Book by New Music by New Lyrics by Richard Morris and Dick Scanlan —_ Jeanine Tesori Dick Scanlan (Original Story and Screenplay by Richard Mores for the Universal Pictures Film Originally Produced for Broadway by Michal Leavitt Fox Theatricals Hal Laftig, Stewart F Lane James L. Nederlander Independent Presenters Network 1. Mages/M. Glick. Berinstein/Manocherian/Dramatie Forces John York Noble and Whoopi Goldberg Josie tocare renaronns] is pri ©2109 js Sb fon on iy Dak Sn meen re a1 9s ico ba “ie a SaneReed 3 Act Overture 2-Not For The Life Of Me. 3-Thoroughly Moder Mile... 3a-Millie Gets Mugged. 4-Not For The Life OF Me. 4a-Little Orphan Ethel... 5-How The Other Half Lives, se 5a-How The Other Half Lives Tag... 7 ‘S-Into The laundry. {6-Not For the Life OF Me Reprise ‘7.The Ofice Crossover: - ‘Ta Front And Center. 8The Speed Test ‘8a-Speed Test Playof. 8b-How Sweet. 8e-California Apple #1 84-California Apple #2. 7 9-They Don't Know. 9a-They don’t Know Playof. — 10-The Nuttyeracker Suite : 10a~Tell l'To The Judge. | 1-What do I Need With Love. ‘a-Moring Music Mb-Love At First Sight e-Laughin. ' 12-Only In New York (G) xno 12a-Muzzy's Party Part I ~ 126-Muzzy’s Party Part 2. 13 immy’an 714-Eniracte. se |4a-Back At Work 7 15-Forget About The Boy 15a- Forget About The Boy Tag. 16-Ah Sweet Mystery/Flling In Love. 16a-On The Fat Side. 17-1 Tuned The Comer. 18-alling In Love Reprise. 18a-Love And Peril 19-Muguin.. 194-Muquin Tag. 20-Long As I'm Here With You. 200 Long As I'm Here With You Playoff. 21-Gimme Gimme — 21a Gimme Gimme Tagen 21b-Something's Very Wrong... 22-The Chase... 220-Greeh Tenn 22b-Double Meers (Parts 1-3). 22e~Zaau Rosy Shmevmen.. 23-The Speed Test Reprise.vun 2d-Ab, Sweet Mystery REPFSE nn 25-Finale... 7 7 26-Bows, 27-Exit Music.Resp 3 Carine “Tenor Sexophone Soprano Saxophone OboeReed 3 2. Thoroughly Modern Millie7- —— oe OVERTURE [1 | Orch. by Doug Besterman ‘Maestoso -in 4 Rall, molto (ovRa. 306) 3 OVERTURE (4/9102), “Thoroughly Modem Millie aA oI (To Tenor)4. OVERTURE (4/9102) Thoroughly Modem MiliRu, 3 (Tenor S, OVERTURE (49902) “Thoraughly Modern Millie Grandioso A aig ae ae rs 7 oF ™ ~f ‘0 (Gor Ralph Bums)Reed 3 Thoroughly Modern Millie | “enor NOT FOR THE LIFE OF ME 2 704m) Orch. by Doug Besterman (CLARINET) Freely but moving forward In 4 (6a Slower Dictated (TENOR SAX) Ce AN a 25 (Suing) Ce Te ‘Wide Swing - Hot Dixieland Ing A "Burn thebeidge™ In? aRU. (Tenor Sax) 2. NOT FOR THE LIFEOF ME (7103 m1 cut) Thoroughly Modern Milie-Tour a ee A ee Segue as onesl Thoroughly Modern Millie | eine THOROUGHLY MODERN MILLIE 3 cao Ore by Doug Besterman = 4 mae a cm ieRa 341) 2.THOROUGHLY MODERN MILLIE (4/02) “Thoroughly Modern Millie lead 2 oe A pa 2 (a lead)Rd, 3 (Teno) 3 THOROUGHLY MODERN MILLIE 4/102) “Thoroughly Modern Mile rea. 3 (Tenon) §. THOROUGHLY MODERN MILLIE (4/102) ‘Thoroughly Modern Millie ee 7p Tere) Listesso fe ep Almost segueReed 3 Thoroughly Modern Millie Cos MILLIE GETS MUGGED 3A Orch. by Doug Besterman 3 Solo (Smear =eReed 3 Thoroughly Modern Mi ie) larinet | Seorsa NOTFORTHELIFEOFME-TAG | 4 Soprano Sax ara Orch. by Doug Besterman (CLARINET) PARTT) Rubato - not too slow and 4 iit mosso In 2 . Gaanen Ind TAR (Fo Teron) 8 (Clioloy a, aia oe : ft — - te Beem soe ; In2 accel. poco a poco t912) 2 . #4 osRa3iCl 2. NOT FOR THE LIFE OF ME -TAG (4/802) ‘Thoroughly Modem Mile “applause segue) wo 4 =e tes [PART IT] (Faster) r aa =e rast ana ut othope JDJ Snes g [SOPSAX. essere apReed 3 Thoroughly Modern Millie Clrnet LITTLE ORPHAN ETHEL 4A Orch. by Doug Besterman CARNE ‘Scheming in 4 ‘Sis, Celeste "£s 7S (2 raster so vbr f= FD _Cialoguey A” oe Oboe ae —= F 16‘Thoroughly Modern Millie HOW THE OTHER HALF LIVES 5 Orch. by Doug Besterman Clarinet (CLARINET) Operetta Poco rall. A tempo ° pu pe P ‘Tempo T a Poco rll. _Atempo 7 ry 5 Moderate soft shoe - light and charming a iE] =nRa, 3 (Clay 2. HOW THE OTHER HALFLIVES “Thoroughly Moder Millie c12s0lo 8 Brssiates) == ee =e I veo = a - e = = a 8PLACE ia 3. HOW THE OTHER HALF LIVES ‘Thonwughly Modern Mille (under dialogue)Reed 3 Thoroughly Modern Millie [sal tS HOW THE OTHER HALF LIVES (TAG) [SA Orch, by Doug Besterman Attacea 20Reed 3. Thoroughly Modern Millie | Teor Sex INTO THE LAUNDRY 5B Orch. by Doug Besterman . AReed 3 Thoroughly Modern Millie Terr 6 NOT FOR THE LIFE OF ME - REPRISE #1 (21802) Orch. by Doug Besterman (TENOR! Freely Veet 8) A _ en Slowly into tempo © pers 7 3 iB} ‘TempoReed 3 Thoroughly Modern Millief Sapmno Sex THE OFFICE CROSSOVER (G03) Orch. by Doug Besterman Quasi freely a wae) 3Ra. 3 (Sop. Sax) 2.THE OFFICE CROSSOVER (3111024313902) “Thoroughly Modern Millie Poco meno a 4 fai 1 1 G1 py = 3 =p aeReed 3 ‘Thoroughly Modern Millie[-———} fers FRONT AND CENTER (7A faa Orch by Dos Besteman aReed 3 Thoroughly Modern Milli Ree roughly Modern Mil 8 | Clarinet THE SPEED TEST | Orch, by Doug Besterman Moderato (In 4) Solo [F] a a) Cis x ont Satety (°° 4 =a3 (Oboe) 2. THE SPEED TEST ‘Thoroughly Moder Millie Pit mosso 3 Solo 4 accel. 2 to CLARINET) Colla voce a : Pocortt Atma g Pecos 28Ra (Char) 3.THE SPEED TEST ‘Thoroughly Modern Millie (CARINET Rit. a mp Zp tencten, A fempe Dance dd a vor 2 oe at J.) Tempo laboriously) Tempo U (rity) mf ‘Tempo It 2 Te we tS . fs), Temper ‘Accel. ‘Tempo (brisk 4)Ras Clar) 4. THE SPEED TEST ‘Thoraghly Modern MileRua (Cian) 5. THE SPEED TEST ‘Thoroughly Moder Millie New Tempo (faster) ‘Subito presto (in 2) B =Ra3 (Chr) 6. THE SPEED TEST “Thoroughly Modern Millie Keel poco poco g uf cs was a aReed 3 Thoroughly Modern Millie | Cine SPEED TEST (PLAYOFF) 8A (22902) Orch. by Doug Besterman aE) Fast 4 Tpissiex (CLARINET) pLav +} Slow (Meers) 4 Noid. ex, =Reed 1,234 Horn ‘Trumpets 1, 2,3 ‘Trombones 1, 2 Violin Cello Guitar Bass Drums Percussion Coles wiry \ Thoroughly Modern Millie HOW SWEET B Orch. by Doug Besterman 6 34Reed 1,2,3,4 Thoroughly Modern Millie ~~) Horn . en Cc ‘Trumpets 1,2,3 CALIFORNIA APPLE 41 ‘Trombones 1, 2 Violin Cello Guitar TACET Bass Drums *weloame to the Priscila Harp, Coosa, VosReed 1, 2,3, 4 Thoroughly Modern Milli Horn [rumpet 1, 2, 3 CALIFORNIA APPLE #2 Trombone 1,2 Violins Cello eal TACET "Now where we'e we? Ab, yesReed 3 (Clainet ‘Thoroughly Modern Millie THEY DON’T KNOW (3727902) ‘Aisin V.S. >>> a 9 Orch. by Doug BestermanReed 3 2 Thoroughly Modern Millie | Cane THEY DON’T KNOW 9 ‘oan) ea Orch, by Doug Besterman (TIME: sab Oboe) (CLARINET) Bsc cats 2 2 Straight 8's a ee f 3Ras KCl) A. THEY DON'T KNOW (32710244802) Thor Modern MileReed 3 ‘Thoroughly Modern Millie Cases THEY DON’T KNOW PLAYOFF (9A (CLARINET) ne 2 Subito sower a 7 ?Reed 3 Thoroughly Modern Millie Senor Sax NUTTYCRACKER SUITE 10 r2802) Orch, by Doug Besterman —-[E] m2 Bex muted PART?) \ Abit slower 6 Ce (To Tene a (TIME) aiRa. 3 (Tenor) 2. NUTTYCRACKER SUITE (3/802) ‘Thormughly Moder Mile 3 (SUGAR PLUM) ci Light and jazzy, not too wide a ‘Tempo L 4A Twewsnct = Tpiwisxct ® aceel.pocoa poco 7 7 7 PLA freon a> mp = Poco piit mosso 4 id eS (racine Gt z Pa —— oof @ © ap aRu 3c) NUTTYCRACKER SUITE (3/2802) ‘Thocoughly Modern Mile g z [PART 4] In 4 - stomp (triplet feel) mq SERRE ‘brata (To Tenor fast)a 3 (Tene) 4. NUTTYCRACKER SUITE (37282) “Thoroughly Modem Mili - os Peas SSS Imp ver Ton.Ra, 3(Tenae) 5. NUTTYCRACKER SUITE (32802) “Thoroughly Modem Mile ‘Andante maestaso owns _ ° mp a8 Crese. poco a pocoReed 3 Thoroughly Modern Millie Gite” TELL IT TO THE JUDGE LOA\ Orch. by Doug Besterman Fast 4 a (CLARINET a > ‘Segue as one to "What Do I Need With Love" ® "ie. 7Reed 3. Thoroughly Modern Millie | ‘enor Sax WHAT DO I NEED WITH LOVE ul ‘ann0a) Orch. by Doug Besterman Freely, conversational Rall. 5 Sie. " e = ana 2 s_ 70 "Wait a minute! “Justa minute!” 3 % ie [7] Atempo - swingy; in 2 1Ra 34Ch) 2. WHAT DOI NEED WITH LOVE (3/2802) Thormughly Modern Mil lip ToTenon) 2 a ” 6 mf S =—_ oA —= ”" £ Double X feel - Ste 8th'sa, 3 (Tenor 3. WHAT DOINEED WITH LOVE (828!02) Thoroughly Modern Mile 2 NpReed 3 Thoroughly Modern Milli ” MORNING MUSICReed 3 ‘Thoroughly Modern Millie Chie LOVE AT FIRST SIGHT 1B Orch. by Doug Besterman (CCARINET) (0808) ieReed 3 ‘Thoroughly Modern Millie Os 11C Carine LAUGH-IN a Broadway 2 beat to CLARINET) 3 > ing EARINETI =Reed 3 Thoroughly Modern Millie | ‘or Sax ONLY IN NEW YORK 12 Orch. by Doug Besterman (CLARINET mp wiCello 7 uy {F Freely but with motion 2 Rall, mp sips "Tannen? Atempo, sultry J)_1.) LLLL (Wo TENOR)Reed 3 (Tenor 2. ONLY IN NEW YORK “Thoroughly Moder Millie 3 -— Poco rit. Slightly slower and heavier stillReed 3 Thoroughly Modern Millie Cie MUZZY’S PARTY 12A (Part 1) (TENOR SAX! (Wo CLARINET) 3 CLI salo 8 GH Repent ante te en’ Tough house"Ra. 3 (Clue) MUZZY'S PARTY (Patt 1) ‘Thowoughly Modern Millie & pect — Tac — a TF fw) Soli oeTon.) Slightly slower than half-time (Bluesy) 4 BC sloRu 3 (Clr) S.MUZZY'S PARTY (Part 1) “Thoroughly Modern MillieRa. 3 (Clr) 4. MUZZY'S PARTY (Part 1) Tron & 2 Accel. poco a poco 4 ‘Tempo oe Segue as oneReed 3 Thoroughly Modern Millie [>] ‘Tenor Sax MUZZY'S PARTY 12B (Part 2) Orch, by Doug Besterman (GaRNET] a are al 1Ras cly 2. MUZZY"S PARTY - Pan? “Thoroughly Modern Mile (ToTenon)Reed 3 Thoroughly Modern Millie tarine 13 ‘Tenor Sax JIMMY Orch. by Doug Besterman (Based on Ralph Burns) Bright 2 tocar tatRd. 3 (Char) 2IMMY “Thoroughly Modern Millie El "my oh Simad 3 (Clary S.ulMMy “Thoroughly Modem Millie & Broadly Re * = & (iF, Hon) 19) 8 a __ GoTENOR Rit, 2 = TENOR] srestoso " r ——= (WoCLAR)‘enor Sox ENTR'ACTE 47302) Reed 3 Thoroughly Modern Millie [14] Orch, by Doug Besterman (CLARINET) at 4 —_ 2 fp— 3 fp — of (to TENOR SAX) 2 ve es ca aa FENORSAR] & ki a7 AA Ae Sa os a = = aa, 3 (Ten. Sax) 2. ENTRACTE (4702) Thoroughly Modern Mile 67Reed 3 Thoroughly Modern Millie Oboe BACK AT WORK Orch. by Doug Besterman (0805) a = pipe pe pe ppp oe pe Se ‘BsCI,Tba,Bs.Pao. . 68Reed 3 ‘Thoroughly Modern Millie Seon ax FORGET ABOUT THE BOY 15 ai Orch. by Doug Besterman (Based on Ralph Burns) With Great Convietion 6) - uso 8Ra 3(Clar) 2. FORGET ABOUT THE BOY “Thoroughly Modern Mile 30's Sunny ("We're In The Money") uf a = \__tosorrano sax 3 EZ stop time (SOPRANO SAX! Acappella =10—a. 3(S0p. Sax) 3. FORGET ABOUT THE BOY “Thoraughly Modem Millie ——. —b ie 3 a a = . Strong Back Beat (Pay-off) ‘Triumphant a ae a af 1A.FORGETABOUTTHE BOY (4/I1J02) Thoroughly Modern Mile by a. 3(S0p. Sax ap rrReed 3 Thoroughly Modern Millie SepnnoSsx_ FORGET ABOUT THE BOY - TAG a0) 5A Orch, by Dong Bestermen (SOPRANO) Brisk.Reed 3 ‘Thoroughly Modern Millie Clarinet AH, SWEET MYSTERY/ 16 FALLING IN LOVE Orch. by Doug Besterman Song based on Ralph Burns Grand & Kamae aS = = 3 Pit mossoReed 3 (Clie) 2. AH, SWEET MYSTERVIFALLING IN LOVE Thoroughly Moder Millie Poco rit. po — — 2 a wf “For tm. 2 [lA tempo rubato fel) of 5 Poco rit. Aceel. Rit Poco rit. ‘Tea Dance (slow and gentle) 6 Poco rit.Reed 3 (Clan) 3. AH, SWEET MYSTERY/FALLING IN LOVE. Thoroughly Modern Mile Viennese Waltz (poco pis mosso) J Z — i mf In3, resco 4 Neem Poco rit. Int A poco a poco occa erst __———~ Grande Valse 2 cra yp Stowiy wieetia SoliR ‘Thoroughly Modern Millie = ON THE FAT SIDE 6A ae ; Bl Bcivel Lead PLAY TrreREreette) me ~ “ a ra 76Reed 3 Thoroughly Modern Millie Conese I TURNED THE CORNER 7 Orch. by Doug Besterman Briskly, in 2 mf [E]_ Freely with great expressionRu. 3(Clae) 2. /TURNED THE CORNER “Thoroughly Modern Millie ny on [=] With a gentle pulse (not 10 stow) 8 af >. 3 x o> er ¢_? Con moto -erese. poco a pocoa 3 (Clue) 3. TURNED THE CORNER ‘Thoroughly Modern Millie Bile + oeRu. 3(Clar) 4. ITURNED THE CORNER “Thoroughly Modern Millie 2 A A 8 © ftp —— fip ——— Poco accel... a Faster(Dialogue) Rall, oh oe | 2 Rite eat. vine 7 Segue as oneReed 3 ‘Thoroughly Modern Millie lavinet, FALLING IN LOVE 18 (Reprise) Orch. by Doug Besterman [A] Piutento e motto sappy ne St Acappella Rit, a Direct segue aReed 3 Thoroughly Modern Millie Coss LOVE AND PERIL 8A CLARINET —35—Reed 3 Thoroughly Modern Millie 86Reed 3 Thoroughly Modern Millie Clarinet Siar Sax MUQUIN 19 Orch. by Doug Besterman Bell one a 3 Ing Atempo (CLARINET Poco rit. In 2 (Colla voce) Salt [Stony wit exprenion Jase eo 37Ra. 3 (Tenor 2.MUQUIN ‘Thoroughly Modem Mile a (Stomp) mp = = “= (Jolson) Full Jolson BE] aot GES = e SS ™ ip 2! . ~ (Straight 8ths) piety Pelee eer _ ere vee eee ee Ss 5 a —s—a, 3 (Tenor SMUQUIN ‘Thorayghly Moder Millie MUQUIN TAG 19A , 2 7 uf 3 aan Siet . SY Graigne sing 7 SF 3 @ 7 oeClarinet Reed 3 ‘Thoroughly Modern Millie] : ING AS I’M HERE WITH YOU Orch. by Doug Besterman ‘Ad lib Motto legato, (ander vocal ; Rall, vt + Pitrmosso or z a == vas 13D ag In? 3 amen) g tee = v oH tT prt BsProit, na IeRu. 3(Ten, Sax) 2 LONG AS I'M HERE WITH YOU “Thoroughly Modern Millie a Rigorous By Loss of Video 2Ra, 3.(Ten. Sax) S.LONG AS I'M HERE WITH YOU “Thoroughly Moder Millie (Dialogue) {Wo CLARINET) (Wo TENOR SAX) 10 Contemplative, 2d is a Vocal 4Ru. 3(Ten, San) 4 LONG AS I'M HERE WITH YOU ‘Thoroughly Modern Millie [) TENORSAX — ci af C= pigs &Reed 3 Thoroughly Modern Millie| Tenors LONG AS I'M HERE PLAYOFF 20A; Orch. by Doug Besterman swe, Brighter (Brum) 95Reed 3 Thoroughly Modern Millie! Clarinet en Sar) GIMME GIMME 21 Orch. by Doug Besterman (Based on Ralph Burns) ecto. Pi mosso RallRa. 34Ce) 2. GIMME GIMME “Thoroughly Modern Millie ‘Accel. poco a poco (oTENORSAX) Aceel, & mmUL3 (Fen, Sax) Poco pit mosso 3.GIMME GIMME, & “Thoroughly Modern Millie =a = o 5 po o Atempo In2 ar e = = —— —_ > 2 SSeS aa 4 hp fi —Reed 3 “Tenor sax (TENORSAR] n2 sie ‘Thoroughly Modern Millie GIMME, GIMME TAG 21A\ : A Epapetepsteh — Hoap el pkey — eres : Sey 100—Reed 3 Thoroughly Modern Millie Cnet SOMETHING'S VERY WRONG 21B Orch, by Dong Besterman (ARNE) Ind —101—Reed 3 Thoroughly Modern Millie | Tenors THE CHASE [22 Orch. by Doug Besterman ENOR] ao) (THE CHASE part) stated Bright? [TENOR — fee 2 102Reed 3 ‘Thoroughly Modern Toss GREEN TEA CoN om on ee A 103Reed 3 ‘Thoroughly Modern Millie! Tenor Sax Clarinet DOUBLE MEERS 22B (Parts 1,2&3) Orch. by Doug Besterman och, iy ese & 5 [CLARINET] wear 40 PP Poco rit. P Atempo Poco rit. (To Tenor =f!) [TENOR SAX, Pao, Har iss PLAY 76 aap — ® pReed 3 Thoroughly Modern Millie Carnet ZAZU ROSY SHMEVMEN 22C (a0r202) Orch. by Doug Besterman f — (Vins. Triangle vem) a 105Reed 3 ‘Thoroughly Modern Millie ome SPEED TEST REPRISE 23 Orci by Doug Besterman [OBOE uiety in? 4 7 + 3 aReed 3 Thoroughly Modern Millie [24] cues AH, SWEET MYSTERY 24 REPRISE Orch. by Doug Besterman (CCARINET] 3 Soot Slower Colla voce 101Reed 3 Thoroughly Modern Millie Clarinet 25 seen Sar) FINALE Orch. by Dong Bestermean Under dialogue vt — a nf Bl cotevonsax-raan 3 Accel. 2 StReed 3 Thoroughly Modern Millie Tenor Sax 26 BOWS Orch. by Doug Besterman (2O] —Zie 109Rd, 3 (Tenor) 2.BOWS “Thoroughly Madera Mile 4 110—a, 3 (Tenor) 2. BOWS ‘Thoroughly Modern Mille (ose b mn ara 7 amp Ween 16 af ————Reed 3 Thoroughly Modern Millie Senor Sox EXIT MUSIC 27 Orch. by Doug Besterman a Molto espressvoe legato (CLARINET) 6 —— Gre — = zs 7 ea Sept co 8 vo og go @ Toa 112.RAIL) 2. EXIT MUSIC “Thoraughly Moder Millie Bronier rotor) St Marcato ‘i aN Molto rit f ‘ we ‘8 —— Slowly in 4 @w. w 18 18 7 accel, poco a poco 4 ALA Ind for Ralph Burns IBSMusic Theatre International 421 West 54th Street New York, NY 10019 Tel: 212-541-4684 Fax: 212-397-4684 www.MTIShows.com