100% found this document useful (2 votes)
954 views37 pages2003 05
guitar tab
Uploaded by
Guilherme GarboaCopyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF or read online on Scribd
100% found this document useful (2 votes)
954 views37 pages2003 05
guitar tab
Uploaded by
Guilherme GarboaCopyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF or read online on Scribd
- Introduction
- Everlong - Foo Fighters
- Straight Out of Line - Godsmack
- Like a Stone - Audioslave
- Ace of Spades - Motörhead
- Girl's Not Grey - AFI
- Clocks - Coldplay
- Black Star - Yngwie Malmsteen
EVERLONG FOO FIGHTERS
WORDS AND MUSICBY David Groh! TRANSCRIBED BY jf erin
All guitars are in dropped-D tuning (low to high: D A DG BE).
Bass tuning (low to high): D A DG.
Dmai7? Bsus? Gaus? AB 85 5 05 Asm Gate
FeRio+ Geter Gate are fa fe jc) ee fig”
tro (oo)
Fast Rock d = 158
Orel? Bou
Ge. een 8)
1 ia!
‘ Goue Base nd iy Fed
Dai? Bouse
Gir I ple Ry Fi. sie (ce meas. 1)
BG Zand wit) (repeat previous hard)
1 Net porte peed by omy
(621,085,158)
ray Baue
Gir. plas Rhy ig. sine ce meas. 1)
4g) Gr. 4 (dst androary cored
‘er parr este on
‘Acheard on the Foo Fighters Capitol recording The Colour and the Shape
10 ta pela Nendo yf nly pi rere ten EVERLONG FOO FIGHTERS
1 sow : ue
[Bl verses oxas1.20
1 Het vated tere for you
2 Come own wae away wth
X bre ait re an brethe you in
Oral? Bau
Gin es Ry Fg. ce ee mes.)
Ged pl iy. ip 2 see mes 1)
22 tow
==
Coo co cote
verona
Down wth m
co you in
me Gas ona :
int throw myselt into
Slow how wanted to be
and ow know you've slvays been
Drei? Bou
£29 Gir 2a play fratfour measures of By. Fig? ste mes. 1)
— =e
a = Fe
Lies LL LLijy Lit
seen ge mon 2 oar
and out of the red Out of her head she sang
Fm over my. head (Out of her head she sang
‘out of your head Out of my head Tsang
Cause Bouse EVERLONG FOO FIGHTERS
when | og along
titi
cde bah
Doves gs.20.290
1 ing co ee fe hel foe
anything could ever be thls good again
© Gn ta3 6 5 85
‘Base repeats Boss Fig ce meas 41)
The only thing Fever wk of you You've got to promise not to
ng a oe swe
49 on aas
a LLt to Ltt
(stn) To Cote (uname D1
cated onae (goad oneas
sop win tat ton me Se
152 GLTARWORLD MAY 20038 EVERLONG FOO FIGHTERS
Ey tesa 900
Ona? cae
sont
Hew
nal?
(Gir play Ry Fig Ds (re meat. 1) EVERLONG FOO FIGHTERS
[Glsea rectors a2
6 NCIO)
Ds. Sh at Cote
(go back 1ofB])
n ts
@ cota 284
LL
154 can WoRLD MAY 2008 STRAIGHT OUT OF LINE GODSMACK
WORDS AND MUSIC BY Sully Ema TRANSCRIBED BY Jf erin
‘All guitars are in dropped-D tuning down one whole step (low to high: CG CF AD).
Bass tuning (low to high): CG CF.
All notes and chords sound one whole step lower han written (key of D minor).
S 5 . _ me
lintro 00) .
‘Moderate Hard Rock J = 92
NC IES)
1.94 eta ly) eet focarccenterens
ete
50r1 er Sw fades in wi (pc: B)
of ee ee
‘amply Bass Fig Tae mea. 1)
Beau
Ds eS 05 FSS SOS SSS
7ont
On 2043 2
‘Asheard on Godsmack’s Universal recording Faceless
crea uiemnctnaeag Ande eden needy rg ee a STRAIGHT OUT OF LINE GODSMACK
(39 ohed w eas. 1 Fp
“on and Sd times)
OSes SESS
Ds 5 (DS «ES OOS ES FS OS ES © 0S SSS OOS
Gir I plays Fil) Gir wb (pitch GB)
(oven page) Pa.
jo Gm 243
ee oe erat
erses (04,138)
1, Thow’s no. renton ‘Thane compromise Change in sates lve the No
2 conte tle Tem mytagegy ve lad" you fo eat at estat as you Tamed one
NCCES)
wort
Bass Fig.3
Tee eee ee
1 dent ino you $0 dont akon
‘Gone forever Baneh the mean Dips pleasure are astedby—yourmisery
SES F5
eh tt conte You're not my. destiny
irs. 2 plays Rhy, Fi. 1 (se meas. 5)
wor!
‘Basan Bass Fig four times (0 meas 1)
2 sic 7
$6 D) coors (20.15.30
Staght oat ote 1 cant tnd «ator ee)
& as mu 05
Sr 1 play Pi 1 hid ime ete)
on Se
2
of
36 cranwonto MAY 2003 STRAIGHT OuT OF LINE GODSMACK
Jusy aye Staight ot dont owed reason
2 F5 5 bss 6
emery a a)
(end sine)To Coda 19? Ds.96' a1 Coda
‘sipehead mes. 0) VeotactolDond
Contin To Coda 1)? Sieinening) coda a9
(iipehead meat. 51) Fy om
andyou ert owed foe 2 om uso
aa Ogu Ds Foue » PM oceees
OSES SSS OS.
144 Ger Ho, wih od ey
Gr 3 proms pick erage on @ and)
ne lowing igo
Ce te ==
UT (3)
il 1 (28) (5)
(05) ‘a
wit) Piksrape
May 2008 cuTan WorLD 157 NOLES) ik
a7 ont
STRAIGHT OUT OF LINE GODSMACK
in 20083
eee See EE? eS Ee eee ees
as Bass Fg. (sce meas: 1)
a a ae ee ee
owiar sto 9
5s os Deus
F505 F505 SOS FSS 5
Ce
‘se carta worto Ma 2003 STRAIGHT OUT OF LINE GODSMACK
DS. 19? al Coda 1?
(eo bck ofB)
% ase FS DSF SF 05 FB
ra
9" Coda 1220 [Gloutro es
dont med tote me ®
ue
056 05 SOSH ESOS OSS
pepe Rin Fie? end By. Fig?
EPft? Ce
me le me
6 SSS SOS SSCS PS OSES
Gar 2 ropeats Rh. Fig. 2 (se meas. 52)
a 2003 LIKE A STONE AUDIOSLAVE
WORDS AND MUSICBY Chris Corel, Tom Marella, Tim Commerford, Brad Wik TRANSCRIBED BY jeff erin
On the recording, all guitars are tuned up one and one half steps (low to high: G C F Bb DG)
and sound in the key of G minor. These parts may alternatively be played in standard tuning
(low to high: E A D G BE) with a capo placed at the third fret, in which case all chord shapes
and tablature positions are relative to the eapo.
‘The bass part is performed on a 5-string bass in standard tuning (low to high: B E A DG)
and sounds as written (key of G minor).
Em 6 05 c a7 om ar
* (Gm [Bb] IFS} {Eb} (07) [ebm tc7
a er]
oe ohontbnttatntne ous ae “Tse
Bek Jt @
nEfon 3 (05) &
niga etnias
1 Ga lene wren)
n and ony
fi i i)
Fe mys naa ems)
seat nt ba Pit
5 sieve (ro pa nee)
Bl venesinsan
come stareon sam tl ot engines ty «
‘ames ' © he gods nd the ome et
(em) (05) (5) g
{gm re (05) (eh)
9 ont
ss ples Bass Fe four times oe meas $)
freeway 1 confess 1 wes fost the pages
pagan to anyone ‘whowil te me to heaven
13. (repeat previows four measures) 4
ota book full of death reding how well de alone And
To a place Procell Pe was there 0 ong ago The
‘Asheard onthe EpierecordingAudieslave
SSE ASR AN a a ae ee men et,
Wo cutan woRLD MAY 2003 LIKE A STONE AUDIOSLAVE
Hwee good wot lay to rest anywhere we want > 90
shy was bruied the win was Bled and there you led me on
(Em oe 8) (2)
1 [6m eI (5, eh
Chorus (054214404
in your house 1 tong ©
En 6 Os
Rips! end Ry. Pig.
25 Gi Land?
ge
Room by patetly ny
Em o 05, Em
(Gri Bh oy (Gm)
end Bas 2
(ardsineiTo Coda € (roar oes
(ap ahead to meas. 76)
wat for you there sone
aay 2008 cas WORLD Yet LIKE A STONE AUDIOSLAVE
——
[D) Goitar soto es,
Noa S es, (En)
on” Bb) (3) {Goi
et aa Wary pal ie ih oases when ed ora)
“we v v v v v. v
iy acho pra linge rer mel ie bg |
‘as play Bass Fig? sn (se met. 25)
o (>) 0)
©. en en
(Es) (Gm fn
(Gr. debe) are eereceerace) LIKE A STONE AUDIOSLAVE
LE) bridge 29
en i] wnt the day wa oone ard
; 6 7 ¢
eh 8 7 eh
fi Pe.2 nt Fg?
a that Ive assed and al ‘that te wronged in
c 6 a ©
eh) Bb (on co
Gir. 2 and play Rly ig. 2 (se mes 60)
oe Ba
ee 1 wi wander on
on ‘AT er
ebm en o7
Gotan
ae paren ey Gi 3,
‘May 2003 cUTAR WORLD 143 ACE OF SPADES MOTORHEAD
WORDS AND MUSIC BY lan, KilminsterEdward A Clark, Philp Taylor TRANSCRIBED BY Dave Whitehill
All guitars are tuned down one half step (low to high: Eb Ab Db Gb Bb Eb).
Bass tuning (low to high): Eb Ab Db Gb.
All notes and chords sound one half step lower than written (key of Eb minor).
os 5 =o OM ° A 6
me a’ gee te a se oe oe BR gg
Fast Rock w/Double-time Feel = 141
noes)
aso (ening i
pe (roar nn “tare ern a
= = = : rai SS
NCCES)
Gir 1 playe RIA four times (see meas 1)
x 20a
va 2 nus 12.
13
‘Asheard on Motrhead's Castle Music recording Ace of Spades
‘inant ate ed ed ana Armed dy mn Wr ei DE
14 GUTARWORLD MAY 2003, ACE OF SPADES MOTORHEAD
mm 4 te Maas no teen tat you ay
Sr Se Se ute “ee maehng ou
1 ae aur ene Hie? Set hoc ane
0s os
on a
"83
NOES)
19 Gir 2 pare Riff B (sce meas. 19)
uw
(ontuine) To Coda
[Elcroras (os708.228 (stip ahead wf) (go dock wo)
ara) The sce of spades“ uh)
NCCES)
25 Gel
tie oy i
"ais plays Bats Fig- Powe (ce meas. 15) Bas plays Bass Fi, 2 ice (se meas. 19)
You
fe ce Letra
Dpsridge 10)
‘moulin goegto ine tnd. gambling for foo Bat tate hawy | tka baby | dota ve foeer
NG(eEm) &
an Gel
May 2003 GuTAR WORLD 1 ACE OF SPADES MOTORHEAD
35.05 85
‘nd don forget tw Joka
[Elonitar Solo 20
99.02 pre feceeeerces!
Bass Fig. 3
Bass plays Bass Fg 3 (se meas. 38) ACE OF SPADES MOTORHEAD
on? ta Pa os
NGIES)
Gel
51
Tams plays ase | eiceToee meas 3) splays Bars Pig vice (ee meas 15)
co
vsacug Soe
Ci A 6 NCES)
1" os Oe
a a a a a
‘Bas plays Bass Fig 2 four tes (see meas T3)
ew
sia
ec Heys ccoececeee
May 2008 cuter WORLD 147 GIRLS NOT GREY AFI
|WORDS AND MUSIC BY AF TRANSCRIBED BY Jeff Perrin
All guitars are tuned down one half step (low to high: Eb Ab Db Gb Bb Eb).
Bass tuning (low to high): Eb Ab Db Gb.
All notes and chords sound one half step lower than written (Key of Ab minor)
Am FIC G Go AME Cc GS
ete es ow af et
ta ie” &
AS 7 eB Dm/A cig GB ‘Asus2/E
gt #l & & ve ee
ttre x9
‘Moderately Fast Rock J = 124
sat de 6 ks eee
Gr 3c wie) 1
ip. Fig end Rhy. Fg.
Ges. Lend ee. wg) = . oy
km Fr 6 in
Gin. a2 play Ry Fig. sie (ere meas. 1)
5 rd
‘As heard on AF's DreamWorks recording Sing the Sorrow
We cura WORLD MAY 2008 GIRLS NOT GREY AFI
eres
Double-time Feel
(2nd ine) follows
an FC 05 GB a5 AS “Am 6 5 a
ice n repeat)
Bl vers 230
Th
cit et
"
ss ples Bass Pg 2 (ste mens. 9) Bass plays Bas Fig 2 hee messi se mens 8)
Bess abnes Bae FL second tine
own tonight ‘uch further
sing tonight the coldest
5 e Am os
i
t
the can tonight
Bass Fil (99)
way 2003 cUTAR WORLD 149 GIRL'S NOT GREY AFI
This art goes, down .
Could it be Turd (nat
am oe 5 6 an
(Gir. and 2 play Ry, FU 1 econ ime
19 Gun tant? i
of ——————— f
lust bogs to
whol)
Rh Fit] (25
Ger. 30d? ag Ane GIRL'S NOT GREY AFI
belong with al orated (same) What
Fe c no" OE 8 Noyes)
Deiage
out tonight on stoking ground:
ap ANE Aue Ane DA oa é
way 2005 cUTAR WORLD 151 GIRLS NOT GREY AFI
[Edtoerace sn
Original Fet
es}
ont wc)
a9 liragthoghow oe
‘Ania (ny
4% oe = (Gee tam 2 (wit) es
152 GaTARWoRLD MAY 2003, GIRL'S NOT GREY AFI
Fas) ogre) wo 6 fF ©
al Ee
[Baca chorus 22)
Double-time Feel
me has the witest love of tight ust begs to
follows) (mm svatiow whole)
Fe ce a An FC c
51 Ge 182 a
‘Boss play Bass Fg, 3 wad ib variation (ee meas 22)
be imbrued has ed me to this place where
(Wat folios)
FI fn
belong with erased What
FC cy Noses)
Outre 22)
Original Feel
follows wit swallow whole Woat
an BC 6 Fe ao AE
follows, wil swallow whole
am Fe 6 Fe GB GS AS
woes CLOCKS COLDPLAY
[WORDS AND MUSIC BY Guy Bertman, Jon Buckland, Will champion and Chris Martin TRANSCRIBED BY jf Perrin
to Shoham obs
fete : gt
R EE ffs
are 629
‘Moderately Fast Rock J = 128
eh hm fa
Se mings
[ering Sour
x S so = = ___(repempreious mane) = = =
wf
‘paw on fo dee
Be Bhm> FrTiab
Gir 1 plays RAF (see meas. 1)
(2h, maton)
by Fig .
5 PM PM +p Pity PM
end hy. Fig.
PMs yg PMow
vi
%
[B)verses 2, 12
1 Ligh go ot and | cant bo saved Tides that ve tied to. awl againat Youre
2 cans never ope Closing vals and ekng™ locks Gonna
a Bbm Far
= lp ass Fig. ice (se meas. 5)
‘Asheard on Coldplay's Capitol recording A Rush ofBidod tothe Head
‘antennae Cre ec hig apc gree pathy tl ein,
14 cTARWoRRLD MAY 2008 CLOCKS COLDPLAY
core ot ok nt raid Stet an aphe
i he miaed Speen int
& abn Far
bm
a Sa
[ I Certs l I
tribe that cant borane The twrs vatng to te ted Saiog
ree pat ate coe wee pat tthe ease Same
pepo fr mere) 4
[Chorus (58.157) (4h ie on 2d chars) To Coda
vw 5 (ip ahead tea. 37)
es as fs
Gr play RAPA ee eas. 1) (play 2 ime on tt chor
as or {Fy dts or nd horn
Coy Coo ce ee LL
Sto Do oo”
& 8bm Fn
Gir. 2 plays RIGA rce (see meas. 1)
(Gir 1 plays Rhy lg 1 (see meas 5)
wy Bene? ee Bass Fi?
SS es
a Sa
TC CHO cee
ps hat Cosa
ian bck lB)
ee Bbnb Nc@enn)
6.2 By Fig? Ri. Fi?
‘ea Pays Bas ig 2 (sc mea. 2)
Q-Coda
[Djinterade 220)
(irda 4h mes) YOU we
e 86m Fm
Ge 2 plays Ry Fig. I simile firs, rd and fourth tes (2e meas. 3)
Gir 2 plays Rhy Fig 2am second time (te meat. 33)
ae end RB
aot (play ies)
ay Bass Fig 2 ie as: 29)
ay 2008 GUITAR WORLD 15 CLOCKS COLDPLAY
[E) Bridge ese)
od nathing sa compares
bio bs AbIED
41 Ge 3 (eee win)
end Rhy. Fig. 3
fad notin se compare
ied ing oe Saepaes
cb obs Ave
Gir 2 plays Ry, Fig. 3 smile see meas 41)
45 (play repeat simile)
‘Bas subsites Bats Fig. econ tine sce meat 41)
LLE tity LLL
bob
a ond (rope proiou two menue!)
LELYtiLiy Ll
186 CITARWoRLO MAY 2003 CLOCKS COLDPLAY
Bex
eG
Grr I plays RUA (sce mes. 1)
(Gira 2a Steet on pe)
stat peat)
Sue
ea
a (3,4) You ae
8 ain v0
Bat snk ie nt me)
Sea Be ssc
Get (play 4 times)
Tens plays Bas Fig 7 ace mea 29)
Bon
at es ~
Ooh ee es =
(Grd and 4th times)(YOu we)
NCIEb) (Bom) (Fm)
1 Pagan
erent atin
ii
co
.
vo
‘esr playt Bas Fg 2 (see eas. 29)
loatro «sn
NCJEb) (Bb) (Fm)
Oe pls Ra ocemeas 37
(tones) (ra ies nd fae)
e5_G«2 ae
uxy 2008 coan woRLD 157 BLACK STAR YNGWIE MALMSTEEN
WORDS AND MUSIC BY Yngwie Malmsteen TRANSCRIBED BY Andy Aledort
All guitars are tuned down one half step (low to high: Eb Ab Db Gb Bb Eb).
Bass tuning (low to high): Ey Ab Db Gh.
All notes and chords sound one half step lower than written (key of Eb minor).
lintro v2
Freely J =126
“art fn art BTA EG et paws
ont asemte
(ents seat)
vo
‘ap fc of er, 7
Cond ob ec mpl hamany Hough
FHA eB 8 A OB Em
ru piches BB eB o fm D BOE
[Moderately Stow Rock J =76 (024)
eve)
BEE am eee
: ieee
‘Bass plays Bass Fg Tseen mesa
(teboard ees)
pice 8 >
Fig. 1 (026,198 156,255,926
‘Asheard onthe Polydor recording The Yngwie Malmsteen Collection
‘tay nian Oe grad np a il pL Era pay mentee
tse cuTAR WORLD MAY 2008 r z
<<<<<
