Frieze Patterns
Alicia Stevenson & Jessica Mavis
Minnesota State University Moorhead
May 1, 2006
Dr. Peil – Geometry
Table of Contents Page
Introduction .........................................................................................1
History ............................................................................................ 2-3
Seven Pattern Types ...................................................................... 3-5
Activity ................................................................................................6
Conclusion ..........................................................................................7
References .........................................................................................8
Introduction
“Observation is the best method to use in searching for patterns. Stop, look, and
listen, and then think about what you have seen and heard” (Shimek, 5). As you walk
down the street, as you listen to music, as you sit in a classroom, you’ll find patterns of
shapes, notes, or color. “This knowledge can help you better understand how the world
works” (Shimek, 5). Patterns are used to create and to predict. Recipes are patterns
that every time we follow, we get the same thing. Architects use blueprints as their
pattern to build a building. Musicians put patterns of notes together to create melodies,
songs, and symphonies. Artists use patterns to create masterpieces. “Patterns used as
aids in creating things can often be thought of as models” (Shimek, 8). They can be
used to predict the weather. Patterns can predict election outcomes. Doctors use them
to prescribe medicine. Scientists use patterns in experiments. In mathematics,
Pascal’s Triangle is a pattern that predicts probability outcomes.
“When we observe a repeated pattern in wallpaper or fabric, we find that an
object has simply been moved up or down or to the side. This kind of order of
symmetry is called translational” (Hillen, 39). A frieze is a decorative horizontal band.
([Link]) In mathematics, patterns that are repeated along a line are called
frieze patterns. They have translational symmetry with the part that repeats being a tile.
Strip patterns or frieze patterns are decorative and found in many cultures. Native
American baskets and pottery, Chinese and Persian carpets, and on the walls, the
floors, and the ceilings of ancient Greek, Roman, and Islamic buildings display these
frieze patterns. They can also be seen in border patterns, needlepoint stitches, and
ironwork railings among other places. (Serra)
History
Stemming from the history of symmetry, man found the seven possible strip
patterns and the seventeen possible wallpaper patterns, along with thirty-two types of
repetitive patterns in crystals. From these patterns we have modern day tiling,
wallpaper, and border prints – or frieze patterns. (Hay)
The ancient Greeks used the frieze as part of a stone entablature, and then later
it was applied to wall paper as simply a decorative band at the top of a wall. Yet “there
is nothing simple about the history of the wallpaper frieze” (Kelly). In 1841, one
decorating authority complained about the large patterns on walls that were making
rooms seem very small. “So out with the large, in with the small” (Kelly). Thin borders
at the top of a white or gold papered wall were considered the most elegant.
In the late 1860s, English tastemaker Charles Eastlake created a wall treatment
that included frieze, sidewall, and dado. This didn’t catch on right away since the
market for custom-made wall treatment was small. But by the 1880s, friezes became
more elaborate while the sidewall and dadoes more plain. Eventually the dado fell
away and the sidewall/frieze scheme continued to be popular until after 1900. What has
lasted even through today is the frieze as a wallpaper border. The friezes were custom-
made, hand-stenciled, to match furniture or carpet, with complimenting embroidered
pillows and dyed linen tablecloths. After 1925 though, this custom product died away as
it required a mass market to survive. (Kelly)
As far as the frieze goes in the mathematical world, mathematician John Conway
created names that relate to footsteps for each of the frieze groups. The first group
being a hop, the second a step, the third a sidle, the fourth a spinning hop, the fifth a
spinning sidle, the sixth a jump, and the seventh a spinning jump. This made for a more
practical approach to visualizing the seven different frieze groups.
Seven Pattern Types
A frieze is a pattern that repeats itself in one direction. There are seven different frieze
patterns possible.
A translation is the first pattern. A translation slides all the points in the plane
the same distance in the same direction. All frieze patterns map onto themselves
under a translation. The only transformation in the figure below is a translation.
The second pattern is a glide reflection which slides the figure to the right and
then reflects it over a horizontal mirror. This pattern in this figure is a glide
reflection.
The third pattern is a vertical reflection. A reflection flips all the points in the
plane over a line (called a mirror). The pattern below is an example of a
reflection across a vertical mirror. The dashed line is an example of a vertical
mirror.
The fourth pattern is a rotation. A rotation turns all the points in the plane 180
degrees around a point. The pattern in the following figure has two half turns.
The green point is an example of a rotation point.
A vertical reflection, rotation and a glide reflection make up pattern number
five. The following pattern is a reflection across a vertical mirror, rotation, and a
glide reflection. The green point and the dashed line are examples of a rotation
point and a vertical mirror, respectively.
The sixth pattern is a horizontal reflection and a glide reflection. This is
displayed in the figure below.
The last pattern contains a rotation, horizontal reflection, vertical reflection,
and a glide reflection. The following figure displays this pattern. The green
point and the dashed line are examples of a rotation point and a vertical mirror,
respectively.
Frieze Patterns
Hands-On Activity
Materials
- set of six R’s
- room to investigate
Objectives
- understand transformations: translation, reflection, rotation
- observe how these transformations form frieze patterns
Application
- identify frieze patterns in our surroundings
Frieze Pattern 1 : ____________________________________________________
Frieze Pattern 2 : ____________________________________________________
Frieze Pattern 3 : ____________________________________________________
Frieze Pattern 4 : ____________________________________________________
Frieze Pattern 5 : ____________________________________________________
Frieze Pattern 6 : ____________________________________________________
Frieze Pattern 7 : ____________________________________________________
Conclusion
A frieze pattern consists of repeated copies, along a line, of a single figure or
block called a tile. Frieze patterns are classified by the isometries that formed the
pattern. They can be found in many places such as, wallpaper borders, pottery,
buildings, quilts, and many other forms of art. Frieze patterns sometimes prove to be
difficult to classify; using the above chart should make the isometries that form the frieze
pattern a little easier to identify and help to classify the pattern!
References
“Frieze”. 23 April 2006. <[Link]
Hay, Frances R. 23 April 2006.
<[Link]
Hillen, Judith A. Pieces & Patterns: A Patchwork in Math & Science. AIMS Education
Foundation, 1986.
Kelly, Robert M. Frieze Frame. 23 April 2006.
<[Link]
McDonald, Judi. “Frieze Designs in Indigenous Art”. 22 April 2006.
<[Link]
Reid, David A. “Frieze Patterns”. 4 April 2003.
<[Link]
Serra, Michael. Discovering Geometry: An Inductive Approach. Key Curriculum Press,
1997.
Shimek, William. Patterns: what are they? Lerner Publications Company, 1969.