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NMM Gold On Fabric

This document provides a 20-stage process for painting fabric in a non-metallic metal (NMM) style that can also be used for small detailed NMM work. The process involves basecoating the area with ivory, then layering shades of brown and highlighting with desert and ivory colors to create depth and blending between tones. Photos are provided of each stage to illustrate the layering technique.

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Gregory Prest
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223 views12 pages

NMM Gold On Fabric

This document provides a 20-stage process for painting fabric in a non-metallic metal (NMM) style that can also be used for small detailed NMM work. The process involves basecoating the area with ivory, then layering shades of brown and highlighting with desert and ivory colors to create depth and blending between tones. Photos are provided of each stage to illustrate the layering technique.

Uploaded by

Gregory Prest
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as DOCX, PDF, TXT or read online on Scribd

Aug 9, 2019 at 1:12am

Fabric Non-Metallic Metal

Hey everyone! I wanted to share with you my process for painting fabric in NMM style.
This process can also be used for very small detailed NMM. 

Here are the first stage photos...


Stage 1: I’ve painted the majority of the matte acrylics on the model using standard GW
and Vallejo paints. 

Stage 2: A close up of the area we‘ll be working on. 

Stage 3: I painted the entire area that we‘ll be working on with Vallejo Ivory. 

Stage 4: And the same for the back.

And here are the next stage photos...


Stage 5: I painted the entire area, minus a small border, with XV-88. I used a
BrokenToad, size 000 brush for this, and for every stage now on. 

Stage 6: And the same for the back.

Stage 7: Next I used Doombull Brown and feathered in, small patches of the first
shading areas, using the box art as a guide. Use the areas that you painted XV-88 as a
guide on where to paint and where to avoid. You want to leave the edges that are Ivory
completely alone. 

Stage 8: And the same for the back.


Stage 9: Next I added some Rhinox Hide to Doombull Brown and did the same, but with
a smaller area. 

Stage 10: And the same for the back.

Stage 11:  Next I did the same with pure Rhinox, using it very sparingly. 

Stage 12: And the same for the back. That’s the end of the shading, now onto the
highlighting. 

And now for the next stage photos...


Stage 13: Now, again using the box art as a guide, I painted Zamesi Desert onto the
first areas of highlighting. 

Stage 14: And the same for the back.

Stage 15: Now glaze in a little with XV-88 to create a smoother blend between the mid
tone (XV-88) and the first highlighted are (Zamesi Desert).

Stage 16: And the same for the back. 

And now for the final stage photos...


Stage 17: Add some Ivory to the Zamesi and, again using the box art as a guide, paint
some 2nd highlights. You can afford to go into the Ivory edges now as this will help to
make the highlights stand out a lot more. 

Stage 18: And the same for the back.

Stage 19: And now the same with pure Ivory, but very sparingly. 

Stage 20: And the same for the back. 

And there you have it, hope you like it and find it useful. 

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