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Samuel Barber: Soprano Sax

This document appears to be sheet music for Samuel Barber's "Molto Adagio" arranged for saxophone quartet. The piece is scored for soprano, alto, tenor, and baritone saxophones. Dynamic markings include pianissimo, mezzo piano, and mezzo forte. Phrasing directions such as "espressivo cantando" and slurs connect notes.

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Pedro Silva
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100% found this document useful (1 vote)
309 views5 pages

Samuel Barber: Soprano Sax

This document appears to be sheet music for Samuel Barber's "Molto Adagio" arranged for saxophone quartet. The piece is scored for soprano, alto, tenor, and baritone saxophones. Dynamic markings include pianissimo, mezzo piano, and mezzo forte. Phrasing directions such as "espressivo cantando" and slurs connect notes.

Uploaded by

Pedro Silva
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
  • Adagio for Strings: This section contains the complete score for Samuel Barber's Adagio for Strings, transcribed for a vocal ensemble.

Samuel Barber

Molto Adagio ~! arr. J. ~:[-zn ller L'n


Jr - 1
t u!-
t Tt/

'~fj .1
espr. cantllndo
~
,

:::-:-:::, C=-:.>
Soprano sax,
I
~
pp - p :::::=­
,
Alto sax,
1\ .1 ~
--
l~ -=::::::::::: L
pp P ?
,
J1. .1 ..::::::::::::: ~

Tenor sax
!
I tJ pp -=:::::::: P p>
1'1 .1
,
Baritone sax ~

'""i'~ "
pp
~
-=::::::
~
~
p>

~ ,~

~
'!!!".. : .,--- ~
SOpT.
5'
::::::=::=-
- •
-
--....
.
-= -
,
pp
-
=::::::::::7 '- -
--.....
Alt:
Jl.
1 ....---:: --- ..--------
-- t--~

5tJ ~ pp f=:::
, ...--
Ten
1 .1 ..:::::::::=
---- =--- ~ r-- :::::

5tJ
:::::::>-
I
pp -=::::::

.1
,
Bar.~ t
,"">tJ -e- -e- v
~ ... ~
pp -=::::::::::::

SOpT.
~

10'
.1
-----­ -
L1:_~

c) •

-
pr:

mf
f!: !:

p
-
I r
-:::

Alt.
J1. ..1"'-­
~~~
, r pi
lOt> I

p
- ::::::=- -=::::::::::
,.

.1 ..1~ ~ ~ -Li"
.L~
Ten
, pp espr, cantando
!l)t.l
. - -:: - === mf -:
.lJ. J
Ba r.
;:,tJ
IU - '--­
----~
-­ ~ v
~~

. ,
lono[
Samuel Barber op. 11

Sopr.
-" ~ ~
- ~ ~

tJ -'I '100-" ~1 100-" I ,,""'~


I " " Ip
IS
mf ====­ -=::::: :::=::::=­

Alt.
f
--­ --­ "­ ~ r.... "..-..

"
1St> mf
====-­ p 1 I I I P

Ten
I I
~-
/'), #I n ~ ...... ::-;;-.".

r""'l'-I-I

........-­

--....
~

1st>
--==== piuforte,

--
1

Bar.
'"';5t> -d. ~ 7:f -e- ~
~
mif
= 1 •
p

..
~
.;."t I - ::: "- -:---.....
Sopr.
20tJ
I r p
cresco mf ::::--==­
. ~ -
Alt.
lOt> p­ ---
I'
~
. . .. 1*-' .1*- .. 1*-f'­

.. ~f!:~' f!;' . ~
~
Ten "
20" sempre cantando cresco -=====: = ­ p
= >

I rJ=­ ~

Bar.
"';otJ Q

cresco -- -=--=
1
P

-"II I-

·
--
I

Sopr.
tJ I ~p
'mf
,~
25

.1 1

~-
Alt. •
25t> ~ ~

- P Ip

Ten.
I
1----- III -(III-
• III ~
I
h.. ­ ~
<u
>

...-­
2St> -
- Ii
II I I
;:--­
• ,
Bar.
~t.l t!-' VU~~ P cresco
-'=-' espr. cantando
--- _
'Ifie ::turdia Cof1ectwn.

Sop~
,../

29-.)
I

....;
..

=
,.
,
- I I "---- ~
pp
1\ I ~ ~

Alt.
tJ I
29 pp

Ten. I~ 29 ) pp I
- -

Bar. I~
""';9tJ
1\ I ,....---.i ., '., . ,fL.,fL ~fLt- r----..fr·

mif
, -e­

::::::::=-
,.;-;.. ..... fl.

p
.. ----­
,...,. I i./.~
=
~

Sop.
34tJ
"---" . y

-
u.>it increasing intensity
- -= /i.; ~
*espr.
bfr
Alt.
1\ 1
--­ f-...
,

34
tJ I 11

increasing intensity
I
-====== ;;
I
I

Ten
34-.) '-=::!
- ---­ -:­ ..
~'Vlt mcreasmg mtenslty
.
-=====
j I
-­ II
-­ ';:; -... ~ . ~ ., . ,1'- .,!!
-
,I'-r­ ':-r: ~. ~ r
.Bar.
~f)
34 - - p ---=======
cresco -==:::: mf

"'/11 I~l~" .::;: . ~>,.'i'" 1# , II , fL n ~,,;::

SOpT.
40tJ ,. ,.
cresco f •
alt
I I n~~ . .. , ~#.# .-

Alt.
40f#)
cresco f V U
f I I

Ten ,.
.of) (;~esc. f
I
1~
~
1\ ;,----~-e- ~ p..­
Bar.
.......

cresco f
Samuel Barber op. 11
-'y
...-'''' i
"' ~ ::---
Sopr.
r.--4~

. VIlt. oJJia
WII
- I

"
[,.( ~ ~ =::::--.­
"oJ cresco f

-
e5pr.
V I ­ 17 ;,;--­
Alt. I ~ ... ,

~~ "- .e:'----------.. T .. tIIT .. • • '" •


cresco
f
.Ten. oJJia
fi' ---. .r: r
-
-
"oJ f
~
..
VII I ;, n
Ten
44~ cresco
i' .espr.
I ~ ,.. II n
.£}­ p.. r

Bar.
"'>.~ cresco ,.'

..
..,; I ,..--, .•... ~~ ... .•. >'• . .".
-iii'''''.'"" f'- ~)
",

~ ,~),
~
..0. .p.
. 1":\ ~

SOpT. ~
I':!a~
-=-===== ff sff pp

Wt. ossia
- J , , -'----­
"oJ

L-t/ I~n fr
, -
~
~
;;
ff
0
vr-t f':
~~
~ ~ f:"\ 'r"\

Alt.
~tJ

Ten. ossia ~
--===== if Sff pP

A ¢ r: ;--~ .,. ~ ~

.. oJ

.--- --,
ff Vtf ~~ ~..o.
~f:"\
V I - ;; - ­ 0 - r"\
I
Ten
48
i1
- ff sff
-. pp
~.o.
I ,-..., r). -(II- p.. E ~ fZ: - i ~ f:"\ .-­
Bar. -
':!.v
48
-===== ff sff pp
'lfie ,qurdia Coffection.

A
I -"-­

I I
---- I
..

----- "
Tempo primo

mf espr.
--
f I ~

--- ---- ...-- +-- =-­


Alt. ,
54~ I P

Ten
54'­
I I ~

I
-- I---­

I
~

I
inf espr.
------ --
I I ~
-- I--­ --:---­
Bar.
~~ 1 v ... .....
".
p
,..;/ I
----- ---- ,
----
..~ ·::.E~ ;,...,- ;''' "f/I". - .;;.--
SOl'.
59.J - ~. "~.r"""

Alt.
" I .c::
~
r
- .-- ~


--............. -t-
-;:::

59~
I I

-=::::::::

Ten
59~
" I

--- -
~ ,
--- --- I
I-
.,.
~
:
- --- ~

I
-===::::::::: =
Bar.
"59~ J .e- -e­
~ ~

,..; I ~

Sopr.
64.J -;::::>'"
p
~"." ::.-­
pp
="'~
morendo
- :;':c

I i , ;;-== .. II ~ ~. ~ r.-. I

Alt.
64 4V
P :\ lop
~
morendo

Ten ~ ---­

-­ :::-­ molto espr r.-.


64~ I I f I I
P mf=-= morendo pp

1'\ I , r.-.
Bar.
'"'64~ Q .... u
.-:! -* u u
:::::::-­
<:)

morendo

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