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5K views69 pages

Reed 1 PDF

Uploaded by

Julio Hernández
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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  • Opening: The initial piece for alto saxophone, setting the tone for the performance with a brisk and determined tempo.
  • Hail to the Chief: A flute rendition of the iconic tune played in a majestic manner, utilized in ceremonial contexts.
  • Sic Semper Tyrannus: A transitional segment where silence is maintained, following a commanding introduction.
  • The Ballad of Booth (Part I): The first part of a musical narrative focusing on Booth, exploring thematic elements with expressive tempo.
  • The Ballad of Booth (Part II): Continuation of the Booth narrative, transitioning to clarinet for deeper emotional tones and storytelling.
  • Ballad of Booth (Part III): Conclusion of the Booth story arc with flute, completing the dramatic saga.
  • Lamentation / Saloon: A somber piece followed by a lively saloon segment, creating contrasting moods within the same section.
  • Break It: An introspective piece depicted through gentle, slow-paced music, encouraging reflection.
  • How I Saved Roosevelt: A dynamically paced piece telling the story of a foiled assassination, punctuated with jaunty rhythmic elements.
  • Emma Goldman: An evocative piece centered on the historical figure, drawing out emotional depth through slow tempo.
  • Gun Song: Expresses themes of violence and destiny, marrying tempo shifts with dynamic instrumental layers.
  • The Ballad of Czolgosz (Part I): An introduction to Czolgosz’s dramatic character through sweeping flute melodies.
  • The Ballad of Czolgosz (Interlude I): A reflective pause in the narrative, using flute to evoke contemplation.
  • The Ballad of Czolgosz (Part II): Continuation of Czolgosz’s story, maintaining thematic tension and intrigue.
  • The Ballad of Czolgosz (Interlude II): A bridging musical segment offering thematic continuity between the narrative parts.
  • The Ballad of Czolgosz (Part III): Final segment of Czolgosz’s narrative, concluding the series with coherence and resolution.
  • Czolgosz Playoff: A concluding segment highlighting Czolgosz’s legacy through final musical flourishes.
  • America: A spirited rendition incorporating elements of American musicality and fanfare.
  • Unworthy Of Your Love: A poignant, lyrical piece exploring themes of unrequited love and aspiration.
  • There You Go Again: Captures repeated patterns and resolutions, emphasizing rhythm and motion.
  • Guiteau-Intro: An introduction setting the stage for Guiteau’s narrative, featuring introductory musical motifs.
  • The Ballad of Guiteau: Explores Guiteau's complex character through fluctuating tempos and thematic shifts.
  • Guiteau Playoff: A musical reflection on Guiteau’s fate, closing his tale with resonant themes.
  • Sam Byck: A character exploration piece accentuating Byck’s persona with musical depth and narrative.
  • Another National Anthem: A reflective anthem piece illuminating alternative narratives and voices through its composition.
  • Depository Scene: A silent scene interlude emphasizing reflective pause and anticipation.
  • Underscore: Background musical theme setting atmospheric tension and supporting dialogue.
  • Scene 16: The setting for a scene imbued with melancholy, expressed through rich instrumental textures.
  • Something Just Broke Pt.1: First part of a piece reflecting on sudden changes and events, with adaptive musicality.
  • Something Just Broke Pt.2: Continuation emphasizing the narrative shock through resonant musical progression.
Salil Music and Lyrics by Stephen Sondheim Book by John Weidman Assassins is based on an idea by Charles Gilbert, Jr. Playwrights Horizons, Inc., New York City, produced Asasins Off-Broadway in 1990 NOTICE: DO NOT DEFACE! * Should you find it necessary to mark. ‘cues or cuts, use a soft black lead pencil only. * This book is rented for the period specified in your contract. It remains the property of: (MUSIC THEATRE INTERNATIONAL 421 West 54th Street New York, NY 10019 (212) 541-4684 “Music & Lyrics Copyright © 1990, 1992 by Rilking Music, Inc. ‘All rights on bebalf of Rlking Music, Inc. administered by Geffen Musi, All Rights Reserved. REED 1 ° {ALTO SAX.) Ope ning ALLEGRO MODERATO RISOLUTO. No.1

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