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Mamma Mía

The document is a musical score for four clarinets. It contains the musical notation for each clarinet part, including rhythms, pitches, dynamics, and other performance instructions across multiple pages. The title of the piece is given as "Mamma Mia" and is adapted from the original song by Benny Andersson, Stig Anderson, and Bjorn Ulvaeus.

Uploaded by

Llorenç Chaveli
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
100% found this document useful (1 vote)
704 views13 pages

Mamma Mía

The document is a musical score for four clarinets. It contains the musical notation for each clarinet part, including rhythms, pitches, dynamics, and other performance instructions across multiple pages. The title of the piece is given as "Mamma Mia" and is adapted from the original song by Benny Andersson, Stig Anderson, and Bjorn Ulvaeus.

Uploaded by

Llorenç Chaveli
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

MAMMA

MIA
Words & Music by Benny Andersson, Stig Anderson & Bjorn Ulvaeus

Adaptación M. Gómez

  Moderato
   
Clarinete 1 Si♭  
     
Clarinete 2 Si♭                      
 
                         


Clarinete 3 Si♭

    
 


Clarinete 4 Si♭

    
Cl. 1  
4

 
Cl. 2                              


Cl. 3                  
          

     
      
Cl. 4 



ABBA FOREVER
        
Cl. 1  
7

 
                


Cl. 2


Cl. 3                  
          
Cl. 4 
         

          
Cl. 1   
10

              
Cl. 2     
              
Cl. 3     
      
Cl. 4 
                  

              
Cl. 1    
13

       
Cl. 2       
       
Cl. 3      

Cl. 4
                        

ABBA FOREVER 2
         
    
16

     
Cl. 1

 
Cl. 2   
      
Cl. 3    

Cl. 4 
                        

            
Cl. 1      
19

 
Cl. 2   

Cl. 3    

Cl. 4 
                        

          
     
Cl. 1 

22

   
      

Cl. 2
 
   
     

Cl. 3
  



                     
Cl. 4

ABBA FOREVER 3
    
                
Cl. 1 
25

   
                

Cl. 2 
 
                   

Cl. 3


Cl. 4 

                      

           

        
Cl. 1 
28

      
             
 

Cl. 2

 
              
 

Cl. 3      


Cl. 4 


                        


       

       
Cl. 1     
31

  
                  
Cl. 2

         
        

Cl. 3



                       
Cl. 4

ABBA FOREVER 4
                 
Cl. 1    
34

  
                  
Cl. 2


          
       

Cl. 3


Cl. 4 
                        

                 
Cl. 1       
37


Cl. 2    

Cl. 3    
      
Cl. 4 
               

                 
Cl. 1      
 
40

         
        


Cl. 2

      
Cl. 3         

 
            
      
Cl. 4

ABBA FOREVER 5
               
Cl. 1      
43 1.

  
                  
Cl. 2


              
 
 

Cl. 3


Cl. 4 
                        

          2.          
Cl. 1     
46

            
            
Cl. 2

 
                  
 

Cl. 3

 
Cl. 4 
                
      

                  
Cl. 1   
49


Cl. 2                     

      
Cl. 3              

                
       
Cl. 4

ABBA FOREVER 6
               
Cl. 1     
52 D.S. al Coda  CODA

  
                 
Cl. 2


              
Cl. 3
  


Cl. 4 
        
               

                  
Cl. 1     
55

           
           
Cl. 2

         
           

Cl. 3


Cl. 4 
                       

 
     
   
Cl. 1  
Repetir varias veces perdiendose
58

  
Cl. 2           

         
Cl. 3                              

Cl. 4 
                        
               

ABBA FOREVER 7

Clarinete 1 Si

MAMMA MIA
Words & Music by Benny Andersson, Stig Anderson & Bjorn Ulvaeus
Adaptación M. Gómez

      
          
 
Moderato

          





  
13

             
      
   
19

     
 

                     
25

                                
  

     
31

                          
          
37

     1.                   2.         
         
43

            
     
             

49 D.S. al Coda  CODA



                         
  
  
55
Repetir varias veces perdiendose

ABBA FOREVER

Clarinete 2 Si

MAMMA MIA
Words & Music by Benny Andersson, Stig Anderson & Bjorn Ulvaeus
Adaptación M. Gómez

 Moderato
                
                 

                  


                     
5

       
        
11

       
            


              
16

      
 

           


    

27

       
          
 

                  
34

            2.  
                    
   

43
1.

               CODA
                     

49 D.S. al Coda

     
                     


Repetir varias veces perdiendose
55

ABBA FOREVER
Clarinete 3 Si♭

MAMMA MIA
Words & Music by Benny Andersson, Stig Anderson & Bjorn Ulvaeus
Adaptación M. Gómez

 
                                 
Moderato

  


                                   
 
5


                              
      
11

  
                                       

21


  

                                           
 
29

 


            



         
36
1.


                                           
 
45
2.


                                     
D.S. al Coda  CODA

 
52

         
                                
58 Repetir varias veces perdiendose

ABBA FOREVER
Clarinete 4 Si♭

MAMMA MIA
Words & Music by Benny Andersson, Stig Anderson & Bjorn Ulvaeus

Adaptación M. Gómez

 Moderato 
 
            
    

      


   


8


    
12


                                
16


    
   
20

               


                           
23



  
                
27


ABBA FOREVER

  
31

               

  
  

                       
35

    

                      
39

 
                       
  
43
1.

 2.
                                
47



                                
51 D.S. al Coda CODA


        
 
    
55

             
   
             
59 Repetir varias veces perdiendose

ABBA FOREVER 2

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