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- How 'Bout a Dance: Music for 'How 'Bout a Dance' from the show, containing the main themes and parts of the number.
- Picture Show (Part 1): First part of the 'Picture Show' sequence, introducing the main melody and its variations.
- Picture Show (Part 2): Continuation of the 'Picture Show', expanding on earlier themes with additional instrumentals.
- Picture Show (Reprise): Reprise of 'Picture Show', revisiting key motifs from earlier parts.
- This World Will Remember Me: Complete musical number highlighting lyrical and instrumental segments for dramatic effect.
- This World Tag: Tagline music fortifying the message of 'This World Will Remember Me'.
- You're Goin' Back to Jail: Comedic and rhythmic piece focused on the theme of incarceration within the narrative.
- Jail Playoff: Instrumental segue reinforcing previous jail scene narrative.
- How 'Bout a Dance (Scene Change): Instrumental for transitional scene, providing a musical bridge.
- When I Drive: A fast-paced number central to driving scenes within the plot.
- God's Arms Are Always Open: A gospel-inspired song conveying themes of hope and redemption.
- You Can Do Better Than Him: Upbeat, empowering song contrasting romantic choices.
- To the Beauty Parlor: Brief instrumental piece introducing scenes related to personal grooming.
- You Love Who You Love: Romantic ballad exploring themes of love and choice.
- The Courtroom: A music piece evoking the drama and tension of a courtroom scene.
- Raise a Little Hell: Dynamic song reflecting rebellious themes with intense music and lyrics.
- This World (End of Act I): Concluding Act I with a strong musical statement revisiting themes.
- Entr'acte: Instrumental bridge setting the tone for the second act of the show.
- Made in America: A vibrant and patriotic piece examining cultural themes.
- The Holdup: Tense and atmospheric music depicting a pivotal scene in the narrative.
- Too Late to Turn Back Now: Reflective piece underscoring the point of no return in the story.
- Now That's What You Call a Dream: Dreamy ballad with introspective lyrics and melody.
- What Was Good Enough for You: Swing piece characterized by nostalgic and reflective themes.
- The Bank: Music centralized around a bank robbery theme, reflecting both tension and excitement.
- The Sheriff's Office: Piece centered on law enforcement themes, providing narrative depth through music.
- Bonnie: Elegant piece highlighting Bonnie's character development and motifs.
- Did You Hear Something?: Short, suspenseful piece adding intrigue and mystery.
- Raise a Little Hell (Reprise): Reprise of earlier rebellious theme, providing narrative closure.
- Dyin' Ain't So Bad: Melancholic piece exploring the acceptance of fate and mortality.
- The Shootout: Climactic musical scene reflecting action and drama within the narrative.
Book by Ivan Menchell
Lyrics by Don Black
Music by Frank Wildhorn
r = —
NOTICE: DO NOT DEFACE!
Should you find it necessary to mark eves or cuts, use a soft black lead pencil only
NOT FOR SALE
This book is rented for the period specified in your contract. It remains the property of
A PLEASE RETURN ALL MATERIALS TO:
MTI MUSIC LIBRARY
31A INDUSTRIAL PARK ROAD
NEW HARTFORD, CT 06057
a
(Music Tnearax Inrenwarionat
42) Wee Sah Steet
Now Yerk, NY 10019
(212) 541-4664
Book Copyright © 2011 Ivan Menchell
Music Copyright © 2011 Frank Wildhorn
Lyrics Copyright © 2011 Don BlackBASS (BONNE & CLYDE
Acoustic
How ’Bout a Dance (Top of Show) 98%
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Acoustic 8a
To the Beauty Parlor
a a a
nf
32.
|
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Electric
You Love Who You Love
Pay
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cont sim.
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&
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Electric 10
Raise a Little Hell
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bonnie @ elyée ~38-
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cin are
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The Holdup
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Electric
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Too Late to Turn Back Now ‘sisinacs
Tak
tempe 2 ¢ 7 * + i
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#4 —Too Late to Tarn Back Now Pf
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Now That's What You Call a Dream
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BASS. BONNIE CLYDE
Electric
Acoustic
5
The Sheriff's Office
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BASS. Bone & CLYDE
Acoustic
Did You Hear Something?
Slower, like a heart-beat
A a a a
mp
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Acoustic
Redhead? Please...
Gentle, steady (in 8)
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mp
17c
Out of the Woods
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BASS. BONNIE & CLYDE
Raise a Little Hell (Reprise) =v
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DSsus
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chm
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18 ~ Raise a Liute Hell (Reprise) [21
3
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G2(n03)
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95) Big Ballad 4 DAA GiB ACE oD GR aAict Db
Bm AIG OG Dis a Em Fin? Gmaj7
w ” 18
"Hell" tempo
Em? Fim? Gmaj7 kim? Gmaj7 GIA. ATsus
Cook!
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104) 62(n03)
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G2(n03) DSsus
F2 G2(n03)
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tf End of Act I
Downie Clyde “17