: ALEXANDER HAMILTON ‘Words and Music by LIN-MANUEL MIRAND ‘Arranged by Alex Lacamoire and Lin-Manuel Miranc stay =) Ph Bm> | FaTICH ony NC Ge Ss ———— == ——— ——S tari orphan, son of avhow and & Soom - man, dropped jm the middle of @ for-got - te te _anap both fingers (joa ‘mf 1b. Ls . jae spot in the Car-ib-be-an by prov-indence, im-pov-erished, in squal-or, grow wp 10 be a be-ro and a schol? 1 ee == r == = == 4 = it —— SSS SS jot far-ther by work-ing a lot hard-er, by be-ing et 2 ¥ a = Ee i= =eee 7 ps = == = P E = SS Se =a Oe SS A __ = (ME Mowe. tens ese aan byw, gpl a aft aay SS s en, % > Fag rma ee SSS ee SSS ee ster he was long-ing for something to be a par of, the broth - er was rad-y tobem steal, bor-row or bar-ter, The Ss — = : E a 14, As. Sp a SSS SS hur-ri-cane came, and dev-as-ta-tion reigned, our man, saw his future drip, drip-ping down the drain, put al e i ) oe a & & g ? || q8 6 Fifsus ase = ‘pen-cil to his tem-ple, con-nect-ed it to his brain, and he ‘wrote his first re-frain, a tes ~ tasment to his pain. Well, the Luton sp pte i — a Te on s+ toy yp Om . # —————— a a =a — ———_— [Gar por eromds hey shin in-ates man Took up a collet jst 10 sen him © the main - land Gt —-— — —— tr r+ fo rH $4 s =—=—=_ a = * a cee , G D PEAS — SS ‘“Get your ed-t-ca-tion, don’t for-get from whence you came, and the world is gon-aa know your name, Whats your name, man?” SS == me a Bm PHAR 2p HAMILTON: ——— = SS 7 SS ‘Al-ex -an-der Ham -il- ton. My name is Alex an der Hamil - ton And er’s & ete SS = = ot SSS = —> pub. os 3 = e zten his father split, fll of it, debt ridden, two years lat-er, see Al-ex and his moth-er bed - rid-den Doth fingers s G ALL (minus HAMILTON): gradual din. a whisper sit-tin’in their own sick, the scemt_ thick, and Alex got better but his moth-er went quick. Dut nisined pride, some-thing new in- a10 2, G D Fn BURR: : = 2 aS] E =——=_ == = —— 2 == = ——— 4 (Gre SSeS ———— woe may in’, "You got-ta fend for yourself" He stated ro-reat-nt and read-in’ ev-"ry veetise on whe self, There pg, ENSEMBLE: ! ae terre ee f atcog yon. gotta fend for yours” = a= aaa: == "would have been nothis’ left to do for some-oneless a-tue, he woulda been re = dead oF des-ti-ate with-out a cent of res-ti-tu-ton, started $05 —= 7 7 (emmatcarioorl yoy e _ ox wo + sore ot woes f i t i i pay SS : —= . D FETA © —— = SSS SSS SS SS +. cle in for his Ie mother's and Tod, tadcint ga cape and rum and all he tings De cnt afforda EE 1 rH sy, Bm Gi SS Scam-min’ for ev-er-y book he can get his hands on, plan-nin’ for the fu-ture, sxe him sow as he stands on the ENSEMBLE: : —— 5 = = = = Sp == Seam-mi! Pan-nin' 008 ——— oy a Se ae = $ = Powe fe : Se ees ee ee See ee ce Nev Wes Sle lew Seo oN My oe aw Oe es os = ‘DRUMS. - ome rs roy fo ry maT’ peat SSS SS se eroree Fe ie wees—— aS ase oe i Ey New YOR yon oa In New York! New York! Al-ex-an-det Ham-il-ton, Al-ex~an-derlfam-il- ton. aa a= = Df ere fee ‘Al-ex-an-der Ham-il -ton, We are wait-ing in the wings for you.— ===> SS = 7 wow a SS SS o ul «Alsex ander Ham-il-ton, Alex an-der Ham-il- ton, A - mer-i-ca bn14 se, , Bm amc SSS SS Se ship is in the har-bor now, see if you can spot bir. ENSEMBLE:. MY SHOT Words and Music by LIN-MANUEL MIRANDA, with Albert Johnson, Kejuan Waliek Muchita, ‘Osten Harvey, Jr, Roger Troutman, Christopher Wallace Arranged by Alex Lacamoire and Lin-Manuel Miranda Moderately, Swing 16ths (d = 91) cm Gn FA Bb G1B —— == oe SSS — 7 She eee tt 2 rs 2 < commoiban uc on domme, on mre rane ul a ant ee a er as a ne a aE Te ae Set tena uncer sy nae bE hel piney mace oa wa ate ctr ecg ce SS 2 Rs org aia Ririce faa loatan ruber and Msc Ohh ches ighsamisre by Grom Your Ou Man BM dan of 4° Sie Mani LLC ata gs ine a enema snegusnme any pie eta ite ee are oe . un at ai al am ey no‘Bb = — a cm cmb CmEb ‘Brit-ain keeps shit-tin’ on us. end - ess ~ ly. ‘hat runs in-de~pen - dent -ly. Mean-while s Ler s ss —— ==19 FA ‘Bb Baim es — # = kee a + === SSS SS SS Se Gilly, they ax elem les-1y,- ten King Geage ms a-round, sums a spend ing spee— He ain't ,— 50 there will be @ rev-o-lu-tion in this cen - tw- ry. ere [mute] eo = fg — = za a 2 = - Gn FA ob Baim o MULLIGAN/LAURENS/ , TARAVETTE: HAMILTON: I = LF — Se ee — SS = SS ter me! (He says in. pa-ren - the -ses)_ Don't be shocked when your his-t'ry book men - tions me. Twill == = = => ? » | Cm SS oS = — lay down my life at 2 @of friends be=s6re, 1 prom-ise tgif make y'all prov LAURENS: Let’sget this guyn frontof a crowd. ENSBAIBLI ons «om FA Bb not throw-ing a-way not throw-ing _a-way26 just ike my coun-try, I'm young, scrap-py and hun-gry, and I'm not throw-ing a-way my 5 SEE = ES ee SSS SS SS =: — = Lam jost ike my coun-try, I'm young, serap-py and hun-gry, and T'm not throw-ing a-way my shot 3 —————— ee SS o J 8 S SS Jost ike my coun-tyy, I'm young,-scrap-py and hun-gry, and I'm not throw-ing a-way my shot, Tam og, fea $ 2H $. 1tcn ees ——_ eS —-. = 2S ee == SS 2 @ e < a geee J StS 7p nom PA wb om ' SS SSS = SS PSS not throw-ing a-way my T am not throwing a-way my shot. Hey yo, I'm 3 sn SS SS fo is ——— G8 sss $s 5 oot : — not throw-ing a-way my 1 am not throw-ing a-way my shot. Hey yo, I'm a oe e9ts f not throw-ing a-way my27 2 em cis bard SSS —— SS ee . Be my coy, Fm yg, ant hg en Tm a owing may my sh tageas just 3 scrap-py and hun-gry, and I'm not throw-ing a-way my shot. Ev-"ty-bod-y sing: just Tike my coun-try, Pm young, 3 just ike my counctry, I'm youn, .—scrap-py end hun-gry, and I'm not throw-ing a-way my shotgp majT(003) D If T see it comin’, do I rum or do I let it be? Is it like a beat with-out @ mel-o-dy? See, I nev-erEi} os, om tb ‘thought I'd live past a7, Bogj?(203) > why we liv-in’ fast and we laugh, reach for a flask, we have to make this mo-ment last, that’s_ plen-ty. the hun-gri-est brapfeers with some-thing to py went,SS =; Hf we win our in-de -6y~ We need to han-dle our fi-nan-cial sit-u-a-tion, Are we a nation of states? What's the state of our na-tiorFIA, Bb Baim ly wait-in’. I'm pas-sion-ate-ly smash-in == 5 | r= SSS SS SSS z = £ z: ing cm aes DFR . NC. 7 2S = SSS SSS SS SSS> ‘Tm laugh-in’ in the face of ca-sual-ties and sor-row, for the first time, I'm think-in’ past to-mor-row, and “I am8 tg Om FA Bb one SS aaet == = SS oe F —S—= = SS —— 7 = not throw-ing a-way my shot Tam not throwing a-way my shot. Hey yo, V's i = = - 5 $= et f ———= = T am not throwing a-way my shot. Hey yo, a SS $444 e € 88 T am not throw ing "wey my shot. Hey yo, T'n cm cmt bot 117, == _————— Se SS 2. ——— —S— — v Je key coy, Tm yoang-acmppy al yan Tm ot iow vay my ae So & EEE eee eS shot. We're gon- just Tike my coun-try, I'm young,-scrap-py and hun-gry, and I'm oe wong ewer my — — _ Saas fi shot just like my coun-try, I'm young,—scrap-py and hun-gry, and I'm not throw-ing a-way my3 Gm FIA Bb G1B ussuuront _ CES : cs === f i = = i He oe a == vie Ne a SS ——— San 7 Aa ee Not twow-ing a-way my shot Not throw-ing a-way my shot. We're gon - ne ———$— Be = tries vee be cm omp . ee . HAMUTONLAURENS. 6 ————— = LS Ws time to take a shot! crese. poco @ poco Ws time to take a shott 2Cm HAMILTON/LAURENS! LAFAYETTE/MULLIGAN: SSS Ws time to take a shott ELIZA/ANGELICA/PEGGY4ENS: 105, pire NC. Gm Ca SS SSS = =e time to take a shot! Time to take a shot! And 1am not throw-ing a-way my—not throw-ing a-way my shot! : = 5 - = = + = SS © ee ‘Whoa, and 1 am— ‘Not throwing a-way my shot! 3 + ceo = SSS = eS ‘Time to take @ shot! ‘Time to take a shot! And 1 am- ‘Not throwing a-way my shot!SATISFIED ” Words and Music by LIN-MANUEL MIRANDA Arranged by Alex Lacamoire and Lin-Manuel Miranda Allegretto (d= 124)Abmai? orton cm? jon! To the rey -0 - lu-tion! Fal Aba? ortonnight its Al - ex - 10 SS sized him up so quick-ly. Atleast my dear E- li - za's his Geen 2 ontop or Atempo 491 ANGELICA: 113 at least T keep his eyes in my Ife. wife;Bhadd2yBb =F SS = = = To the bride! 2*“Nea? tage F = ef * To the groom! To the groom!” To the groom! To the bride! To the tee ha ore aByadd2yBb opt. = SS SS SS a and the hope that you pro - videl—— May you + = or - oo You pro = videl i: Qa: ie — = —— = — i) =] = _- == oe = = = Se fon! “To the rev- 0 - Iw tion! You pro ~ vide! You pro - vide! ee = So SSS = = — = ————— < | * 2 Z soe Fit Abmaip crtsp J Be sat-is fed,— And I know rall. poco a poco 1 abmai7 ites : he willney-er be sat-is-fed. 1 willnev-er be sat-is = fod — oSees 43] Blow Us All Away [Rev. 8/15/15] ‘Music and Lyries by LIN-MANUEL MIRANDA, Arranged by ALEX LACAMOIRE LINMANUEL MIRANDA ‘Moderate bounce; swing 16ths [iro] d-s2 » SS SS rs Meet the latest Set z jae — = lf? & wet a. t t Lad? we ‘ 3 et SS Se es Se ‘gr-du-ate of King's Col-legelf prob-ty should-nt brag, but dag, I a-mazeand a-sto-nishiThe scho-lars say I got the [: ete St Rn mm = | oam = ? tf t t jt same vir-tu-o-si-ty and brains as my pops,the lad-iee say my brain's not where the re-sem-b’-lance stops form ro RYPiano/Vocal -2- [ost NINETEEN] poe =a 4,¢7— #83 Blow Us AIL Away [Rev. 8/15/15] =a fon-ly nine -teem, but my mind is of - der. Got-ta So5 SSS eS te my own many The my fact Bat bold = er shoul - der his legacy with pride, I used to hear him that some day, 1 would ‘COMPANY: “WUWARPS ANSPiano/Vocal -3- #43 Blow Us All Avay (Rev. 815115] iapns gota 2 = ———— : SSS SS eS SS SSeS Lavdies Tm lookin for a Mitr ene Eaceker Maio «speck lt weekow Four iry speaker ———— = He dis-pa-raged my fa-thers leg-a-cy in front. of crowd, I cant have that Tm ma-kin’ my fa-ther proud, MARTHA (W3):Piano/Vocal #43 Blow Us All Away [Rev. 815/15] 18 6 ee z SS SS SS ‘Wal IH go visit is box f Dou oss x 5 Fe SSS x = a ee eS ‘im ap Browway a couple of blocks, He was go ito see 2 phy. Got youre ‘And y'all Took pret-ty good in ya frocks How ‘bout when I get back, we all strip dovin to our socks? a DOLLY & MARTHA: “Okay!” COMPANY: . winanvanrasPiano/Vocal -5- #43 Blow Us All Away [Rev. 8/15/15] oy PILI va ig SS == = / * ww OR woe | > 9 eS ee eS Gea! Gear! Ya shoal watced your ow be-foe you alked shou my fhe, sgh! | EACKER (M3): ‘Shh. Shh! Ym aryin’ to watch the show! Lat ____f AtPiano/Vocal 1443 Blow Us All Avay (Rev. 8/15/15] 2g BACKER: — = Saat i fathers @ scoun-drel, and so, it seems, ae you. 1 id-nt say an-y-thing that war-nt true. Your Oooh! peat ht be 2 7 : Dmajeltt “Thar is, undess you war-na step out-sde and go now. EACKER: T know where to find you, piss off. ‘Tm watch-in this show now.Piano/Vocal #43 Blow Us All Away (Rev. 8/15/15] Ee ee = — a —_———— = Pops i you had on-ly heard the shit he std a-bout you T doubt__you would have lett aide and I was not a-bout 1o— AMILTON: ge . = + = s . t Slow Bib eee SS viele daa PT. ofa, Fl FM orl 1 Fl MH wet : if t tis) ft SSSI came to ask you for ad-vice: Ths is my ver-y first duel. They don't ex-act-ly cov-er this sub-ject in boasd-ing school. iT fPiano/Vocal 0 #43 Blow Us All Away [Rev. 8/15/15] He re fused to a-pol-o-gize, We had to let the peace talks cease pth SSS Did your friends at-tempt to ne-go-ti-ate a peace? i os | —— pe aa 2 = ——— i rm 7 Across the i-ver, in ‘Whereis. this hap-pen-ing? Alright Dmajoit zy Jer = sey. Bv-'ycthing is legal in New Jer - sey. So this is what youre gon-na do. Stand there like a man un-til Fa-cker is in front of you.Piano/Vocal -~9- {#43 Blow Us All Away Rev. 8115/15] s “ dae # i — i ‘2 x— —— aS =o Se ‘When the ime comes, fre your wea-pon in the ai This wil put an end 10 the whole afi But what if he de-cides to shoot? Then I'm a gon-er. "HAMILTON: Hell fol-low suit if he's tu-ly a man of hon-or. To HAMILTON: % take some-ones life, that ie some-thing you cant shake. Phi-lip, your mo-ther cant take a-no-ther heart-break.#43 Blow Us All Away (Rev. 8/15/15] ——— SSS : ‘young man's blood on your con - science. ‘Come back ‘My name is. Philip. po 3 z = ; $ ofp Bmp == = SS : zo 7 ~ ‘home when youre done, oe Take my guns. Be. smart, Make me proud, son, Aira :Piano/Vocal =e #43 Blow Us Al Away [Rev. 8/15/15] You talk a-bout my fa-ther I cen-not let it slide Mis-ter Ea-cker! How was the rest of your show? ACKER: Yd rather skip the pleas-ant-ries, let's go. APiano/Vocal -12- #43 Blow Us All Away [Rev. 8/15/15] ‘MER SUNS) s e gS z —— ; ——F = ° — = SSS CCon-fer with your men, The dvel_will com-mence af-ter we count 10 ten 6 => = = Grab your pit to. company, at AiRawsews tee — = = = < =a Cou t0 L - - sormaananansne tt — z ete - = = a boyy bk a ae wy = a = = F r F F chop Bmp | fron 8p ; eg 2 =i 2 = 7 cd re ¥ 2 Look ‘em in the eye, aim no high-er Sum-mon all the cour-age you re-qui-re. Then slow ~Piano/Vocal ~13~ 183 Blow Us AllAvay Rev. 875/15} Moderato J=2 os a ° ly and clear -ly aim your gun towards the sky— : a Maen Fie, ix, seven, One, two, thre, four, five, six, se-ven, GUSSHOTSX]187 IT’S QUIET UPTOWN ‘Words and Music by LIN-MANUEL MIRANDA ‘Arranged by Alex Lacamoire and Lin-Manuel Miranda Adagio (d= 65) Ne. (ee ‘and push a-way the un - i-mag - F c(otagve SE —— SS SSS SS ee oS SSS = enable The mo-ments when you're in so deep, it feels cas-i-er to jot swim = —— = = =— == =—- z oS = SSS et aS a ~2- |9, Bhiadd2yF Dm Csus c pe = = = = © — ~ down. SE ——— — Ka =: i The Ham and learn 10 live with the wn = i= mag 4 == ee =! = =a —— Se = SS SS = SS 1 spend ho- urs in the gar - store. And it’s qui-et up - town, I never liked the qui- et be = for189 so OF cn SS— = Se ——— SF o we eee oe SSF — I take the chil - dren to church on Sun ~ day, a sign of the cross at the door, ‘Bhtadd2) Dm Cada) ‘That never used to hap- pen be - fore..uptown. Its qui-et up - town, irmo-ble His hair has gone gray. He pas-ses ev-'ty day. "They say he walks the length of =a SSS ia Bbsus2 Dm Cus c 25 HAMILTON: a cit -y. You knock me out, Leen pet anys emp ae 1S € if SSS SS oF —# a» IQ fh}: - F t+ " * MEN sound one octave lover,193 | cw 45; WOMEN: Ge SS SS SSeS $ Xe you se him in te stoe, aking by her side, tal ing by ‘er ide, have SSS SSE — Wie ra SS thls v- 3s i? — ae le gic) Dm caus c HAMILTON: f >= = 5 = = = = B-li-2a, do you like it up - town? I's qui-et up ~ town. SS FS SSS He is ty'ng to do the un - i-mag - oo ee ee o SS oF a or SS = $ zo a194 « &F C(adday 4. , = —=- === 5 =p & = 2S SSS i-ma-ble.. See them walk-ing in the park, long af-ter dark, taking. in the sights of Ss as — ——— — 2 ——— aS eee pee Dm = = = e — = Look 8 = rounds look a7 round B- ‘They are try’ng to do the un - i- magFimgi9(n03A, 198 F 83, ANGELICA: ————— = = = ee we ee — ‘There are mo-ments that the words don’t reach, ed There's a grace 100 pow-er-ful to i 2s — ee = = 4 Bbsus2 Dm Csus c ‘We push a-way what we can nev-er un-der - stand, we push a-way the un ~ i-mag ‘They are stand-ing in the gar - den,rall, colla voce co, Bess bm Crate — . ‘ ‘aLIZA: === a + F = (— ‘side, ‘She takes his hand. It’s qui-et up - y ee 9 6 =. & _————————— zi © = esF 65 e Af you see him in the stret, —S— 197 lado == = talking by her side, walk-ing by her side, have = - =a —_—_—== SS SSS eS ——Sj oy 7 Zz | (qj == |; Z Se ae = <— Bb(aad2) Dm Clada4) G == == ¥ = Se [we wwe pouiennie ae , i = = =s — aS 3 =. pee, i Se Sos = ———— LL 1, OFM, . P r motto ran. 89 | a ae = —— | - tenable, - == a = =— £Piano/Vocal“ eZ =14— 450 Who Lives, Who Dies, Who Tels Your Story [Rev 8/1/15} ‘Atempo See oS sme Wi they tt your sor = y Who ives, ho dis, who ill your ter = = = + mA Wall they tell your stor - y? ‘Who lives, who dies, who tet your stor = we? Who tells your stor