An Inconvenient Truth: A Social: Representation of Scientific Expertise
An Inconvenient Truth: A Social: Representation of Scientific Expertise
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An Inconvenient Truth 213
Background
AIT had a huge cultural and political impact following its release in
2006, winning a host of awards, including the 2007 Academy Award
for Best Documentary (IMDb, 2015), helping Gore win a share of a
Nobel Peace prize with the IPCC and providing an anchor for intense,
prolonged debates about climate change.
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face of the climate-change debate (Jaspal et al., 2014: 114). Yet it also
contains other attempts at personalisation. In a powerful early section,
Gore tells how his young son was almost killed in a car accident, and
of the painful days spent at his bedside waiting to see if he would
recover. The parallel is drawn between Gore’s son and the natural
world that we assume to be stable, showing that the things that we
take the most for granted can be taken away from us unexpectedly
(Murray and Heumann, 2007).
As well as this personalisation of climate or nature, the film seeks
to reintroduce the personal into the accumulation of scientific knowl-
edge. Knowledge is given credence not only using charts and numbers,
but by the scientists who produced them. Gore refers to palaeocli-
matologist Lonnie Thompson as ‘my friend’ when arguing that
Thompson’s research shows a striking correlation between atmospheric
carbon dioxide concentrations and temperature. Science may achieve
its heft through abstraction (Jasanoff, 2010: 234), but Gore reminds
his audience that scientific practice is irreducibly human, through his
account of his son’s accident.
AIT also seeks to mitigate abstraction through the ontologisation
of climate change by way of various non-human forms. The film begins
with a paean to the central role of nature in Gore’s early life, which
is subsequently referenced in the story of his son’s car accident. This
‘environmental nostalgia’ makes climate change real by presenting it
as an emotional threat to our own memories of living in nature (Murray
and Heumann, 2007). Glaciers are used as another material example
of what we might lose from climate change. However, this was not
without controversy. One supportive climate scientist’s review of AIT
argued that while the general point was well made, the particular
examples used in the film were poorly chosen, as they were probably
unrelated to temperature change (Steig, 2008). AIT ties climate change
to the threat of extreme weather, traumatically felt in the USA through
Hurricane Katrina just prior to the film’s release (Nerlich and Jaspal,
2014). While Katrina is mentioned prominently in the film, the
important role of engineering failures in the devastation it caused are
overlooked; a position described by Rayner as ‘using bad arguments
for good causes’ (2006: 6).
Criticisms of some of the specific examples used in AIT highlight
a broader tension underpinning the ontologisation of climate change;
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218 Science and the politics of openness
Emergence of a public
Empire magazine’s five-star review of AIT begins with an inauspicious
synopsis: ‘On the face of it, this is the least appealing film in history.
A failed politico … preaching to the world about global warming
with the aid of PowerPoint’ (O’Hara, 2015).
Presentation software such as PowerPoint or Keynote1 appears
to be a questionable medium through which to persuade an audi-
ence of the seriousness of climate change. Even at the time of AIT’s
release, such software was becoming notorious for homogeneous,
ready-made slide designs resulting in boring corporate presentations
(Reynolds, 2005; Tufte, 2003). While Gore’s professionally designed
slides avoid the template trap, one might wonder why he chose to
make such a presentation the focus of the film, rather than the front
line of climate change where the physical effects are beginning to be
noticed, as subsequent films have done (Orlowski, 2012). In short, AIT
foregrounded the presentation as that was the tool with which Gore’s
message would be propagated by his helpers, supporters and acolytes.
Gore makes clear his frustration with inaction on climate policy
from the US Congress and the then Bush administration, using this
as the basis for a ‘bottom-up’ approach to spreading his message ‘city
by city, street by street, house by house’. Gore explains that he has
been ‘trying to tell this story for a long time’ and that he is focused
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220 Science and the politics of openness
gospel’ (Mr Americana, 2015; Nerlich and Koteyko, 2009), a title that
also contributed to conjuring up the counterpublic that the film did
not intend to create. Overall, then, it was not just the content of the
slideshow that was important, it was also the performance of the
slideshow that is a central part of the film. The film was intended not
only to persuade but to have a much stronger performative force: to
create a public that in turn would continue the performance. In Dewey’s
terms, scientific expertise is reinstated as ‘a refinement of commonsense
inquiry’ rather than ‘a foreign way of knowing to be imposed on the
common sense of an ignorant public’ (Brown, 2009: 160). However,
this overt focus on putting scientific expertise back into the hands of
society was turned back on AIT itself, as a counterpublic questioned
the film’s representation of climate-science expertise.
Emergence of a counterpublic
The evidence presented thus far suggests that AIT was extremely
successful, not just as a film in its own right but also in establishing
a powerful social representation of climate change, an idea that had
been somewhat nebulous up to that point. AIT was also successful
in creating a public actively engaged in reproducing the representa-
tion of climate change by training individuals to give presentations
based on AIT locally. However, individuals are not merely passive
recipients of representations; they actively contribute to the construc-
tion of new representations in response (Jaspal et al., 2014: 116).
Some of these individuals assumed a much more critical view of AIT
and Gore.
Scepticism about climate science predated the film’s release as an
important part of the ‘struggles over meaning and values in US climate
science and politics’ (Lahsen, 2008: 216). While such struggles were
continuing, US climate politics pre-AIT was broadly characterised by
a lack of federal-level progress on legislation to cut greenhouse gases.
Congress’s comprehensive rejection of the Kyoto Protocol was followed
by Gore’s loss to George W. Bush in the 2000 presidential election,
with the subsequent Bush presidency being noted for a stalemate on
climate policy. The success of AIT towards the end of the Bush presi-
dency provided a window for reframing the US climate debate (Fletcher,
2009: 807). It also acted as a powerful rallying point for climate critics,
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both in the mainstream media and the blogosphere, who were opposed
to more stringent action on greenhouse gases.
A struggle ensued over the film’s accuracy, and as AIT gained greater
public visibility a counterpublic emerged that sought to destabilise
the apparently coherent meaning of climate change provided by AIT
and Gore’s newfound position as a public expert. This counterpublic
was mobilised through the emerging new media of blogs such as
Watts Up With That (Watts, 2006) and Climate Audit (McIntyre, 2006),
as well as syndicated columns in the mainstream media (Elsasser and
Dunlap, 2013). The movement challenged the links claimed between
climate change and material events (Hulme, 2010), and the credibility
of Gore himself (Elsasser and Dunlap, 2013).
It is unsurprising that Gore, as a prominent Democratic politician,
became a focus of much conservative commentary. A study of conserva-
tive op-eds found him to be by the far most discussed topic related
to climate change (Elsasser and Dunlap, 2013: 763). Within the sceptical
blogosphere, the three blogs found by Sharman (2014) to be the most
central – Watts Up With That, Jo Nova and Climate Audit – have all
had numerous posts on Al Gore and/or AIT. While Sharman notes
that these blogs are more likely than mainstream media op-eds to
focus on scientific issues, their criticisms of AIT and Gore were both
scientific (Edelman, 2007; McIntyre, 2007; Nova, 2009b) and personal
(McIntyre, 2008; Nova, 2009a; Watts, 2008). Crucially, these com-
mentators had a (small) number of similarly critical climate scientists
upon whose knowledge they could draw. Two of these scientists
published critiques of AIT as part of a series in GeoJournal (Legates,
2007; Spencer, 2007).
This network of critical actors was akin to a scientific counterpublic
attempting to challenge the hegemonic representation of climate change
sought by AIT. They were a relatively small number of scientists with
connections to other societal actors sharing a concern about the
interactions between science, power and politics (Hess, 2010: 631).
This is not to say that the counterpublic is any closer to the truth, or
freer from external biases, than the dominant public, only that AIT
and Gore provided important rallying points around which a coun-
terpublic could coalesce (Jaspal et al., 2014). The substance of this
counterpublic’s criticisms is already well documented in the literature
(Koteyko et al., 2013; Lahsen, 2013; Matthews, 2015).
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Conclusion
In this chapter we have outlined the role of AIT in creating a strength-
ened social representation of climate change; making the impersonal
personal and the invisible visible. By many measures AIT was hugely
successful, winning numerous awards, earning Al Gore a share of the
Nobel Peace Prize and providing a springboard for a global campaign
of public education and activism. Drawing on the work of Brown, we
have shown how AIT’s focus on creating new audiences for climate-
science expertise echoes Dewey’s original call for science to be returned
to the people as ‘a refinement of commonsense inquiry’ and not to
remain an entirely unfamiliar way of knowing (Brown, 2009: 160).
The film also echoes Dewey in providing an aesthetic, emotional
communication of expertise, going beyond the persistent deficit model
in climate-change communications that assumes that the absence of
concern about climate change is the result of a lack of knowledge
(Nerlich et al., 2010; Pearce et al., 2015). In many ways AIT provides
a model for bringing scientific expertise into the public sphere.
However, mistakes were made. In particular, errors on scientific
content should have been avoided. As Hulme noted in his study of
Gore’s questionable comments on Mount Kilimanjaro’s glaciers,
returning scientific knowledge to the people ‘may destabilise knowledge
as much as it may legitimise it’ and public trust in provisions for
quality assurance in evidence are key (Hulme, 2010: 322). This goes
for social representations of climate-change expertise as much as it
does for scientific representations of nature appearing in the peer-
reviewed literature. Whether these mistakes had a significant bearing
on public attitudes towards AIT is beyond the scope of this chapter.
However, what we have shown is how social representations of expertise
inevitably bring context to content, and a boundary between the two
that is contested. In the case of AIT, Gore’s position as a Democrat
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224 Science and the politics of openness
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