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Bass

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0% found this document useful (0 votes)
749 views76 pages

Bass

Uploaded by

Simon Phillips
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF or read online on Scribd
  • How 'Bout a Dance: Music for 'How 'Bout a Dance' from the show, containing the main themes and parts of the number.
  • Picture Show (Part 1): First part of the 'Picture Show' sequence, introducing the main melody and its variations.
  • Picture Show (Part 2): Continuation of the 'Picture Show', expanding on earlier themes with additional instrumentals.
  • Picture Show (Reprise): Reprise of 'Picture Show', revisiting key motifs from earlier parts.
  • This World Will Remember Me: Complete musical number highlighting lyrical and instrumental segments for dramatic effect.
  • This World Tag: Tagline music fortifying the message of 'This World Will Remember Me'.
  • You're Goin' Back to Jail: Comedic and rhythmic piece focused on the theme of incarceration within the narrative.
  • Jail Playoff: Instrumental segue reinforcing previous jail scene narrative.
  • How 'Bout a Dance (Scene Change): Instrumental for transitional scene, providing a musical bridge.
  • When I Drive: A fast-paced number central to driving scenes within the plot.
  • God's Arms Are Always Open: A gospel-inspired song conveying themes of hope and redemption.
  • You Can Do Better Than Him: Upbeat, empowering song contrasting romantic choices.
  • To the Beauty Parlor: Brief instrumental piece introducing scenes related to personal grooming.
  • You Love Who You Love: Romantic ballad exploring themes of love and choice.
  • The Courtroom: A music piece evoking the drama and tension of a courtroom scene.
  • Raise a Little Hell: Dynamic song reflecting rebellious themes with intense music and lyrics.
  • This World (End of Act I): Concluding Act I with a strong musical statement revisiting themes.
  • Entr'acte: Instrumental bridge setting the tone for the second act of the show.
  • Made in America: A vibrant and patriotic piece examining cultural themes.
  • The Holdup: Tense and atmospheric music depicting a pivotal scene in the narrative.
  • Too Late to Turn Back Now: Reflective piece underscoring the point of no return in the story.
  • Now That's What You Call a Dream: Dreamy ballad with introspective lyrics and melody.
  • What Was Good Enough for You: Swing piece characterized by nostalgic and reflective themes.
  • The Bank: Music centralized around a bank robbery theme, reflecting both tension and excitement.
  • The Sheriff's Office: Piece centered on law enforcement themes, providing narrative depth through music.
  • Bonnie: Elegant piece highlighting Bonnie's character development and motifs.
  • Did You Hear Something?: Short, suspenseful piece adding intrigue and mystery.
  • Raise a Little Hell (Reprise): Reprise of earlier rebellious theme, providing narrative closure.
  • Dyin' Ain't So Bad: Melancholic piece exploring the acceptance of fate and mortality.
  • The Shootout: Climactic musical scene reflecting action and drama within the narrative.
Book by Ivan Menchell Lyrics by Don Black Music by Frank Wildhorn r = — NOTICE: DO NOT DEFACE! Should you find it necessary to mark eves or cuts, use a soft black lead pencil only NOT FOR SALE This book is rented for the period specified in your contract. It remains the property of A PLEASE RETURN ALL MATERIALS TO: MTI MUSIC LIBRARY 31A INDUSTRIAL PARK ROAD NEW HARTFORD, CT 06057 a (Music Tnearax Inrenwarionat 42) Wee Sah Steet Now Yerk, NY 10019 (212) 541-4664 Book Copyright © 2011 Ivan Menchell Music Copyright © 2011 Frank Wildhorn Lyrics Copyright © 2011 Don Black BASS (BONNE & CLYDE Acoustic How ’Bout a Dance (Top of Show) 98% Gently J=96) EIST) p Em? Gma D BT Gmai? Gm(anai?) D Bre) BS (fade ou) Gmai7 Gm BT AT D Safety | nen eeepmreeeeerereereeeKkhwrrRenreReereeerhenhtnhtkrvew RRP GUUUHHHHHHHBUKHUHHM nad BASS BOWIE CIDE Acoustic 2 Picture Show (Part 1) Mic en Rubato (in 4) Dictated (oe) 1 7 7 jempo, slowly at first F6 by, pe (poco accel. mp 73] Brighter, Easy Tempo G7 Gmc pio co 17] am7és) D769) G9sus or G9sus 6769) or pe co [26] In 2(under dialogue) 30] The Funerat poco rit, i * se 7 > Ey) Rubato (in 4) Eb arco 2 ry ut 2 oa ES BASS. #2 Pletwre Show (art 1) 2} Move Abm7/D> DT ba 6 pT bi i of ‘6 coir Tempo -In2 poco rit. aes os v7 bir co 53 hm Ge Fim Co bm Chmaj7 Eh Ch Bm o Bbm, co Fm7sus Bi769) hous) hm Eivsusa) Em7sus e765) a s <> > > = = we — 68} Em ce bm a Bxunis) 0) em oc Em oc Em Cmaj7 Em ¢ Bonnie & Clr a HHKWKHHKRHHKRHRHWHKRMeRMHR OHM HMAMR MMe eR eevee eee CUUUUUUUUUUUU Ueda gies #2 Pleswre Shave (Part 1) (3) 8769) Ea(susy) Em Etsus@9) Bém7sus B75) Em € Em ¢ eee eet Em Ams F7eW), (93) Gta IGE BiGt EIGE Atn765) bi Cin Gtooynt Af 765) [109] Slower, in 4 a a a Attacca Bonaie & Clyde = CUUUUUNUUUUUU UU BASS BONNE & CLYDE Acoustic 2a Picture Show (Part 2) bY i Atempo it 2 = 5 T By Fm Safety DHF Fm bs [3] rm os Fm Db Fm Dhmaj7 Fm Db Gm7isus) C769) Fan(sus) Pm FIsuse%) FT Gmniisus) ers) —S sy Freely (Vin soto) a BASS: #24 Picture Show (Part 2) B] Stover ing ews ns os w ae 5 a ¥ —— on a) es tempo 3] Aer) pres) oo co G69) 7 , D7C7_ EOC F6 bt ‘fs GTsus Gt cs Cmte oe) 9 F6 pe oc F6 bs oo Ie pie co F (63 co Fm CT Fm Bim? 7B ers) Safety a Fm DHF Fm DHE Fm DUE AMDWHNHHWHHHRARRRMARMRHRRHAHRRARRARARRARARA PK HMHUHHUKHHHHHHHHKEHHH HU BASS: #24 Pieture Show (Part 2 14) Fm Dy Gmisus) C769) Fm? F769) Gm(sus) [88] Amrés) D769) G9sus co G9sus e769) ct bi raucous F6 bi G79) eT F6 bi 7069) cr 108] Gtic 5 co © Bonnte & Clyae “3 BASS. BONNIE & CLYDE Acoust 2b Picture Show (Reprise) sy inn Freely [eae Gris) sus C7 EhmajzIF Pre) F7 mp Faster in 4 m7 769) Bie vit dictated a ‘Tempo —in2 pies nf =—— -10- Pear) © fF FRereeneeenFearrFernrFrRFeRFRFeRFeFeRFFeF a nH ennwnenene GUUUUNHHUEMMUUUUU Undue uu dude BASS Bowne & CLYDE Acouistie 3 This World Will Remember Me » In tempo J=117 Vaanp (vocal tase time) Gam765) co Fim Ds ce Rockabilly Fin bo Gém765) cn Fem e769) 25] Bm Fick | CH Fem FH769) Bm ches Fan Feat BASS W3— This World Will Remember Me [2] Safety bo cms (5) rtm bs ae SSS =S = = Ghn765) cH fm Bs ch Fee po Gin 765) chs chr Plon po Gim765) Creu ch Gén765) cH Fn po ce Fan 9 Gin 765) ct Fn Fér7é9) Bennie Clyde -12- RPReRARAneReeRFRFePeP Ren Aa nnanwnanrnnannnrmmnARRAFAAPR GUUUNUUUUUUUUUNNH UHHH #8 — This World Will Remember Me [3] ©] am rick cH Fan Fi769) Bm cH Fin Ber po p71 po chr [93] Btn bs Gin 765) cH Fin D7 cH Fen pe Ghn765) ches) Fim Gim765) canis) ctsas Femict enti Fé "1 tp — 1 o te z 3a ass ‘Bone a Cume ead This World Tag ec rr on RIC ay, nd cu = a a colla voce anar a a. i: a: mm afi, nan m he wee ee a ee a a an anrnan GUUUUUEUUUUUN Oded BASS You're Goin’ Back to Jail Freely ie os A eee, “ (om) Asus A pa by a #4 You're Goin’ Back to Jait 2] {i Country 2 D G D G D AICE BmT DTA G2 Atsus D Ema. cm G D AICEBmT Fo co D S DB pivat Bm? a eo c AT Elbo oe Asus AT 2 D7 D beg DACRE Bm? DIA a ATsus p Safey cD D @ D Safety (cut on cue) Bir wa Taw Ba a DEE An a> cm? erm an Bsus Bam Bb 86 Vamp Besnte@ Clyde -16- ) ~~ ann GUUUUUNUUUUUU UU Bass 4 — You're Goin’ Back t0-Jait 3) ew An Brus BT & pe FG s © ~ 2 % o a Eb BD Cm? BABY Ala EBD Cm7 Bim 2 s = m7 rs o “nm or M2 rit BD Cm &» an BiTsus Bs Bere & DOES EST Ab Be ByD Cm Fo DYED AS cme emt ae Fo De Br (iy) Rubato ~ dictated atempo DEW E> AiG Bisus BST Re a ER BD CmT BTA rit By Cm EAM Aw a a oe == m wy Av 7 ae Abia 7 Aw 7 ve a Segue Ronin & clyde oar 1] Bass _povsne Curoe ‘Acoustic 4a Jail Playoff toi nan vice (orm pay OTST). [B]v ee ATsus AT D v7 Freel ot Pic wae n Rennan mt nmnnarRreannRnFanrnnnrnan nm nanny a Anrean GUUCUUUU UN UUUU Ud How ’Bout a Dance BASS Bonne & CLvve caustic 5 Rubato dialogue ReoSTIC a a rubato (vocal) i] SE —_—S BASS a tempo #5 How "Bout « Dance 3) a Bi Bom 7/es ag Co ag FI) FP all. Bim7 Dim rb an FT FT}9) i © Ey atempo Ds Dbmaj7 Domé —_Dhm(mai7) aa sus FI Dig imal Dims Ko75) A 29) mT BbmiES Abmaj? Bim BT ai molto rall. 7 F769) Bh? Bio Does Es769) a tempo Ba] bse imaj7 ims Dhewaj7) AB " D6 ha? Doms Eb7@5) Ab nit Dis Dime FT atempo 7] Ab vit arco piss mp Segue Ronnie @ Crd -20- nn pp aA QQ ann wewrenrnenpAnrhirernAaRnRrrnrrnmnwmnaRrnrerWnrRnmReRennARAA GCUUUUUUUUUUUU UU edd Bass ponviee Come Acoustic 5a How ’Bout a Dance (Scene Change) Swing, faster than previous Dimaj7 Dim(maj) Ab f——' + rit F7 Dbmaj7 Domé Ei7és) a Clyde Out Window 4b Electric ; Buck & Blanche to the Chair se Playful country (poco rit, Bass ectrie When I Drive Under dialogue (J= 112) rb BOE BT £6 Vamp (vocel last time) pH gh r EE? EG Be EB FG) EE ET 9 BET EG BY of e¢) EE BT BONNIE-& CLYDE —— 6 de by ak ‘reer by a eat Et EF EG)E cis) re Pins An Amaj7/B AIR. EB e¢)e E ED EF EF EGHE Eg) EET EF EEG) E aeee = = = = = = = = = = = = = = = = = = = = = = = = & = = = GUUUNUUUUUU UU UU BASS 86— When I Drive 2} cas) Fe Fem AB AGB Amai7/B AIB Bsus or R6IGE AT Abmi765) Ale B? cies) Fim? or EGE Atim7(65) AB 61 EB ET ko ERE BG) E EF ET RG EOE ¥ my F-2 beats—] Bonnie @ Clyde -2- BASS #6 When I Drive Bj ve cing) Feo = ” 5 6 ae 7 AB AGB Ama AsB Bo susd e7 creo) groove! Fim7 G7 E6GE AT Adm7(s) AB Fém7 on rer) Atm 765) AB aimpeae, = aH “Tt AB AB 103 EET E6 E+ F R@HE 2 2 Fim? EGE A AB ub pp cvese BoE 66 kt £ E@DE E E7 E6 EH EF EHHE x Dictated Fim? Es A ape ue py sub, mpperese NMRAHRRARHKHKHHRHWHHRMRHhRHMRRHMARMeWHeenareeaenep an WMH ew = = —3 — — = = — = = — = —= —= = —= = = = = => = = => = — = —= — = => = = = BASS Bowvie & CLYDE Acoustic Electric God’s Arms Are Always Open Hymn—(Choir on siage) oH * VE -25- BASS (Jean 17 Gols Arms Ave Aways Open 2} : i bo) oe sf ae bout cob By Eat Gm ” 1 » a 1 © AT Dsust a D G Gs G Dews D co Dire BoE Em? G7 c Dsus ce a isl! 2 cm bt G puea c birt BOE Em EwD zc) Dsus D 33) Gg GusG oD Dirt = G Gsus Dsus Cc DRE Bot Em? G7 Dsusd D CIG © CH Dwi p CG G a ELECTRIC Funky blues [43] [EECTRIC] HaIt-time groove cr GT Am7 cB Cc Dsust a S Benwre & Clyde -as- DARARHHKHHKHRAKRHKRRAHRARHHRHHHRMRHRRRABAHKRHKRR RR RP UVUUUUUU UCU Ud Bass 47 God's Arms Ave Always Open [5] Am7 on © Dsus Am? Gs suse Am? GiB c om = [i] Double-time gospel G7 c oe Gro? © om or fos ar © a © «7 © or cm or cp 8 cw or o7 G7 ch br a » vat Te =a 1] BASS #7 God's Arms Are Always Opes {4} = 8 Corn 6 Vamp co 2 amas) zi) 7 © or ca cat © Gr co a7 co c co i Safety 3 (eB, iy ana atempo Diik> a = se s f 137] Aw Die Ain Dives an Died Ab Dieb AT Donate & Cipde -28- AO HRANWRHRHRARAKRHPHAHRAHRHRHKRHRPHKRHRRRARHRARAHRAMRRARAHK VUUUUUU MUU Ud BASS 87 God's Arms Ave Always Open [5] pi Abr er bi 61 1 %9 ‘aa ab DWE AMT DWES Ab byes ANT DWE 169 ay Does DoE> Abt Divb Ab Dine a7 Diab Ab Ab DiiEb abr DIVA’ Ab Ab Biomed BUAb —BhmiBoAS ab ome BIAb Bom/eb Ab by & Chyate -23- BASS Boxee Cuso8 Acoustic 8 You Can Do Better Than Him sir:03 Ge Freely a) ma ers a. ~ 9] __Tempo—Country Waltz - 1/2 Time Fee! ROUSE] DIA A i: mp 13) ED Az Asus4 Az Asusd A2 ED A2003) Asus Bm Bon(maj?) Bm B7eusd DE ET Bm Bm(maj7) RmT Bmv/e, * —wyw a is3 4] a2 cim7 C765) rar Bm Att DavA —E(no3VGF tm(add2) ch Pla? Bre Bre An Cim7 = ChuTe5) Bm ae Dma Eat AARARAMRHRHRHRARKRAHRKHRHRKRARARARRRARARARARANRRAP => = —= — = = = —= = —= = => —= = = = = = —= = —= = = = = = = = <= => = = = — Bass MS You Can Do Beser Than Hin (2 tencada2) oh Fo? 87 Bm Bm, a Asus ar Asust a2, Half time Ey » m7 79} an cim7 —Cém7es) FAT Ba ae Damia eGe Fafa?) ce Plo? B7 Bm? Bare, az Din a 99} cer CH) Phiadary Am? 8769) maj? ch ch69)— Pémaaaz) bz Bm? Bmile poco rit i 1 1 no 5 tempo —= —— 5 * HS] 42 Chu? Chines) andtzy wm? ktwdhice bon ch hr at es aig Bh (line) —> a Mer * ae Ss " 132, Easy G2 rit A - 2 a TE = ye Segue Bonrle& Chpds =i Rass BONNIE & CLYDE Acoustic 8a To the Beauty Parlor a a a nf 32. | ARARHHKRRAKRRARARAHHRARRAMPAHRRARARRRAHHRAR RMP GUUUUUUUUUUUU UU BASS Electric You Love Who You Love Pay Power Ballad J=68()=136) Giz ca Pine BONDE s CLYDE | BASS #9 You Love Who You Love 2] ff on piv Ebm7 ous on, 4 mee os GoiD> Disusd DP Ge pair on Gib DisusdD? CG G2 Drus Dé ry Bm on Gam » Eb ca worus pi BH ig on coms sO bm ca D¥tsus all, Bhmjy, Adm, atempo 36] Gn poor ca Gps —Dhsust Db Gh piwe ca. ships Db Chics ch CoD Ditsus De a one! o coi Pe Tempo ral e oe cH yy am Gini a ‘7 === —- Renate & Gly a3 Applause Segue ARARHHRHHRKRAHHMAPRAHMHARRARARRARARARARARARANHPK GUCUUDUUUUUUUUUUUUUU Uden BASS BONNIE & CLxDE Electric 9a The Courtroom se a o bine cont sim. 7 Ss Safety (ump anstin) Safety Gun anytime) With tension Safety & Safety ut Steady BASS Bowne s Cxx08 Electric 10 Raise a Little Hell Mines Doe Dh AS Bs GS AS a Colla Voce BS pS ES BS DS E7(n03) 2 62003) ‘AX(n03) E7(n03) B7(n03) GX(m03) A003) fi] ‘Tempo di Murder (J=84) Ne Enns) GA E7(n03) r— ¥ E7(a03) Colla Voce E7(003) e — Ba) Safely Safety c < ¢ < € é ~ nm nn em AanneheeaAaeMeMeHRARHRRARRHRARRKRRAARH A A GUY UUUUUU UU UU UU de BASS 10 Rave a Little Het 2} [38] ps oe ps. a D7n03) G2 D7(003) FG Di(a03) oe D703) F G2(n03) bs Faster F2(003) poco rit. 62(003) (in tempo) [0] bm Ep yom Dm Ep Bhp pm pce rit ‘tempo TH] pm ey yy Ow 73] 10 — Raise a Litle Hell [3] ‘Sneaky 2 6 530) cm ‘eb Fim7es) BTS 3 esp cs Attacea Act 1 Finale bonnie @ elyée ~38- a7 vnnrnmnnnmarnnwmrnrnnrnrrnAnnAaAnnrnmrennmnmennmnrrnrenananmAAP GUUUUU UN UUM UU BASS. This World (End of Act 1) Bowne Curr 11 23] Em co Fim765) BT a » ° < 5 16 ‘Threatening Four Safety (cut on cue, on “&-0f 2") (Searching Bonnie) De o (dialogue) Rubato, a o Easy tempo (-) = 100) Am6 ENB 87 Emit Rubato 9 © Bo #21 This Wortd (End of Act) ri 5 a (aa) 4 tempo (in 2) plz 2] Em co Fie765) BT Em © Bo Em co Fan 765) BIsus BAT (66) Em Dim Em Dim Em Dim Em Dim Em Gm Dam Em Em Fm Em Fm Em Fm oy zg F Fm Fem Bh * samp a 2 t 4 lz Safety Oncue Bo Be oe Fm765) BT bm on mo Clyde -40- | 7, A WnARnMRARRnRrARnRARANRARAAHAHRRARRRRARARARHBRHRARARHRM GUUUUUUUUUUU UCU UUUUd ae #11 This World (End of Act ) (3) Eb oo F765) Bir Eom 4769) Abn De BT bm BsT69) Abas Bh Eb ebm Abu FT By Bh 3) em?" cr Em o 87 ” Safety co Br em Safety Em Din Em Dam Em Dé Em “ KS. Ronnie & Cine “42 BASS 140] Po I~ This World (End of Act 1) 14) maj maj 148 cmd c Fém765) Bas a 156) Gm765) co Fm po roy Fm pe Gmi65) Crus CT Fm 172] Fém6 be D7 f Gtm765) cn Fm bs re) maanananrnnnrnan sn nAPnAnmAaenhRARAARANRAANHRA RR x, YVUVUUUUUNUUUUUU UU BASS LL This World nd of Act 1) (5) GamT@s) cans Fem D7 Gentes) che Fim pT Gha76s) che Pin v7 cH cance CHtous 199] Fm v7 pT CAtsus # ™ a ee Boante dt Clyde 49- BASS. BONNIE & CLYDE 12 Entr’acte sta yf a Rockabilly 2 (rum ft > © 8 co BT Fim) Bay Em 8 Bo Em © Fém7(s) Bsus BHT Em GmI65) er Lad pie co Fo Pm ps Gm765) cr Fm pa Gm765) Cts CT Fm pir cr all. Gxpinyic CTsus d=d) Cm ence pict Chm a im enc? pict cl aris SS Sa SS i wt of Attacea “Made in America’ oan ) QHRave vnvn#nrenrhrrrReapnrnrnnrmrnAanrmrAannrnrnnrmARARnAnAARnRANA NN. VUUUUUUUUUUUUU UU UU udde Made in America BASS Bowne & (tre -— Cem 3] Rubato Angi) Dim 65) ch cm solo pice, ATI) DanT¢5) ca Easy at first i Feng Cénie Fén6 Piss mp Girsast on Phns chmove Fano Dam765) BASS ‘Tempo J=100 13 ~ Made in America (2 GFsusd ch ims ASIGE DhmIe5) Gis) Cine ASIGE —Dim765) Gis) Clim céms ASIGE Dim76S) GH Cla Ad Giteus Clm6 = = 8 “Sf Sf Che ASIGE —DémT(s) GH7¢#5) Clmé ASIGE —Dim765) GH7ES) Clim6 4] 36 cans A9/G# Diim76S) GHT Clan AS Gtisus Clm6 Aa GHsus ctmé6 — Cm6 Chm C6 Ch ~ 3 ce Ge Ge Chine Emo GG GE Safety Ciné m6 Ciné Gey ChmsiGt CmeiGt Ge GE Gs [a2] tino Ciné (wey pém7és) cts) = 7 ¥ 6 Ching Arg) Dam76s) oh Bonnie Clyde ~46- | RerReARAnAnR narannwnwaennrnrmanranmrnraRnreAeR SZ axanmnwmerenmnmernanrReRAReA GVUUUUUUUUU UU UU BASS 412 Made tn America (31 cin are Dan765) 78] tims, chore Fén6 Gttsus oa Pins cAm9/e Fem6 cmiG BG CmG Bh Gaus P Abus Safety (cut either bar) Oncue & we 7 ~ t 101] cms AWG DmnThs) G75) ms Cmé AIG DmTes) GIES) Cm6 cms AWG Dm765)G7_ Cm AN) Gmisus Cm? GXunis) 109] cts AmGe Dém7és) Ciné Clans Avie Dim765) GEIS) Cs CEs AvGE —-Dim765) Git Clim BASS #13 Made in America 1) Ragin “> —— "¢ > poco a poco accel. Das Bia E768) ATES) Ding BaIA EmT6s) Ans) atempo Em65) AT Dm Be ATsus Das BiBIA Dmo Be Ehm6 Bo mies) BiTte5) Ebm6 Bo. Fm7¢s) Bods) Bho Bo F765) BHT Bhm6 130 BoB Bo nis Segue as one AARKNHKRHHMBRRAHPMRARARARARARARARNRARARAANRANHM VUCUUUUUUUU UU UU UU ude Bass ‘Bows « Gune [ne The Holdup qa] Tempo-In2 pice 2) rubato AS CS DS AS cS Ds BASS Bonne & CLYDE Electric 14 Too Late to Turn Back Now ‘sisinacs Tak tempe 2 ¢ 7 * + i ee CTIGH Fim FMT DT BTsusd F768) Esusd oa solo Ar © D AT clit Fin Fi D Bsus F7GH) Bsus GZweenrrRerRRRrRenRAPRRRRARRAARRARARARRARARARARE WVUUUUUUUUUUU UU UU BASS 38] #4 —Too Late to Tarn Back Now Pf xt Gr D7 AT FG tan ATIE. D cr 2 Fé AT D AICHETEI) Bsus Frsus Bor ay ET Bi Gab BT an Bs 7 Db ER Db aby Db orb Db all. wT D> Es pb Slower Bs BASS BONME & CLYDE Acoustic Now That's What You Call a Dream “tb Bo Dn esstion ob eDane Freely (vocaty 1 a! SS mes @ =F atempo J=98 isu Fim7 Grouse? Clm(add2) Cm Big Flas cre) cto(ae42) v rs w —— Ba] carts Fissus4 Fi? Gitsus G27 Chm(add2) Chm a Es69) Pins EO Grud G7 ches) FeBsusd Pint Gites GET Chadd) Chm BONG Fimo ETON Gtrsusd oh HAHHDKRHAKRRRRARHRARRARARAAARHhRARnaAnNHnaa eee GUUUUUUUUUUUUUU UU UUU UU BASS. #15—Now That's What You Call « Dream [2] [37] Ctam(ada2) Pesust bn Chews GETChm(ade2) cho BIH 6 Fins ca Chaar) molto rit. Gttsus Br Fans ee [33] a tempo - it : (Girt, Koa2:1258) rit hon Bonnie & Clyute —o BASS Bowne & CLE Actuate 16 What Was Good Enough for Vou »yariew eka yes poco rit, 3 a a a a a) Easy Swing 81hs ° . ’ . , “ [xcoustic) 2 times. PE= a 2 6 7 13) aay Dmaj? m7 fo] «BT B769)IDF ad Em Gm A709) BGe E1369) Emma, A769) 43) maiz Dmaj7 Em7 d D D Emp Ana An RAaRnnARnrRRnRnArAnAnRnrARhARARRPARARAHRARARAARRAASRD WUUUUUUUN UU UU UU Bass. 416 What Was Good Ewough for You 2} (al [77] 25] 139] Gmajt Guna? Am? Am ET Am? D7 er icp PMH, Am ems PT) Ganayr ch b lot Am am AB Am prs Gmaj7 Gmaj7 Amt Am Bt Am? by Am? v7 te BT Em? Fe Dirt By emt ET Goa aT 0 i 1 ta ta 05 Ne poco rit, $9 Em? 7 Dw B 769) ETsusd e7 GIA ‘Atis atempo Daaj7 Dinaj7 rail, 81369) (oor'ston) at Oy Em By Em? aT Ey ¥ Segue as one wg fa Bonnie & Clete “35 bass conse The Bank vie Bowne « CLE 6a dialogue =~ aA 1930) 2 ea Bs] Forcefutly SF =—_ Ff =— After “The Bank” TACET | RanmanmnmnannrnrnnanranAnnvnnnnrnanrananrnnnanannnnnnnnannawm = —= = —= = => —= = — = — = = —= = = — = = = => = = = = = = => = = => => = = BASS. BONNIE CLYDE Electric Acoustic 5 The Sheriff's Office Ds FS GS Ds ors Gs. ACOUSTIC (aloguey a a m (3) Dance Tempo A molto rit. pice z. a « c- BASS Bonne & Curve s Acoustic 7] Bonnie a on Orca by ean Rubato (Onstage Uke) Abit brighter Pp 17) Daj? D6 Chrsus cn Phan GIA AT Daj? Bm7E Dewjt Dé choc Hie? brute Boe (Rubato) A D6 A Dmaj7 D6 P Fa * = Dictated Ghm7es) cir) cm FAT69) D ET OFT ET molto ralt. [33] Arce C27 Bm? Bhmaj7? arc ~58- TRAM RRRRAMRKRAHANRANAHAKHAHARANRAADA MVUUUUUUUN UUM BASS. Bone & CLYDE Acoustic Did You Hear Something? Slower, like a heart-beat A a a a mp ose BASS. Bowne & CLvoe Acoustic Redhead? Please... Gentle, steady (in 8) Fat solo 2 a Gig ri 2 arco ON oF 3 mp 17c Out of the Woods ectrie Rabaty Fat rat (Clars) pay _EETRIC] aT $s & Bo aA ATA 2 p— ‘Ff Direct Segue | a ©#nmnmeeennmrrnnmenrmnrAanRnrnArnAnrmnmrnananarnannanannmnnnannnnm WUUUUUUNUUUUN UU UU BASS. BONNIE & CLYDE Raise a Little Hell (Reprise) =v Safety DSsus ® ° ‘ ee > —— = 3) pssus G2(003) F osu ¥ 6 Dsus @2(a03) DSsus rz G2(n03) Safety Safety Dssus Fog psa Vee mp D: 55s iiss i sway se Wo DSsus €2(003) Dssus Fz 62(n03) = 2 2 Ene TR Bass can Amaj7 [gs] DSsus DSsus DSsus DSsus im) Faster4 Dm2 St Gémt lm FD F2 Chm chm rit a62- 18 ~ Raise a Liute Hell (Reprise) [21 3 oan Ghent a2 G2(n03) G2(n03) a Gaus Ami(sus) Ds Pict bp a SY nRnannnrnranrAnran pp nan a RWrReenmareraenreanf.,. fan VUVUVUUUVUUEUUE UU UU UU UU UU UU BASS: #24— Bows 4) 95) Big Ballad 4 DAA GiB ACE oD GR aAict Db Bm AIG OG Dis a Em Fin? Gmaj7 w ” 18 "Hell" tempo Em? Fim? Gmaj7 kim? Gmaj7 GIA. ATsus Cook! D5sus 104) 62(n03) DSsus FG ssus G2(n03) D5sus 2 G2(n03) DSsus F2 G2(n03) Faster 4 His) pm Gsus Am(us) DS tf End of Act I Downie Clyde “17

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