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9 To 5 - Reed 1

Reed 1 part for 9 to 5 The Musical (piccolo, flute, clarinet, alto saxophone)

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Jonnie Grant
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100% found this document useful (5 votes)
9K views76 pages

9 To 5 - Reed 1

Reed 1 part for 9 to 5 The Musical (piccolo, flute, clarinet, alto saxophone)

Uploaded by

Jonnie Grant
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF or read online on Scribd
  • 9 to 5: This section provides the music and lyrics for the song '9 to 5', illustrating its pace and musical themes.
  • Into the Bullpen: Details the entry piece 'Into the Bullpen,' focusing on its rhythm and arrangement for wind instruments.
  • Around Here: Presents the musical composition 'Around Here', emphasizing its melodic components for alto sax.
  • Back to Work!: Features the song 'Back to Work!' with notational guides for performance timing and dynamics.
  • Here for You: Explores the piece 'Here for You', with instructions on style and instrumental collaboration.
  • Here for You (Reprise): A reprise of 'Here for You', altering the performance style and reinforcing prior musical themes.
  • Into the Xerox Room: Showcases the instrumental section 'Into the Xerox Room' focused on alto sax performance.
  • I Just Might: Accompaniment and melodic lines for 'I Just Might', balancing clarinet and flute for orchestration.
  • Punchin’ In: Punchy tempos and brisk clarinet motifs define the track 'Punchin’ In'.
  • Backwoods Barbie: Provides the tune 'Backwoods Barbie', with harmonic backing and nuanced articulation.
  • Enright's the Man: Funky jazz influences underscore 'Enright's the Man', with performance notes for saxophonists.
  • Heart to Hart: Defines 'Heart to Hart', blending various woodwind tones for emotive affect.
  • Violet's Pissed: Intense rhythms highlight 'Violet's Pissed', focusing on aggressive alto sax lines.
  • Maui Wowie Tacet: Relaxed, swinging beats characterize 'Maui Wowie Tacet', contrasting other energetic pieces.
  • Cowgirl's Revenge: Quick tempos and fluid articulation are crucial in 'Cowgirl's Revenge'.
  • Potion Notion: Complex arrangements in 'Potion Notion' demand skillful flute play to ensure desired mood.
  • Joy to the Girls: Uplifting phrases guide 'Joy to the Girls', using flute motifs to drive dynamics.
  • Oh My God!: Drama and flair are pivotal to 'Oh My God!', marked by passionate piccolo and sax parts.
  • Out of the Bathroom: Surprising instrumental twists support 'Out of the Bathroom’; highlights of the show.
  • I Killed the Boss: Delivers thematic closure with 'I Killed the Boss', articulating critical tension and release.
  • To the Hospital: A brief sequence, 'To the Hospital', reflects somber yet hopeful tones.
  • The Search for the Coffee Cup: Supports storyline progression in 'The Search for the Coffee Cup', focused on narrative urgency.
  • Shine Like the Sun: Evolves the bright sounds of 'Shine Like the Sun', highlighting tonal progressions for flutes.
  • Entr'acte: Subtle themes prelude Act Two in 'Entr'acte', orchestrally intertwining sax motifs with others.
  • One of the Boys: Strategically places 'One of the Boys', celebrating themes of empowerment with brass accompaniments.
  • One of the Boys Playoff: Energetic reprise 'One of the Boys Playoff', vivid with jazz influences.
  • 5 to 9: Nostalgic melodies define '5 to 9', evoking calm transitions finally concluded.
  • Change It: Challenging tendencies distinguished in ‘Change It’, innovative musical complexity driving change.
  • Ain't It Great?: Optimistic rhythms uplift 'Ain't It Great?', microfiber celebrations persist.
  • A Better Day: Relentless energy in support of 'A Better Day', weaving narrative through woodwind elements.
REED 1 {o Ge mus Music and Lyrics by Dolly Parton Book by Patricia Resnick Based on the 20th Century Fox Picture Originally produced on Broadway by Robert Greenblatt, April 2009 NOTICE: DO NOT DEFACE! Should you find it necessary to mark cues or cuts, use a soft black lead pencil only. NOT FOR SALE This book is rented for the period specified in your contract, It remains the property of: Jf PLEASE RETURN ALL MATERIALS TO: MTI MUSIC LIBRARY 31A INDUSTRIAL PARK ROAD NEW HARTFORD, CT 06057 6 ‘Muse Towares Inrarwarionas 421 West Sdth Street New York, NY 10019 (212) 541-4684 9TO5 Reed 1 (Piccolo, Flute, Clarinet, Alto Sax) Act One 1.9to5 Ja. Into the Bullpen...... 2. Around Here .. 2a. Back to Work! .... 3. Here For You 3a. Here For You (Reprise) - 2 3b. Into the Xerox Room 4, LJust Might .. 4a. Punchin’ In... 5. Backwoods Barbie... 5a. Enright’s the Man. 6. Heart to Hart... 6a. Violet's Pissed .... 6b. Maui Wowie .. 7. Dance of Death ... 8. Cowgirl’s Revenge .... 9. Potion Notion .. 10. Joy to the Girls... 10a. Oh My Godt 10b. Out of the Bathroom 10c. To the Hospital .... oe 38 11. [Killed the Boss... 36 Mla. The Search for the Coffee Cup v:.sn:nnniannnnantinninitnnsiannnsiesstie 39 12. Shine Like The Sun. 9TO5 Reed 1 (Piccolo, Flute, Clarinet, Alto Sax) Act Two 13. Entr’acte 14. One of the Boys. 14a. One of the Boys Playoff... 15.5109... 16. Change It... 16a. Ain't it Great? 16b. A Better Day 17. Let Love Grow .. 17a. Goodnight, Mr. Hart .. 17b. Stay Here, Dick. 18. Get Out and Stay Out . 18a. No She Didn't (Slacks)..... 18b, Hail to the Tinsworthy ...... 19. Finale 20. Bows .. 21. Exit Music .. Reed 1 9to5 Alto Sax (Tour)| 1 Clarinet 9 TO 5 Music & Lyries by Dolly Parton Orchestrations by Bruce Coughlin [ALTO SAX ‘Additional Orchestrations by Alex Lacamoire & Stephen Oremus Moderate 80's 4 Vamp "303" 72 e St 13 “Dp 18 16 7 Mf | 72 e . ‘Tumble outa bed’ 3 2 ing 2 nf 25-25 "Workin!" f 3t mp 32 f 33 mp oe 46 a nf —= Sf 8 Reed | (Alto) 2.9TOS 905 (Tour) e 478-471 a7 nf ——'e 48) e we-58 > af ——s "9105" A A eA Vamp e St 658 4 6 "They let you dream" 6 A e 66-71 72 73 mf=f © 79 05895 /802/09-6-7 -2- Reed 1 (Alto) 3.9705 9105 (Tour) s ve Fr > mf ® p 89 crese. poco a poco = > oo 9 crese. poco a poco f nf a4] _ Slightly relaxed "Dreams and plans...” 9 e 94.97, —» 97A.97E (00 98) 98 “I swear to you" “Workin'” » 3 AA A A = “Workin! e 96-100 1p ——— mf tt om 12 mf 18 B7 telee o> fe 4 $@ z ena - 15 16 Fe Gim?_ao Fe 4s is 2 4 (ALTO) eur 118 9 2 120-123, [ALTO SAX, © 124 — 125 126 127 P S Pp ‘cresc. poco a poco © 28 ™p —"f —== — ff Reed 1 9toS ise INTO THE BULLPEN (Tour) | 1A |ALTO Ala“9 To 5” short fall . oF 3 7 ; eo a 1 5999/02/00. -4- Reed 1 9to5 Alto Sax (Tour)| 2 AROUND HERE [ALTO SAX. Bustling ‘Vamp (vocal last x) (+Piano) 6 (+Bari, Brass) 2 e 10-15 16-17 18 ALTO SAX 2 4921 mp eo 2 23.25 2 26-32 mp aa = long fall 2 34-37 38 of eo 39-42 a f Reed | (Alto) 2. AROUND HERE ees a8) (Dialogue) 8 48-55 (1057) a7 e 57-60 Vamp (out any bar) 5 (Bari, Ton.) 2 SS 68-67 (072) I oa 100 sub. p 98 a ip cresc. 05895 802 (09-B-T -6- Reed 1 (Alto) 3, AROUND HERE 9105 101 (Tour) 2 =N e 101-102 103) mg © 105 106 107 108 ons 114 "sO 116 vf Tong fall 118 119 120 fp cresc. poco a poco SN ED x! oa mf 2 a ¢ 1p 124 sft Reed 1 9to5 Alto Sax (Tour) | 2A BACK TO WORK! ALTO SAX “ Ip cresc. 2 == (Vocal) TT A AS = F_long fall er fp cresc. poco a poco ® 8 oc =~ -N\ i A en mf 2 =F 8 ae cree 14 ra E-1580/802/10-T -8- Reed 1 9to5 Alto Sax (Tour) | 3 Clartinet HERE FOR YOU ALTO SAX Smarmy Honky Tonk 4Xs 2 eae — o a (05) ALTOSAX 3 Vamp (vocal last x) 6 a 4 a niente ——— (to CLAR.) 2 © 26 35 36 37-38) (to41) ae [CLARINET (to ALTO) 4 Reed | (Alto) 2. HERE FOR YOU. 9105 53 (Tour) ALTO SAX ara GJ P 678 — Half-Time Honky Tonk/Gospel Feel 70 ng 273 er Ory a7 78 79-82 =~ a ze f 84 85 — ~ 86 — mee ay —— A Sf a8 89 90 6960 /802/ 08-7 -10- Reed 1 (Alto) 3. HERE FOR YOU. 9105 (Tour) SANA A nf a 2 © mp 103 i08 104A-1088 (10105) 102 Safety (to CLAR.) © 105 108 sub 107 6 — oad 108-113 [CLARINET Poco rit. ena 15 16 "7 PP Reed 1 9to5 Alto Sax f (Tour) | 3A HERE FOR YOU (Reprise) ALTO SAX. Moderato 2x TED Wocaty ALTO SAX (Half-time feel) : = 13 = s2my 10 sub. P crese. poco a poco oF 20-23 22 Colla Voce Rit. 26-28 28 sfz Applause Segue C6960 (802 /09.8-T -12- Reed 1 9to5 ] Alto Sax (Tour) | 3B | INTO THE XEROX ROOM Reed 1 9to5 Flute (Tour)| 4 Clarinet I JUST MIGHT (9/17/10 Insert 52B-52E) FLUTE Gently rit, oy 2 36 7 8 8 Atempo ~ FLUTE] Solo 7 0 ev 815 16 P dolce 19:20 VS. 1JUST MIGHT (9/17/10 Insert 52B-5 905 (Tour) Reed | Bf) © a P dolce 35 Gently Driving > (to CLARINET) 5 3 mp 34-38 &] (under dialogue) 8 EE —— e 39-46 4 CLARINET, e 47-50 3 ae ae PP toma) 2x 2 Vamp — af 7 e 87.58 59 eo] Crotales a 5 = e 60-64 5 66 oF 67 6960 802 (08-8 -14- Reed 1 (Cl) 3.1 JUST MIGHT oe (Tour) 8 - 68-75 Vamp (jump out any time) (tacet Ist x) play all x'—°_ = ee P 77 p (crese. last x) af ———— FLUTE 7 (to FLUTE) 3 e 79:81 2p eas 84-86 ea * 88 89-91 Reed 1 (Fl) 7 4. 1JUST MIGHT 9105 (Tour) Atempo mf cree. nf 1 112 *3mp _—_ Pe ing. ere rall. v "I just... o we ry 0 mp —___ pp Atempo - only if needed rat might." dolce e 1p 124 125 =" pp Applause segue G-6860/s02/08.8-7 -16- Reed 1 9to5 Clarinet (Tour) | 4A PUNCHIN' IN (CLARINET Hurried and vigorous! Ds. 7] Tas. cus) A [CLARINET (Pho. solo) 3 wiK. 1 e 7m 78 oe mp-— a Reed 1 9to5 Clarinet (Tour)| 5 BACKWOODS BARBIE [CLARINET Sweetly, colla voce (dictated) 1 "Now I've™ eo = = 3. +o ‘amp quasi Harmonium (throughout) aaa 13.15 6 Country 2 Vamp (vocal last.x) "I" Fae — y o 1847 79 "grew up" 9 e 19:27 "Barbie" 7 K2: Fiddle e 28-34 35 36 37 “just a backwoods Barbie" . e gra "Don't let these false eyelashes" 7 Gur. e 4551 52 53 (time) 6-660) 92/0881 -18- Reed 1 (Clar.) 2. BACKWOODS BARBIE 9105 (Tour) 8 EJ just a backwoods Barbie* e 5461 "J can see" 2 poco rit. f 7 Sweetly, colla voce (dictated) o4 3 Gas ——— wes A tempo K2: Fiddle © 6 er ~~ 88 89 oO sid] Segue Reed 1 9 to5 Alto Sax (Tour) ENRIGHT'S THE MAN Funky long fall -20- Gansis/s02/10-7 5A Reed 1 9to5 Flute (Tour)| 6 Alto HEART TO HART Colla voce Molto rall. A Rit. (to ALTO) ALTO. e1aF 186 14 15 ——— fs Slow and Bluesy accel. poco a poco 2 e 1617 18 A tempo ° nf P f 3 HEART TO HART 905 (Tour) Reed | (Alto) v Sweetly Solo mp a ° ff p=—nf=— “ f mp f Molto rit. A os a7 (G-6305 /802/08-8-T -22- Reed | (Alto) 3. HEART TO HART 905 a Freely (Tour) be = a 2 a 5 5 3 Atempo Ral, "Love you P Segue Reed 1 9to5 [4] (Tour) | 6A | Atte Sax VIOLET'S PISSED ALTO. Ala "9 to 5" Aggressive, angry growly Sf a — ® MAUI WOWIE 6B TACET DANCE OF DEATH . (Swing) es "map" “hotter” 8 re VS. (time) Reed 1 (Alto) 2. DANCE OF DEATH (rev. 9/13/10) 9105 (Tour) é Easy blues (Swing 8ths) 4 eine eo CF 6 “he Straight 8th's ALTO SAX, found “dressed "Liter. Solo me” tokiill” ally." oO 6 (Vocal) 2 f © nf (to 18) 36 7 2 vib! e 1819 20 Ey P Poco meno mosso . oo. 2%] (Straight 8th's) Rit. Poco rit. (dictated) ao (to FLUTE) ~~ } 28 25 26 (1052 23 P (breathy, sexy) == Frantic Minuet (straight 8ths) (FLUTE. : . * v 54 55 mp 53 ‘H05893 /802/08-B-T -24- Reed 1 (Alto) 3, DANCE OF DEATH (rev. 9/13/10) 905 (Tour) (RCTOSAR] 5 fl (to ALTO) 3 eo 56-58 59 fom @ Swing 8ths 3 Straight 8th's © 2p 65 % p a Molto rit. ~ a nf Sultry Swing e 75 o Sf 74 oy 76 (oan) ‘ Slower a Rit. (str. 8's) "bigot?" a p 36 Allegro “Time for "Copy = = = = you to die.” A oe a7 oF cy (1092) \ Straight 8th's it ee , Rit. March funebre ; AOA (to CLAR,) © 92 f 3 > 9% Reed 1 9to5 Clarinet (Tour)| 8 Flute COWGIRL'S REVENGE T Moderato nn = Very free, quasi spoken Big and quick RDFa on P 8 > * oS Freely accel. 3] Up-Tempo Country yp 48 46 47 Vamp (out any beat (to FLUTE) e 60-62 6s f (0 654) G-6960 /802/09-B-T -26- Reed 1 (FL) 2. COWGIRL'S REVENGE 905 (Tour) asa a bo © 658 650 65D (Cl This) 2 © eres 5K oot a (to CLARINET) 3 Oren canesP (087 VS. Reed 1 (Cl.) 3, COWGIRL'S REVENGE 905 (Tour) 7 3 (CLARINET 2 97-99 100 = 2 GP) ero 102 mf — fp (108) ‘Tempo I i 5 8108 109-113 © , “yp ————_—_ —" fF Attacea -38- G-orsinys2/ 10-7 Reed 1 9to5 Flute (Tour) | 11A THE SEARCH FOR THE COFFEE CUP) ——_ L'istesso tempo +[a] = m = FLUTE Slower, spooky Reed 1 9to5 Flute (Tour) | 12 Alto Sax SHINE LIKE THE SUN FLUTE Quickly, colla voce Moderato, in tempo rit. A tempo think..." eo O15 18 168, (017) VS. Reed 1 (Flute) 2. SHINE LIKE THE SUN 9t05 ‘Thunder Road-esque (Tour) 4X _ 2 : —S j e 17-18 ‘9 “Under this hair" 8 ois —— 2 19-26 FLUTE] —————~__ “Atheart that you've broken” e 5 27-28 mg ® 31 ——— pp* 33 P 34 mf Ss (to ALTO SAX) 3 —o (to ALTO) (4Brass) 2 53-55 58 a FLUTE (to FLUTE) 16-6305 /802/09-8-T -40- Reed | (Flute) 3. SHINE LIKE THE SUN 9105 (Tour) ® ——e a ‘mare. ; oa mfr cant 70 71 72 i Reed 1 (Flute) 4, SHINE LIKE THE SUN 9005 (Tour) 3 3 > e 59-91 eo mp eo 3 =— 94.95, 96 P oF 96-98 100 fF oo Pe Tos Pores, ‘om (chime-like) _ ran z 105 e 5 mf 106 107 108 109 110 ois 116 "7 mf ne 3 crese. poco a poco e 319-122 123 ef ® 128 16-6305 /802/08-8-T -2- Reed 1 (Flute) 5. SHINE LIKE THE SUN pies jour) ear 328 12 — nf cresc. poco a poco ALTO SAX (ALTO SAX) g 4 e 130-132 a Dictated 4 “like the sun +i) O15 fe 136 187 pp 8 of Reed 1 alte ‘Alto Sax (Tour) | 13 Clarinet ENTR'ACTE ALTO SAX. Moderate 80's in 4 "34" jg short fall A A A = A (to CLARINET) 8 Of (062) 8 Faster Poco rit. (CLARINET, 105093 802 /08-6-7 =44- Reed 1 Alto Sax Flute Cool 4 ONE OF THE BOYS ALTO SAX 9to5 (Tour) Reed 1 (Alto) 2. ONE OF THE BOYS, dios (Tour) — 37 = = eis P 14 eS ee 5 — = "never come” Hollywood 4 (even 8ths) zi - eae (to 26) (to FLUTE) [FLUTE 30) 2 ves mp % 40 41 3 Ss 3 ng Or 3 -46- 105855802007 Reed | (Flute) 3. ONE OF THE BOYS 9105 (Tour) > Medium Swing (faster) of 47-48 oF (to ALTO) Reed I (Alto) 4. ONE OF THE BOYS 9105 Cheesy Latin (Tour) EJ ALTO SAX . f "Violet!" 74 75 vn pF 73 Ton 76) ig scoop "Billy May" __ lone scoop —_. mf’ 7 78 05695802) 09-7 =48— Reed | (Alto) 5. ONE OF THE BOYS ip 5 jour) shake shake EE ne 108 — 116) ~ (R&R growl) A (+ grow!) A © 320 Ring 122 123 Maestoso © 2a Ep Sock'em fast cw) swing shake 128 ad 129 =—3— is > ———— of aa Reed | (Alto) 6, ONE OF THE BOYS 9t05 (Tour) 7] Freely “This’ 4 ist e 133 134 135 Hot Swing again (in 2) 137 3 138 A "One of the" ORT 141 142 143 mr 145 146 puild gradually “wr > © ae 149 180 151 Applaus segue 05695 /302/09-7 -50- Reed 1 9to5 Alto Sax (Tour) | 14A ONE OF THE BOYS PLAYOFF Hot and Swingin’ (Big Band Drums - solo) [ALTO SAX, wibrass 3 i A z {to 15) __ long fall Reed 1 9to5 Clarinet 5T09 (Tour)| 15 (CLARINET. Gentle, soft pop-ballad Rit. oN e7 P 3 A tempo 19 2 pp. Applause Segue (G-6305 /802/09-8-T —52- Reed 1 9to5 Alto Sax (Tour) 16 Flute CHANGE IT ALTO SAX Ala"9to5" fall ft °F = 3 Bright Optimistic 4 A 3 é on 12 Tio 16) o 770 . 2 ‘Vamp 20-21 2 (to 25) 3 —= Reed | (Alto) 2. CHANGE IT 9105 (Tour) 25 (vocal) A A (to ALTO) DF 30-31 32 [ALTO SAX Eel A (to FLUTE) 10 e 47, 47R471 (0 48) (vocal) 6 [FLUTE aa (to ALTO) 8 57-64 of ALTO SAX Ey "Change it” 6 => Sy sub. mp 76 __—_ 7 —= *F 07318 /802/10-T -54- Reed | (Alto) 3. CHANGE IT 905 (Tour) mam: ef oo af te & mp crese. © a =A =~ © c20 926 92F 926 92H (to 93) mf P crese 2 = 4 307-102, 1S mp 2 a 108-105 106 f 10 Applause Segue Reed 1 9to5 Alto Sax (Tour) | 16A AIN'T IT GREAT? [ALTO SAX] Bright nN Reed 1 9to5 Flute (Tour) | 16B A BETTER DAY (ELUTE) ALa "Change It" (Dr. fill, 4 Pho. gliss.) 4 FLUTE] 3] Solo _— a a _——~ eo mf dolce 7 8 8 =—_ 0 1 r03434/802/10 —56- Reed 1 a Flute (Tour) | 17 Clarinet LET LOVE GROW FLUTE Freely ma . a (to CLARINET) A oF PP 2 3 + 440 (5) (Vocal) A a a 58 A tempo CLARINEL "Let love grow only if needed — 0 18-16 (Vocal +Drs.) pce 25 P crese —= [PLAY] 26 (If needed) SET) 7 6 (CLARINET) © 25 ___ —— niente P Slower Atempo —Dictated = Reed 1 9to5 Alto Sax Th GOODNIGHT, [Link] "| 17A ALTO SAX. ‘Allegro rote was f 4 Soli ei Pp 13 14-15 16 1583 /802/08.8-T -58- Reed 1 9to5 Clarinet (Tour) | 17B STAY HERE DICK (Rev. 9/17/10) (CLARINET Allegro. : to. “ mf e 3 4 (108) Vamp mare| P co Reed 1 9to5 18 Clarinet Te oe GETOUTANDSTAYOUT ”? (CLARINET Reflective, colla voce (Tpts) Ore 36 — ™P 31 With intensity 7 5-605 /802/09.8-7 — 60- Reed | (Clar.) 2. GET OUT AND STAY OUT $ to5 (Tour) A A A A Oar = 48 Le 49 50 Ss 3 32-88 Half-time feel - aaa —_ (to FLUTE) 9r-94) Reed 1 (Flute) 3. GET OUT AND STAY OUT 9t0! yo FLUTE (Tour gj 96 — wy. 7 iP 98 Dreams and plans. are in | 99-100 101 102 103-104, 1044-1040 1040, P1048 104F 10a 104H ‘oai 104d 104K-104N 7 (to 105) f——"“y 107 108 108 110 oan 112 13 114 115 116 Half-time feel -- 2 e 17-18 119 120 Ora tf 122 123 124 Molto rall. (to ALTO) a © 125 126 127 128 129 Applause segue G-6305/802/09-6-T -62- Reed 1 9to5 Alto Sax (Tour) NO SHE DIDN'T (SLACKS) Moderato »=112 [ALTO] - a = =F 18A Reed 1 9to5 Alto Sax (Tour) | 18B HAIL TO THE TINSWORTHY [ALTO SAX] March (Drs, Pere.) 4 ete —S Ea] [2] -64- 66305502) 09.8- (013) Reed 1 9to5 Clarinet (Tour) | 19 Alt a on FINALE (CLARINET Moderato A en = mp [s] A little faster 3 7 Faster, stil Cue only Ory 22 PP e 25.26 er 28 P Reed | (Cl.) 2. FINALE 9105 (Tour) 30 (to ALTO) 4 32.35 P [ALTO SAX. (Shaker out) aa ¥ 45-46, a7 fo® er 62 f 63 ‘marcato 2 68-67 nf 70 marcato 71-73, 73A (10 74) Vamp O74 7.43434 / 802/10 — 66- Reed 1 (Alto) 3. FINALE 9105 (Tour) ‘Vamp (out any time) 7 e 78-79 80 Bt ae of C 8 fp —— mf fp —= mf f at Sot Reed 1 9to5 Alto Sax (Tour) Flute BOWS (9/12/10 Insert 2A - 2D) Allegro, a la “Around Here” ALTO SAX] — 7.03434 802 /10-T ~ 68 - 20 Reed | (Alto) 2. BOWS. pis v7 f ay poy. * f — Faster (To FLUTE) Ory a % a2 43 44 45 mf e wr 54 55 =). be mt ALTO) 2 56-59 es Lp a 2 S75) ‘Slower, ala “9 to 5” e 60-61 er le Reed 1 (Alto) 3. BOWS Sto! 8 (Tour } 4 — ° 568 1.03434 /802/10-T -70- Reed 1 9 to5 Alto Sax (Tour) | 21 EXIT ALTO Moderato, a la “9 to 5” NAAAAA = Reed I (Alto) 2. EXIT Ito (Tour 6-6305/302/09.8-7 -72- Emily Grshman Music Preparation 212.768.28¢

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