"LAZY EYE" SILVERSUN

PICKUPS
As heard on CARNAVAS (DANGER BIRD)
WordsandMusic by Brian Nolan Kalei Aubert , Christopher Andrew Guanlao , Joseph Charles Lester and Nicole Lynn Monninger *TranscribedbybyJeff Perrin

E 85 E C#m

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XX >cX

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[Al Intro (0:00)

Mod e rat ely q = 128

N.C.(E)
Gtr. I (c lcc. w/~g tu dist.) (p /(ly 3 lim es}
Rhy. IJ<. I ... - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - , Rhy . Fig . 2 . . . ,
l ighl P.M. ____ .. _ -- - - _ .. _ -- - - ________ __ -- - - .............. .. .... - - _ .. , Y2 light P.M .......... .. ........ , v,

11- 11- 11 - 11 - 11- 11- 11- 11 9- 9- 9- 9- 11 (11) - 11- 11- 11 11 11- 11- 11- 11- 11- 11- 11- 11 9"-<:-7 - 9-91 11-l- 11\- 11- 11- 1111
o- o- o- 0- 0- 0- o- o o-o - o- o- 0- 0- 0- o oyo - 0-\-0./- 0- 0- 0- 0
I I I I I I I I L.J o- t1J""Do - u;; t I I I I I I I I I I I LJ L.J:d

C#5 85 (E) Ctr. 2 (e lec . w/[Link] d ist. and volum..: kno b

5 rolled hack for clea n tone)

1-- -- -----------+- ---- - --------l-- ------ ----- -l-9 ,.L 11""-s-9 ----" '-"--- - --~~
11- (11)'- --- 9""4
0

l-------- -- --- -1- - ------- ---1--- ---------l- -1--<- --+--

I I 1 1 l V
*Gtr . I \I,
Rhy . Fig. 3 . . ........................... ............. .. .. . ... . . , +
I

- 11- 11-1 1- 11- 11- 11- 11- 11-1- 9- 9- 9- 9- 9- 9 - :an 9111 11 - 11- 11- 11- 11- 11-1 1- 1,=t= 9- 9- 9- 9 11(11 )-11- 11'- 1111 I
- 9 - 9 - 9- 9- 9 - 9- 9- 9......L.1- 1- 1- 1-1 - 1- 1- 1 o- o- o- o- o- o- o- o'-=r:::o- o-,o-,o-.---t-- ,O- o- o-oJ
I I I I I I I I I I I I LJ I I I I I I I I LJ L..l::::l LJ LJd
*tloubled
Ba,:-
8(1.<SFig . I .. . . ..... ................. .... ..... , fl(ls .< Fig . 2 ................ . . ................ . ,

- 4- 4- 4- 4- 4- 4- 4- 4--j-- 6- 6- 6- 6- 6- 6- 6- 6--1-- ------- -----'- 2- 2- 2-- --':.:,..~- ----~

o- o- o- o- o- o- 0- 0--1...__ .__..._. 0- (o)- o- o- o_J
I I I I I I I I I I I I I I I I I I I I I I I I 1 1 1 1 ! I I I

I've been
Cir. I pla ys Rhy. Fig. I M ice (see [,(Ir I ) (;1r. I plays Rhy. Fig. 2 (see bar 3)
Gtr. 2
Rhy. Fill 1....................... ............ ,
~ ~
9

~
Ba.<.<plctys Bass Fig. 2 1hrtre lim es (see hor 7)
1n~r 11- (11)

I I ~ I ;~-1
I I I I
11- (11) "

~
lli]l st Ver se (0:34)
wailing I've been wailing for this mome
nt all my life
(E)
13 G1r . I plctys Rhy . Fig. I Mice (see bar I )

t=-,lk]....._..-
11--=--=-
-=--=--=---=+-~-
--_-_-_-_-__ -+-_-_-_- _- _- _- ~--1--- _- _- * ..:::::::::-..:::::::::-
_.....i..... "! -+--Ip
Bass plays Bass Fig. 2 111i
ce (see bar 7)

\..SEO l}Y [Link]~~ION or S TL [Link] PICKUPS MUSJC ( J\SCA P) ..\NO 60R00M MtNDTN ( j MUSIC ( 6M l ) .
Al.I . R IGHTS RE S .[Link] .

1
 "LAZYEYE"
but it's not quite right
C#5 85 (E)
17 Ci r. I play., Rhy . Fig . .I (see har 5) Grr. I plays Rhy . Fig . I twice (see bar I)

Bass pla y.v IJass Fig. I (see bar 5) Bas ., pla ys Bass Fig . 2 .fuur 1i111es
(se e bar 7)

And this " real"

21 G1r. I pla ys Rhy . Fi g. 2 (see hor J)

It's impossible if possible at who's blind word

24 Cir . I p!c,y., Rhy. Fig . I (see hor I)

.,
I I I
t
pd
so clearbut so unheard
C#5 85 N.C.(E)
G1r. I plays Rhy . Fig. 3 (see har 5) G1r. I plays Rhy. Fig.
(111/1w,!ame knob II/>s/f.~luly)

Ba.<.<
play., Bass Fig. I (see bar 5) Bass ploys Ba.\s Fig. 2 (see har 7)

~ 1st G uitar So lo (1:08)

31 Cir. I plr,ys Rhc Fix. I 11,-ice(se,, bar I )
>--~~~~~~~~~~~~~~~~~~~~~~,-~~~~~~~~~~~~~~~~~~~-1-~~~ 9 ~~_,,_~--~~r--~_,,_~--~-
~~~~~~-1-~~~~~~~~~ -.:.;,...,,,--~~~~~~~ -1-~~~ x ~ -1 '--~ ,- ~ ~ ~ -1 '-- ~ ,- ~
11 ~1 1 ~ -+- ~-+~ --f ~~ t-- ~+-~

Ba.,., pltH' S /Jass Fig . 2 1hree 1i111es

(see bt, r 7) *repeal previuu~ cho rd
I've been
Cir . I plays Nin. Fi g. 2 (see bar 3) !,\
.--~~~~~~~~~~~~~~~~~-+-,~~.- o ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~+--"--~~
f--~~~~~~~~--=-=-~~~~~-,1-__....~-+- o ~~~~~~~~~~~~~~~~~-+~~~,.-e:=,..,~~~~,~~~~~~,1~+-~1 1

[Q]2nd Ve rse (1:19)

waiting I've been waiting for this silence all night long
(E)
37 Cir. I pla y., Rh.r. Fig . I 111ic
e (-'<'<' bar I )

Bass play s Bm;s Fig. 2 H1ice (see bar 7)

lt's just a matter of time To appear

C#5 85 (E)
41 Cir. I pla .n Rtn-. Fig . 3 (see bt1r 5) Cir. I plays Rhy . Fig. I (see ba r I )

Bas ..,pla ys Lia.",',..,Fi~ . I (.,;ee bur 5) Bass pla ys Bass Fig . 2 1hr ee 1imes (see /,ar 7)

sad with the same 'ol decent lazy eye fixed to rest on you

r
45 Cir. I plays Rln-. Fix. 2 (.w-e bar 3) Cir . I plays Rhy . Fig . I (see bor I)

i N
I

2
"LAZY EYE"
(]]2nd G uitai Solo (1:45)

aim free and so untrue

C#S 85 N.C.(E) , ,,
49 Ctr. I plays Rh y. Fifi. 3 [Link] har 5) Ctr. I pln ys Rhy . I 1/,ree times (see bar I )

flas s plays Bass Fi g. I (.c hr,r 5) Hass pf(ly S 8m;s Fig . 2ftmr rime., (s Pe l>o, 7)

Everyone
's
\I,
Gtr. I plays Rh v. F(~. 2 (se<' bar 3)

[[:! C h orns (2:00)

so intimate
ly rearranged
C#5 BS N.C.(E}
Ctr. I 11/ays R hy. Fig. 3 rs,,,, bar 5) Ctr. I ,,lays Rhy. Fig. 2 (see bar 3)
59 G1r , 3 (clcc. w/fu:tz ~inddelay)

8 9
---- 9
~ f 4,
x
6
x+-
7 7

Gtr. 2

~~
::--t .-
9"'1"' 11 "' 9 7"' 1r,.,,. 9
11 - (11) 9 -,-,,:

Ba s., plays Ba .u Ftg . I (.,N har 5)

v I
Bass play ,..,Ba ss Fig. 2 twic e (S<'ebar 7)
I I I J I ~

Everyone
's so focused clearly with such shine
C#5 BS
Gn . I ptc,ys Rhy. F ig. J (see bar I j G1r. I pla ys Rh, . Fig. 3 (see bar 5)
63 Ctr. 3

~--tf 6 1 4 \
"' x .
2~ 4
'~ x_u

Ct.-.".! ~
v I v
f,,..-4 13'
9 ""- 11""-s-9 .-. 0 9~ 11 11~ 9'
f-,-\ 11, 11 - (11)
I I I I I v I
/;Jassplo ys Bass Fi g. I (see bar 5)
v
@ 3rd Gu itar Solo (2:15)
N.C.(E}
Citr. I pfoy s Rliy. Fi!!,. I thre e tim es (see bar I )
67 Ctr. 3 'A

Bos s pla\ 'S Bas ..., .. 2four 1im,s (Jee ba r 7)

Fi.,i: J
Everyo
ne's
\I, Ctr . I play s Rhy. Fig. 2 (see b<11
3)
71

3
 "LAZYEYE"
!RI2nd Choru s (2:30)
so intimate
ly rearranged
C#S 85

/[Link] plays Bas s Fi8,. I (see ba r 5 ) /Ja~s pla ys Nass Fis . 2 n -..
ice p
(s ee har 7)
Everyone
's so focused clearly with such
C#S 85

mf :-----:-
----:
Bt1s.1.;
~ -==
==:-
==: == = =====/d
= ~ = ===
pl t1ys [Link] Fi g. I (see bar 5)

[}J Bridg e (2:45) I .. 2.

( 1.) shine Lost and
(2.) loaded still thesame 'ol decent lazy eye straightthroughyour gaze
(3.) That'swhyI said I relate
E
83 (.;1r 1 ( ri' /U 'll l 11r~ 1i o11, ha r)
II
lt-9
~ ~:~ ~'--- -,. ~ -,..~+-~,__ - ~'-- -,. ~+-~~~~~~ =-~~~~ ~ ~~ 1--~~~~~--' '--~~ ~ ~~ ~--1 ~~~~~~-
. ,,
-=-
' - ~~ ~~~
::
~ .-H,.
t I I I I I I I
Glr:-. J anti 2 (compo:-.itc arrangcinc1,u (repot p n ,iim,x tuo bar s) 2

~lfua EJood=l;:m.r
I ~~+~1 ~
1== ~ -1
3.
said we relate it's so fun to relate
C#m B N.C.(E)
87 Gtr. 3 Gtr. I plays Rhy. F'ig. I thre e times (ser: bar I )

4 9
: +-~~~~~~~~~~~~~+~: +-~~~~~~~~~~~~-++ ~+-~~~~~~~~~~~~..-..
i---->"'-~~~~~~~~~~~~-'-"""-~~~~~~~~~~~~-'-+ Ol f-~~~~~~~~~~~-'--'1-'~~~~~~1--~~--t-~~-'

I and 2 G1r.

/)(1ss p lny s !la ss Fi g. 2 ji mr 1i111

es (see bor 7)
/Jass play .\ Bass Fig.

91 Gtr .
. , It's the room the sun andthe sky The room thesun andthe sky
Cir . I pla ys Rhy. Fig. 2 ( -.ee bar 3)

L~t I
71
Q] (3 23)
G lr . 3 (ro ll b:1ckf t1iwr ':- volume knoh for clean tone)
trem;_!)i~ _________ _
1 16 17>---- ---

1,-~-G~ 11
_._l_h_vl_d_c1_~
1)~''~~~ ~ ~-o~o

4
"LAZYEYE"
101
~- -- -- 16 16 14 16 14 -,@ 12 10 14 ,@

""" ~

...- - ' r -
~ -. -. .- -
,. .
-
2
.,_..

N.C.(C#5) (85) (E)

105 G1r. J (*w/c x 1rc111crcvcrb ;md delay effects)

*Stt re1 trb dtca.r to /o,,,~,r durmiou and !it,11/te ejJ,,t mi.t tv at lea )t 50% . S,,1delay timN, th
1

approx. 400 -500 mJ . with a 50% e_ffect mi x w o,n:[Link],r multipk thfa., rt'P'-'<IIS(inowistd n,r,:e,u'Yltlion).
Bass pla ys Sass Fig. I (see bar 5} /Jass plavs /Jass Fig. 2four time s (see bar 7)

109 Ctr. 3

I bLJ I I 11 :r

.,,
Fill I .. .................... ... . . . ... . . . .. . . . .. . .... . ... .......... ,
Gtr. I
!n

113 Cn (C#S) (85)

Bass plays /Jass Fig. I (see bM 5)

(ES}
111 ~

...
Bass plays Bass Fig. 2fo ur times (see bar 7) I VI

(C#5) (BS) (E)

125 Gtr. 3

9- 9- 9- 9 - ,'1 1 - 11 -- 13

Bass
Ba ss Fig . 3 . .... .. . . . . . . . .. . . . . .. . . . . .. . ,
,,.--.... ,,.--....
._ --- 9 -1 1,.-<-13 - 11 - 9 --- 9 9- 11,.-<-13 -11- 9- -- 9,-,--------- ----- ,-- --------- - - ---,
-l--->--t---t--1--- 11 11 -i---+---- - - ----- --- -1-------- ---------,

5
 "LAZYEYE"
Grr. I plays Fill I (su bar I JO)

8a.,s plays Bass Fig . 2 th,.ee rimes (see ba,. 7)

133 (C#5) (85)

v ,:;:;
Bass plays Bass Fig. 3 (see t,ar 125)

(E) (C#S) (85)

~ Y,
137 Gtr.3 (play 4 times)

Bas s (play 4 rimes) ,.--...

9 - 11,...C
13 -11-9----,l 14 - 13

(E)
141 Gtr. 3 (play 3 rimes)
I
-
.,. .
I
..
.,- 9 9
I
I

~
-
I
I
I -
....
(9)~

Bass plays 8t1ss Fig. 2 Jou,-rimes (see ba,- 7) I I I

(C#S) (85) (E)

Grr. I (delay of!) pla ys Rhy . Fig. I thre e rimes (see bar I )
145 Gtr. 2 plays Rhy . Fi/11 simile (see bar 9) 1errin111hro1111hfade
our

l @::==.1 ========!:t
i@
.,.___-===
--=-==
-===
- ===~
I============~
Ba ss pl [Link] Ba ss l"ig. I (see btir 5) Bass plays Bass Fig . 2/aur rimes (see bar 7) *Susta in nore wlreve rb effec t!, .diJ:ht
fdbk .. <md rmulom tre molo pi cki ng.

Gtr. 2 I've been

149 Rhy. Fi/12 ____ ---- _____-- - - ___, Grr. 1 play s Rhy. Fig. 2 (s ee bar 3) 2

11 -(11)'----

I I
. ~I 1 II

[R]O ut ro (5:31)
I . 2 ., 3. 4.
(!.) waiting I've been Fr eely
(2.) waiting for this moment
Grr. 2 pla ys Rhy. Fill 2 (see bar 149) fade out
Ctr . 3 co nt. note s11.,
toin
Cir. I
153 ~\ NI. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - .,

11 -1 1 -11- 11 - 11 - 11 - 11 - 11 9- 9- 9- 9 - 11 (11) - 11 - 11 - 11 11
o- o- o- o.....:...
I I I
0- 0- 0- o
I I I I I u - L11-ct - E_t;t
0

Bass

1+---------------1-
o- o- o- o- o- o- o- o- : 1-_- _....
1 1111111
_- _-_+-_- ~- O-
2-

-
2- 2:- ....,...,"-"-..._-------
(O)-.o-
LJ 1
0--- ~:-=-
_
-=-
+-
--_-_....
_-_---O-(O)-
-Hl-

LJ
.o- o
1