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José Ferrer Gavotte Op. 24 Guitar

This document contains a 3-sentence summary of a guitar solo piece titled "Belle Gavotte" composed by José Ferrer in 1835: The piece is a guitar solo composed by José Ferrer in 1835 and titled "Belle Gavotte". It is written for solo classical guitar in the key of C minor and notated in the sheet music provided. The sheet music contains the musical notation, including notes, tempo, and other performance instructions for playing the piece on guitar.

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Jakov Pavić
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391 views3 pages

José Ferrer Gavotte Op. 24 Guitar

This document contains a 3-sentence summary of a guitar solo piece titled "Belle Gavotte" composed by José Ferrer in 1835: The piece is a guitar solo composed by José Ferrer in 1835 and titled "Belle Gavotte". It is written for solo classical guitar in the key of C minor and notated in the sheet music provided. The sheet music contains the musical notation, including notes, tempo, and other performance instructions for playing the piece on guitar.

Uploaded by

Jakov Pavić
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Guitar Solo.

José Ferrer
1835 - 1916

Belle
Gavotte
Op. 24
Belle
Gavotte
José Ferrer
½CII Op. 24
Andante
            
  
4

  R
4


4 1 3 0 2 0
2 4 2

 
2


3 2 1 3
Introd. 2

 
1

 
3 1 1
0
3
0
f 3


CII

       
6

            
 
4 1
4 2

  
1 1


3
R
  
1  1


3 3
0



m


i
m a

  
½CII 4


12

          
½CII


1


i 3

 
0

     
2 1 0 0


1 1 1 1


3 1
2 1 0 1 3


1  3 2
p
p
p

                    
17

  
4 4

        
0 1 0 3 0 0
4

     
4 3


3


2
Gavotte 2

 
3 1 1

 
1
2
2

                    


22

   
4

  
4

  
3 4 4 4


0 4 0

  
0

 
2

 
0 3


2 3 1

  
3 3
1 2 1 p

                     
CII


27

  
4

     
4 4

  
0 1 1 4

 
1

  cresc.
2 1

   
3 1


1

 

        
CII 4

       
32 1

     O
4 2
4

 
0 1 1 0 0 0 4 1
4 2


2

  
2


1

 
3 1

 
1


4
3 1
f 0

       
   
38 II

        
2 I 1
4 2  4
 
4 1

  R R
4
0

   
1 1 3 0
0 1
1 2 3


1 1
0
3

Transcription by Tony Wilkinson 2011.


   
3

      
43

       
4 4


1 3 1 3 4

 
0 0 0 0

 
0

   
2


3 1


1 1 1 3
2
2 2
mp

                   
49
    
    
4

 
2

  
2 0 0 0 1 1 4 4 4 2

 
4 1 1 1 1

 
0 0 2


1

 mf 
 
  
55

      

 1 
   
   
 
  
4 4 1 1 1

 
3 3 3 0 0 0

  
4
1 1 2


2 3 3


3 2 1

 
    
A tempo
   
61 
 
 
      
      
0


    
 4

f 
 
1
3 4 3 4 3 2 3 2 3 2 3 2
p 0
2 4
0 2 4
4 4
rit. 0 2


CII

          
67

       
 
               
0 0
2 2 4 2

    
1 1 1 1 1
2 2 4 0 2 2 0
4 4 4 4 2 0 4
4 3
1

                        
73

           
   
    
   

                        


79

             
   
   f    
 V 3 IV 3 II
Più mosso

                   
CII

  


85

          
1 2 2


2

   Finale 
3 1


1


3 3

 0 0 0


   
rit.

½CII V
 
91
         
               R
   
4

   
4


2 3 1
1 1 2

                   
1 1 1 2

  
3 2 3 1
1 2 3
1

0 0 f 0 0
p et sons étouffes

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