco Rabanne Parfums, 86 F. Supp. 2d 305, 311-12 (S.D.N.Y. 2000).
51. Plaintiff’s mark, SIX9, is an arbitrary and fanciful mark, and is therefore
inherently distinctive.
52. Additionally, because Plaintiff’s SIX9 mark has been registered, it is presumed
inherently distinctive. “The registration of a trademark is also relevant to the assessment of the
strength” as “registered marks are presumed to be distinctive.” Paco Sport, Ltd. v. Paco Rabanne
Parfums, 86 F. Supp. 2d 305, 312 (S.D.N.Y. 2000) (citing Lois Sportswear, 799 F.2d at 871).
53. Thus, this factor weighs in favor of Plaintiff and a finding of likelihood of
confusion.
“In analyzing this factor, "the courts consider whether the similarity
of the marks is likely to cause confusion among potential
customers." Arrow Fastener Co. v. Stanley Works, 59 F.3d 384, 394
(2d Cir. 1995). The courts have held that trademarks should be
compared in their entirety, because "juxtaposing fragments of each
mark does not demonstrate whether the marks as a whole are
confusingly similar." Universal City Studios, Inc. v. Nintendo Co.,
746 F.2d 112, 117 (2d Cir. 1984). In analyzing the trademarks'
similarity, the courts appraise the overall impression created by the
trademarks, considering the context in which the trademarks appear
and "the totality of factors that could cause confusion among
prospective purchasers." Gruner + Jahr USA Publ'g v. Meredith
Corp., 991 F.2d 1072, 1078 (2d Cir. 1993).
Paco Sport, Ltd. v. Paco Rabanne Parfums, 86 F. Supp. 2d 305, 315 (S.D.N.Y. 2000)
55. Defendants’ use of the 6IX9INE mark is confusingly similar in appearance, sound,
56. Defendants’ 6IX9INE mark and Hamilton’s SIX9 mark are highly similar in
appearance as both marks contain letters and numbers. The first four characters of each mark are
nearly identical. Defendants’ mark begins “6IX9” whereas Hamilton’s mark begins “SIX9”.
Hernandez’s substitution of a “6” for an “S” is a distinction without a difference because the
appearance of numerical “6” as used in Defendants’ mark looks very similar to the letter “S” when
followed by the characters “I” and “X” to spell the word “SIX”, which is the first word in
Hamilton’s mark and has the equivalent meaning of the written number “6” appearing in
Defendants’ mark. Additionally, the later halves of the two marks are nearly identical as both
marks use the numerical “9”. The fact that Defendants’ mark uses a numerical “9” with the
characters “I”, “N”, and “E” is again a distinction without a difference, because the additional
letters used to spell the word “nine” is the equivalent meaning of the number “9” and is already
understood in both marks regardless of how it appears. Thus, both marks are highly similar in
appearance.
57. More importantly, the sound, connotation, and commercial impression of the two
marks are even more important in the present action than any nuanced differences in the
appearance, because the goods and services that are being sold in commerce by Defendants and
Hamilton are music-related, and music by its very nature is auditory and not necessarily visual.
Therefore, music consumers do not always have the benefit of seeing the marks spelt out, nor will
the average consumer necessarily realize that there is a difference in the sources of the goods and
services offered by Defendants and Hamilton when encountering the marks in commerce. Thus,
confusion is inevitable.
58. Hamilton’s SIX9 mark and Defendants’ infringing 6IX9INE mark are pronounced
exactly the same. Hamilton’s SIX9 mark is pronounced “siks nīn” – as is Defendants’ infringing
6IX9INE mark. Thus, the marks are phonetic equivalents and sound the same; and similarity in
sound alone may be sufficient to support a finding that the marks are confusingly similar. In re
White Swan Ltd., 8 USPQ2d 1534, 1535 (TTAB 1988); see In re 1st USA Realty Prof’ls, Inc., 84
59. Hamilton’s SIX9 mark and Defendants’ infringing 6IX9INE mark have the same
the named goods or services.” See TMEP § 1207.01 (b)(v). “The focus is on the recollection of the
average purchaser who normally retains a general, rather than specific, impression of
trademarks.” See id. (citing In re Bay State Brewing Co., 117 USPQ2d 1958, 1960 (TTAB 2016)
(citing Spoons Rests. Inc. v. Morrison Inc., 23 USPQ2d 1735, 1741 (TTAB 1991), aff’d per
curiam, 972 F.2d 1353 (Fed. Cir. 1992)); In re C.H. Hanson Co., 116 USPQ2d 1351, 1353 (TTAB
2015) (citing Joel Gott Wines LLC v. Rehoboth Von Gott Inc., 107 USPQ2d 1424, 1430 (TTAB
2013)); see also San Fernando Elec. Mfg. Co. v. JFD Electronics Components Corp., 565 F.2d
683, 196 USPQ 1, 2-3 (CCPA 1977) (“Obviously, the marks here are constructed of old linguistic
elements, but they must be considered as wholes, and not on the basis of side-by-side comparison,
and in the light of the fallibility of memory.”); Neutrogena Corp. v. Bristol-Myers Co., 410 F.2d
1391, 161 USPQ 687, 688 (CCPA 1969) (many consumers “may have but dim recollections from
having previously seen or heard one or the other of the involved marks.”).). Here, both Hamilton’s
SIX9 mark and Defendants’ 6IX9INE mark have the same numerical meanings and are used to
identify the source of the same or substantially similar goods and services. According, both marks
60. Both marks also create the same overall commercial impression, i.e., of the number
“6” followed by the number “9.” The fact that they are both a combination of numbers and letters
does not change the meaning nor commercial impression of the marks – nor does it distinguish
one from the other. Consumers are likely to remember them as being the same and mistakenly
believe that they identify a common source for the services. When comparing marks, “[t]he proper
test is not a side-by-side comparison of the marks, but instead whether the marks are sufficiently
similar in terms of their commercial impression such that [consumers] who encounter the marks
would be likely to assume a connection between the parties.” Cai [Link] Hong, Inc., 901 F.3d
1367, 1373, 127 USPQ2d 1797, 1801 (Fed. Cir. 2018) (quoting Coach Servs., Inc. v. Triumph
Learning LLC, 668 F.3d 1356, 1368, 101 USPQ2d 1713, 1721 (Fed. Cir. 2012)); TMEP
§1207.01(b). The proper focus is on the recollection of the average purchaser, who retains a
general rather than specific impression of trademarks. In re Inn at St. John’s, LLC, 126 USPQ2d
1742, 1746 (TTAB 2018) (citing In re St. Helena Hosp., 774 F.3d 747, 750-51, 113 USPQ2d 1082,
1085 (Fed. Cir. 2014); Geigy Chem. Corp. v. Atlas Chem. Indus., Inc., 438 F.2d 1005, 1007, 169
USPQ 39, 40 (C.C.P.A. 1971)), aff’d per curiam, 777 F. App’x 516, 2019 BL 343921 (Fed. Cir.
61. Finally, Defendants’ mark 6IX9INE and Hamilton’s mark SIX9 are both in
standard character format, meaning that both marks may be used in any manner – including in a
stylization identical to that of the other. A mark in typed or standard characters may be displayed
in any lettering style; the rights reside in the wording or other literal element and not in any
particular display or rendition. See In re Viterra Inc., 671 F.3d 1358, 1363, 101 USPQ2d 1905,
1909 (Fed. Cir. 2012); In re Mighty Leaf Tea, 601 F.3d 1342, 1348, 94 USPQ2d 1257, 1260 (Fed.
sound, connotation and overall commercial impression to Hamilton’s SIX9 mark. Indeed, USPTO
examiner Sue Lawrence in her final office action dated December 1, 2020 also found that
Hernandez’s proposed 6IX9INE mark was confusingly similar in appearance, sound, connotation,
and overall commercial impression to Hamilton’s 6IX9 mark. Therefore, this factor weighs in
63. “Under this Polaroid factor, the courts examine "whether and to what extent the
two products compete with each other," based on "the nature of the products themselves and the
structure of the relevant market." Paco Sport, Ltd. v. Paco Rabanne Parfums, 86 F. Supp. 2d 305,
316 (S.D.N.Y. 2000)(citing Cadbury Beverages, Inc. v. Cott Corp., 73 F.3d 474, 480 (2d Cir.
1996)).
64. In this instance, Defendants’ goods and services are highly related to, if not
identical to, or, at the very least, encompassed within, Hamilton’s goods and services. Both marks
are used to market and sell the same or highly similar music entertainment services, goods, and
ancillary goods. Both Hamilton and Hernandez are rap and hip-hop artist artists. Both Hamilton
and Defendants sell rap and hip-hop music. Both Hamilton and Defendants sell ancillary clothing
65. Thus, the goods and services of Defendants are sufficiently related to the goods and
services provided by Hamilton so that confusion is likely. Indeed, USPTO examiner Sue Lawrence
in her final office action dated December 1, 2020 also found that the Hernandez’s and Hamilton’s
This Polaroid factor examines the likelihood that the senior user
will enter the junior user's market and compete with the junior user
("bridge the gap"). See Streetwise Maps, 159 F.3d at 743. The factor
weighs in the senior user's favor either if bridging the gap is actually
probable or if an average consumer perceives it as
probable. See Sports Auth., Inc. v. Prime Hospitality Corp., 89 F.3d
955, 963 (2d Cir. 1996); Lois Sportswear, 799 F.2d at 874. The
actual probability of bridging the gap is relevant because the
trademark law protects, in part, the senior user's interest in being
able to expand into a related field in the future. See Hormel Foods
Corp. v. Jim Henson Prods, 73 F.3d 497, 504 (1996). The
perception of consumers, on the other hand, affects the likelihood of
confusion, because if consumers perceive bridging the gap as
probable, they are more likely to believe that the junior user's
products emanate from the senior user. See Lang, 949 F.2d at
582; McGregor-Doniger, 599 F.2d at 1136 ("Because consumer
confusion is the key, the assumptions of the typical consumer,
whether or not they match reality, must be taken into account.").
Paco Sport, Ltd. v. Paco Rabanne Parfums, 86 F. Supp. 2d 305, 318 (S.D.N.Y. 2000).
68. This factor warrants little weight since Hamilton and Defendants already operate in
the same marketplace. See, Rebelution, LLC v. Perez, 732 F. Supp. 2d 883, 898 (N.D. Cal. 2010).
69. Where reverse confusion is alleged, it "is likely to cause consumers to believe,
erroneously, that the goods marketed by the prior user are produced by the subsequent user."
Wyndham Co. v. Wyndham Hotel Co., 176 Misc. 2d 116, 121, 670 N.Y.S.2d 995, 999 (Sup. Ct.
1997).
70. Many rap and hip-hop consumers have erroneously accused and criticized
Hamilton of stealing Hamilton’s SIX9 mark from Hernandez. Many rap and hip-hop consumers
have also mistakenly attended Hamilton’s live performance shows thinking that Hernandez was
going to be performing. Many music promoters and booking agents have refused to book live
performance shows featuring Hamilton because his trademark SIX9 is so confusingly similar or
the same as Hernandez’s infringing 6IX9INE mark. Accordingly, Hamilton’s entire career as a
recording artist, performer, and entertainer has been injured and stifled by Defendants’ infringing,
71. Accordingly, this factor weighs in favor of Hamilton and a finding of likelihood of
This factor examines whether the junior user "adopted its mark with
the intention of capitalizing on [the senior user's] reputation and
goodwill and any confusion between his and the senior user's
product." Sports Auth., 89 F.3d at 964 (quoting Lang, 949 F.2d at
583). Knowledge of the senior user's mark, while relevant to this
determination, "does not necessarily give rise to an inference of bad
faith and may be consistent with good faith." Arrow Fastener, 59
F.3d at 397. Selection of a mark that reflects the product's
characteristics or attracts customers, on the other hand, indicates
good faith. See Streetwise Maps, 159 F.3d at 746. Additional
relevant factors may include a request for a trademark search,
reliance on the advice of counsel, see Lang, 949 F.2d at 583, and the
benefits the junior user could derive from consumer
confusion. See Hormel Foods, 73 F.3d at 505.
Paco Sport, Ltd. v. Paco Rabanne Parfums, 86 F. Supp. 2d 305, 324 (S.D.N.Y. 2000).
73. Defendants adopted the 6IX9INE mark in bad faith. Hamilton’s 6IX9 mark was
on federal register in class 41 for entertainment services at the time that Defendants’ first started
using the 6IX9INE mark. Therefore, Defendants, at the very least, had constructive notice of
Hamilton’s mark when Hernandez’s first started using the mark. Additionally, Hernandez also had
actual notice of Hamilton’s SIX9 mark when Hernandez attempted and/or first considered to apply
74. Accordingly, this factor weighs in favor of Hamilton and a finding of likelihood
of confusion.
The courts have held that the quality of the junior user's products
can be relevant to trademark infringement analysis in two ways.
First, inferior quality of the junior user's products increases the
senior user's interest in preventing confusion, because associations
with an inferior product tarnish the senior user's
reputation. See Hormel Foods, 73 F.3d at 505. Second, differences
in the products' quality may affect the likelihood of confusion. See
id. The courts have found that, when the senior and the junior users'
products are otherwise similar, comparable quality may support the
consumers' belief that the products emanate from the same source
and thus contribute to consumer confusion.
Paco Sport, Ltd. v. Paco Rabanne Parfums, 86 F. Supp. 2d 305, 325-26 (S.D.N.Y. 2000).
76. Both Hamilton and Defendants are producing same or highly similar goods and
77. This factor weighs in favor of Hamilton and a finding of likelihood of confusion.
Paco Sport, Ltd. v. Paco Rabanne Parfums, 86 F. Supp. 2d 305, 327 (S.D.N.Y. 2000).
consumers hear a song that they like, they listen to it, stream it, or buy it in the moment.
Consumers do not make careful considerations when listening, buying, or streaming music.
When deciding to listen to a song, consumers simply ask themselves the question: do I like
this song or do I want to listen to this song. If consumers do not like the song or do not want
to listen to the song, they simply skip to the next song. Thus, when listening to music,
consumers carelessly scroll and explore music on various platforms that they may use to
listen to music such as Spotify, Apple Music, YouTube, Pandora, and Amazon Music.
Consumers often let the platforms choose the music that the listener enjoys on such
platform’s playlists. Accordingly, the music consumer may not even have a particular artist
in mind when the consumer wants to listen to music. The consumer may just want to hear
music of a particular genre when they turn on the radio or listen to a playlist. Accordingly,
6IX9INE, the average consumer doesn’t know by the announcement of the artist’s name if
that song is going to be by Hamilton or Hernandez since each mark has the same exact
pronunciation and meaning. The same is true if a consumer saw a concert poster or heard
an advertisement using the mark “SIX9” or “6IX9INE.” Instead, the average music
consumer who is an impulse buyer is still going to be confused on whether the goods and
services sold as SIX9 or 6IX9INE emanate from the same source, because they travel in the
same trade channels. Moreover, the fact that purchasers are sophisticated or knowledgeable
in a particular field does not necessarily mean that they are sophisticated or knowledgeable
in the field of trademarks or immune from source confusion. See TMEP §1207.01(d)(vii);
see, e.g., Stone Lion Capital Partners, LP v. Lion Capital LLP, 746 F.3d. 1317, 1325, 110
USPQ2d 1157, 1163-64 (Fed. Cir. 2014); Top Tobacco LP v. N. Atl. Operating Co., 101
USPQ2d 1163, 1170 (TTAB 2011). And here, where the marks are identical in sound,
meaning, and overall commercial impression, and the goods and services are highly related,
if not the same, confusion as to the source of such goods and services is indeed likely and
inevitable.
80. Thus, this factor weighs in favor of Hamilton and a finding of likelihood of
confusion.
81. Accordingly, because Hamilton’s SIX9 mark is a valid trademark and all of
subsequent use of 6IX9INE to sell the same or highly similar goods and services is a
VIII.
COUNT 2
Deceptive Acts and Practices Unlawful in Violation of the New York General Business Law
82. Plaintiff hereby repeats and each and every allegation set forth in in paragraphs 1 to 81
83. New York General Business Law, Section 349 states, in relevant part, that: “Deceptive acts
or practices in the conduct of any business, trade or commerce or in the furnishing of any
84. New York General Business Law, Section 350 states, in relevant part, that “False
advertising in the conduct of any business, trade or commerce or in the furnishing of any
85. Through the Defendants’ importation, advertisement, distribution, offer to sell, and sale of
unauthorized goods and services that are the same or substantially similar to Hamilton’s
goods and services and bear the trademark 6IX9INE that is same or deceivingly the same
as Hamilton’s SIX9 mark, the Defendants have engaged in consumer-oriented conduct that
has affected the public interest of New York and has resulted in injury to consumers in
New York.
86. The Defendants’ deceptive acts and practices, as described herein, are materially
misleading. Such acts or practices have deceived or have a tendency to deceive a material
segment of the public to whom Plaintiff has directed his marketing activities, and Plaintiff
87. By the acts described above, the Defendants have willfully engaged in deceptive acts or
practices in conduct of business and furnishing of services in violation of Section 349 and
88. The Defendants’ acts have caused, and will continue to cause, irreparable injury to
Hamilton. Plaintiff Hamilton has no adequate remedy at law and is thus damaged in an
IX.
COUNT 3
89. Plaintiff Hamilton hereby repeats each and every allegation set forth in paragraphs
90. Plaintiff Hamilton owns all rights, titles, and interests in and to the SIX9 mark,
91. The products and services sold by Defendants incorporate and use the 6IX9INE
mark, which is an infringing version of Hamilton’s 6IX9 mark to sell the same or highly similar
92. The Defendants use of the 6IX9INE mark was never authorized by Hamilton and
93. By the acts described above, the Defendants have engaged in trademark
94. The Defendants’ acts have caused, and will continue to cause, irreparable injury to
Plaintiff Hamilton. Plaintiff Hamilton has no adequate remedy at law and is thus damaged in an
X.
95. Plaintiff Cuevas asserts his right under the Seventh Amendment to the U.S.
Constitution and demands, in accordance with Federal Rule of Civil Procedure 38, a trial by jury
on all issues.
XI.
PRAYER
a. the Defendants have violated Section 43(a) of the Lanham Act, 15 U.S.C. §
1125(a)
violation of Section 349 and 350 of the New York General Business Law;
2. For entry of an ORDER permanently enjoining and restraining the Defendants, and
their officers, agents, servants, employees and attorneys and all those in active concert or
associated with Hamilton, and from offering such goods into commerce;
the SIX9 Trademark and the infringing 6IX9INE mark in connection with the
and
avoiding the prohibitions set forth in any Final Judgment or Order in this action.
the law hereunder, and to ameliorate the false and deceptive impressions produced
by such violations.
and an award of all profits that Defendants have derived from using the infringing
6IX9INE mark, including trebled damages on such profits assessed, as well as costs
and attorneys’ fees to the full extent provided for by Section 35 of the Lanham Act,
15 U.S.C. § 1117.
5. For COSTS OF SUIT, pre- and post- judgment interest, and for such other and
________________________________
David Chase LanCarte
LanCarte Law, PLLC
2817 West End Ave., Suite 126-276
Nashville, Tennessee 37203
Tel: 214-935-2430
Fax: 214-934-2450
chase@[Link]