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Berklee Practice Keyboard

Berklee Practice Method Keyboard PDF

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100% found this document useful (11 votes)
5K views138 pages

Berklee Practice Keyboard

Berklee Practice Method Keyboard PDF

Uploaded by

Amore
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF or read online on Scribd
  • CD Tracks: Lists the CD tracks corresponding to each chapter for listening and practice exercises.
  • Foreword and Preface: Introduction to the Berklee Practice Method, detailing the purpose and goals of the book and accompanying materials.
  • Basics: Covers fundamental concepts of keyboard playing, including parts of a keyboard, fingering technique, and basic music notation.
  • Chapter I. Playing Rock ('Sweet'): Introduces rock style keyboard techniques, chords used in rock, and practice pieces for the rock style.
  • Chapter II. Playing Blues ('Do It Now'): Guides through the basics of playing blues style music with blues progressions, and improvisation.
  • Chapter III. Playing Blues Swing ('I Just Wanna Be With You'): Focuses on blues swing techniques, typical chord progressions, and related improv exercises.
  • Chapter IV. Playing Funk ('Leave Me Alone'): Discusses funk style music with key techniques for keyboard, focusing on patterns and grooves characteristic of funk.
  • Chapter V. Playing Light Funk ('Affordable'): Covers the nuances of light funk style including chord variations and engaging in light funk improvisation.
  • Chapter VI. Playing Hard Rock ('Don't Look Down'): Details hard rock style playing methods, exploring complex rhythms and improvisation methods for the genre.
  • Chapter VII. Playing Bossa Nova ('Take Your Time'): Explains Bossa Nova style and techniques specific to its rhythmic and melodic approach, with accompanying exercises.
  • Chapter VIII. Playing Stop Time ('Stop It'): Explains the Stop Time music style with exercises for mastering its unique rhythm by practicing outlined pieces.
  • Final Remarks: Concludes the Berklee Practice Method with advice on continued practice and exploration of various music styles.
PU ea a ema Berklee Practice Method KEYBOARD Get Your Band Together ‘on RUSSELL HOFFMANN = PAUL SCHMELING e and the Dy Berklee Faculty * . , J * oe oe: 3 AARC ACT TaD Berklee Practice Method KEYBOARD Get Your Band Together RUSSELL HOFFMANN PAUL SCHMELING and the Berklee Faculty wr Product Manager: llene Altman berklee press Berklee Practice Method DESIGN TEAM Matt Marvagiio Curriculum Editor Dean of the Professional Performance Division Jonathan Feist Series Editor Senior Writer/Editor, Berklee Press Rich Appleman _ Chair of the Bass Department Larry Baione Chair of the Guitar Department Jeff Galindo Assistant Professor of Brass ‘Matt Glaser Chair of the String Department Russell Hoffmann Assistant Professor of Piano Charles Lewis Associate Professor of Brass Jim Odgren. Academic Advising Coordinator Tiger Okoshi Associate Professor of Brass Bill Pierce Chair of the Woodwind Department ‘Tom Plsek Chair of the Brass Department Mimi Rabson Assistant Professor of Strings John Repucci Assistant Chair of the Bass Department Ed Saindon Assistant Professor of Percussion Ron Savage Chair of the Ensemble Department Casey Scheuerell_ Associate Professor of Percussion Paul Schmeling Chair of the Piano Department Jan Shapiro Chair of the Voice Department ‘The Band Rich Appleman, Bass Larry Baione, Guitar Russell Hoffmann, Keyboard Jim Odgren, Alto Sax Casey Scheuerell, Drums Paul Schmeling, Keyboard Music composed by Matt Marvuglio. Recording produced and engineered by Rob Jaczko, Chair of the Music Production and Engineering Department.

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