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VEN
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SS
aS eee Love ae
Introduction by Wolf Marshall a =
Contents
2+ Introduction by Wolf Marshall
55 + Tablature Explanation
23 * Back to the Grind
28 * Bunkbed Creek
7 * Doghouse
3 + Half the Way Valley
30+ In the Mood for Love
3 + Miss Fortune
18 + Someday
46 + Three’s a Charm
12 + Too Much T-Bone
48 « Under the Night Stars
Neil Ziozower
Management: Julio Caro
‘Transcribed by: Ric Molina, Kenn Chipkin and Neil Johnson
Edited by: Jon Chappell and Mark Phillips
Music Engraving by: W.R. Music
Production Manager. Daniel Rosenbaum
‘Art Direction: Alisa Hill
Administration: Marianne Monroe
Director of Music: Mark Phillips
Original Cover Design by Rick Griffin and Dave Hefferman
ISBN: 0-89524-477-2
Copyright © 1989 Cherry Lane Music Company, Inc.
International Copyright Secured All Rights Reserved f
INTRODUCTION
The 1980's was a disconcerting period for lovers of
straightforward, no-nonsense hard rock. Itseemed as
though their music was rapidly becoming an endan-
‘gered species. Hard rock was threatened with extinc-
tion by saccharine power-pop bids for chart suprem-
acy, technically focused *neo-classic/chops" rock (and
its attendant guitar-hero premise) and that most indi-
vidualistic, rebellious form, heavy metal, which was
frequently twisted into a parody of itselt: overstylized,
self-conscious, formulated and often too predictable.
As the decade drew to a close, a new breed of rocker
emerged. Like the classic “rodent-mammal” in the
twilight of the dinosaur era, this new entry into the field
seemedto possess thenecessary quailties or survival:
toughness, resilience and aggressiveness.
‘The new rock is distinguished by an ever-present,
underlying blues feeling (the storytelling element)
married to the rebellion and nonconformity of rock 'n"
rola common denominator among Elvis, Chuck
Berry, The Beatles, The Stones, Aerosmith and ACY
DC. The Sea Hags' 1989 release, SEA HAGS, is one
of he newest offerings in this idiom and captures some
Of its most definitive features succinctly—in concept,
mood and execution.
‘The concept is guitar-based, built on the solid, rif
oriented styles of vocalisvguitarist Ron Yocum and
guitarist Frankie Wilsey. Their economical rhythmic
approaches allow for a well-constructed two-guitar
interaction which isindigenous to the music. This result
canbe heard atthe end of the choruses in “Doghouse,”
where the opening rhythm idea, Rhy. Fig. 1, and Riff A
{a motif of unison bends and D minor melody) are
Combined into a simple but effective texture. The
concept is further emphasized in the overall rtf con-
sciousness in the songwriting, arranging and structure
evident throughout the compositions. Consider the
Se
SSS
ate
Estes) Gsm Este
the Way—
Val - key.
stores) Ggiteneay
4 a
Estee)
You're always tak =n! me
Gstre2) Eswread
>
Asiene2) singe) stone
Gsire Ese
str» Esure 2)
Astioreaicsirmen) pstvee2)
adil A ae ID FTF. ads 4
2S SS SS
sure) Esure2)
astnme
IT II
ESSe=
Come on we're al -most there. —
Additional Lyrics
2. Deep in the Forest
Ina
rating eyond the trees,
To he shook without the choice. (To Chorus) Doghouse
bs cs
A A
Thm ew
S78Q-%
=D =H
O-do-0
Modium Rock shat d= me TR
BS, Bhs
oe el
AS. Gein
if
Fs
is, ae 5
Fs,
Words and Music by
Chris Schlossharat and
Fon Yocom
Gs
Fsivee2) Egiween
svn
ee :
——_——_— ss
fae fed SS. Breed
aS
Vcan't recall ‘cau
Wt could - a been two, —
we 1 had quite a few.
SSE
lend me your and PH tell you my
W/Rhy. Fig. 2 (2 times)
==
ees
@lLee = ==
Se
cs as i
=e —— ae a when death paid avis 7 to the hel that AML ha,
“te isi ten death ‘ad ge 2 On the et tht
Copyright © 1989 Flahydude Music/Chrysais Songs (M1)
International Gopyaght Secured. Al Rights Reserved Chorus
ca
ts w/Rby. Ful 1
s bs Ne.
f_uif
Vin inthe doe = house a= i
To Codey rs
css s J
SS
2
Well, here's
(end Rif A)
oth notes vib
Fak 4 oar Pu Fal Fal alt Fu
jo pe Muang} 9! J :
ne ee 2 ” ” —8
Eee 3
Ind Vere
wiRy. Fig. 2(4
bs
one im dime for 2 phone
SSS Ss
tor ney ny that’s not the
kiss of death, —
ae aby Se
Se
—— 5
pe 8
Rhy. Fil Chorus
ES FES
GS AS BS CHS
bs ES FES GSAS
Bs crs
1s, ess
Rhy. Fig, 3 (Both etrs)
death
A-too much.
«(end Rhy. Fig. 3),
Tn Verse
Se ot
— a a
wa-tered down Shirley Tem-ple lasts twice as long.— So gun:
fm
—
$335
aight from the hip.
4 you can't cut Ht rock in" you can
always stip
3
3 (3
3 ty
Chorus
ww/Rhy. Fig, 3 (2 times)
ES FS GSAS BS CHS DS Bs Fs Gs AS
of
bs
death,
“4 Guitar soto ere
crs _bs es cts_ps w/Rhy. Fig. 1.(2 thes)
Ada dad poe a! Gta a ES EG ES Eo ES
rat
cas ps ts FS Fo ES cas ps
geet EFF
Pol Pal Fell alt
no
ela ao ee Setters
=
ard Verse .
(Boas ge ea oe $ “ as OT css as
BAG iat 2 bids Sadediad Sededae
Coetlie) HS ye ecole © aie aT pee atte “ai Ho
om. os Om Oa. ome ca
Bie Fe Pipe ea P
bp Er
— 10 be paid. — 1 you want to rok — and roll away, that's the ar, agen
SEF BS AS cs Bs Chomss
way. Fig. 3 (5 tes)
JDM OLD a ane adr dad Ord Bes cs AS
se =f fice you make to ive this way. Kiss___
Bs cts ps FS GSAS BS CHS os. ES FS GSAS
ti Too much
Bs cts bs [ee AS ws CHS os
Po hee, ——__—_. 1 said, kiss
Es FSS GS AS BSCES bs BS FES GSAS BSCHS os
ES FES GSAS BSCS Ds BS RIS GSAS BS CHS Bs Fts cs AS Bs cts ps ES Fs GS as
‘w/Rhy. Pig, 3 (Ist 3 bars only)
Bs cis obs sorts Gee ies Bs cts bs
ans
Pa Put Fat ral Someday
Words and Music by
Brian Marnelt
Bes seg Gs ays? Gsum Gg FE Fstures) Gs
> i a ee a ge Re
Moderate Rock J=96
ws cs ws cs bss ois Fs
sees Ga de ods
SS =
Bes FS cS Bes mbs FS
dos d tinh d
SE" assum iz
LSI Ss soe Poa er lat ee a ral
= ——— SSS
2 See additional tyre
™$ a
‘You keep dreamin’ that ay rh,
SS =
a =
3 + 7
13) = a = = =
copyright ® 1980 Doctor Zomb/Chrysalis Songs (BM)
Inemational Copyright Secured. x ights Roserod bad
4a
tet
(oom. in sashes)
pes
$1 fe SS
Somertay,-some ~ day,
Tran ake yore
maybe Gs Ne.
a og a
£ - (Gtr. out)
== s
= v
When we lke
SS
youre— a
We keep feel -in' this urge, —
hour
a w Fa
Bein fade
==
Fade out
Additional Lyrics
2, When we tak you get that nervous fook in your eye,
How can I know the pait of love? Back to the Grind
Words and Music by
Chris Schlosshardt and
Foon Yocom
1.t'm get tin’ back to the grind, —
— now. Pm workin’ all night tong. ‘Yes, Fim mix — in’ the po
Copyright © 1968 Fashyaude Musie/Chnysls Songs (84)
mormatgnal Copyright Secured AlfRighs Resored = SS ees
‘And I'm stir -rin’ the mu:
4 2 Pa
= es]
ne ail pak a
tine aati us
i773 I =e Js d-
‘ea
tt
Tm getotin’ back tothe rind.
2 ime eubasite Ry. Fil
ee
Grind_now, 2 grad. bend
StS
Guitar aio
s
&
dornaae ret rat :
4 =
DS. al Cod
&
C8
So Tm (oss in some
Fat
Coda
*
w/RAEA
Mewes
Fut
AS NCAEM)
AS N.C(Em), AS
VENC(EM)
— rd
po Bessette thereat pp Creer
sPtetls
: er
r a PA, wicks ¥ x
AAS NCKEm) = =
==) ==
,
Aa — x us -
= > 2 = =
= ,
sh Basten Au at se
= = = = nd
a + =
= 2—{e)-0- = x
=
? F
Additional Lyries
2. There's two wonches lookin’ for fuse
And there's nobody dancing, they'fe got the burn-out blues
‘Tyner’s whiners are draggin’ Ut tales
As the crowd keeps asyawnin' For more. (To Chorus) Bunkbed Creek
Words and Music by
Chris Sehiosshardt and
on Yocom
tue ana . Fe
ert i
O00 a0 4
Sow Rock 1= 56 :
Ne i ri
Riff A (Bass arranged for gtr.)') (ond ira” A <3
why Fie :
Jd dt So DS/A Bs D5/A Ane od cB
é ¥ : at = =
Vm in the mood for tove.—
le w/Rhy. Fit |
bs/a
3. Now your
a Guitar solo
bs cts ps cts 7 4 - “ru 4 oon
2 2 e
FR PEFELEERR AE pF ee
= J 4th Verse
es" Ds(6/9) os*
ie ae ee ee dhe Poe =
SS SSS
SSS SSS
se seretzcoms int out ta your mouth. There's a
ev Ds46/9) ost
oer SSS
(+ ty foot lone = ver cou) car with thespir- its) step =p out ‘Tees
est sie)
eS == eS
gath-er-in’ of sorts, old co. = horls, the Mt -tle spooks get -tin'read= y to phy,
D565/9) 3
tS
Christ-mas day. And
rs
bang-in’ 8 tune by the light of the moon, walt in’ for
why. Fig 13 times) ks
Bs DSA ES sia fs sia
Fu Pot ee Fle Fa
Efe oh. Pat
3
[eeenewseyg ag “RP weerenee
eee
aera Ss
Es bya ES DS/A FI Datos OS efre e
Fal Falah ruth rah 6
erie te fer
ra
brows Z
Fal Fan rut th Miss Fortune
Words and Music by
Chris Schlosshardt and
Ron Yocom
AS Gand Bes GS Se Gstwne2) Es
sce OR Be ee a
oo
@=v0 =85
Medium Rock J= 102
man Rhy. Fig. |
thy ftgF
St
L
a =
bx Fe 3 2 io 2 $ cs
8 pp ities
(end Rhy. Fie. 1)
Gate Oat
as Ga as Gas w/Rhy. Fig.
aa x aaa a NCAES)
rol “Funan
Fat att
2 ted re
gt
Ist Verse
Gs Fts Fs
Conyright © 1980 Flahydude Musie/Chryealie Songs (BM)
o momaiona! Copyngh Secured Al Rights Resowed w/Rhy. Fig, 2A (4 times)
[Link]) (AS) (BS) FAS FS NCES) as) 5) Gs FAs Fs
= SSS
= = 2
She don't keepin touch. She don't care t00— uch -bout
G5 FAS FS NCCES) as) 3) Gs
NCES) sy ces)
FIs FS
She don't say she oes, though 1 know
(Nam oman oma na ma nama, oe
AS
w/Rhy, Fie. 2A.@2 times)
ma ans NC«ES) was) (£5) GS PIS FS NCUES)
she ‘and if you know where to took, boy,
=e mma na)
bs
us en orbs J Jo
——
Miss for = tune 1 mis Mis-for-tu-nate this,
age ste ae
er Bas
6: w/Rhy. Fig. 2A,
° [Link]) (AS) (BS) GS FAS FS. Z 2 2 2 i + a a é
2nd Vere
wR Fe 20 4 ines
Nees) as ©) Gs FIs Fs_Ncwes)
ee
SSS =
» = « = —— ett =
She fils my cup wih abak —— come 7 ‘through ‘means noth - int now, — it's true, we've got
Rhy. Fill] — youne sit —
oven
E
ae
rs AS
#2 See Es aS 4s as Fts
as ard. a. a. >
7 S, eee Ge
= —F sts
as a
y way, not just__ the best part, ofthe, dey tut
as Es as Bs
a. as. am. a>
ymin for ey sor af 5 tera your vei at
4. y horus (cod Rhy. Fie) w/ Rhy. Fig 1 @ times
cas OF V2 oe RNP N/R. Fig. 1 2 tines)
So ae
do SS Ras oy I
AMD the time,
as
ad
ay ATF 42
AM the time AML the time.—
os ro BSCS DS w/Rhy. Fig. 2 (3 times)
° © * PS ae a
Dark cor = ner, rook. — You're takin’ it eas = y, You know. the walk — and the talk. — Guitar soto
BS
Dina at od, ad 4 s a AAs Dd
Pamcmmnne p ip Fal fw Pa
z
Bs Gs Es
A d a ans ADA s 2 ADs a
a
al rs Fan "fovo,
yo 2
Ft Fh oo . Fat
Zz Al the time
Se ‘aa in ev ry ay, mot just the best part of
w/Rhy. Fig. 3
y4 oad a Ay tg I ad y STII
All the time. AML the time.
Rhy. Fin. 3 poe yee
fee
SS
ma
me
int
Fa Fait Three’s a Charm
Words and Music by
Chris Schlosshardt and
Fon Yocom
BS, Fg AS, CH DS pes sm AS gy su
ig ee st i i in i 0. ie i ha fe ae Fi ua
ane dow 1/2 step
O:30l0
Medium Rock = 144
BS [Link] 1 CS BS _ (end Rhy. Fig. 1) !8t,2nd Verses
te DSS NM RSID Ad che VUE CA Ho,
ye tee EE=
2 ae a = ==
Lt tad th ream tht
You're hav-in’ trou-ble Keep > in’ it to -geth-er, left your
iy
About the dey-il and my lit We get He ied 10 drive us home, lastnight with the throt -
heart in an-other town, — Four hun-deed miles "don’t seem 30. "far, and. they siy-——
cs 8 iy Tera dk
te jammed in re = verse — And ya know, Lu = oi -fer's check -ered cabs
— Ws bound to" yet you down.— Well,” long dis - tance ech = oes line the
cts DS Dts ESMtBs CHS Ds_pfs ES! ES:
Be iad ae Picea 2772 ATT
= == SSSA
CH bs_DH ESS AEs AS Ee
2 FFT IS 4 FTTH
seg
a ae
hap-pens ev "ty —_ight recat makeme foci “a
est" ps ss es# ps. fs es" pss svt Bw Roy. FL
JITIS 4 STITD4 4 FTTH 4
ge pf ead =p SSS
7 gs © —
ant fight, fel allright Wel, your
Copy «199 Fahd Miron ange My
“« ‘tioatonal Copyright Secured A Fgh fe A. cli sche come up ina bad way, soy what crit = 1 -eal trash say inthe
us sows ow ow
2 Ad Os Ds
land of the free way jam,
cs cts ps
ID
a4 STFA STF? im.
Well, your L.A. eli = che come up in a bad_way,say what crit-i-cal trash say this
psn ay OF psn asy OF psn psy OH pow Bs
ne ta A» DAN Dd we Ds
=e ut gom tn) down
3d Verse cs obs css css
gee As Ms AL dm eo wk
eee tee ote J sa ge ——
3 t ——— at
[Link] is charm, she sys as we melt in to each other's arms.
(Ooh, ooh).
aL cs Bs css Bs cs
# Sey GSS} sept dS
SS — SSS
hive is 4 charm, — she mys at we melt in to cach oth-er's arms.
= feck all cat —
4 css css cs
pie
6 oS f
‘Three is a charm, she says as we melt into each other's arms. —
= (Well, feel allright)
DIS flprie 2; take 2nd ending) al Cog
cs
css css cs weSIs Ad
Three is 8 charm, she sak as we melt in -to each oth -er's arms. Well,
Coda w/Rhy. Fill bs Pay 31mes FHS ASY se
@ Ne
STI ST a Under the Night Stars
Words and Music by
Chris Schiosshardt and
Ron Yocom
Rhy Fie
ES
right © 1969 FlasydudoMusiciChysalis Songs (tt)
« Amereatonat Sopyagh Secu Ah opie Roses BS
Nw. y brat stars,
holding my at =ten-tion ev-"ry” inch of the way.
Hal Ie'- Wp brolices, pre the Lond te been Sava ——
A
Sa ee
SSS Fae
Vm missin! Miss = yy 00h,
writ
Ne
Rhy. Ful
ry ts Fs Gs
ce, ae ee
7S SS
Swing, swing under the ight, night stars_—who have Tor -got = ten more than youll eer know.
=A
Rhy. Fig. 2
+ 3
3
w/Rhy. Fig. 2 (2% times)
say re cs
pe
ES pSV" Gs ES opt
mc 8 Tay dy yd de
=] ]2558s ee
jze you slow ~ ly fad sing out as you go.—
——- 2
T or
Show and tell me, hyp=ne
Guitar solo
w/Rhy. Fig. 13 times)
ES on Ful gh ral NG.
Ft w/Rhy, Fig. | (Ist 3 bars only)
Ne. Bs i Ful
1B ut wn rat
me Ny sisi ea
Ful Fu Fu
ee
: 5
————, =
SS > 6a
Ft
Fe
i
Hl
Pm van
= +
Chon
SRY. Fi 22 men
“s Ene Sm ts
Missy too? — ‘Swing, swing un-der the night, night stars_who have for got ten more than you'll ever know.
BS FS os
= Peat: fay foes
s (eSSa SSS Se
= $= SS
= There's too much bhies in your eyes. The fear, it's really startin) to show. —
Pe
[rae
ge § epee
Ie
st sw/Rhy. Fig. 3 (5 tmes)
ES Ne Bs NG
seis em
Ne ES Ne.
Love kills ‘em Love kills —
Rhy. Fig. 3
ES Yeh yeh yeh yeh yeh you.
2
ar all Pts Gs vdrny 4 ‘wih. Fis. 3
Double time
(Iwo
ts) AS, BS AS BS BS AS TABLATURE EXPLANATION
‘TABLATURE A six-line staff that graphically represents the guitar fingerboard. By placing a number on the
appropriate line, the string and fret of any note ean e i
{5h string, ra et
at tring. 15h te
2nd string, 18h tot
played together
‘an open E chor
Definitions for Special Guitar Notation (For both traditional and tablature guitar lines)
‘BEND: See ere ae
‘eran pone
[BEND Se he roe ano
tar up ace sop
et
LEGATO BEND AND
RELEASE Shue ene
Ben or ah) ep
tren eleaae he bend bak 2
orga re Ao ns
ten ery he es nto
GHOST BEND: sons ro
Up eterna eon
et
f
[= —
Some
open
UNISON BEND Tre ve
ate sick gry ptr me
howe tarenbet ore
Blot ergs ce Ty
Soon agacer srs
VieRATO: THe sng =
etd by aby berg and
wane on exacaenaTED
WioRATO, Te puch wed
stn ete
SLIDE: The at rete sek
Snare sare ge he
‘elrardmoves wo he sirg
‘Stretcaton ole cond
‘ok The second oe
a
SUE: same a above
Semtne scene tis
SLIDE: step oe ete
SLIDE: Sree rte a
Supa ane oe of
fers raster pressure
Ee ie ent ote
PICK SLIDE: The age one
okt de eng
Sine snrg Ascrmey sod
Spode
Haes-On se no et
(one rte ren sou 0
Ieper tote mts we tng
Dy tonngi wna png
PULLOFF: Bo tae te
‘a laced ne rete to
‘eons Sue meet
(rer ne. men Sun he
ewer ney Br We ge
(tha nga ate wre
Step ewer nce 808
FRETBOARD TAPPING:
ammerap) oto ht
‘ase wane ne rae
ger of pcx han ane at
tito ne a et by he ee
Pant tee ets
Fou
TREMOLO PICKING Tre
rete eked as ape) ae
Commvouay a poste
[NATURAL HARMONIC: The
fetnand ety totes ine
‘Sig ove et cae
sands poaiced
ARTIFICIAL HARMONIC:
‘Treeline ee
‘racated The ex has
‘Bocas he hemo by
ang anger hy ox
tre sng x ee oad
pretend ony wh
‘ewer er
anTIGiaL “INCE
HARMONIC. Th rte
feted roraty ae
armme proses by
btn he eye re ue
Sve oe nace ge
Ihe pe arate be normal
pe anack High ve ot
Str ale oa gate
very thermore
‘TREMOLO BAR The pch of
‘trcocr cera opt
Soca ror tgs er
reauraa oe engral pc
PALM MUTE (PML)-Tho re
‘Spanaty maos bye poh
fore yt
‘rail pa bore he bye
luurrteo STRINGS: A
foieave seu 8 p80
{rina het hard aces
emo Re head ano
‘omen fe pe rand HALF THE WAY VALLEY
DOGHOUSE
TOO MUCH T-BONE
SOMEDAY
BACK TO THE GRIND
BUNKBED CREEK
IN THE MOOD FOR LOVE
MISS FORTUNE
ALL THE TIME
THREE’S A CHARM
UNDER THE NIGHT STARS
ISBN 0-89524-477-2
IM
9N780895"244 772!
Printed inUSA
9s 3
