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As Played by Gerry Mulligan in The CD "What Is There To Say"

This document is a transcription of Gerry Mulligan's performance of "Utter Chaos" from the album "What Is There To Say". It transcribes the saxophone and other instrumentation throughout the piece in musical notation. The transcription is broken into sections and includes annotations about changes in soloists or themes.

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GeorgeLouisRamirez
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551 views3 pages

As Played by Gerry Mulligan in The CD "What Is There To Say"

This document is a transcription of Gerry Mulligan's performance of "Utter Chaos" from the album "What Is There To Say". It transcribes the saxophone and other instrumentation throughout the piece in musical notation. The transcription is broken into sections and includes annotations about changes in soloists or themes.

Uploaded by

GeorgeLouisRamirez
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
  • Utter Chaos - Sheet Music: This section contains the sheet music for the piece 'Utter Chaos' as transcribed by Orlando Cailu and played by Gerry Mulligan.

Utter

Chaos
As played by Gerry Mulligan in the CD "What Is There To Say"

         
        3          
Transcribed by Orlando Cialli

   
Gerry Mulligan

  
Florence 4/2020

  
 3  3  3
Theme
3 3

       
                        

  
3

 
6

                                   
3 3 3
3

 

10

            
               
3 3 3 3

  


15
3

    
              

      
3 3 3 3
3

 

19

 
  
               


3

    
3

        

23

               
3 3

                    
   
26 Solo

          
        
       


28

                         
      
30

            
 
            
           
32

3
            
              


35

    
                             

37

                  
          
3

        
39

              

      
         
42

 
                                   
3

    
47

                             
3 3 3 3

  
51

     
                            
3 3 3 3

    

54

        
             
5

     
A. Farmer trumpet solo
57

                                      
 
90

                        
     
94

 
              
                   
96

2
                                     
 
99

3 3

                      
               

102

  
                   

     
 
B. Crow bass solo Theme


105
g li s s 3
.

3 3 3 3

         
              
    
 
113
3

3 3 3 3 3
3

 
     
                   


  
117

3 3

    
              
          

119

3
3

           
            

 
122

3 3

      
3

              


125

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