Directed by Amy Heckerling

CAST:

Alicia
Silverstone.........Cher
Horowitz
Stacey
Dash................Dionne
Brittany Murphy............Tai
Paul Stephen
Rudd..........Josh
Donald Adeosun
Faison......Murray
Elisa
Donovan..............Amber
Breckin
Meyer..............Travis
Jeremy
Sisto...............Elton
Dan Hedaya.................Mel
Aida
Linares...............Lucy
Wallace Shawn..............Mr.
Hall
Twink
Caplan...............Miss
Geist
Justin
Walker..............Christian
Sabastian
Rashidi..........Paroudasm
Herb
Hall..................Principa
l
Julie
Brown................Miss
Stoeger
Susan
Mohun................Heather
Nicole
Bilderback..........Summer
Ron Orbach.................DMV
Tester
Sean
Holland...............Lawrence
Roger
Kabler...............College
Guy
Jace
Alexander.............Robber
Josh
Lozoff................Logan
Carl
Gottlieb..............Minister
Joseph D.
Reitman..........Student
Anthony
Beninati...........Bartender
Micki
Duran................Dancer
Gregg
Russell..............Dancer
Jermaine
Montell...........Dancer
Danielle
Eckert............Dancer

Written by
Jane Austen (novel
Emma)
Amy Heckerling

Cinematography by
Bill Pope

Music by
David Kitay
Production Design by
Steven J. Jordan

Costume Design by
Mona May

Film Editing by
Debra Chiate

Produced by
Barry M. Berg (co-
producer)
Twink Caplan
(associate)
Robert Lawrence (III)
Scott Rudin
Adam Schroeder (co-
producer)

Other crew
Den
Abraham..............set
dresser
Barry M.
Berg............unit
production manager
Alan 'Doc'
Friedman......make-up
Richard
Graves...........assistant
director
Raul
Gutierrez...........assistant
to Scott Rudin
William
Hiney............art director
Lawrence
Karman..........camera
operator
Mark
Kusy................set
dresser
James
LaBarge............set dresser
Alyson Dee
Moore.........foley
James
Muro...............steadicam
operator
Wendy
Murray.............set dresser
Patricia
Nedd............foley
Nina
Paskowitz...........hair
styles
Karyn
Rachtman...........music
supervisor
Patrick
Romano...........stunt co-
ordinator
Marcia
Ross..............casting
Daniel
Silverberg........assistant
director
Jeffrey T.
Spellman......location manager
Amy
Wells................set
decorator
Diana
Williams...........assistant
director

OK, so here it is. The entire

script to Clueless
including important actions,
songs from the
soundtrack, and my own
personal comments.
Just hit the little
speaker next
to the character's name to
hear the lines from the movie
(They're
not working yet). I hope you
enjoy reading it as much as I
enjoyed
writing it. It's amazing the
things you pick up when
watching a scene 50
times. One thing: this is
written by a hopelessly
devoted and loyal Alicia
Silverstone fan, so some of
the commentary may be biased.
But, I figure
if you're reading this then
you must have some interest
her. Enjoy.

Any suggestions, errors,

anything?! Please email
me pacey578@[Link]

SCENE I - CHER'S HOUSE

"Kids in America" The Muffs

(Heaps of shots of the girls

having fun)

CHER V.O.
So OK, you're probably
thinking, "Is this, like
a Noxema commercial, or
what?!" But seriously, I
actually have a way
normal life for a teenage
girl. I mean I get up, I brush
my teeth, and
I pick out my school clothes.

"Fashion Girl"
David Bowie

Daddy's a litigator. Those are

the scariest kinds
of lawyers. Even Lucy, our
maid, is terrified of him.
He's so good he gets
paid five hundred dollars an
hour just to fight with
people, but he fights
with me for free 'cause I'm
his daughter.

CHER
Daddy!

MEL

Cher, please don't start with

the juice again.

CHER

Daddy, you need your vitamin

C.

MEL

Where's my briefcase?

CHER

It's been a couple of months

now, so I say we go out
to Malibu.

MEL
Don't tell me those braindead
low-lives have been
calling again.

CHER

They are your parents. And

don't try sneaking out
of the office. Dr. Lovitz is
coming by to give you a flu
shot.

MEL

Oh, Josh is in town. He's

coming for dinner.

CHER

Why?

MEL

Because he's your step-

brother!

CHER
But you were hardly even
married to his mother and
that was five years ago. Why
do I have to see Josh?

(Watch those LIPS!!)

MEL

You divorce wives, not

children.

CHER

Here.

MEL

Forget it!

SCENE II - CHER'S CAR

"Just a girl" No
Doubt

CHER V.O.
Did I show you the loqued-out
Jeep Daddy got me? It's
got four wheel drive, dual
side airbags and monster sound
system. I don't
have a licence yet, but I need
something to learn on.

(Cher runs over a potted plant

on the kerb)

Oh, why that came out of

nowhere.

(Watch her face when she looks

back at the road)

Here's where Dionne lives.

She's my friend because
we both know what it's like to
have people be jealous of us.

DIONNE

Dude!

CHER

Girlfriend!
CHER V.O.

And I must give her snaps for

her courageous fashion
efforts.

DIONNE

Hey Cher.

CHER V.O.

Dionne and I were both named

after great singers of
the past who now do
infomercials.

DIONNE

So?

CHER

Shopping with Dr. Seuss?

DIONNE
Well, at least I wouldn't skin
a Collie to make my
backpack.

CHER

It's Faux.

DIONNE

Hello. That was a stop sign!

CHER

I totally paused!

DIONNE

Yeah, OK.

SCENE III - SCHOOL WALKWAY

DIONNE
It's not even eight thirty and
Murray is paging me.

CHER

He is so possesive.

DIONNE

Tell me about it. This weekend

he called me up and
he's all "Where were you
today?" and I'm like "I'm at
my
Grandmother's house"...

CHER V.O.

Dionne and her boyfriend,

Murray are in this dramatic
relationship. I think they've
seen that Ike and Tina Turner
movie just
too many times. Now I have to
say to her...

CHER

Dee, why do you put up with

it? You could do so much
better.

DIONNE

Alright, sh, sh. Here he

comes.

"Shoop" Salt n'

Pepa

MURRAY

Woman, why don't you be

answering any of my pages?

DIONNE

I hate when you call me Woman!

MURRAY

Where you been all weekend?

What's up? You been jeepin'
around behind my back?

DIONNE
Jeepin'?

CHER

Jeepin'.

(Watch Cher closely. It's

Classic!)

MURRAY

Jeepin', jeepin'.

DIONNE

No, but speaking of vehicular

sex, perhaps you can
explain to me how this cheap
K-mart hair extension got into
the back seat
of your car.

MURRAY

I don't know where that came

from. That looks like
one of your stringy something
on others you got up here...
DIONNE

Excuse me. I do not wear

polyester hair, OK. Unlike
some people I know, like
Shawanna.

CHER

Dee, I'm outie.

DIONNE

Bye.

MURRAY

Why do you gotta go there?

DIONNE

That's it. I've had it with

you.

MURRAY
Is it that time of the month
again?

(Croud Gasps)

CHER V.O.

I don't know why Dionne is

going out with a high school
boy. They're like dogs. You
have to clean them and feed
them and they're
just like these nervous
creatures that jump and
slobber all over you.

(Random guy puts his arm

around
Cher)

CHER

Ooo! Get off of me! Uh, AS IF!

SCENE IV - CLASSROOM DEBATE

MR HALL

Should all oppressed people be

allowed refuge in America?
Amber will take the con
position. Cher will be pro.
Cher, two minutes.

CHER

So, OK, like right now, for

example, the Haitians
need to come to America. But
some people are all "What
about the strain
on our resources?" But it's
like, when I had this garden
party for
my father's birthday right? I
said R.S.V.P. because it was a
sit-down dinner.
But people came that like, did
not R.S.V.P. so I was like,
totally
buggin'. I had to haul ass to
the kitchen, redistribute the
food, squish
in extra place settings, but
by the end of the day it was
like, the more
the merrier! And so, if the
government could just get to
the kitchen, rearrange
some things, we could
certainly party with the
Haitians. And in conclusion,
may I please remind you that
it does not say R.S.V.P. on
the Statue of
Liberty?

(Class breaks into applause)

CHER

Thank you very much.

MR HALL

Uh, Amber? Replying?

AMBER

Mr. Hall, how can I answer

that? The topic is Haiti
and she's talking about some
little party.

CHER

Hello?! It was his fiftieth

birthday!

AMBER

Whatever. If she doesn't do

the assignment, I can't
do mine.

MR HALL
Ladies. So, does anyone have
any further thoughts
on Cher's oration? Elton?
Comments?

ELTON

Yeah, I can't find my

Cranberries CD. I've gotta do
to the Quad before somebody
snags it.

MR HALL

I'm afraid I can't permit

that. Any further insights?

TRAVIS

I had an insight, Mr. Hall.

MR HALL

I'm all ears.

TRAVIS
OK, like, the way I feel about
the Rolling Stones
is the way my kids are going
to feel about Nine Inch Nails,
so I really
shouldn't torment my Mom
anymore, huh?

MR HALL

Yes. Well, it's a little off

the subject of Haiti,
but tolerance is always a good
lesson, even when it comes out
of nowhere.

TRAVIS

Thank you.

MR HALL

And with that in mind, I'm

going to distribute you
report cards. Now, is there a
Christian Stobich in this
class?

CHER
MR. Hall? The buzz on
Christian is that his parents
have joint
custody, so he'll be spending
one semester in Chicago
and one semester here. I think
it is a travesty on the part
of the legal
profession.

(Look at Cher's face while

speaking!
Ahhh, I can't take it
anymore!)

MR HALL

Thank you for that perspective

Cher.

(Mr. Hall hands out the report

cards)

Now could all conversations

please come to a halt.

(Travis jumps up to the

window)

And could the suicide attempts

please be postponed
till the next period?
TRAVIS

Must die.

(After Cher, the most classic

character in the movie)

CHER V.O.

Suddenly, a dark cloud settled

over first period.
I got a C in debate?!

SCENE V - SCHOOL HALLWAY

CHER (on phone)

Dee?

DIONNE

Wassup?

CHER
Did you get your report card?

DIONNE

Yeah, I'm toast. How'd you do?

CHER

I totally choked. My father is

going to go ballistic
on me.

DIONNE

Mr. Hall was way harsh!

(Cher and Dionne meet up in

the hall)

He gave me a C minus.

CHER

Well, he gave me a C, which

drags down my entire average.
DIONNE

Bye.

CHER

I'll call ya, OK?

DIONNE

Yeah.

SCENE VI - CHER'S HOUSE

CHER V.O.

Isn't my house classic? The

columns date all the way
back to 1972. Wasn't my Mom a
betty? She died when I was
just a baby. A
fluke accident during a
routine liposuction. I don't
remember her, but
I like to pretend she still
watches over me.

CHER
Hey, Ma. 98 in geometry.
Pretty groovy, huh?

"Fake Plastic Trees

(Acoustic Version)" Radiohead

CHER V.O.

Yuk! Uh, the maudlin music of

the University station.

CHER

Waa, waa, waa.

(Cher enters the kitchen)

Yuh, what is it about college

and cry-baby music?

JOSH

Hey, who's watching the

Galleria?
CHER

So, the flannel shirt deal. Is

that a nod to the crispy
Seattle weather, or are you
just trying to stay warm in
front of the refrigerator?

JOSH (grabs Cher's tummy)

Oo, wow. You're filling out

there.

CHER

Wow. Your face is catching up

with your mouth.

JOSH

I went by Dad's office.

CHER

He is not your Dad. Why don't

you torture a new family.
JOSH

Hey, just because my mother

marries someone else,
doesn't mean he's my father.

CHER

Actually, Kato, that's exactly

what it means.

(They enter the Lounge)

I hope you're not thinking of

staying here.

JOSH

I sure want to.

CHER

I'm sure you do.

JOSH
I've got a place in Westwood,
near School.

CHER

Shouldn't you go to school on

the East Coast? I hear
girls at N.Y.U. aren't at all
particular.

JOSH

Hahaha, you're funny.

(Josh changes the channel from

Beavis and Butthead to the
News)

CHER

Hey! God, you just got here

and already you're playing
couch Commando!

JOSH

Hey! In some parts of the

Universe, maybe not in
Contempo
Casual, but in some parts,
it's considered cool to know
what's going on
in the world.

CHER

Thank you, Josh. I so need

lessons from you on how
to be cool. Tell me that part
about Kenny G again?

MEL (From Dining Room)

C'mon you chuckleheads, get in

here!

(They move to the Dining Room)

Josh, are you still growing?

You look taller than
you did at Easter.

JOSH

I don't think so.

MEL (to Cher)

Doesn't he look bigger?

CHER

His head does.

MEL

So, Josh, have you given any

thought to our little
discussion about Corporate
Law?

JOSH

Yeah, you know, but I think

I'd really like to check
out Environmental Law.

MEL

What for? Do you want to have

a miserable, frustrating
life?

CHER
Oh, Josh will have that no
matter what he does.

MEL

At least he knows what he's

doing. And he's in good
college. I'd like to see you
have a little bit of
direction.

CHER

I have direction.

JOSH

Yeah, towards the mall.

MEL

Which reminds me, where's your

report card?

CHER
It's not ready yet.

MEL

What do you mean, "it's not

ready yet?"

CHER

Well, some teachers are trying

to low-ball me, Daddy.
And I know how you say, "Never
accept a first offer", so I
figure
these grades are just a
jumping off point to start
negotiations.

MEL

Very good.

(One of the mobile phones

rings,
everyone answers their phone)

CHER

Dee?
JOSH

Yeah?

MEL

Hello? Yeah, Jake, what? NO!

Not the afternoon.

(Cher and Josh put their

phones
down)

CHER

You are such a brown-noser.

JOSH

Oh, and you are such a

superficial space-cadet. What
makes you think you can get
teachers to change your
grades?

MEL (in background)

I told you I wanted it in the
morning! Doesn't he
understand? In the morning.

CHER

Only the fact that I've done

it every other semester.

SCENE VII - VARIOUS SCHOOL

LOCALES

"Shake some action"

Cracker

CHER V.O.

I told my P.E. teacher an evil

male had broken my heart,
so she raised my C to a B.

CHER

I'm so miserable. I can't eat,

I can't sleep, I can't
study.

MISS STOEGER
They're slime, they're slime,
I mean they're horrible,
don't feel bad, don't feel
bad, I know, and you see
they're all like this.

CHER V.O.

Then I promised Miss Giest I'd

start a letter writing
campaign to my congressman
about violations of the clean
air act.

But Mr. Hall was totally

rigid. He said my debates
were unresearched,
unstructured, and
unconvincing, AS IF!

I felt impotent and out of

control, which I really
hate. I needed to find
sanctuary in a place where I
could gather my thoughts
and regain my strength.

SCENE VIII - THE MALL

DIONNE
Dude, what's wrong? Are you
suffering from buyer's
remorse or something?

(Watch Cher flick her head)

CHER

God, no! Nothing like that.

It's just that, we've
been shopping all day and I
still don't know what to do
about Mr. Hall.
I have tried everything to
convince him of my scholastic
aptitude, but
I was brutally rebuffed.

DIONNE

Get over it, OK. He's a

miserable little man who wants
to make everyone else
miserable too.

CHER

Dee, that's it! We've got to

figure out a way to make
Mr. Hall sublimely happy.
SCENE IX - SCHOOL

CHER V.O.

Here's the four-one-one on Mr.

Hall. He's single,
he's 47, and he earns minor
duckets for a thankless job.
What that man
needs is a good healthy
boinkfest. Unfortunately,
there was a major babe
drought in our school. The
evil trolls from the math
department were actually
married,... oooh Snickers...
and in the grand tradition of
P.E. teachers,
Ms. Stoeger seemed to be same-
sex oriented. Of course, there
was always
Miss Giest. Something told me
not to discount Miss Giest.
Well sure, she
has runs in her stockings, and
her slip is always showing,
and she always
has more lipstick on her teeth
than her mouth. God, this
woman is screaming
for a make-over. I'm her only
hope.

(Cher is writing a note

outside
Miss Giest's pidgeon hole)

DIONNE
Rough winds do shake the
darling buds of May but thy
eternal summer shall not fade.
Phat! Did you write that?

CHER

Duh, it's like a famous quote.

DIONNE

From where?

CHER

Cliff's notes.

DIONNE

Oh.

(Travis and Miss Giest walk

out of her office toward where
Cher and Dionne have split the
scene)

MISS GIEST
I know you're going to be
better now. Now, you run
along and I'll see you third
period and you will try to
remember to bring
your textbook.

TRAVIS

Uh, OK.

(Miss Giest reads the note

left
by the girls and her face
brightens)

DIONNE

Oh, my God! She actually

looked happy!

CHER

Oooh, classic!

(Scene changes to Mr. Hall's

classroom)

MR HALL
Paroudasm Budapshawn, 16
tardies to work off.

(Paroudasm mutters something

in Farsi and his friends
cheer)

Janet Huon, no tardies.

CLASSMATES

Kisser!

MR HALL

Travis Berkenstock, 38
tardies. By far the most
tardies
in the class. Congratulations.

(The whole class cheers and

applaudes. Travis approaches
the podium)

TRAVIS

This is so unexpected, I, uh,

I didn't even have a
speech prepared. Uh, but I
would like to say this:
Tardiness is not something
you can do all on your own.
Many, many people contributed
to my tardiness.
Uh, I'd like to thank my
parents for never giving me a
ride to school,
the L.A. city bus driver for
taking a chance on an unknown
kid, and, uh,
last but not least, the
wonderful crew at McDonalds
for spending hours
making those egg McMuffins,
without which I might never be
tardy.

MR HALL

Well, if Mr. Berkenstock has

no political messages
to include in his speech, I'll
go on. Cher Horowitz, two
tardies.

CHER

I object! Do you recall the

dates of these alleged
tardies?

(Cher in lawyer mode.

Legendary!)
MR HALL

One was last Monday!

CHER

Mr. Hall, I was surfing the

crimson wave, I had to
haul ass to the ladies'.

MR HALL

I assume your referring to

women's troubles, and so
I'll let that one slide.

CHER

Thank you, Mr. Hall. Miss

Giest was right about you.

MR HALL

What do you mean?

CHER
Well, she said that you were
the only one in this
school with any intelligence.

SCENE X - CHER'S HOUSE

MEL

Cher, get in here!

CHER

Yes, Daddy?

MEL

Would you tell me what the

hell this is?

CHER

Um, a second notice for three

outstanding tickets.
I don't remember getting a
first notice.
MEL

The ticket is the first

notice. I didn't even know
you could get tickets without
a licence.

CHER

Oh, sure you can. You can get

tickets anytime.

MEL

Oh, is that so?

(Cher nods)

Well not around here you

can't. From this moment on,
you will not drive, sit, do
anything in that jeep without
a supervised
driver present. And no
cruisin' around with Dionne,
alright? Two permits
do not equal a licence! Do I
make myself clear?

CHER
Yes, Daddy.

MEL

Cher, I expect you to become a

good driver. I want
to see you apply yourself.

CHER

I will. I'm gonna practise

real hard.

MEL

OK.

(The scene moves to the

poolside)

CHER V.O.

A licenced driver with nothing

to do? Where would
I find such a loser?
CHER

Hey, granola breath, you got

something on your chin.

JOSH

I'm growing a goatee.

CHER

Oh, that's good. You don't

want to be the last one
at the coffee house without
chin pubes.

JOSH

I can't tell you how much I

enjoy these little chats
of ours, but in the interest
of saving time, why don't you
just tell me
what you want.

CHER

OK. So, actually, I have a

permit and I can drive
and all, but Daddy says I
can't take the jeep out
without a licenced driver,
and since your not doing
anything and all, you know?

JOSH

What are the chances of you

shutting up until you
get your way?

CHER

Hmmm, slim to none. C'mon!

SCENE XI - CHER'S CAR

JOSH

Hey, James Bond, in America we

drive on the right
side of the road.

CHER

I am. You try driving in

platforms.
JOSH

Look, I got to get back to

school. Ah, you want to
practise parking?

CHER

What's the point? Everywhere

you go has valet. What
class you going to?

JOSH

Actually, I'm going to a tree

people meeting. Me might
get Marky Mark to plant a
celebrity tree.

CHER

How fabulous. Getting Marky

Mark to take time from
his busy pants-dropping
schedule to plant trees? Josh,
why don't you just
hire a gardener?

JOSH
You know, maybe Marky Mark
wants to use his popularity
for a good cause, make a
contribution. In case you have
never heard of
that, a contribution is the
giving of...

CHER

Excuse me, but I have donated

many expensive Italian
outfits to Lucy...

JOSH

time... funds...

CHER

And as soon as I get my

licence I fully intend to
brake for animals, and I have
contributed many hours helping
two lonely
teachers find romance.

JOSH
Which I'll bet serves your
interest more than theirs.
You know, if I ever saw you do
something that wasn't ninety
percent selfish,
I'd die of shock.

CHER

Oh, that'd be reason enough

for me.

SCENE XII - SCHOOL

CHER

Would you call me selfish?

DIONNE

No. Not to your face.

CHER

Really?

DIONNE
What's wrong? Is Josh giving
you shit because he's
going through his post-
adolescent idealistic phase?

CHER

Look, there's Mr. Hall.

(The girls run over to Mr.

Hall)

Mr. Hall, Mr. Hall, Mr. Hall,

um, do you drink coffee?

MR HALL

Well, not from this cafeteria.

But, uh, yes under
normal circumstances.

CHER

Well, I am such a retard. When

I was packing Daddy's
lunch this morning I gave him
my lemon snapple, and I took
his sucky Italian
roast. Do you want it?

MR HALL

Are you sure you don't want

it?

CHER

Duh, it might stunt my growth.

I wanna be 5'10"
like Cindy Crawford. But I
thought maybe you and Miss
Giest might like
it?

DIONNE

Maybe you can share it?

MR HALL

Well, uh, thanks.

CHER

Sure.
(To Dionne)

Hmm?

(Outside Miss Giest's office,

she opens the door)

CHER & DIONNE

Miss Giest!

MISS GIEST

Hi girls. Did you sign up for

the environmental fair?

DIONNE

Oh, yeah, we will.

CHER

You have such pretty eyes.

Don't hide them. And these
clips are so cute.
DIONNE

And this tiny little waist.

Oooh, wow.

MISS GIEST

Girls. Oh, and don't forget to

sign up for the environmental
fair.

DIONNE

Not a total betty, but a vast

improvement.

CHER

Well, we did our best.

DIONNE

Mmmm, Hmmm.
CHER

We gotta book it if we're

going to make it to P.E.

(Scene moves outside)

C'mon, Dee.

DIONNE

Ohh, I feel like failing,

dude, c'mon.

CHER

I know what you mean, but at

least it's exercise.
I feel like such a heffer. I
had two bowls of special K,
three pieces of
turkey bacon, a handful of
popcorn, five peanut butter
M&M's, and like,
three pieces of licorice.

DIONNE

(Gasp) Oh, my God. Look.

Is that a photo op, or what?

CHER

Will you look at that body

language? Legs crossed
towards each other. That's an
unequivocal sex invite.

DIONNE

Oh, Cher, he's getting her

digits. Look at Giest,
she is so cute.

CHER

Ohh, old people can be so

sweet.

"Change" Lightning
Seeds

(The following scenes show

Miss
Giest and Mr. Hall get it on
while everyone is thanking
Cher.)
CHER V.O.

The entire student body was

utterly grateful for the
improvement in their grades.

SCENE XIII - CHER'S HOUSE

MEL

Cher, what's this all about?

CHER

My report card?

MEL

The same semester?

CHER

Uh-huh.

MEL
What'd you do? Turn in some
extra-credit reports?

CHER

No.

MEL

You take the mid-terms over?

CHER

Uh-uh.

MEL

You mean to tell me that you

argued your way from a C+ to
an A-?

CHER

Totally based on my powers of

persuasion. You proud?
MEL

Honey, I couldn't be happier

than if they were based on
real grades.

CHER

Thank you.

MEL

Fabulous.

SCENE XIV - SCHOOL P.E.

"Girls Just Wanna Have

Fun" Robert Hazard

CHER V.O.

I felt so satisfied, I wanted

to do more good deeds.

(Dionne sneezes)
CHER

Dee, when your allergies act

up, take out your nose-ring.

MISS STOEGER

Follow... through! There you

go, there you go. All right,
Cher. Earth to Cher! Come in
Cher!

CHER

Oh. Miss Stoeger? I would just

like to say that physical
education in this school is a
disgrace. I mean,
standing in line for forty
minutes is hardly aerobically
effective. I doubt
I've worked off the calories
in a stick of care-free gum.

(Class cheers)

MISS STOEGER

Well, you certainly exercised

your mouth Cher. Now, hit the
ball.
(Ball flies by, inches from
Cher's nose)

CHER

Miss Stoeger, that machine is

just a lawsuit waiting to
happen!

MISS STOEGER

Thanks for the legal advice.

(Cher returns to line)

Dionne? You're up.

DIONNE

Uh, no, Miss Stoeger? I have

a note from my tennis
instructor, and he would
prefer it if I didn't expose
myself to any training that
might derail his teachings.

MISS STOEGER
Fine! Amber?

AMBER

Miss Stoeger. My plastic

surgeon
doesn't want me doing any
activity where balls fly at my
nose.

DIONNE

Well, there goes your social

life.

(Girls giggle. Principal walks

onto the scene)

PRINCIPAL

Miss Stoeger? Got another one.

Ladies, we have a new student
with us. This is Tai Frasier.

MISS STOEGER

Tai, you don't have time to

change, but you could hit a
few balls in those clothes.

AMBER

She could be a farmer in those

clothes.

CHER

Dee, my mission is clear.

Would
you look at that girl? She is
so adorably clueless. We have
got to adopt
her.

DIONNE

Cher, she is toe-up. Our stock

would plummet.

CHER

Dee, don't you want to use

your
popularity for a good cause?

DIONNE
No.

CHER

(Motions to Tai)

C'mere. Yeah, c'mere. Hang

with
us.

TAI

Oh, thank you.

CHER

How do you like California?

TAI

Man, I am freakin'. I could

really use some sort of a
herbal refreshment?

DIONNE
Well, we do lunch in ten
minutes.
We don't have any tea, but we
have Coke and stuff.

TAI

No shit! You guys got Coke

here?

DIONNE

Well, yeah.

CHER

Yeah, this is America.

(Scene changes to the girls

walking down main path)

"Unknown song and artist"

CHER V.O.

So, we decided to show Tai the

ropes at Bronson Alcott High
School.

CHER

That is Alana's group over

there.
They do the T.V. station. They
think that's the most
important thing on
Earth. And that's the Persian
mafia. You can't hang with
them unless you
own a BMW. And there's Elton
in the white vest, and all the
most popular
boys in the school.

DIONNE

Including my boyfriend. Ain't

he cute?

TAI

Yeah.

CHER

If you make the decision to

date a high school boy, they
are the only acceptable ones.

TAI

Cher, which one of them is

your
boyfriend?

CHER

As if!

DIONNE

Cher's got attitude about high

school boys.

CHER

It's a personal choice every

woman has got to make for
herself.

(Murray approaches the girls)

MURRAY (to
Dionne)
Woman, lend me five dollars.

DIONNE

Murray, I have asked you

repeatedly
not to call me Woman!

MURRAY

Excuse me, Miss Dionne.

DIONNE

Thank you.

MURRAY

OK, but street slang is an

increasingly
valid form of expression. Most
of the feminine pronouns do
have mocking,
but not necessarily in a
misogynistic undertone.

(Murray hops away)

TAI

Wow! You guys talk like grown-

ups.

CHER

Oh, well, this is a really

good
school.

TAI

I'm gonna go get a soda. You

guys want?

CHER

Sure.

TAI

Alright.

DIONNE
She's nice.

CHER

Oooh, project!

(I can't put that cute little

squeal into words)

(Scene changes to inside

cafeteria)

"My Iron Lung"

Radiohead

TRAVIS (To
food)

Oh, wow. That's disgusting.

(To Tai)

That's nice representation.

TAI
Thanks. Those are really nice
stickers.

TRAVIS

Oh, you like 'em? See, I was

thinking it was too cluttered.
You know, I wanna wipe all of
this out and
concentrate on one main
decorative statement. Like,
uh, Marvin the Martian.
Right there.

TAI

Get outa town! I can do Marvin

the Martian.

TRAVIS

Really?

TAI

Well, I mean, there's not

really
a lot to him. But, you wanna
see?
TRAVIS

Yeah.

TAI

Here.

TRAVIS

Oh, wow! That's really cool.

TAI

Thanks.

TRAVIS

You drew that?

TAI

Yeah, and wait, I got... one

here.

TRAVIS

You didn't trace this?

TAI

Uh-uh. No. Here's another one

over here. And, lots of little
guys.

TRAVIS

That is so cute!

TAI

I love to draw.

TRAVIS

You're really good at it.

TAI
No.

TRAVIS

Yeah, really you are.

TAI

No.

TRAVIS

Yeah!

(Scene changes to outside)

DIONNE

Are you sure that's fat free?

CHER

Oh, yes. And you lose wait by

doing it like this. Like
really small.

(Dionne giggles/hisses)

It's true.

TAI

I met a really cool guy.

CHER

Describe!

TAI

Alright, he's got long hair,

he's really funny, and
straight off, right? He offers
me some smoke. There
he is!

CHER

Are you talking about drugs?

TAI

Yeah.

CHER

Tai, how old are you?

TAI

I'll be sixteen in May.

CHER

My birthday is in April, and

as someone older, can I please
give you some advice?

(Tai nods)

It is one thing to spark up

a dubie and get laced at
parties, but it is quite
another to be fried all
day.
DIONNE

Do you see the distinction?

TAI

Yeah.

CHER

Ladies generally hang on the

grassy knoll over there.

"unknown song and artist"

guitarish

Sometimes they come to class

and say bonehead things, and
we all laugh, of course. But
no respectable
girl actually dates them.

DIONNE

Hmm-mm.
CHER

You don't want to start off

on the wrong foot, do
you?????????????

(TAI shakes her head)

I've got an idea. Let's do a

make-over!

(Dionne lights up)

TAI

No, no.

DIONNE

Oh, c'mon! Let us! Cher's main

thrill in life is a make-over.
OK, it gives her a sense of
control on a
world full of chaos.

CHER

Pleeeaaase.
(How could anyone resist
that?!)

TAI

Sure. Why not? Shit! You guys!

I have never had straight
friends before.

SCENE XV - MAKE-OVER AT CHER'S

HOUSE

"Supermodel" Jill
Sobule

(Various scenes of Cher and

Dionne making over Tai, then
Cher and Tai working out in
the lounge room)

CHER

Squeeze in.

TAI
Cher, I don't wanna do this
any more, and my buns, they
don't feel nothin' like steel.

CHER

OK, it will get easier, I

promise.
Just as long as we do it every
day. Not just sporadically.

TAI

How do you know if we're doing

it sporadically?

CHER

That's another thing, Tai.

We've
got to work on your accent and
vocabulary. See, sporadic
means once in
a while. Try and use it in a
sentence today.

TAI

Alright.
CHER

OK, from now on we're

alternating
Cindy Crawford's "Aerobicise"
and "Buns of Steel",
and reading one non-school
book a week. My first book is
"Fit or Fat".

TAI

Mine is "Men are from Mars,

Women are from Venus".

CHER

Good. Now that takes care of

our minds and bodies, but we
should do something good for
mankind or the
planet for a couple of hours.

(Josh walks in)

JOSH

Hey, brainiac.
CHER

Uh, the dreaded ex. Tai, this

is Josh.

JOSH

Nice to meet ya.

CHER

Hey! You know about this

stuff.
I want to do something good
for humanity.

JOSH

How about sterilization?

(Tai cracks up. Cher and Josh

enter the kitchen)

CHER

So, what do ya think?

JOSH

I'm amazed.

CHER

That I'm devoting myself so

generously to someone else?

JOSH

No, that you've found someone

even more clueless than you
are to worship you.

CHER

I am rescuing her from teenage

hell. Do you know the wounds
from adolescence can take
years to heal?

JOSH

Yeah, and you've never had a

mother so you're acting out on
that poor girl as if she was
your Barbie
doll.

CHER

Freshman psych rears it's ugly

head

JOSH

Hey, I am not taking psych.

CHER

Whatever. I am going to take

that lost soul in there and
make her well-dressed and
popular. Her life
will be better because of me.
How many girls can say that
about you?

(Josh and Cher walk back to

the lounge where Tai is
watching T.V. and singing
along with the "Mentos"
ad. God I hate
those ads!)

JOSH
Be seein' ya.

TAI

Yeah, I hope not sporadically.

SCENE XVI - SCHOOL

CHER

Oh, my God. Do you see how

boys
are responding? My heart is
totally bursting.

DIONNE

I know. I'm knelling!

(Travis approaches)

TRAVIS

Cher, you have Timor, right?

CHER
Geist.

TRAVIS

Hey, Tai! Did you get a flyer?

TAI

Uh-uh.

TRAVIS

Here.

TAI

Thanks. Wow, a party!

CHER

It's in the Valley. The cops

usually break 'em up in less
than an hour, and it takes
that long to get
there.
DIONNE

And besides, it's just local

loadies.

TAI

Do you guys think that Travis

is gonna be there?

DIONNE

Tai, I thought we moved on

from
there.

CHER

Don't sell yourself short now.

You've got something going for
you that no one in this school
has.

TAI

Oh, I'm not a virgin.

CHER

I mean mystery. As far as

everyone
is concerned you were the most
popular girl in your school,
and the fact
that you hang with Dee and I,
well...

DIONNE

Speaks very highly of you.

CHER

If you strike while the iron

is hot, you can have any guy
that you want.

TAI

Like who?

CHER
Let's see. Who's available?
There's Bronson... I got it!
Elton! He just broke up with
Collette.

DIONNE

Oh, yes!

TAI

Who's Elton?

DIONNE

Oh, my God. He's way popular.

He's like the social director
of the crew.

CHER

Yeah, and his Dad can get you

into any concert, and I
noticed him scoping you out.

TAI
He was looking at me?

CHER

He said you gave him a

toothache.

TAI

How'd I do that?

CHER

It's an expression. It means

he thought you were sweet.

TAI

Yeah?

CHER

Yeah.

TAI
Wow.

DIONNE

Is that true?

CHER

No.

DIONNE

Oh, you are so bad.

(Scene moves to fountain where

Cher is taking pictures of the
crew)

"Alright" Supergrass

CHER

Ok, you guys, all get

together.
Oh, that is great. Smile! Tai,
Tai, get a little closer.
Closer Tai. Good,
great! Hey, Elton, uh, why
don't you put your arm around
Tai?

ELTON

(Unwillingly)
Alright!

CHER

Yeah, that's great.

(Check out Cher's little smile

and rock! Awesome!)

OK. Tai, c'mere, c'mere, Tai.

(Scene moves to just Cher and

Tai by bushes)

Hold that.

TAI

OK.
CHER

OK.

(Elton approaches.)

ELTON

Cool picture.

CHER

Doesn't she look classic?

ELTON

Yeah, this is beautiful.

CHER

She looks like one of those

Bottichellis chicks.
ELTON

Hey, why don't you make me a

copy of this, OK?

CHER

Sure.

(Another one of Cher's little

squeals. Classic!)

SCENE XVII - CHER'S HOUSE,

DINING ROOM

CHER

Hi Daddy. This is my friend,

Tai.

MEL

Get out of my chair!

(Tai moves to opposite Cher.

Lucy brings in dinner.)

CHER
Thank you, Lucy. It looks
great.

MEL

What is this crap?

CHER

Daddy, it's from the "Cut

your Colesterol" cook book.
Doctor Lovitz says you've got
to get down
to two hundred.

(Cher's pager beeps.)

MEL

No calls tonight.

CHER

But it's Dionne, it might...

MEL

Sorry!

CHER

It might be important.

MEL

We're going to have a nice

family
dinner. So, uh, what'd you do
at school today?

CHER

Well... I broke in my purple

clogs.

(Mel's phone rings.)

MEL

Yeah, hello? Alright, Jake.

Yeah, yeah, no, no, what?
CHER

Dee? Whatup?

DIONNE

So, check it. Murray's

geometry
class is right by Elton's
locker, and taped up inside
was the picture you
took of Tai.

CHER

Oh, my God.

TAI

What?

CHER

Elton's got a picture of you

hanging up in his locker.
TAI

Oh, no shit!

DIONNE

Hello! So, anyway, the whole

crew is going to this party in
the Valley.

CHER

Bye.

(Cher hangs up the phone.)

Looks like we're going to have

to make a cameo at the Val
party.

MEL (in
background)

I told you I want it in the

morning. No!

SCENE XVIII - MURRAY'S CAR

DIONNE

Murray!

MURRAY

Just look at the top of the

map. Sun Valley is north.

DIONNE

OK, no. All I see is Bel Air,

OK.

MURRAY

Then you're on the wrong map.

DIONNE

I am not on the wrong map.

MURRAY
Look at the number on the top.
What is the number on the top?

DIONNE

There are no numbers on the

top. There's letters.

(Murray makes a frustrated

noise.)

DIONNE

Murray, shut up!

CHER

Please don't frizz out!

SCENE XIX - THE VAL PARTY

(The gang pull up outside the

party.)

Listen Tai, when we get there

make sure Elton sees you, but
don't say hi first. Look like
you're having
fun and you're really popular.
Talk to someone in his
eyeline, preferably
a guy. Make him come to you,
and find an excuse to leave
while he's still
into the conversation. The key
is, always have him wanting
more. You got
it?

TAI

I got it.

CHER

OK.

TRAVIS

Heads up!

(Does a rail slide with his

skateboard on the stair-rail.)

TAI

Oh, did you just see that?!

CHER

Oh, God. Skateboards, that is

like, so five years ago.

TRAVIS

Oh, you guys came! That's

great!
You want a beer? I'll get you
one.

CHER (to
Tai)

No.

(The girls enter the party

house.)

"Unknown song and artist"

TAI

This is ragin'.

CHER
Let's do a lap before we
commit
to a location.

(Dionne drags a dancing girl

away from Murray.)

DIONNE

Who was that?!

TAI

Cher, ain't that the same

dress
that you was wearin'
yesterday?

CHER

Say, Ambular?

AMBER

Hi.
CHER

Was that you going through my

laundry?

AMBER

As if. Like I would really

wear
something from Judy's.

CHER

Do you prefer fashion victim

or ensembly challenged?

(Amber walks off.)

AMBER

Uh!

CHER

What a clone.
TAI

Cher, you looked much better

in that dress than she did.

(Travis bursts onto the scene

spilling drink on Cher's
shoes.)

CHER

Uh! Ruin my satin shoes, why

don't you?!

TRAVIS

I'm sorry.

(They move to the kitchen.)

CHER

Excuse me, my shoes! Uh! This

is so not fixable.

TRAVIS
It's a small price to pay to
the party gods. Look, I'll
make amends. How about some
chronic shit?

CHER

Oh, it's the least you could

do.

TAI

Spark it.

CHER

Hey, Elton's over there. Act

like Travis is saying
something funny.

(Tai hands joint to Cher and

blows smoke in her face.)

TAI

Sorry.
(Tai starts cracking up.)

TRAVIS

What's so funny?

TAI

Nothing.

(Elton approaches and reaches

behind Cher for the joint)

CHER

Oh, here.

(Summer enters holding a card)

SUMMER

Hey, everyone! Let's play suck

and blow.

(The card passes through the

group until Elton drops it (on
purpose)
and plants one right on Cher's
mouth)

CHER

God, Elton. Can you suck?

(Dionne screams in the

background)

It's Dee. C'mon!

(Scene changes to the

bathroom,
where Murray is getting his
head shaved)

DIONNE

What have you done! Oh, my

God!
Uh! Why did you do this to
your head?!

MURRAY

Because I'm keeping it real.

Because I'm keeping it real.

DIONNE
What?!

MURRAY

'Cause I'm keeping it...

'cause
I'm keeping it real.

DIONNE (to
Cher)

Look! Look what he's done to

his head! Can you believe
this?

MURRAY

Look at Lawrence's head.

Alright?

LAWRENCE

It's the bomb!

MURRAY
You know what I'm sayin'? You
look good.

LAWRENCE

As will you.

DIONNE

What'd you care what he

thinks,
Murray? I'm the one that has
to look at you. That was a big
mistake. What
am I going to do with you now?
And right before the year book
pictures?
What am I going to tell my
grandchildren?

MURRAY

Alright.

DIONNE

You know what? Ok, that's it.

MURRAY (mimicking)

That's it.

DIONNE

You wanna play games?

MURRAY (mimicking
agin)

You wanna play games?

DIONNE

I'm calling your mother.

MURRAY

I'm... I'm ca... Oh, wait! Oh,

no, no, no, no, no, no. No,
wait. Don't call my Ma.

LAWRENCE
Yo, man. Chill, chill!

MURRAY

Chill?!

(Cher and Tai start walking

away)

CHER

Same thing happened at the

spring
dance. She spent the entire
after-party in the bathroom.

TAI

See, that almost destroyed by

buzz.

CHER

I'm still baked.

TAI
Yeah.

(Back to the dance floor.)

"Rollin' With My Homies"

Coolio

CHER

What do ya say, we go bump

into
people?

TAI

Yeah, I'm cool with that.

TRAVIS (from
on the fireplace)

Hey, Tai! Wait up! Whooh!

(Travis jumps onto the crowd.

No one keeps him up and he
hits the deck.)

TAI
Are you OK?

TRAVIS (to
dancers)

Where's your sense of pit

hospitality?

TAI

That was so cool, the way you

did that. I wish I could do
it.

TRAVIS

Oh, no, don't.

TAI

Why not?

TRAVIS

Well, 'cause if girls did it,

what would guys do to impress
them?

TAI

I don't know, like stuff. You

know?

TRAVIS

What kind of stuff?

(Cher spots Travis tuning Tai

and butts in to stop it)

CHER

Tai, I need you.

TAI

OK.

CHER

Elton's over there.

(The girls start dancing. As
Tai is trying to impress Elton
she is hit in the head by a
flying Clog)

CHER

Tai! Tai, Elton, help me!

(Elton carries Tai into the

kitchen and places her on the
counter)

CHER

Thank you.

TRAVIS

Here, you should use ice.

CHER

No, Travis! We've got it under

control.
TRAVIS

Tai, are you OK?

CHER

Travis, Tai would have wanted

you to enjoy the party.

CHER

If it's a concussion, you have

to keep her concious, OK? Ask
her questions.

ELTON

What's seven times seven?

CHER

Stuff she knows!

(Tai sits up and hits her head

on the light. What
a clutz!)
ELTON

Some bump you've got there.

TAI

Yeah.

ELTON

Yeah? You ready to go back out

there?

TAI

Yeah, I am.

ELTON

Alright. Are you sure? Can you

do this? (Singing)
Rollin' with the homies.

TAI
(Singing)
Rollin' with the homies.

(Great voice.)

ELTON

Yeah, let's do it. You're

ready.

(Elton and Tai go back to the

dance floor.)

CHER V.O.

I had to give myself snaps for

all the good deeds I was
doing. It was so great. Love
was everywhere. Even
though I was alone, I was
really happy for Tai. It's
like that book I read
in ninth grade that said,
"'tis a far, far better thing
doing stuff
for other people."

(Scene changed to outside by

the pool. Cher's phone rings.)

CHER
Hello?

MEL

Do you know what time it is?

CHER

A watch really doesn't go with

this outfit, Daddy.

MEL

Where are you?

CHER

Uuhh, just having a snack with

my girlfriends.

MEL

Where, in Kuwait?!
CHER

Is that in the Valley?

MEL

Cher, I expect you to walk in

this door in twenty minutes.

CHER

Well, um, it might take longer

than that, Dad.

MEL

Everywhere in L.A. takes

twenty
minutes.

(Cher hangs up the phone.)

(Scene changes to outside

front
of party house.)

CHER
Sorry to make you leave,
Dionne
is bucking for best dramatic
actress at a Val party.

(Tai laughs.)

CHER

Hey, Summer!

SUMMER

Hi! Pretty random fiesta. Need

a ride home?

CHER

That'd be great! Thanks!

ELTON

No, I got it.

SUMMER
Well, I'm right below Wilshire
and Lindon.

TAI

Oh, that's right near me! I'm,

um, above Olympic.

ELTON

Great! Then, Tai you'll go

with
Summer, and Cher you'll come
with me.

CHER

Actually, you could take

Wilshire
to Cannon and that turns into
Bennedict.

ELTON

Well, then she'd have to go

back south and I'm already
going north.
CHER

But, you could take Tai on

your
way up to Sunset. Yeah.

ELTON

That doesn't make any sense!

I'd have to get off the
freeway, I hate that. Tai, go
with Summer, Cher,
you'll come with me. Watch
your feet.

(Each get into respective cars

and wave each other goodbye.)

SCENE XX - ELTON'S CAR

"Away" The Cranberries

(Elton is singing along to

music.
Trying to be sexy, but he
fails miserably,
the sleazy bastard!)

CHER

Didn't Tai look cute tonight?

(Elton just sings.)

I really love her hair when

it's all wild, you know? But
it's also very pretty when
it's all up, with
that curly tendrils. Like in
that picture I took.

ELTON

You know, you're one of my

best
friends and I do not have
friends that are girls.

CHER

Well, I'm glad, because your

happiness means a lot to me.

ELTON

It does?

CHER

Sure. I mean, I saw how hard

your breakup with Collette
was.

ELTON

Yeah. I think we both know

what
it feels like to be lonely.

CHER

Whatever. The thing is, is

that
I'd really like to see you
settled already.

(Elton pulls the car into a

parking lot.)

Where are we going?

(The car stops.)

ELTON

I knew it, I knew it.

(Elton makes a pass at Cher.)

CHER

Oooh, you knew what?!

ELTON

That you were totally sprung

on me.

CHER

Hello?! Don't you mean Tai?

ELTON

Tai?!

CHER

You have her picture in your

locker.

ELTON
I have the picture you took
in my locker.

CHER

Ohh, I'm having a twin peaks

experience.

ELTON

I knew it, I knew it when you

kissed me.

CHER

Suck and Blow is a game,

Elton!

(Elton has another go at

Cher.)

Stop it!

ELTON

Alright! You know, I don't get

you Cher. I mean, you flirt
with me all year.

CHER

As if! I have been trying to

get you together with Tai.

ELTON

Tai?! Why would I go with Tai?

CHER

Why not?

ELTON

Why not? Why not?! Don't you

even know who my father is?

CHER

You are snob and a half.

ELTON

Cher, listen to me. Me and

Tai,
I mean, we don't make any
sense, right? Me and you,
well, makes sense.

(Elton tries for Cher, yet

again.)

CHER

Cut it out!

ELTON

C'mon.

CHER

Stop it!

(Cher gets out of the car.)

(Watch Cher compose herself

after getting out of the car.
i.e. the head movements and
sound effects.)
ELTON

Cher?! Where are you going?

You're only hurting yourself
here, baby. C'mon, you gonna
walk home? Would
you get back in the car,
please? Get back in the car.

CHER

Leave me alone!

ELTON

Fine!

(Elton drives away.

What a prick!)

CHER

Hey, where are you going?

Shit!

(Cher whips out the phone and

dials)
OPERATOR

Valley information.

CHER

Yeah, do you have the number

of a cab company?

OPERATOR

Which one?

CHER

I don't know which one. What

do you have out here?

OPERATOR

We have Valley Cabs...

ROBBER
Hand it over.

(Cher squeals/moans)

Give me the phone.

(Cher complies)

OK. Bag, too. C'mon! Alright,

now, uh, get down on the
ground. Face down. C'mon!

CHER

Oh, no. You don't understand,

this is an Alaia.

ROBBER

An a-what-a?

CHER

It's like a totally important

designer.
ROBBER

And I will totally shoot you

in the head. Get down!

(Cher whimpers as she lies

down
on the pavement)

Alright, um, count to a

hundred.
Thank you.

CHER

One, two...

CHER V.O.

The evening had turned into

a royal mess. Sexually
harrassed, robbed. I didn't
know the number of the
party, so I couldn't call
Dionne, and Daddy would kill
me if he knew where
I was. There was just one
person left to call, and I
really, really didn't
want to call him.
(Cher dials up Josh's place.
He's trying to get it on with
his girlfriend)

JOSH

C'mon.

(Phone rings)

Hello.

CHER

Josh, you busy?

HEATHER

Who is it?

JOSH

It's Mel's daughter.

CHER
So, OK, I was at this party,
and my designated driver tried
to attack me, so I got out
'cause we'd stopped,
and then he drove off and
deserted me, and then this guy
with a gun held
me up, took my money, and my
phone and he yelled at me and
he forced me
to ruin my dress.

JOSH

OK, OK, look, um. Where are

you?

CHER

Sun Valley.

JOSH

Man, you owe me.

SCENE XXI - JOSH'S CAR

"The Ghost in You"

Counting Crows
HEATHER

The man is ridiculous. He

doesn't have one unique
thought in his little, puny
brain.

JOSH

I think there's some merit in

learning the form straight
off.

SCENE XXIV - CHER'S HOUSE

CHER V.O.

Suddenly, Daddy had a case

that had to be solved right
away, so some clerks and Josh
came to help him go through a
gazillion depositions.

(The doorbell rings)

CHER (from upstairs)

Daddy!
MEL

What?

CHER

I can't just open it, I have

to make him wait a while.

MEL

Then he can wait outside.

CHER

Josh, pleeeaaase!

(Who could resist that?!)

C'mon, Josh? C'mon.

(Josh opens the door.

Christian
walks right in)
CHRISTIAN

What do ya hear?

JOSH

She's not ready.

(The two of them walk over to

where Mel is working)

CHRISTIAN

Hey, man.

(Christian extends his hand,

but Mel ignores it)

Nice pile of bricks you got

here.

MEL

You drink?

CHRISTIAN
No, thanks. I'm cool.

MEL

I'm not offering, I'm asking

you if you drink? You
think I'd give alcohol to
teenage drivers taking my
daughter out?

CHRISTIAN

Hey, man. The protective vibe,

I dig.

MEL

What's with you kid? You think

the death of Sammy
Davis left an opening in the
Rat Pack?

(Cher appears walking down the

stairs. Josh and every male in
the audience
is stunned)

CHER
Christian.

CHRISTIAN

Doll face.

CHER

Handsome.

CHRISTIAN

Stunning.

JOSH (to Mel)

You're not letting her go out

like that, are ya?

MEL

Cher, get in here.

CHER

What's up, Daddy?

MEL

What the hell is that?

CHER

A dress.

MEL

Says who?

CHER

Calvin Klein.

MEL

It looks like underwear. Go

upstairs and put something
over it.
CHER

Duh, I was just going to.

(Cher runs off)

MEL

Hey, you?!

(Christian turns around)

Anything happens to my
daughter, I got a .45 and
shovel.
I doubt anybody would miss
you.

(Cher reappears)

CHER

Bye, Daddy. C'mon!

(They walk out)

CHER

It's so killer!

CHRISTIAN

Thank you. Your dad is pretty

scary.

CHER

Isn't he?

CHRISTIAN

You like Billie Holiday?

CHER

I love him.

CHRISTIAN

Right.
"Miss Brown To You"
Billie Holiday

(They drive off)

JOSH

I didn't like him.

MEL

What's to like?

JOSH

I think I should go to the

party.

MEL

If you feel like you should

go...

JOSH
You don't need me, do ya?

MEL

No, no, no.

JOSH

I mean, unless you want? I

mean, unless you want?

MEL

Josh! Go to the party. Go, go,

go, go.

JOSH

OK. I'll watch her for you.

(Josh walks off)

MEL

You do that.
SCENE XXV - THE FRAT PARTY

"Someday I Suppose"
Mighty Mighty Bosstones

(Everyone is just dancing. Tai

enters)

CHER

Tai!

(Tai falls down the stairs on

her butt! Classic!)

Oh, my God. Tai, are you OK?

TAI

God, shit! That is so

embarassing!

CHER

No, no one saw.

TAI

Now, all night long, I'm gonna

be known as that girl who fell
on her butt.

CHER

Tai, no one noticed.

"Where'd You Go?"

Mighty Mighty Bosstones

COLLEGE GUY

Wow! Are you OK? That looked

really bad.

TAI

Yeah, thanks.

(Tai spots Elton dancing with

Amber.)

Oh, my God, Cher, look. He's

going with Amber?!
CHER

No, he's probably just dancing

with her.

TAI

Do you think she's pretty?

CHER

No, she's a full on Monet.

TAI

What's a monet?

CHER

It's like a painting, see?

From
far away, it's OK, but up
close, it's a big old mess.
Let's ask a guy.
Christian, what do you think
of Amber?
CHRISTIAN

Hagsville.

CHER

See?

CHRISTIAN

Dig this. They're charging for

brewskies. Cash me a five,
I'll pay you back.

CHER

Sure.

(Christian kisses Cher on the

cheek)

CHRISTIAN

Thanks.
(Christian walks away)

TAI

He is so cute!

CHER

Oh, my God. Do you see how he

is falling in love with me?

(The girls watch Christian

shrug
off an interested girl)

I mean, look how he ignores

every other girl.

TAI

Oh, God, look. There's Josh.

CHER V.O.

I didn't even see him come in,

but it's like he finds the
only adult in here, like he's
deliberately trying
to not have fun.

(Watch the look on Cher's face

as she's waving. Truly
legend.)

TAI

Cher, I have a question. What

do you think I should do with
this thing? Should I, uh, like
tie it around,
or put it over my shoulder?

CHER

Tie it around your waist.

CHRISTIAN

Ready to slide?

TAI

Thanks.
CHRISTIAN

Let's go.

(Christian and Cher return to

the dance floor)

CHER V.O.

The band was kickin', and

Christian
was the hottest guy there, but
my enjoyment was put on pause
when I saw
how unhappy Tai was.

(Josh walks over to Tai,

engages
in small talk, then asks her
to dance)

CHER

Oh, look, look! Josh is

dancing
with Tai, he never dances.

CHRISTIAN

I can see why.

CHER

No, he's doing her a prop so

she won't feel left out.

CHRISTIAN

Oh, I dig it.

(Time passes. Cher, Tai, Josh,

and Christian are left.
Christian is still dancing by
himself)

"Here (Squirmel Mix)"

Luscious Jackson

JOSH

How are you guys holding up?

CHER

We're so ready to leave.

TAI
I'm tired.

CHER

Let's get Christian and go.

Christian! You wanna go?

CHRISTIAN

Now? These guys here have got

the skinny on the happenin'
after hours.

CHER

My trainer's coming really,

really early this morning.

CHRISTIAN

Oh.

JOSH

Look, I could take the girls

home.

CHRISTIAN

No, it's OK.

CHER

No, I'm fine, stay.

CHRISTIAN

You sure?

CHER

Yeah, sure.

CHRISTIAN (to
Josh)

Thanks, man. You got my

marker.

(to Cher)
You are a down girl. I'll call
you tomorrow.

SCENE XXVI - JOSH'S CAR

CHER

That was really decent of you

to dance with Tai tonight.

JOSH

My pleasure.

CHER

You notice any positive

changes
in her?

JOSH

Yeah, it's under your tutilage

she's exploring the
challenging world of bare
midriffs. So you didn't want
to make a night of it with the
ring-a-ding kid?
CHER

Yeah, Daddy wouldn't go too

ballistic, it's not like he's
going to sleep or anything.

JOSH

No, not if they're going to

finish those depo's.

CHER

Hey, you what would be so

dope?
If we got some really
delicious take-out. I bet they
haven't eaten all
night.

JOSH

That would be pretty dope of

us. Let's do it.

SCENE XXVII - CHER'S HOUSE

CHER V.O.
The midnight snack totally
revived
the lawyers and Daddy was way
grateful.

MEL

Mmm, Meat!

CHER

Meaty oranges and you get a

lot of vitamin C.

(Mel picks up a large

sandwich)

Daddy, no! Daddy, no. You know

you can't have that...

MEL

Cher, c'mon!

CHER
Don't be silly.

CHER V.O.

I know it sounds mental, but

sometimes I have more fun
vegging out than when I go
partying. Maybe because
my party clothes are so
binding.

JOSH

Look, I'm just curious. How

many hours a day do you spend
grooming yourself?

CHER

Some people are not lucky

enough
to be as naturally adorable as
you are.

JOSH

Stop it, you're making me

blush.
(Phone rings. Cher answers)

CHER

Hello?

GAIL

Hi Cher, how are you?

CHER

Hi, Gail.

GAIL

Is my son there, cleaning out

your refridgerator?

(Josh motions a "No"

to Cher)

CHER

No, no, he's not here. You

should
try the dorms.
GAIL

Alright, bye, hon.

CHER

Bye-bye.

(Cher hangs up the phone)

What was that all about?

JOSH

She wants me to come home for

spring break.

CHER

So, what's the big deal?

Nobody
will be in school.

JOSH
Yeah, but husband number
four's
at home and his whole idea of
acting like a family is to
criticize me.

CHER

So, what? You're just going

to roam around campus for two
weeks all by yourself?

JOSH

I don't mind.

CHER

That is stupid. Why don't you

just come here, you can have
your old room, and there are
going to be some
great parties.

JOSH

I don't know.
CHER

Why not?

JOSH

You got your whole social

world
going on, I don't want to get
in the way.

CHER

you won't be in the way.

JOSH

How much fun would it be

having
a brother-type tagging along?

CHER

Josh, you are not my brother.

JOSH

You know what I mean.

CHER

C'mon, you need some

excitement
in your life. It'll replenish
you for your finals.

JOSH

OK.

CHER

Good.

JOSH

I can't believe I'm taking

advice
from someone who watches
cartoons.

CHER
That's Ren and Stimpy. They're
way existential.

JOSH

Do you have any idea what

you're
talking about?

CHER

No, why? Do I sound like I do?

SCENE XXVIII - CHER'S HOUSE

(Theme from "2001:A Space

Odyssey" is playing while
camera is focused on phone.
The phone rings)

CHER V.O.

Christian said he'd call the

next day, but in boy time,
that meant Thursday. So, you
can imagine my
astonishment to hear from him
while I was packing Daddy up.
CHER

Hello?

"I Believe I'm You"

Gail Orange

CHER V.O.

He said he'd come over with

some video tapes and we'd
watch them. A night alone with
Christian! I sent
for reinforcements. Then, Dee
and I had to design a lighting
concept, and
costume decisions. I don't
rely on mirrors, so I always
take polaroids.
Whenever a boy comes, you
should always have something
baking.

CHER

Oh, I'm still all red.

DIONNE

Well, I'm trying to make you

as white as I can, Cher. Look,
you're all flushed. You have
to calm down.
OK? Calm.

CHER

You know, I am so glad I never

did it with someone I had
lukewarm feelings for.
Christian is brutally
hot, and I am going to
remember tonight forever.

DIONNE

Blot.

(Later)

(The door bell rings. Cher

opens
the door)

CHRISTIAN

Hi.

CHER
Hi.

CHRISTIAN

Is something burning?

CHER

Oh, my God!

(Cher runs to the kitchen. The

bake was fried)

CHRISTIAN

Oh, honey, you baked.

CHER

I tried.

CHRISTIAN

C'mon, show me the rest of

your
pad.
(Cher and Christian are
outside
among Mel's art collection)

CHRISTIAN

Your father has a well-rounded

collection.

CHER

Daddy says it's a good

investment.

CHRISTIAN

He's absolutely right. Klaus

Oldenberg.

CHER

Oh, he's way famous!

(Christian approaches a
different
sculpture)
CHRISTIAN

This is older, see?

Transitional.
A very important piece.

CHER

Um, do you want to go

swimming?

CHRISTIAN

Hmmm, let's watch the movies.

CHER

Oh, OK.

(Scene moves to Christian and

Cher lying on bed watching
"Spartacus")

CHER V.O.

Christian had a thing for Tony

Curtis, so he brought over
"Some Like It Hot" and
"Sparaticus".

(Cher starts rubbing her feet

up against Christian's legs.
Christian doesn't enjoy it)

CHER

My feet are cold.

(Christian puts a pillow over

Cher's feet)

Thanks.

CHRISTIAN

Oh, watch this part, this is

good.

(Cher falls off the bed while

trying to look sexy. Too
funny.)

Are you OK?

CHER
I'm fine. Do you want some,
something to drink? You know,
I could get you some wine.

CHRISTIAN

No. You notice how wine makes

people wanna feel, like sexy.

CHER

That's OK.

CHRISTIAN

I'm actually getting tired.

CHER

But, um, I could make you some

coffee if you'd like?

CHRISTIAN
Oh, no thanks. Got the ulcer.

CHER

But you had all those

cappucinos
before?

CHRISTIAN

Oh. Well, you know, that was,

like... foam.

(They move to the front door)

You're great. We're friends,

right?

(Cher nods)

Knock me a little kiss.

(Cher kisses him on the cheek)

I'll see ya.

(Christian leaves)

CHER V.O.

I don't get it. Did my hair

get flat? Did I stumble into
some bad lighting? What's
wrong with me?

(NOTHING!)

SCENE XXIX - MURRAY'S CAR

DIONNE

Nothing! Maybe he really was

tired!

CHER

I suppose it wasn't meant to

be, I mean, he does dress
better than I do. What would I
bring to the relationship?

MURRAY

Get back into the right lane.

What's the first thing you do?
DIONNE

First thing I do is, I put on

my blinker.

(Dionne accidently turns the

wipers on)

Oh, wait, shit.

MURRAY

Watch the road, watch the

road!

DIONNE

Alright! Stop. Then, I look

in my mirror. OK, then I
glance at my blind spot.

MURRAY

Glance with your head, not the

whole car. I swear to God, I
swear to God, Woman, you can't
drive for shit!

DIONNE

I'm not trying to hear that.

MURRAY

Hear me...

CHER

Actually, going all the way

is like a really big decision.
I can't believe I was so
caprecious about
it. Dee, I almost had sex with
him.

MURRAY

You almost had sex with who?

CHER

Christian.
(Murray cracks up)

DIONNE

What?

MURRAY

Yo, look. Are you bitches

blind
or something? Your man,
Christian is a cake-boy!

CHER & DIONNE

A what?!

MURRAY

He's a disco-dancing, Oscar

Wilde-reading, Streissand
ticket-holding friend of
Dorothy, know what I'm
saying?

CHER
Uh-uh. no way.

MURRAY

He's gay.

CHER

Not even.

MURRAY

Yes, even.

DIONNE

He does like to shop, Cher,

and the boy can dress.

CHER

Oh, my God. I am totally

buggin'.
I feel like such a bonehead.
MURRAY

What the hell? Yo, you're

getting
on the freeway!

DIONNE

What?!

MURRAY

Yo, turn right! Get out of the

lane! Don't go. Forget
procedure, just get out of the
lane!

(Both Cher and Dionne scream)

MURRAY

Truck, truck, truck, truck!

Ahhh!

CHER (screaming)

You're on the freeway!

DIONNE

What do I do, Murray?

MURRAY

Go straight, go straight, go
straight! Just relax and
drive, baby! Just relax and
drive.

(An old lady gives them the

finger)

CHER (screaming)

Shut up! Shut up!

(Lots of screams from

everybody)

MURRAY

Whatever you do, keep your

hands
on the wheel, at all times!
(A huge truck closes in on
them.
Murray sees it)

Aaahhhhh!!!

(A lot more screaming from the

three)

Turn to the right! Oh, there

it is. Alright, we're off.
Damn, you did wonderful.
Sorry, baby.

CHER

You did it, Dee!

MURRAY

Relax, relax, relax, relax,

honey, relax. Baby, relax,
relax. Breathe, breathe,
breath in, breathe.
Let it out. Breathe, breathe,
breathe, honey, breathe,
breath. Relax, relax.

CHER V.O.
Boy, getting off the freeway
makes you realize how
important love is. After that,
Dionne's virginity
went from technical to non-
exisistant. I realized how
much I wanted a boyfriend
of my own.

SCENE XXX - THE MALL

CHER V.O.

Not that Christian wasn't a

blast to hang out with. He was
becoming one of my favourite
shopping partners.

CHRISTIAN

???????? Um, where's

Tai?

CHER

Oh, she met some random guys

at the Foot Locker and
escorted them right over
there.
TAI (in
distance)

Oh, my God! Did you see...

CHER

I don't know where she meets

these Barnies.

CHRISTIAN

I have a question, alright?

CHER

What?

CHRISTIAN

The jacket? Is it James Dean

or Jason Priestly?

CHER
Carpe' diem. OK, you looked
hot in it.

CHRISTIAN

Really?

TAI (with
the barnies)

If I fall, would you guys

catch
me?

CHER

Could we please be more...

generic?

(Tai screams)

TAI

Stop it! Please! Bring me back

up, please! Bring me back up.

(Tai screams a little more,

then Christian rescues her)
TAI

Thank you.

CHRISTIAN

You asshole!

BARNEY #1

Hey, man. We're just joking.

CHRISTIAN

Oh, really?! Someone could get

killed.

(Tai runs over and hugs Cher)

TAI

Cher, you don't understand.

I was just sitting there and I
was just talking to those
guys, and then,
all of a sudden, we were
laughing, and...

CHRISTIAN

Hey, are you OK?

TAI

Yeah.

CHRISTIAN

Are you sure?

TAI

I'm fine. Yeah, uh-huh.

CHRISTIAN

Let's get you home for some

R&R, huh?

TAI
What's that?

(Christian laughs)

CHER V.O.

Boy, considering how clueless

she was, Tai certainly had
that "damsel in distress" act
down.

SCENE XXXI - SCHOOL

CHER V.O.

Meanwhile, back at school,

everyone
was talking about Tai's "brush
with death" at the mall.

STUDENT

Was it, like a montage of all

the scenes in your life?

TAI
Not exactly a montage...

SUMMER

Hey, Cher! Is it true some

gang
members, like tried to shoot
Tai in the mall?

CHER

No.

SUMMER

That is what everyone is

saying.

CHER

Whatever.

STUDENT

When I was nine, I fell off

the jungle gym, that's when I
saw this light, you know?
TAI

Wait, wait. Move down for

Cher.

DIONNE

Hi!

AMBER

Tell me more, tell me more.

TAI

Where was I?

AMBER

You were thinking about was

really important.

TAI
Oh, right, right. Right before
you die, your mind just sort
of gets very clear. It's a
very intense, spiritual
thing...

CHER

Well, I know when I was held

at gun-point...

STUDENT

Excuse me. (to

Tai) You were saying.

TAI

It's spiritual. I don't know,

I can't, I can't pinpoint the
spirituality out for you, you
know, if you've
never experienced anything...

SCENE XXXV - CHER'S HOUSE

CHER V.O.
But now I don't know how to
act around him. I mean,
ordinarily I would strut
around in my cutest little
outfits and send myself
flowers and candy, but I
couldn't do that stuff
with Josh.

(Cher and Josh are in the

lounge
watching T.V.)

JOSH

What's with you?

CHER

What do you mean?

JOSH

You're so quiet. You haven't

made me watch the real world?

CHER

I care about the news.

JOSH

Since when?

CHER

Since now.

(T.V. shows scenes from

Bosnia)

JOSH

You look confused.

CHER

Well, uh, I thought they

declared
peace in the Middle East.

(Scene changes to Mel's Den

with Cher walking past the
door in her pajamas)

MEL
Cher, get in here!

CHER

What's up Daddy?

MEL

What are you doing, dancing

In front of my office?

CHER

Nothing, I just wanted to see

if you needed any help with
anything.

MEL

Yeah, you could help me with

something. Come over here.
Every time that you see a
telephone conversation
that took place on September
third, highlight it. just
September third.
CHER

OK.

MEL

Fun, huh?

CHER (laughing)

Yeah. Daddy, did you ever have

a problem that you couldn't
argue your way out of?

MEL

Tell me the problem, and we'll

figure out how to argue it.

CHER

I like this boy.

MEL
Yes?

CHER

And he likes someone else.

MEL

How could that be?

CHER

I don't know, but I feel

wretched.

MEL

Well, obviously this boy is

a complete moron. You are the
most beautiful girl in Beverly
Hills. And
to tell you the truth, I'm not
sure I want you with a stupid
fella like
that.

CHER
Well, actually he is a smart
guy and, you know he's one of
those do-gooder types, and now
I feel like
all my after-school
commitments are just not good
enough.

MEL

How can you say that? Who

takes
care of everyone in this
household? Who makes sure that
Daddy eats right?
To tell you the truth, I have
not seen such good-doing since
your mother.

CHER

Really?

MEL

Really. Now get back to work.

SCENE XXXVI - PISMO BEACH

DISASTER

CHER V.O.
Later, while we were learning
about the Pismo Beach
disaster, I decided I needed a
complete make-over,
except this time I'd make-over
my soul. But what makes
someone a better
person? And then I realized,
all my friends were really
good in different
ways. Like, Christian, he
always wants things to be
beautiful and interesting.
Or Dionne and Murray, when
they think no one is watching,
are so considerate
of each other. And poor Miss
Giest, always trying to get us
involved, no
matter how much we resist?

MISS GIEST

Oh, it's just, that doesn't

even show... you know, every
single possession, every
memory, everything
you had your whole life...
gone in a second. Can you
imagine what that
must feel like?

(Elton raises his hand)

Elton?
ELTON

Can I use the Pass?

MISS GIEST

Yeah. We'll be collecting

blankets,
disposable diapers, canned
goods...

(Cher raises her hand)

CHER

Miss Giest?

MISS GIEST

Cher?

CHER

I wanna help.
MISS GIEST

That would be wonderful.

CHER V.O.

I felt better already.

(Back at Cher's house)

CHER

Daddy?

MEL

What?

CHER

You didn't like that red

caviar,
did you?

MEL
What's she talking about?

(Cher starts dragging a heap

of stuff to the front door)

MEL

Cher, what are you doing?

CHER

I'm captain of the Pismo Beach

disaster relief.

MEL

I don't think they need your

skis.

CHER

Daddy, some people lost all

their belongings, don't you
think that includes athletic
equipment?
MEL

This is your influence, Josh?

(Scene changes to sign-on

stall
at school)

"Shake Some Action"

Cracker

CHER

Hey, c'mere. Sign up, it's

going
to be really fun.

(Scene cahnges to indoors)

No, you know what? Can you

please
take it to bedding? Yes, thank
you very much.

Oh, Miss Giest, Miss Giest.

MISS GIEST
Yes, dear?

CHER

I need more boxes, they're all

filled up.

MISS GIEST

Already? Great!

CHER

I divided them into entres and

apetisers.

MISS GIEST

Oh, OK, I'll have them picked

up.

TRAVIS

Hey.
CHER

Proper. This is really decent

of you Travis.

TRAVIS

Sure.

(Cher picks up a Bong from

Travis'
box.)

I wasn't sure about that. I

don't need it anymore, but far
be it from me to deny anyone
else, you know?
Oh, I wanted to tell you
something, I'm sorry about
your shoes.

CHER

What shoes?

TRAVIS

The red ones with the strappy

things?

CHER

Oh, those are so last season.

What even made you think of
them?

TRAVIS

Well, it's one of my steps,

you see? I joined this club,
and there are these steps...

CHER

Twelve?

TRAVIS

Yeah, twelve! How'd you know?

CHER

Wild guess.
TRAVIS

Wow, good guess. Ah, also,

here.

(Travis hands Cher a flyer)

CHER (reading)

A.S.L. ?

TRAVIS

Ameteur Skateboarding League.

This clarity thing has brought
me to, like a whole new level
with my skating.
You gotta see it. Would you
come Saturday?

CHER

Sure.

TRAVIS

Cool!
CHER (holding
up bong)

Well, um, I guess,

kitchenware?

TRAVIS

That's where I used to keep

it.

SCENE XXXVII - A.S.L.

COMPETITION

"Mullet Head" Beastie

Boys

(Tai approached Cher at the

drinks stand)

TAI

Hi?

CHER

Hi.
TAI

Cher, can I talk to you a

minute?

CHER

Um, sure.

TAI

Look, I have been in agony the

past week and I can't even
believe that I went off the
way I did.

CHER

No, I have been going down a

shame spiral. I cannot even
believe I was so unsupportive
of your feelings
for Josh.

TAI
No, you are entitled to your
own opinion, alright? I'm the
tart here. Cher, you've been
nothing but
super-duper nice to me.

CHER

Not even. If it wasn't for me,

you wouldn't have even liked
that loser, Elton. I'm so
sorry, Tai.

TAI

Cher, I'm really sorry. Oh,

shit. Now I'm going to go
ahead and cry.

CHER

Let's never fight again, OK?

(Cher and Tai hug. Travis is

announced on the P.A.)

PA

Next up, number fourteen,

Travis
Berkenstock.

(The girls sit down, excitedly

giggling and pointing to
Travis.)

TAI

Alright Travis!

CHER

I had no idea he was so

motivated.

TAI

Oh, I did.

CHER V.O.

When I saw the sparks between

Tai and Travis, I knew Josh
was out of the picture.

SCENE XXXVIII - CHER'S HOUSE

JOSH

You look like Pippi

Longstocking.

CHER

Well, you look like Forrest

Gump. Who's Pippi
Longstocking?

JOSH

Someone Mel Gibson never

played.

CHER

Funny.

(Cher lets her hair down, and

Josh is dumbfounded by her
beauty)

LAWYER

What happened to the August

28th files?
JOSH

Hmm, what?

LAWYER

Mel wanted them tonight, there

were twice as many. He's gonna
go ballistic, where are they?

CHER

I think I checked them for the

September third conversation.

LAWYER

What?

JOSH

Where'd you put them?

CHER
I divided them into two piles.
Is that wrong?

LAWYER

Oh, my God. I have to redo all

that. What are you, some kind
of idiot?

JOSH

Hey, she didn't know.

LAWYER

She just set us back a day.

Who cares about the September
call? Now we're screwed!

CHER

I'm sorry.

LAWYER
Just forget it, OK? Just go
back to the mall or something.

(Cher runs out of the room)

JOSH

What's your problem, man? She

didn't mean any harm.

LAWYER

I'm gonna get killed because

she's a moron.

JOSH

She's not a moron. You know,

if you were paying attention
to your assignment, it
wouldn't have happened.

LAWYER

Well, if you hadn't been

playing
footsy with the dumb kid, she
wouldn't be bothering me.
JOSH

What the hell are you talking

about?!

LAWYER

You know exactly what I'm

talking
about. Josh, this is a multi-
million dollar law suit, not
some excuse for
puppy-love.

JOSH

Look, we've been working our

butts off on this case!

LAWYER

Well, tell you what? You do

whatever you want with your
butts, I'm calling in sick.

(Lawyer leaves while Josh

slams
the door behind him. Cher is
sitting at the top of the
stairs)

CHER

Did I really ruin Daddy's law

suit?

JOSH

No.

(Josh moves up to sit beside

Cher)

Of course not.

CHER

Well, did I set him back? I

mean, there's so much work to
be done, and he can't afford
to lose that
time.

JOSH

Don't worry about it, I'll

take
care of it. Your father won't
lose any time. Can you imagine
the nerve
of that guy? I mean, making
you worry like that, and yet,
he's the one
that screwed up and then he
goes and blames us. Imagine
saying we were...
you know?

CHER

That's right, you've been very

dedicated to this case.

JOSH

Yeah, well, it's a good

learning
experience, at least for me, I
want to be a lawyer. But you,
I mean, you
don't need to be doing this.
Go out and have fun, go
shopping.

CHER

You think that's all I do, I'm

just a ditz with a credit
card?
JOSH

No, no, ah, that's not what

I meant.

(Josh just stutters a bit,

looking
for the right words)

You're young and

beautiful...and...

CHER

And?

JOSH

And, well, uh, what?

CHER

You think I'm beautiful?

(YES, YES!!!! FOR THE LOVE OF

GOD, YES!!!!)
JOSH

You know your gorgeous,

alright?
And popular, and, um, and...
but this is not why I, you
know, I come here.
This is a good learning
experience for me.

CHER

You already said that.

JOSH

Mel, I wanna help out Mel.

He's
the only one who cares about
me.

CHER

That's not true.

JOSH

He's not? Are you saying you

care about me?

CHER

Josh.

(Cher goes to hit his

shoulder,
but he catches her with a
kiss. Good move!)

(Both like it. So they try

again.)

CHER V.O.

Well, you can guess what

happened
next.

SCENE XXXIX - THE WEDDING

CHER V.O.

As if! I am only sixteen, and

this is California, not
Kentucky.

(Mr. Hall and Miss Giest get

married)
TAI

I know, that when I have my

own wedding, I want this, like
whole entire floral motif,
very floral garlens...
floral dresses.

DIONNE

No, no, no, no. When I get

married,
I'm gonna have a sailor dress,
but it's going to be a gown,
and all my
bridesmaids are gonna wear
sailor hats... with vails.

TAI

That sounds so cool.

MURRAY

Oh, my God. They're planning

our weddings already. Could
you all stop all that to death
do us part mumbo-jumbo.
I'm telling ya, man, I'm
completely buggin'.
JOSH

I'm buggin' myself.

(Miss Stoeger runs on the

scene)

MISS STOEGER

Girls! She's about to throw

the bouquet, c'mon!

(Miss Stoeger, Dionne and Tai

run off)

JOSH (to
Cher)

Look, we got a pool going to

see who's girl gets the
bouquet. It's up to two
hundred dollars.

CHER

It's in the bag.

"Tenderness" General
Public
(All the girls are jumping
around
waiting for the bouquet. Miss
Giest/Mrs. Hall throws it
amongst them. The
bouquet exchanges hands and
they all fall down. Classic
scene! Cher ends up with it.)

(Cher and Josh kiss.

It's the one scene that I'll
never get out
of mind for the rest of my
life. Simply awesome lip-
lock!)

END CREDITS

"Need You Around"

Smoking Popes

(Sheesh! Finally. Well, I

hope you enjoyed the script.
Now be sure to go and watch it
repeatedly.
If you have already done so,
watch it again! Bye-bye!)

If you know of any script

errors, soundtrack details,
or any other suggestions about
the script, then please email
me at pacey578@[Link].

THE END
 Clueless

Writers : Amy
Heckerling
Genres
: Comedy Romance

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