cover by BROOKE SHADEN

Shoot me /ʃuːt mi/

1. hit me with a bullet

2. take my picture
3. throw me out of a canon,
hit me with your arrows
and help me discover a new side of me
(an artistic side)

4. kill my old self,

revive me.
 Art revolving /ɑːt rɪˈvɒlvɪŋ/

1. swirling art
2. the ever-rotating art.
rotating around itself,
around me, across the universe.

3. the art that never seizes. <<<<<<

 2014, ATHENS / GREECE
[email protected]

publisher_artdirector
ISAVELLA MAVROYIANNI
[email protected]

publisher_webadmin
JAD McMEOLA
[email protected]

contentcoordinator
GERASIMOS PAGONIS
[email protected]

c u l t u r a l e d i t o r
KATERINA XIDAKI
[email protected]

c o p y e d i t o r
IRO JAGUAR
[email protected]

www.shootmemag.com

coNTAcT
[email protected]

SUbMISSIoNS
[email protected]

|||||© SHOOT ME Magazine | 2013-14 | coNTeNT oF THIS ISSUe IS coPyrIGHTeD by THe FeATUreD ArTISTS AND cANN
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 #20
ocT_014

cover by
BROOKE SHADEN
“fLIGHT Of THE TRAPPED”

featured artists
BIEL CALDERON
PABLO CHACO
KONSTANTINOS TSILOGIANNIS
SIMAS LUCAS CASTILLO
BROOKE SHADEN

featured project
SHOOT ME TWICE
in collaboration with
SHOOT ME WARSAW
PART#04

oT be USeD WITHoUT THeIr WrITTeN PerMISSIoN

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I N D e

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0 1 1 6 6 0 0 b I e L / c A L D e r o N
0 0 9 2 6 7 1 P A b L o / c H A c o
1 3 2 5 4 1 2 S H o o T M e T W I c e
2 1 4 0 5 K / T S I L o G I A N N I S
1 8 6 7 S I M A S / L U c A S / c A S T I L L o
2 2 1 0 7 b r o o K e / S H A D e N
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08
 “ T h i s i s m y l i f e ,
a n d i t ' s n i c e
t o b e a b l e
t o w a d e i n i t ,
i m m e r s e y o u r a r m s i n i t ,
t o u c h i t . . ” 09

― N i c k H o r n b y , H i g h F i d e l i t y

enjoy our #20th

www.viewmasters.gr
www.facebook.com/viewmastersgr
 Sonia Szóstak
Tattoo Project, Szymon, 2012
C-Print
© Sonia Szóstak
courtesy the artist + NO WÓDKA

Longboards,
tattoos
&
a journey
to Mars
12

‘
SoNIA SZoSTAK
byKaterinaXidaki
 No WoDKA‘ Art & Design in berlin presents, from october 13
to November 29 - just a few days before the official start of the
european Month of Photography – the solo exhibition of the
‘
Polish photographer Sonia Szostak, under the title 'Longboards,
tattoos and a journey to Mars'.

‘
Sonia Szostak was born in Stettin, Poland in 1990. She studied
photography at The Leon Schiller National Film, Television and
Theatre School. For the past few years she has been collabo-
rating with magazines, designers, musicians and actors. In 2011
‘Fashion Magazine’ featured her as the ‘best debutante’, while
‘Le book’ rewarded her for having produced one of the world's
best magazine-covers in 2010. In 2013 Sonia was invited to the
vogue Italia exhibition ‘A Glimpse At Photo vogue’, held at the
carla Sozzani Gallery at corso como in Milan.

15

Sonia Szóstak
Life on Mars, 2010
C-Print
© Sonia Szóstak
courtesy the artist + NO WÓDKA
 Sonia Szóstak
Silent, 2011
C-Print
© Sonia Szóstak
courtesy the artist + NO WÓDKA

16
17
 Sonia Szóstak
Untitled II, 2011
C-Print
© Sonia Szóstak
courtesy the artist + NO WÓDKA

‘
Szostak’s photography can be seen at various group and solo
exhibitions including shows that are part of Poland Fashion
Week and Arts Festival, while her work has been shown in im-
portant publications, like oZoN Magazine, blink Magazine,
vain Magazine, K Mag, revS Magazine, 10 Magazine, c-
Heads Magazine, Thispaper Magazine, Przekrój, Zwykłe Życie,
StreetMag, Fashion Magazine, Digital camera , Photovogue
Italia, Highsnobiety, viva!Moda and HIro. Just recently, the
young artist started creating videos for musicians and fashion
designers.

The exhibition 'Longboards, tattoos and a journey to Mars',

held at No WoDKA ‘ - a concept store showcasing the best of
Poland’s fashion, art and design output in berlin – presents 19
photographs, a selection from 3 different narrative photo-
‘
graphic series taken by Szostak over the past 4 years. evoca-
tive portraits of classical beauty, fashion, nude figures reclined
in stunning landscapes… Some photos are elaborately staged
and some others reflect a natural spontaneity, through the
sensitive glance of a young artist, who expresses the spirit of
her generation.

18
20
Sonia Szóstak
Shelter, 2012
C-Print
© Sonia Szóstak
courtesy the artist + NO WÓDKA

‘
NO WODKA
Pappelallee 10,
10437 berlin
030/48 62 30 86
www.nowodka.com
[email protected]

opening hours:
Monday – Saturday,
11 a.m. – 7 p.m.
and by appointment

21
 erWIN oLAF FALL

22
capturing
a fleeting

byKaterinaXidaki
moment of
perfection

23
24
 WAGNer + PArTNer gallery in berlin presents ‘Fall’, the series of
the Dutch photographer erwin olaf, at bar Kosmetiksalon bar-
bette, from october 16 to october 30, on the occasion of the
6th european Month of Photography 2014.

The artist will be present at the opening, on october 16, at 10 pm.

olaf’s work is often daring, provocative and it addresses

social issues, issues of class, race, sexual taste, beliefs, social
exclusions, taboos and bourgeois conventions, with his unique
unconventional style, which delivers dramatic visual and emotional impact to the viewer.

With his passion for scenic and lightning design, for conceiving
scenarios and creating the perfect composition, olaf
manages to capture the essence of contemporary life with a unique, atmospheric way.

erwin olaf Springveld, professionally known as erwin olaf, was

born in Hilversum, Netherlands in 1959. He studied journalism
in the School of Journalism in Utrecht. Mixing photojournalism
with studio photography, olaf emerged on the international
art scene in 1988. In 1991 he began working with film, which
has since continued to be an important medium for his art.
often these movies provide a parallel history to his color photography.

25

Erwin Olaf
Fall – Nikola, 2008
Lambda Print, 141 x 106 cm
© Erwin Olaf
courtesy Wagner + Partner Berlin
 Erwin Olaf
Berlin, Fechthalle Westend
11th of July, 2012
© Erwin Olaf
courtesy Wagner + Partner Berlin

26
27
 Erwin Olaf
Fall – Felix, 2008
Lambda Print, 141 x 106 cm
© Erwin Olaf
courtesy Wagner + Partner Berlin

In his series ‘rain’ (2004), ‘Hope’ (2005), ‘Grief’ (2007) and ‘Fall’
(2008), olaf challenges the notion of domestic bliss, while in his
series ‘Dusk’ (2009) and ‘Dawn’ (2010) show how culture can be-
come repression. olaf's series ‘Hotel’ (2010) explores the subtle
range of detached melancholic emotions in dimly-lit exquisitely furnished 1950s hotel rooms.

olaf's style has been embraced by the advertising world. He

has been commissioned to photograph advertising campaigns
for large international companies such as Levi's, Microsoft and
Nokia. His worldwide campaigns for Diesel Jeans and Heineken
offered him the coveted Silver Lion at the cannes Lions Festival
for Advertising. olaf’s work has received numerous international
art and media prizes and it is shown in galleries and museums
all around the world. He designed the 2014 Dutch euro coins
with the portrait of King Willem-Alexander.

The exhibition "Fall" presents adolescent portraits with still-

life images of foliage in painted vases, set in pale-gold col-
ored interiors. These adolescents appear in front of curtains
and wallpapers that could have been post-war living
rooms. Appearing as if it they are unobserved, they face
the viewer with an unspecified corporality, while coolness
28 and physicality coexist with vulnerability and apathy.
A subtle but intense eroticism radiates from their beautiful young bodies,
creating dramatic visual and emotional impact to the viewer.
29
30
Erwin Olaf
Berlin, Olympiastadion, Westend
Selbstportrait
25th of April, 2012
© Erwin Olaf
courtesy Wagner + Partner Berlin

31
32
 opening
on october 16th, 10 pm at
BAR
KOSMETIKSALON
BABETTE
Karl-Marx-Allee 36
10178 berlin
Germany
www.barbabette.com

in cooperation with:
WAGNER 
+ PARTNER
GALLERY
Strausberger Platz 8
10243 berlin, Germany
[email protected]
www.galerie-wagner-partner.com

33

Erwin Olaf
Fall – Joschka, 2008
Lambda Print, 141 x 106 cm
© Erwin Olaf
courtesy Wagner + Partner Berlin
34
H o r S T
P H o T o G r A P H e r
o F S T y L e

35

SeNSe
of
timeLeSS
Corset by Detolle for Mainbocher, 1939
© Condé Nast / Horst Estate eLeGANce
byKaterinaXidaki
 Marlene Dietrich, New York, 1942
© Condé Nast / Horst Estate

v&A Museum in London tography includes largely

presents, from September 6 to monochromatic settings to set
January 4, the retrospective off a colorful fashion.
exhibition of master of photog-
raphy Horst P. Horst’s work, Horst Paul Albert bohrmann –
under the title ‘Horst: Photogra- who chose to be known as Horst
pher of Style’. P. Horst - was born in Weissenfels,
Germany in 1906. When he was
In his 60-years career, the Ger- teenager, he met the dancer
man-born artist, who is consid- evan Weidemann at his aunt’s
ered one of the greatest home. This acquaintance
photographers of the 20th cen- aroused his interest in avant-
tury, created images that go garde art. In the late 1920s, Horst
beyond fashion and time. studied at Hamburg Kunst-
Horst’s career lied on top of pre- gewerbeschule (school of arts
war Parisian haute couture’s and crafts), but soon he left for
luxury and the rise of ready-to- Paris to study under the Swiss-
wear in postwar New york. His French architect, Le corbusier.
style developed from luscious
studio set-ups in the first half of In 1930 Horst met vogue
the 20th century to a more aus- Magazine’s photographer,
tere approach in the latter half. baron George Hoyningen-
Huene and he became his
Horst is best known for his fash- photographic assistant, oc-
ion photographs, but he is also casional model and lover. In
recognized for his photo- 1931, Horst began his associa-
graphs of interior architecture, tion with ‘vogue’, publishing
still lifes - especially ones includ- his first photograph in the
ing plants - and environmental French edition. When Horst
portraits. An international fig- joined vogue in 1931, Paris
ure that his legacy influenced was still the world’s undisputed
the work of famous artists, such centre of high fashion. The
as Herb ritts, robert Map- publisher condé Montrose
plethorpe, bruce Weber and Nast, who wanted to improve
Madonna, Horst is considered the quality of image repro-
36 a master of composition and duction, insisted that ‘vogue’
atmospheric illusion, a master photographers work with a
of sensual sophistication, a large format camera, which
master of light. Horst rarely produced richly detailed neg-
used filters; he frequently used atives. by the mid 1930s, Horst
4 spotlights, one of them point- had superseded his mentor
ing down from the ceiling. George Hoyningen-Huene as
only few of the artist’s photos Paris vogue’s primary photog-
have shadows falling on the rapher. His images frequently
background of the set. While appeared in the French, british
most of Horst’s work is in black and American editions of the
& white, much of his color pho- magazine.
37
38
Round the Clock, New York, 1987
© Condé Nast / Horst Estate

39
 Salvador Dalí's costumes for Leonid Massine's ballet Bacchanale, 1939
© Condé Nast / Horst Estate

40
41
42
 “
I don’t think
photography
has anything
remotely to do
with the brain.
It has to do
w i t h e y e a p p e a l.
- Horst P. Horst

43

Male Nude, 1952

© Condé Nast / Horst Estate
 View of ruins at the palace of Persepolis, Persia, 1949
© Condé Nast / Horst Estate

44
45
46

Patterns from Nature Photographic Collage, c. 1945

© Condé Nast / Horst Estate
47
48
Summer Fashions, American Vogue cover, 15 May 1941
© Condé Nast / Horst Estate

Horst’s first exhibition was held century - is ‘Mainbocher

in ‘La Plume d'or’ in Paris in corset’, captured by the
1932. The review of Janet artist in Paris vogue’s studio in
Flanner in ‘The New yorker’, 1939.
made Horst instantly famous.
The photographer made a Horst rented an apartment in
portrait of bette Davis the New york in 1937, while in 1941
same year, the first in a series he applied for United States
of celebrities he would photo- citizenship, which he received
graph during his life. Within two in 1943 as Horst P. Horst. In 1945
years, he had photographed he photographed United
Noël coward, yvonne Print- States President Harry S. Tru-
emps, Lisa Fonssagrives, man, with whom he became
count Luchino visconti di friend. He also photographed
Madrone, Duke Fulco di ver- every First Lady in the post-war
dura, baron Nicolas de Gun- period at the invitation of the
zburg, Princess Natalia White House. At the same
Pavlovna Paley, Daisy Fel- time he captured some of
lowes, Princess Marina of Hollywood’s brightest stars,
Greece and Denmark, cole such as rita Hayworth, bette
Porter, elsa Schiaparelli, and Davis, vivien Leigh, Noël cow-
others. ard, Ginger rogers, Joan
crawford and Marlene Diet-
Horst’s photographs of that rich, whose portrait is his most
period feature mysterious, famous one.
eccentric and surreal ele-
ments combined with his In 1947 Horst acquired five
classical aesthetic. He cre- acres of land in oyster bay
ated trompe l’oeil still lifes, cove, Long Island, where he
photographed the surreal-in- built a unique house and
fused dress designs of his landscaped garden. Noël
friend elsa Schiaparelli and coward, christopher Isher-
49
collaborated with the artist wood, and Greta Garbo vis-
Salvador Dalí. He shared ited Horst for the first time at
with the Surrealists a fascina- his house, together with the
tion with the representation british diplomat valentine
of the female body, often Lawford. This was the begin-
fragmenting and eroticizing ning of a relationship be-
the human form in his im- tween the two men that
ages. Horst’s most cele- would last until Lawford’s
brated photograph of the death in 1991. They adopted
era - one of the greater and raised a son together,
iconic photos of the 20th richard J. Horst.
 Dinner suit and headdress by Schiaparelli, 1947
© Condé Nast / Horst Estate

Horst travelled widely through- In the 1960s, encouraged by

out the 1940s and 1950s to- ‘vogue’ editor Diana vree-
gether with Lawford, who land, Horst began a series of
was at the time political photos, illustrating the lifestyle
counselor at the british em- of international high society
bassy in Tehran. In 1949 they which included people like
travelled by road from beirut baroness Pauline de roth-
to Persepolis, where Horst schild and baron Philippe de
was able to photograph rothschild, Duke of Windsor
parts of the ancient Persian and Duchess of Windsor,
city that had only recently oscar de la renta, Andy
been uncovered. After- Warhol, Nancy Lancaster,
wards, Horst visited the newly yves Saint Laurent, Jacque-
established State of Israel on line Kennedy onassis, Paloma
a photographic assignment Picasso and many others.
for ‘vogue’. An escape from
the world of fashion and city The 1980s witnessed a flurry of
environs, his little-known new books, exhibitions and
travel photographs reveal a television documentaries
fascination for ancient cul- about Horst. He produced
tures, landscapes and archi- new prints for museums and
tecture. the collector’s market, select-
ing emblematic works from
In the early 1950s Horst pro- every decade of his career
duced a set of distinctive to be reprinted in platinum-
photographs unlike much palladium, sometimes with
of his previous output. These new titles. This was a complex
male figure studies were ex- and expensive technique,
50 hibited for the first time in employing metals more ex-
Paris in 1953 and reprinted pensive than gold. Failing
using the platinum-palla- eyesight finally forced him to
dium process in the 1980s. stop working in 1992.
The studies exemplify Horst’s
sense of form. All emphasis Horst died in 1999 at his home
is on the idealized human in Palm beach Gardens,
body, expressive light and Florida, aged 93. In the year
shadow. Monumental and previous to his death, he had
anonymous nudes resem- been in declining health since
ble classical sculptures. his bout with pneumonia.
51
52
53
 Muriel Maxwell, American Vogue, 1939
© Condé Nast / Horst Estate

The exhibition ‘Horst: Photog-

rapher of Style’ presents 250
photographs, alongside
haute couture garments,
magazines, film footage and
ephemera, more than 90
vogue covers, previously un-
published vintage prints, as
well as photographs recently
donated to the v&A by the
art collector Gert elfering.
The creative process behind
some of his most famous
photographs, such as the
‘Mainbocher corset’, is re-
vealed through the inclusion
of original contact sheets,
sketches and cameras,
while a short film of the artist
at work in the ‘vogue’ studios
during the 1940s are also
shown. The exhibition also re-
veals lesser-known aspects
54 of Horst’s work, such as nude
studies, travel photographs
from the Middle east and es-
pecially from Iran, such as
the Persepolis bull, and pat-
terns created from natural
forms as flowers, minerals,
shells and butterfly wings.
Horst new, lavish prints in
platinum-palladium are also
showcased as the finale to
the exhibition.
55
56
Horst directing fashion shoot
with Lisa Fonssagrives, 1949
Photo by Roy Stevens
/Time & Life Pictures / Getty Images

V&A MUSEUM
SOUTH
KENSINGTON
cromwell road
London SW7 2rL
+44 (0)20 7942 2000
[email protected]
www.vam.ac.uk

opening times
10.00 to 17.45 daily,
10.00 to 22.00 Fridays

57
 *
your image goes here!
submit yout work and be a part of SHooT Me
[email protected]

*
 © biel calderon
“Immortals… we’ llputtheirname

60
 http://www.bielcalderon.com
tothetest.”

©
*KingLeonidasquotefrom“300”

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© http://www.bielcalderon.com
 TheVegetarian
Festivalisan
annualevent
heldduringthe
ninthlunarmonth
oftheChinese
calendar.
It'sbelievedthat
thevegetarian
festivalandits
accompanying
sacredrituals
bestowgood
fortuneupon
thosewho
religiouslyobserveit.

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 *
your image goes here!
submit yout work and be a part of SHooT Me
[email protected]

*
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 www.pablochaco.com
©

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FragmentedPortraits
© Pablo chaco
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Dream
inthe
Landscpapes
ofCruelty
© Pablo chaco
“WorkrealizedwiththecollaborationofmymirrorCarolaGaviria”
 © www.pablochaco.com

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 “ I
to
am
a
following
bridge
her
by
to
the
the wavering
long
moon
waterfront
to valleys of beautiful arson
to flowers dead in a mirror of love
to men eating wild minutes from a clock
to hands playing in celestial pockets
and to that dark room beside a castle
of youthful voices singing to the moon.
There is no rule here
No seasons and no misery
There are only our desires
Revealed in the mist.
- Philip Lamantia

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©
© Pablo chaco absorption

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 the SHOOT
shootmemag.com + http://shootme.pl/

+
by
ME twice PROJECT

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#04 Mister D. torture

http://shootme.pl/
The reference point for this work
is the title of the music album "So-
ciety is unpleasant." It has a sort
of delicacy in it, but it also leaves
no doubt and delusion. So I
arranged situations that have
same amount of discomfort in

©
them. They are testing Mister D.
strength. The pictures are illustrat-
ing the obsessions concerning
external environment.

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139
140 w i t h  a n o t h e r
© Konstantinos Tsilogiannis
G o d
© www.facebook.com/tsilo.photos

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 © www.facebook.com/tsilo.photos

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© www.facebook.com/tsilo.photos
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capturing Inspiration
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To bloom
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Finding rescue
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 The Sinking Ship

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Flight of the Trapped
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