CULE SC Lu)CONTENTS Closer to the Heart .......... - +++. A Farewell to Kings Cold Fire .......... + » Counterparts Distant Early Warning . . . « Grace Under Pressure . Dreamline ... . . . . Roll the Bones ... . Free Will . . . - Permanent Waves La Villa Strangiato .. . . - Hemispheres Limelight . . . Moving Pictures . New World Man . . + Signals oe A Passage to Bangkok . 13 2d : : Red Barchetta . « Moving Pictures ... Red Sector A... Grace Under Pressure . Roll the Bones . . ‘ . Roll the Bones . . Show Don’t Tell . wets + PMO oe se eens The Spirit of the Radio Stick It Out ... Counterparts . The Trees ..... Tom Sawyer ... Working Man... sssses.Hemispheres . . . - Moving Pictures - A Farewell to Kings . ++ Moving Pictures ....WORKING MAN Words and Music by GEDDY LEE and ALEX LIFESON ES ae ‘Moderate rock J = 80 = a NC Bs Ne ES NG. 5 Gtr 12 BS Verse: ARITA (Girs. 1&2) BS Nc. ES Ne ES 1-3.Well G)T getup at sev-en yay_and1 go to work at night end RITA. 2.See additional lyrics BS NC. BS NC, T got mo time for tiv ing yes. T'm work - ing all the time: i ES Ds AS B cs DS: ‘me I could ive my life. (© 97S CoRE Music PUBLISHING “Al Rights ReseedChorus: ES bs AS ES cs DS NC shake ~. 1 guess that's why they call__me,—_ they call me the work: ing man. To Coda @| | 5 @s) as ES Ds AS ‘They call me the work ing manGte.2 ‘end Rhy, Figs a | i tChorus: NC.(E5) o> © as Well they call me the work- ing man. Bass Solo: BS NG, Double time feel Guitar Solo 2: Gti ES DD WRhy. Fig: 2 simile, (Ge 2) 19 times: ir) ) iD SS =——— Seam o = EE : - = —— = tote wee FB =\ otis fo = fa 6.wii (Gre 2)2 timer NC. poe wiRhy. Fig: 2. (Gir 2) 17 times Girt BSFfsteady ss Gtr. &25S Sepese Play 3 times:Gt -wiRtny igs 2 (Gir 2, 6 ter) sim. 7 EB Gt = oDS. Bal Coda‘They call me the work-ing maa,—__ BS Ds AS E cs Ds ES DS AS T guessthat's_ what 1am.‘Gradually accelerating with each repetition. (Bra) feedback ate 443) nil Erste ob t wide Verse 2: ‘Yes, 1 get home at $ o'clock ‘And I take myself out a nice cold beer. a” ‘wondering 's nothing going down here, It seems to me T could tive my life. Think Tam. {guess that's why they call me The ‘man. (To Chonus:)A PASSAGE TO BANGKOK Words by Music by ‘NEIL PEART GEDDY LEE and ALEX LIFESON ES DS BS cs GB GS D G Der GSU? im le. IR se fiw i a i Davis G58R8 EA DIA G94 Gaus Dre Av? Asus ie iB Fine a= fae 2nd time ony, ts time acct ‘Elect etc w/istortion (donbed) * Vocal entars 2nd time only. ‘*Bleetrc gt. clean wMRAME A (Gr 1,4 times)19 a> tives ‘smile__ and pass, a Tomg___ a “Elect gt. widistortion, 2 xB Ge Sac sam - ple of. their yield ae ue vaya (om 2) ES Ds BS DSB on Rby-Fig.1 ‘end Rhy. Fig.t tnigl 2 Fe) paces Fay a Sweet Ja-mai- can pipe dreams, golden A ~ e&- pul - co. nights ‘WiRhy. Fig. 1 (Gir. 1) 85 Ds ES DSBS cs oe cs Gs om ‘Then Mo-roc - co and the East Flyby mom ing light. We'rehit the stops = dong the way We Verse 2: wiRitt2 (Ger. 1) © g I g& G5 Fase gst A e | on = ly stop for the best.leo. Tt) y * 7 Ji dd *Plck rst note only. Poe ITT: So =e a APY ony - oleae ga 7 rae a) 1DS. Bal CodaD Dsus D os gsm se ath 1h See) ~ am # == i SS tok A= hom the Tha = land a ee ress. weit hit the stops__ a domg__ om D Gsm FT gsomt EE ase ie ie J yl ee — te way, ‘We__ on = ly © stop forthe __ AS Gs Dimas DFLGS A D Verse 2: ‘Wreathed in smoke in Lebanon, the midnight oi Rewards a long day's tll. ‘into Katmandi hl it San ge PartunedWords by NEIL PEART THE TREES Moderately stow J, = 88 Intro: Gite. 1(ylon acoustic fingerstyle) D (© 197 cone MUSIC PUBLISHING “An kighs HeerveFaster J= 138 Gtr. 2 (Blectric whdist. dbld.) Sy Verse: 2.The tou-ble withthe Ma - 4. See additional lyrics Rony Fig. (and they're quite con vinced__ they're rightAS BS BOBS B im__G Dr AS ok Oaks are just toot oy and they grab up all___the___light__ = But the aks can't. help their feel =~ ings, if they G Dm AS ToCoda ® 54 Tike the way they're made.chm A E G crea tures all have fled, as the = Ma - ples seream_ “Op Gs A Bm iA Bm IK Bm BSA pres - sion!" and the aks just__ shake their___ heads. Pik slides% Wm adh Fisus3” F¥sus D. Interlude: Rhy Fig 2 “Synth, determines harmony progression ‘wiRthy. Pg. 2 (G2, 15 simes se) **Syath. xranged for gt.32 GIA on GIA co GIA cB GIA op GIs on GIA op3 "Two gles. arranged for one gt. eu PM, para =ASNC Bm ws AS BS rt D.S.% al Codaformed a union, ‘equal rights “The Oaks are just too greedy, ‘We will make them give us light” ‘Now, there's no more Oak oppression, For they passed a noble la.36 CLOSER TO THE HEART — a) viata ENE andes cénoyicttt Meatsmson D Ge) c Asus A DS Crp? G i - im tf a a Moderately slow J=76 intros Gtr. 1 (Acoustic 12 string) A®) Enter bells and synth. 66). Do Fimaj7 A@) Asus A AQ) Asus AVerse: Gte-1 simile grr 2 A a a D G A men whoholdhigh plac - es must be the ones_who start to Gtr, 2 (Acoustic 6 string) Rhy. ge mould a new re-al- clos ~ er to— the heart, ‘end Rhy. Fig.l wiRhy. Fig. (Girs 1&2) simile A Go G clos - er tothe 2.The black smith and.» the art - ist ee38 Fingers, Verse: AS Gs D Ling — ‘3.Phil - los - 0 - phers_ and _ plow Gtr. 3 (Electric dbl.)ps. AS Gs Guitar Solo: Double time J = 152 06 ‘WL (4 sims) ZS GD GO a) EO a ? Hi® To le ede SS APA FRI AIM iamPlay 2 Play 2 timed Verse: a Vasa Jt Users Sn PT) Se es To te | = ~Dap j—) ME J) Ja ft = clos - er tothe hear, D » DDI py Do ie clos - er to the heart,__ well, clos er tothe heart Rhy. Pig.2 Ln 4 —— Outro: ‘wiRthy Pig. 2(Gr 3, 7:12 times) simile FV) SIDA: shea Merny 0 ae: =XANADU Words and Music by GEDDY LEE, ALEX LIFESON and NEIL PEART | B G A FIT@) A9®) Gf BOG) ES IS, SBS. AS flee Fite FIM ill {ill fon a ie ffl HEE tt Robato | Inire: | "Gite 1 (Electric w/distoion) Ne (3 sn fr 205 6 i CF ie FB Gtr, 2 (Electric) a a petty = T - + fe ee * = FF = ; Ex t —— : Ee Gu 1 Sy a forge **Notume well wing volume coz (©1977 CORE MUSIC PUBLISHING ‘AL Rips Reena[8 a a Tae ~ + ~ —FTe % (bbl | 2 | + + + fe = eae = Ek ; a -B: - 48: = 7 + = + t ‘Medium tempo J = 122 Play 3 times zs rt 2 Ruta . . od A Gtr. 2 WIRE A, 12 times Gtr. 3 (Electric widistortion) BS Gs ps AS Play 3 times toES Faster J= 137 Rhy. FigDs Be) withy. Fig. 1 (Gir 3, 2 times) 4@ G6 end Rhy. Fig ES vf Ba) a Ge ‘uk 6) CO}=F ES £ Moderately slow, in 2 4 = 130. ows or. 4 “Electric 12 string wichorus, doubled wi6 string electric ptRhy. Fig 2 azempo E FH) Play 5 times FI) BM) tea ig Verse 1: ‘wiRthy. Fg. 2 (Gr 4 3 times) sim. EFI) B Frm) B FIT) “To. seek the sa - cred fi-ver Alph_ To walk the caves of ice, Be) AQ Gta33 Fast rock beat 4 = 190 Verses 2 & 3: 8 E or STP JD D1 Td DP deep - et__ mys wo. From an an cient took A G gE WIFI (Gir 2)2nd time only EB G ‘end Rhy. Fig. 3 TLS wn Fe (G3) ce 1 took a ite sealed ‘the fro_~ zen A G EB ‘BY AQ) rH AQ) i : ven a A Time and -man—__a lone search-ing for the lost = Xan - a = ‘lect a. wdistortion and delay, 316 miliseconds.st Ds BG co os Ds BS co Gs Gis SoS pe = te. 3 tet WIRby. Fig. 4 (Gir 4 14 times) Verse 1 only HRs. Fig 4 (Gtr ll Coda) Verse 2 only DS Bhs ce Gs DS Ble Gtr 1 ga-= =, * Synth and plockenspiel are. for gt co Gs co Gs Ds BIG co Gs35 ps Bb6 CQ Gs ps BiG co os creed by Ku bla Khan, To taste a- new the fruits “of life, the DS BiG co Gs Ds Bh6 fast im= mor = tak man, To find «=the = sa - ered co os Ds BiG co Gs ver —~“Aleh— To walk | the caves of te On, ‘wIRhy. Fig. 4 (Ger 3, 4 times) DS BiG co os Ds BiG co as tres 1 will dine on hon-ey - dew__ and drink the milk of Par z a: To Coda © ps Bis co Gs Ds Be CO Gs56 DS. Bal Coda Atempo += 129 o ‘wiRty. Fig. 2(Gir 4,8 simes) Coda CO) Gtr.3 EB FTG) EB FT@ —- Gna & FIT), 5 FHT) gE FIT@) B F@ Gtr. 3 cont. in slasha. “* | wiRiny Bg, 2 (Gr 4, 4 times) sim, | BS pb) — Jess | Gs‘wiRtny. Fig. § (Gre 4) sim. BSSlower J = 120 site ‘i Gir 3tacet , Gtx. 6 (Electric) © 7 My. Fig 6 (Gis. 4 & 6,8 ines) E ise = erol ‘ard. poco a poco Faster J = 135 ES ES. on tS DSTI) SII): - Verse 2: ‘A thousand years have come and gone but time has passed me by. ‘Stars dropped in the sky frozen in an everlasting view, ‘Waiting forthe world to end, weary ofthe night, Praying forthe light, prison of the lost Xanadu. Bri Held within the Pleasure Dome, Decreed by Kubla Khan. ‘Totaste my bitter triumph Asamad immortal man. Nevermore shall I retum, these caves of ice. For have dined on honey dew ‘Ail drank the milk of Paradise ‘The wizard never dies.2 LA VILLA STRANGIATO Words and Music by GEDDY LEE, ALEX LIFESON and NEIL PEART es A FIs, Fi i ul slowly 133 B39 = Ben. Gtr. 1 (Nylon acoustic) Bs em Bs ‘ . | ee ; ee ie jo— te — -— =H te $ — —— * Ea = a — f¥ 8 18 ‘Atempo J = 152 Gt SR Fig 1/102, 58times) ater synth a ib. Gt. 2 (Electric) — co, ce Rhy. Fig. 1 10 48 (© 1975 cORE MUSIC PUBLISHING “AD Rights ReseedGtr. 2 (w/dist. dbl.) c 3 + 2 7 eee —— ——NCOGuitar Solo: NCH,Nc ®Bass/drumsn DE) i. A G‘wiRty. Fg. 2(5 times) simile Rs A MEME? 5 € cs c@ a lem ee © “ NCA © n i i alll I “4516 FREE WILL Words by Music by. NEIL PEART GEDDY LEE and ALEX LIFESON Moderately bright tnaro: 4= 154 ear No Chord SF win astortion “Doubled by another gular © 1989 CORE MUSIC PUBLISHING ‘An Rips Reneto di-rect. our. sim tess dance Hy Halt timed = 77 plan = et of slay, = things we ance fon the strings With srortion78 bint mare Reameed sts alae? Hatt time J=77 With Rhythm fgure 1 with ed to variations Bt ‘BhmajToL1 Cast c Bit Domai?bs pect Bs As « Dr as If you choose not tw de ide you sal hve made a) choice Guitar 1 , = You can choose. fom phan - tom fers and82 Hail time J = 77 |Prehoras: Wh Rhythm figure J with ad ib variations ‘Bit Boimgj7411 cous © Bot Bomai7#11 Halt timed =3 Double timed = 154 Bott Bomaj?+11 0 bp pie As Bs E prt as You cin chow: a tad y gle inte ce = Tes = tal” voice85 Oe, REI) [Kloutter soto: Wh distortion flanger Meter e ay "Chords parentheis pled bythe bas° Guitar 287 Watt time J= 77 Bott Bhai Let ring throughout ltrs ranged aT gular.BH Prechorats Wich Rhythm flare | with ad to variations it timed ="77 Bmit wae Bomai7411 mit Bhmgj7+11Brit Bmaj7*11 oes & BhmajT+i1 Bm Be PDs ¥ al Code @ for - tune hunt. that's far too fleet_—THE SPIRIT OF RADIO Music by Words by GEDDY LEE and ALEX LIFESON NEIL PEART Baghty d= 132 Alm Ne Ghond te Steering With distortion and flange (Rhythm Section enters) Gut © 1980 CORE MUSIC PUBLISHING “Ai Rigas Remon1 Eee rand =d= 144 (Gradual decelarando } Baga BiGt a Bogs '\ "Doubled by ane ther guitar wiih storion and chara (ide channel deBs Es “Guitar Let rng throughout 73 guitars (Girs 1, Band SJaranged as | guitar, ere lal the day with a fiendom on your way, tthe «+ pen road, — there isEIGr A » ES + tac in your apES Guitar 1 Guitar 2 Guitar 3 a “Synhesier arranged fr guitar. Clean fone wih flange 1 salute LesliedHamrond B3 key lickake ‘mo tonal feed -[D) Ferse 2: E ‘measure, Yry low inthe mit. IG a B‘Wh Rhythm Pure 1 with ad Nb varaions rE 2 Not. 40 coldly chart-od, its real - ly just_a ques-tion of your hon - es = ty. Guitar 1 Jess com-pro-mis- es shatter the = wssion of In tep-ri ty Yeah100 Bs ‘madse Ect ‘Asean Bedae101102103 “Doubled By another puter104105 ‘Tit new tempo ts a double time to he eo measures ‘rTry begining ts phrase With a J =180 is Gutta 1106 fof the profits were writ-ten on the stu-dl= 0 wall.107 Hard Rock Double time = 74 (inter tve audience applause) Es ASWith nary dscorson&revero SE,With bar “Ip in anwan a With bar (Gradual Bend ‘Wah wah Pedal: 0» press dawn, = prem Back Guiue 3no Guitar eS As ES As ks With clean tone Plano arranged for Guar 3Mm As ES (Rhythm section out)12 Words by NEIL PEART Moderate Rock J = 132 LIMELIGHT (© 1981 CORE MUSIC PUBLISHING ‘A gs Reserved ‘Music by GEDDY LEE and ALEX LIFESON113 in touch with some. re- al - i= ty—— be = 1 Gait pe tend a Hina, those who think and— feel have mo heart to yond the guiléed—cage.. long a- waited — friend — L_- e- quppedio— set. — at and we are mere- ly play-ers, = - tole, Cast in some un- like a stage All the” worlds. in-deed —ry Hi re Liv-ing im the lime = light, theus Gpsusd ES SSS Et = = # the 8 lien a ton, as Gisuss Gs = — ut a+ side— FS Fisusd FS Ffsusd GS Giswsd GIS Gfsusd ES get on with. the fas - ci ~ ma ~ tion, the real «= re- I~ tion, the un = der- ly = ing: theme647 DS% al Codd Gs: ede — es Gtousd GIS sus ES PS Few ORS) Feud Gis "Glew G1s__ Gouti) os |] ES Ffsusd GIS Gtsuss GIS Gtsusd Gpsusd GIS Gtsusd GIS Gtsust Gs Es BE Es E RS Fjsusd IS Ffsusé — Gfsustug RED BARCHETTA Words by a a GEDDY LEE and ALEX LIFESON Motehinipd 140 No Chord afAsussiG Asusd/Fy Asusa/D Asusd/F % vsust Asusd/G121 AsustiFt12 AS ps as DS As Ds GA Aswsa123 my —un- cle pre - served. AS Asus AsusaiFt stip a= way. the ode bris__ that hides a shin-ing_ car,124 Fem Asuss/G AIRE AsusdlG AswsD AS Ast AsusalF Asusd Asusa/G + gine. re spond ~ ing with a roar, AsussiD125 AD GD AD cp A/D AsusaD AMD Aswst/D_—_ AIDG/D AD cp1262128 Asus AsusdlFGo seream-ing throughthe —val- AS ps AS Ds As Ds GA Asus A130 GA Asus AS Ds as ps as bs GA Aswan Fe C13 = ric re- c He =e132 TOM SAWYER Words by Music by PYE DUBOIS and NEIL PEART GEDDY LEE and ALEX LIFESON Moderately fast 4 = 88 ‘NoChord ‘A tmod-ert day war-ri-or-mean,mean stride to- day's Tom Saw-yer mean,-mean pride. alam Be 5) ® es Ds don't put him down as ar - r0- gant to any god_— or gov - em-ment * Bass and flanged keyboard Intro. **Downstemmed figure on repeat. © 1961 CORE MUSIC PUBLISHING ‘Al Rights Reserved133, his re-serve a. quiet de - fense— rid- ing out theday’s__¢-_yents ‘al-ways hope-ful yet dis - con - tent hhe knows chan-ges are _per-ma- nent ES AS Dsw4 DDsw? GS FS Em ‘Whatdo you say-a-bout his com-pa-ny— ‘And what do ou say-a-bout his com-pa-ny— is what you say-a-bout $0 ci- ey,134 Caich the mist, catch the myt,-_—_catchthe mys thy, catch the drift. Catch thewit-ness, catch the wit, cache spir - i, catch the spit — may-be as his skies may-be as his eyes gs Coe ‘To-day/s Tom Sawyer he getshighon you. andthe space he in-vades.he gets by — on you.138 Double time feel J = 170 Keyboard Figure 1 $Eehoardorvnged for Cntr (Giisar I ce for 4 * End Keyboard Figure 1 ES Dirt ES Dir137 End double time feel J = 88 DS.% al Caddy ES ps sud BX: i the warri- or todaysTom Saw-yerhegets high on + right on to the frie - tion of the ay (Wocal Ist time only)138 sun NEW WORLD MAN Music b NEIL PEART (GEDDY LEE and ALEX LIFESON Uptempo rock Js 160 ‘Rig. Fig. Synthesizer “Gt Noe = og Ne @) Clean, wichorus, delay and reverb. Rhy. end Rhy.Figd—Fsus2 1 WR Fg (Ge 22 snes 1.23. 4 Ne api wy. Ld (ir 2,2 sme on) sig-nal tum - ing green, He's a restless young ro-man- tic, wants to. run the big —_ma- chine (© 1962 CORE MUSIC PUBLISHING “Aliph Reseed139 wiRthy. Fig, 2 (Gtr 1) 3 172 times Fsus2 a Ho's got a. prob-lem with his poi sons, st $e eS = ae = ——— SS — — know hel! finda cure He's clean= ing up his) sys ~ tems, wRby. FUL (Ger 1) DS zs to keep his mature pure__ Bridges I & 2: Rhy Fig. 3 mnTe3 n Bis PIA Gm) nd Rhy. Fig.3 wiRy. Fig. 3(Gir 1) F Bis FIA Gm) J.Leam; ing to match the beat of the Old» World man. 2 See addidona ics,\40 w/Rhy. FL 2 (Gir J) WIRhy. Fig. 3 (Ger 1) Js 2 bars only ‘wR. PIN (Ger 1) F Bis FIA Gm) ‘Learn ing 10 catch of the Third World man, Z ps _Iiterlude 1.& 2: tr1 F 7 a % ve =e d —— mis — takes, and team t0 mend the. -=—mess___ he__makes._1. He's. old__ 2. See additional lyrics Pre-Chorus I & 2: SS142 Chorus:143 ps Play 3 times ee SS PM. PMs eM fit -- 3 PM. ==144145 Outro: Gs Ds Verse2: ‘e's a radio receiver, tuned to factories and farms. He's a writer and teranger and a young boy bearing arms. He's gota problem with his power, with weapons on patrol He's got to walk afine line and keep his self-control. Bridge 2 ‘Trying to save the day for the Old World man. “Trying to pave the way for the Third World man. frie et concemed with yesterday. Fie knows confutchange set dy, Pre-Chorus 2: e's noble enough to know what's right, ‘But weak enough not to choose it. He's wise enough to win the world, ‘But fool enough to lose it.146 DISTANT EARLY WARNING Words by Music by: NEIL PEART GEDDY LEE and ALEX LIFESON ‘Moderately fast () = 136) Goicar 1 Amit Csus2 (approx. 0:06) ‘Synth. fadevin "(Symth, arranged for Guitar) ©1984 CORE MUSIC PUBLISHING ‘Al Righs ReeveGsus2 Amit ‘swim-mingin the heav-y wat - er, no singing in the acid rain. Red a-lent (red a - oS os (echo repeat) dae ie ~, et Css? cGsus2 Am? Sy Dut D Am Deed Do Am Det D Am (Synth. arranged for Guitar) *(Repeat on 2nd D'S. only)to what you'ego-ing_ through, To Coda 1@ G Dm Ds Dm Cc... cs Salinas te OAES: = === See ee a F G AmitCsus2 Gsus2 co Dm? Am? Amii G Gust = G Amit Jen), red a- tert (ed a lent).1st Csus2 G Gsust SSS SSS = sage, black and whites of — youth.— Whocan face the knowbedige that the Aq DS.% al Coda 1@ Coda 1152, wae? (owe) (om © © “(Harmony implied by bass guitar) (Dm) (omc (Dm) DSS% Sal Coda 2 G7 ‘Am? BS.153, Coda 2 ‘Ab- sa-lom,— Ab-sa -lom,—Ab-sa“lom. — —— (With slight feed-back)154 RED SECTOR A Words by = Music by Moderately (J = 112) GEDDY LEE and ALEX LIFESON Dm7sus4 Dmg Dagens Dmo Intro: 5. Eaoeed AB Dniowd Dd Din7gusd. ___ Dind Dm7 Dm7suss = s Dsw2 mo Dmg Dsws2 Dmg © 1984 CORE MUSIC PUBLISHING “AE gh Reserved185 Dsus2 Dm Am Dm Am —— Vib. bar slightly Rag-ged. lives. of rag-ged. grey. Skel-e ~ tons, they shut - way. Shout- ing guards.andsmok-ing guns___willcut dowmtthe un-lucky ones.-136 ‘wound that will not heal. 1 clutch the wi - re fence. un - til my fin-gers bleed. F Fi ‘A heart that can-not feet F Pid Hop - ing that to-mor~ row Hop well al fing that the hor - ror will,Days and weeks and months. go ont feal the hun- ger; 100 weak to cry. uf SS Ams Em F Fit FS ( f | ear the sound. of gum fire at the pris-on gale Are the ibrer-a-tors here”. Do T hopeFed Am Em Apiale ® Fs ‘Dsus2 = musthelp my moth - er Let rings Letrings Dsus2 Dsusz Dmo" Dmo Dmo Dsw2F = Dor Fs Are we the last_ ones left @ -tive?_ an winnie:uit Solo (Hime fee) "Harmonics (Let ring throughout) 2 2¥ (With echo) Vib. bar (With harmonizer set to perfect Sth) With vib, bar slightly Let ing ~160 Am DS.% alCoda Dsus? Dm Dsus2iF Are we the last ones left a: live? see <<Dsus? Dm ‘Are we the last__ ones — left ‘Dm Vib bar slightly a- jive?__ Dm Dm7 Dm7sus4 Dsus2F Dm? Dmg DmTsuss Dm? DoF F DmTsus4 161SHOW DON’T TELL Words by ak GEDDY LEE and ALEX LIFESON NEIL PEART eee” ciaea en ee) Potasion& Syrah ‘ts 8 ag Alsus Verse: ‘Am? ©. 1.How man-y times do you hear 2.'See additional tyrics Rhy. Fig. 2 fed Rly. F1 Gi: 2 (w/clean-ine and echo delay) (©1889 CORE MUSIC PUBLISHING AB Rigs Reed163 Dsus as AS Fsus2 cs os iw Tt goes on all day___Tong.__ Am © Dsus ATsus Fsus2 win. Fl 2 (Gi 2, simile c Gsus2 Am? © Dsus GS er Who can you be- lieve? eslo As Fsus2 cs as AmT © hard to play it) eafe,__ Bot 2 - pan fom a few Dsus Asus sus? c Gsus2 ae — wood friends we dont tke an - y - thing on faith, _ ‘wiRtny Fi 1 (Gt 1,2 simes) ATsus Chorus: ‘wiead Fig. Dsus2 (dota) X Bigd.vel: Show mie, don’t —tell__ me." Gtrs.1&2 Sa ‘Keys arranged for gt,165 cous | Tve heard it all be- fore, 1@ + sme don't tell me. Show me, don’t tell___ me. don't care. what you say. rough of your. de- mands. Show meydon't tell me.Dsus2 As Fs cs as Gte.2 (wielean tone) Gniteaat eae ——— Interlude: 1. Atsus Dmmsus AS FS cs Gs167 z was ad lib cs os ATsus Gtr, 2 (w/clean-tone) wymth, Fade in - af pp ‘sun wl echo delay Vel. wlecho repeats ATsusOutro Chorus: ‘wiLead Fig. 1 (Ger 3) Dsus2- D5 (bud 890) ‘See additional lyrics Bkgd. vel: Show me, don’t. tell__ Csus2 cs Dsus Fsus2 DsHey, orderin the court. ‘Shiow me, don’t tell me. Lets ty fo keep it short. ‘Show me, don't tell me.. aan pi Soe Saco. rs fee Saas ao Pa as ithe aeeeet ceenae freee mies oes ae oan oeROLL THE BONES Words by Music by: NEIL PEART GEDDY LEE and ALEX LIFESON Em G ate. i [se un Moderate Rock-Funk J = 112 Intro: (a) © @) NoChord Am? D/A Asis NC. Co pic cf Niet Ds Guitar A loco A loco loco NO. arms Verses and2: ro) 1, Well you can stake that claim, good work isthe key to. good 2 Faith is cold as ice, why are new ones. bom on - ly to suf ~ ae — Oo. SS — LE LEE (G$) Gous2) suss) (Am? DIA Asusd ‘Win ners take that place tos~ ers. sel-dom take that blame. Forthe want of im-mu-ni-ty or & bowl. of rice. a) ee ee, ‘ SS SS "Horns arranged for Guitar. (© 1991 CORE MUSIC PUBLISHING ‘AI Rights Reservedm If they don't take that game, ‘Well who would hold’ the price —— cy (G9 Gsus2) (Dsus4) Wwe draw our own de-signs— for-tune has to make— if there's some im- mor - tal pow-er to con © () Am? DIA Amst NC. C6 DC Ch NC. Domed GF1m Fate is just the weight of eir-cum173 cs, BS PS RS Gs Roll the bones.76 Chora: Wty ae loth Figure 1 *Guttar 3 ‘the bones, Rhythm Figure 2 Acoustic Gi c bic c “Keyboards arranged for Guitar. Vices cross at this point,5 End Rhychm Figure 1 End Rhythm Figure 2 ‘Why are we here?— ‘Be-cause.we're here, roll the bones, — Bhinee omnes at thie naint176 Guitar Solo With Rhythm Figures t and 2 Guitar 4 Em G 4 c Dic Re locoy

Ei ¥ loth igure 1 (Sythe for guitar) oiar’ ;_ ia197 Am GIA DIA FA Am GIA DIA BA198 AM. only,199 COLD FIRE Lyrics by Music by GEDDY LEE and ALEX LIFESON D GS Asws AS c Doo (Enter Base/Drums) ATeus4 D GS Asws AS cD C Atsusa D Gs Asus AS cc DC ATeusd Dp Gs Asus AS c DC ATeuss D GS Aswé AS cope (©1993 CORE MUSIC PUBLISHING ‘A Rigs ReservedVerse 1: but dont push my201 Fsus2 cdATsust DGS Aswd AS CDC AS A7sud DGS Ass AS CDCer-stand- those songs you love.-.She said, ATous4 Asus AS Asusd “DGS Asus CDC (AS Asus — DGS Asusd cpe g43 Asust A7sus4D GS Asust C DC AS — Asust ATsuséD GS ‘Asust cpec as Asust A7su4D GS Asust cpe ¥ (F boas pedal tone) - The pat-tem of moon - light on the the ine —204 AS Asusd ATsus4D GS Asusd c pc as Asus ATsus4D GS (A.bass pedal tone) = aoe Aout ATousd AS Asusd DGS Asust © DC AS Asusd ” DGSAsus4. epe (A bass pedal tone) ~ ook in your eyes as you head for the door is a cold Fsus2 Gs AmF G Continued in noxation With Fil Ty) = ‘ATawt DER al Calvo Atwast Aust “GS Asus DC Att Aswt “BGs anes as 8 5 (Bkgrd:)Dont go 100 far.Codapg Feud csFsus2 csDGS Asus AS CD C Atsnd D GS As (Bigrd:)s a ‘ATsusd D GS Asus ASC DC Atsusd D Gs Asus ASC OD OC Atoms D GS Asusd asc DIC As D GS Aswi AS CD C Atsusd D Gs Asud AS C DC Atsuss D_GS Asus AS cD210 STICK IT OUT Words by Masic by NEIL PEART as GEDDY LEE and ALEX LIFESON co away Hi Moderate rock J = 120 * it Iriro: Gtr. 1 (Electric widist) NC. fe Verse ‘wikead FU (2 times) simile aati LT to your i if ws safe-ly re -a { w/Lead FLA (Gir 2) sim. —— aS = SS SS strained — Light - ning re = ac = tions. Pre-Chorus: B63)212 FS don't swal-low your tongue % Chorus: ‘wiRthy Fig. 2(Gir 2.7 times) Ne. = ashe en Don't swal-low the poi - son Bkgd. vel: Stick it (end Rhy. Fig.2 Don't swal-low your pride—____ Don't Spit it out, Stick it out To Coda ® ‘swallow your an = ger Don't Spit it out___ swaklow the Hes.213 Verse: to do the right thing.214 Pre-chorus: why. Fig (Ger J) sim. Bes) ul + G~ mate — proof. Mo- ment of eri = ig. 2 (Gre, 8 vines) (5) ke Sp ete eh Fh o ===—===>=—> —=— — Don't swallow the poi - soa, a Don't swallow your pride. =e Don't swal-low your an - ger. Stick it outus Stick it out Each time_ we bathe_ Gtr. 2 (clean tone) Rhy. Fig. 3 Gur. 1 eve notes.216 why. Fig. 3 (Ger 2,7 times) FS. Ds FS Each time we al - tr the fo- cus to make. the wrong sus Bsus Ds FS aN —— moves seem___ right. Gtr, 3 (Acoustic dbld.) bs ms 7 =< =e = & 7 S=5 SSS you make your = sl + om- yous Weka7 Ds cs Bis218 cs Bis NC. (D9, Ne. ‘wiLead FUL (Gir 2) simile219 BED Fo BES) DS. Bal Coda Bkgd. vel: Stick it” out___ fg RI Fe 2 (Gi 2 Bier Coda NCO) Don't swal - low the pot son,Don't swal - low your pride, Spit it out. Don't = low Se Stick ~ it out__ 2 pre ae Don't swal = low the ies. Spat 0 ca cs as cs Pas (abla vb) 2 >) cs Gs NE@D,m1 Outro: wR. Fig. 3(Girs. 1&2) NC ©) Ds cs Bs ‘Our 1: eve noes.GUITAR TAB GLOSSARY ** TABLATURE EXPLANATION ENO AND RELEASE: Payne note nd gretaly bend tothe next itch, then release toe orginal nota, Oniy he frst notes stacked. sO Sem Seg Fn AC Talia BENDING NOTES HALF STEP: Pay nile playing an additonal note (or Sense and + Notes) on another stringis). Upon bend string one ‘the note and release, relieve pressure from hal sap." ys bend ting additonal not) causing original rote sound sone. wnote ster: PREBEND Play the note and (Ghost Bend bond siting one Berd othe whole step secied note 8 ————} pitch nen Deore he ng ped un ‘spickes release begins (indicated at re point where line becomes sold) wnous sreP PREBEND AND i [AND A HALE: RELEASE: Bend meet Pay te note ano the sng ply bo ben string 3 ‘hon rotese fo nds vole top an the orginal not Feces ha tower noteto the same pth a5 he ngher note Two stePs: REVERSE BEND: oust Play the note and Play the already NOTE BEND: end sting two bent sing. then Pay bot wot steps immediatly oop oye. notes and itdown othe Heep nme freted nate Ha} ——F pena both eesenl ieee Sinuaneousy *Ahall step isthe smallest interva! in et ‘Wester music; tis equal to one tet. ‘cael ae ag A whole stop equals two frets. eration Copyrgh' Secured Mase nUSA. AURgMe Rexared “By Kenn Chiphin and Aaron StangRHYTHM SLASHES Tne chord voicing are found on the fist page ofthe transcription underneath the song tile 222 Qs. worcarna efi enn A OF ECR NoTes 2 JISTTA vse RHYTHM SLASHES: Very often ‘single notes are incorporated into ‘atm part The note name is Indicated above the rhythm slash ‘witha fret number and a sting Indication ARTICULATIONS HAMMER ON: Pray lower note, then “hammer nto higher note with another finger. Only the first nate is tacked LEFT HAND, HAMMER: Hammer on the fist note played on f2ch sting withthe lot hand. FRET. BOARD ‘TAPPING: “Tap conto the rote indicated by with {8 finger ofthe pick hand, then pull Cotto the following note held by the fret hand. D0: Piay note and ‘lige in direction for the full value ofthe note. SUE: Slide te edge of the pick in specitied rection _across the length ofthe sting(s) ‘sound is ‘made by ‘aying me fret hand, across ail sx stings while pick hand strikes specified area (ow, mi, high strings)Tm: Hammer on and pul of consecutively fad as fast Possible bonween he original note and te grace note accent: Notes or chords are ‘obo paved wh aged fcc ARTIFICIAL ase os The fat tab number i ted, then the pick hand proguces ‘the harmonic by using a finger to ameee tightly touch the (Detached Same string at the second tab Notes}: ‘number (in parenthesis) and is then eae Dicked by another finger. chor ae + tobe Played ha ee ‘At am aw thelr actual valve. ima) (Bes) 0) ARCTIFNCAAL, a “Pincte™ Hake ‘wonic: AM. Aman Anata is: rtd fa? 7} indicated by Ee———J tren tn Sa eae and prodvess he harmonic by “squeezing the pick firmly while using the pol he index tage inte lek attack. parenthesis are found ‘round fe fretted note it dows not ‘sound. No parenthesis means both ‘he freed note and AH. are heard ‘simutaneousy TREMOLO ie SPECIFIED INTERVAL: Thepitchote ote or chord 's lowered 10 ® specified interval and then may oF may not ‘return fo the original pitch. The ‘ctivily of te tremolo bar is ‘Graphically represented by peaks ‘and valleys. un. SPECIFIED INTERVAL: ‘The pitch of. ote or a chord is lowered to an unspeciied Interval,St ee CTs DSUs Cee Cant Pours FREE WILL OO or) ets een Bae ee eC yrs Be aati edly x oa Ce sd IN