1: Piano Jazz Etude

Please record this first, and then the piano comping exercise. If you wish to be considered for jazz
combo or big band jazz solo chair please also conclude your recording by improvising a solo melody over two
choruses of B flat blues. If needed, the blues chord changes can be found on the bottom of the guitar etude page.

          

      
   
3

    
   
     
  
Piano

            
  
            
       
             
5 3

  
      


        
Pno.

         
                     
   
9 3 3 3

   
    
     

Pno.

      

            

      
 
3 3

3
  

Pno.

         
     
      
17

      
 
    
  

Pno.

      
            

          
            
21 3

             

    
3

      
3
 
Pno. 3

     
 2: Comping (piano)
Please perform these chord changes in a style suitable to accompany a jazz ensemble or soloist as part of a rhythm section.
q = 184

                   
Swing Ebmaj7 Dm7(b5) G7


                 
Cm7 Bbm9 Eb13

5

Abmaj7 Db9(#11) Ebmaj7 Cm7

                 

9

F9 Fm7 Bb7

                 

13

                 
Ebmaj7 Dm7(b5) G7

17

Cm7 Bbm9 Eb7(#9#5)

                  

21

                  
Abmaj7 Db9(#11) Ebmaj9 Am7(b5) D7(b9)

25

                 
Eb6 Ab9(#11) Gm7 C7 Fm7 Bb7(#5) Eb%

29