INTRODUCTION TO
INDONESIAN BATIK
CONSERVATION AND INDONESIAN CULTURE
Dr. Ir. Rodia Syamwil, M.Pd.
UNIVERSITAS NEGERI SEMARANG 1
LEARNING PROGRAM
• Introduction to Batik
• Batik Design / Motifs
• Introduction to Batik Materials and
Equipments
• Batik Processing, Dyeing, and Coloring
• Batik Creation and Production
[email protected] HP: 08562774230
Home : (024) 7600621
address : Jl. Panembahan Senopati 279 Semarang
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Unesco Statement
Dasar hukum Pengukuhan batik indonesia sebagai warisan
budaya takbenda oleh UNESCO
• Convention for The Safeguarding of The
Intangible Culture Heritage, Paris, 17 October
2003 (9 Chapters and 40 Articles)
• Peraturan Presiden Republik Indonesia Nomor
78 Tahun 2007. Tentang Pengesahan
Convention for The Safeguarding of The
Intangible Culture Heritage. (Ratifikasi )
[email protected] Domains of the Intangible Cultural
Heritage of Humanity
(a) oral traditions and expressions, including language as a vehicle
of the intangible cultural heritage
(b) performing arts
(c) social practices, rituals, and festive events
(d) knowledge and practices concerning nature and the universe
(e) traditional craftsmanship
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Oral Traditions, Expressions, Languages
• Tells from generation to generation
• Have names and meanings
Social Practices
• Special motifs for different
social strata
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Social Practices
• Use in traditional, ritual, and
festive events
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Social Practices
• Use in traditional, ritual, and
festive events
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Traditional Craftsmanship
From the beginning until
the end, batik are
processed manually, and
so are its equipments
and tools
. (Berkas Nominasi Batik Indonesia, 2009),
What is Batik ?
• Batik comes
from the word
“mbatik”
means “to
draw or write
with dots”.
• Please notify
the batik motif
on the right
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TWO MAIN CHARACTERISTIC
OF BATIK
1. Its Specific Design or Motifs
– Every motifs are named and having
philosophical meaning
– Motifs consist of: ornament and isen-isen
2. Processing Technique
– Resist dyeing
– The use of malam or wax for covering part
of fabric
– The use of canting and/or cap
– The use of natural dyes
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BATIK CONCEPT
• “Malam” (wax) is used to cover part of
motifs which is desired uncolored
• “Malam” is a hydrophob material, which
could prevent the dyestuff absorption
• Coloring the open part of the cloth
• Remove the “malam” away of the cloth
using hot boiled water
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KINDS OF BATIK
• Batik Pedalaman and Batik Pesisiran
• Batik Tulis and Batik Cap
• Batik Celup and Batik Coletan
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BATIK PEDALAMAN BATIK PESISIRAN
(INLAND BATIK) (COASTAL BATIK)
• Yogyakarta, Solo, • Cirebon, Pekalongan,
Klaten, Sragen, Lasem, Semarang,
Purwokerto, Kebumen Tuban, Madura
• Natural colour of • Colorful
inland woods and • Motifs: sea and
plants (brown, black, coaster animals,
blue, cream, white, coaster plants
yellow)
• Motifs: inland jungle
animals and plants,
geometric
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INLAND BATIK
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COASTAL BATIK
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Differences between Inland and Coastal
SEKAR JAGAD
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Differences between Inland and Coastal
CEPLOK 19
Differences between Inland and Coastal
CEPLOK
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COMPONENT OF MOTIFS
• Ornament
• Isen-isen
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1. Lidah Api/Fire Flame 22
2. Gedong/Building
3. Sayap/Sawat/ Wings 4. Burung/Bird 23
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5. Kupu-kupu/Butterfly 6. Lung-lungan/Plants
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7. Naga/Dragon 8. Hewan/Animals
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9. Gunung/Meru/Mount 10. Filling Ornaments
11. Ganggong 12. Cemukiran
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ISEN-ISEN
Isen Isen Latar
Isen-isen Manggisan pengisi Latar
Isen-isen Galaran Lurus dan
Galaran Brintik pada Latar
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TRADITIONAL
BATIK MOTIFS
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NITIKAN
Kuncup Kantil Cakar Ayam
Gendaghan Jaya Kirana
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NITIKAN
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MOTIF SEMEN
Sido Asih Sido Mulyo
Sido Luhur Sido Mukti 32
MOTIF SEMEN
Sido Asih
Cuwiri
Sawat Semen Rama 33
MOTIF LERENG
Lereng
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Udan Liris
MOTIF PARANG
Parang Kusumo Udan Liris
Parang Rusak Barong Parang Ukel Seling 35
MOTIF LERENG
Samudra Naga Puspa Lereng Kupu
Parang Rusak Barong Parang Ukel Seling 36
MOTIF KAWUNG
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MOTIF TAMBAL
Slobok Tambal
Pamiluto Sekar Jagad 38
MOTIF CEPLOK
Ceplok Liring Jlamprang
Truntum Kawung 39
MOTIF TUMPAL
Tumpal Minangkabau
Tumpal Setaman
Tumpal Bangkalan Tumpal Tombak 40
BANJI
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MEGAMENDUNG
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MOTIF BASUREK
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ALAS-ALASAN
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LUNG-LUNGAN
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Burung
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SEMARANGAN
PEKALONGAN
KALIMANTAN
LASEM
MADURA
BANYUMAS
IRIAN BARAT
JAMBI
MATERIALS,TOOLS & EQUIPMENTS
Canting Cap
Canting
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SEBUTKAN NAMA MOTIF
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Dan ini…………..
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Dan ini…………
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And this…………..?
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Batik Cap
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SUMBER
• Nian S. Djoemena. (1986). Ungkapan sehelai
batik. Jakarta: Penerbit Djambatan
• Nian S. Djoemena. (1990). Batik dan mitra.
Jakarta: Penerbit Djambatan
• Santosa Doellah. 2002. Batik, pengaruh
zaman dan lingkungan. Surakarta: Danar
Hadi
• Sewan Soesanto. 1970. Kerajinan Batik
Indonesia. Yogyakarta: Balai Batik Indonesia
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THANK’s
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