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Classification of Art Drawing - First Step in Producing 2D Artworks

This document provides an overview of different types and techniques of visual art. It discusses the classification of artworks based on their purpose and engagement of senses. It also describes various mediums like drawing, painting, printmaking, sculpture, photography and their materials and techniques. Key elements of art like point, line, shape, form, space, texture and color are explained. Principles of composition and color schemes are outlined. Different subjects and ways of presenting subject matter in art are covered.

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Christine Ferrer
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0% found this document useful (0 votes)
98 views5 pages

Classification of Art Drawing - First Step in Producing 2D Artworks

This document provides an overview of different types and techniques of visual art. It discusses the classification of artworks based on their purpose and engagement of senses. It also describes various mediums like drawing, painting, printmaking, sculpture, photography and their materials and techniques. Key elements of art like point, line, shape, form, space, texture and color are explained. Principles of composition and color schemes are outlined. Different subjects and ways of presenting subject matter in art are covered.

Uploaded by

Christine Ferrer
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
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Classification of Art Drawing – first step in producing 2D artworks

 Practical – primarily meant to be 1. Sketching – done at the “spur of the


functional in everyday life moment”, most fundamental type of
 Environmental – use of space to interact drawing
with the surrounding and nature 2. Life drawing – based upon the
 Pictorial – artwork that is predominantly observation of particular subject ex. Still
visual and spatial life and figure drawing
 Auditory – engage the sense of hearing 3. Perspective drawing – creates 3D
ex. Sound effects objects on a 2D plane; used in
 Musical – harness a logical arrangement architecture
of sound ex. Dance with musical Technique – manner in which artists use and
accompaniment manipulate materials to achieve desired formal
 Narrative – follow a story structure ex. effect and communicate the desired concept or
Comics meaning, according to his/her personal style
 Dramatic – used to describe works done TECHNIQUE ≠ STYLE
by/for performance based representation Shading – use of degrees of values giving the
work characteristics of depth and texture
Medium – materials or substances used by the
artist to produce artwork Hatching

Cross-
hatching

Blending

Mediums and materials in drawing

1. Charcoal – organic material from burnt Stippling


wood
a. Vine – comes in thin sticks and is
easy to blend and erase
b. Compressed – charcoal pressed into Pointilism
a wooden casing; creates darker
shades than vine charcoal
2. Graphite – made from a soft mineral;
easier to use and not messy as charcoal Scribbling

Simangan, Anne Louise Nicole T.


Painting – application of color to a surface Impasto – using a palette knife
through brush or knife to scrape up a bit of paint and
Components of paint apply it to the work surface
 Pigment – minerals and substances to
give a paint its color
 Binder – material that hold the pigment
together and allow it to stick to a surface 2D media
 Solvent – liquids used to control the  Printmaking – process of transferring of
viscosity (thickness and thinness) of the an original image from a prepared
paint surface (matrix/printing plate) onto
Kinds of paint another surface, paper or canvas
 Oil-based – used during early Lithography Stone
Renaissance; dry slowly Wood block Wood
 Water-soluble paints Screen print Silkscreen
a. Watercolor Etching Metal
b. Goache – mixture of transparent
watercolor with water-soluble white  Mixed media – art that combine various
chalk mediums
 Tempera – used during Middle Ages;
consists of natural pigments, egg  Multimedia art – combines texts,
(binder), water (solvent) graphics, video and sound in a single
 Acrylic – composed of water-soluble masterpiece
synthetic pigments and water-resistant
3D media
when dry
Mediums and materials in painting  Sculpture
Brush Subtractive Carving
Addition Junk art
a. Bristle – comes from pig’s fur; used for
Manipulation Molding
impressionist paintings and traditional Substitution Casting
Chinese and Japanese art  Installation art – any arrangement of
b. Sable – comes from sable/weasel fur; objects in an exhibition space
used in watercolor and oil painting
c. Nylon – synthetic; almost has the same Photography
texture with sable and is suitable for all Aperture – opening and closing of lens
kinds of painting Shutter speed - how long the exposure of
the image
ISO – effect of light to the image

Cinematography
Close-up  Point – basic unit of a design
 Line – mark between two points
 Shape – two-dimensional
a. Geometric – clear outlines
Extreme b. Organic – natural, less well-defined
close-up edges
 Form – 3-dimensional
 Space – area between two elements
 Texture – surface of an object also the
Long perceived physical properties
 Color
a. Black – presence of all colors
b. White – absence of all colors
Low-angle Characteristics of color
 Value – lightness or darkness of
tones

High-angle  Tints – add white


 Shades – add black
 Tones – add gray

Point of view Primary

Eye level

Dutch
Secondary

Headroom &
leading room

Elements of Art
Tertiary
 Split-complementary – variation of the
complementary scheme (Y or small ∆)

 Tetradic –
double

complementary (▭)
Color Psychology
 Red – love, rage, courage
 Orange – optimistic, extroverted Components of Art
(adventure, social communication) 1. Form – how artist organized their
 Yellow – joyfulness, enlightenment, artwork ex. Texture, visual organization
sunlight, spirituality 2. Subject – depicted object
 Green – renewal, growth Kinds of Subject
 Blue – peace, serenity, meditation,  Representational/figurative – actual
relaxation artwork
 Non-representational/non-objective –
Hue – attribute of a color that makes it distinct abstract
from another color 3. Theme – impact/meaning of the work
Saturation – dominance of hue in a color Subject matter – literal topic depicted in the
 Desaturated colors are dulled down work
Ways of presenting subject matter
Color Schemes 1. History
 Achromatic – neutral colors (black, 2. Religion – worship any god
white, gray, brown) 3. Mythological – supernatural gods
 Monochromatic – single base hue and 4. Nature
extended using its shades, tones and  Landscape – body of land
tints  Cityscape – city
 Complementary – colors that are  Fauna – animal
opposite on the color wheel; shows high  Seascape – body of water
contrast  Flora - flower
5. Genre – everyday life
6. Portrait – representation of artist
 Analogous – three colors next to each 7. Nude – idealistic, beauty of the human
form
other on the color wheel
8. Still life – arrangement of inanimate
objects
9. Surrealistic – dreams or hallucinations
 Triadic – three colors
10. Abstract – exaggerated/ simplified
evenly spaced out in the color wheel
objects, lines, shapes
Composition – arrangement and structure of
elements of the artwork
Principles of Composition
 Balance – visual stability
 Symmetrical – equal weights on
both sides
 Asymmetrical – placement of
varying weight

 Emphasis – center of interest; through


shape, color, light
 Movement – visual sense of flow
through the artwork
 Unity – different elements in sync with
one another
 Contrast – arrangement of two or more
opposite elements
 Chiarusco – strong contrast
between light and shadow
 Tenebrism – predominantly dark
tones over light for dramatic
effect
 Harmony – combining similar elements
 Repetition – repeated use of an
element

 Rhythm – continuity recurrence


and sequence in time and space

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