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Keyboard 2

bonnie and Clyde k2

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Anthony Brindisi
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75% found this document useful (8 votes)
3K views117 pages

Keyboard 2

bonnie and Clyde k2

Uploaded by

Anthony Brindisi
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF or read online on Scribd
  • Bonnie & Clyde Introduction: The introductory page of the sheet music for Bonnie & Clyde, providing copyright information.
  • How 'Bout a Dance (Top of Show): Sheet music for the opening number in the musical, setting the tone for the show's beginning.
  • Picture Show (Part 1): First part of the sheet music for 'Picture Show,' featuring rubato tempo instructions.
  • Picture Show (Part 2): Continues the 'Picture Show' piece with a diverse musical tempo.
  • Picture Show (Reprise): A reprise of 'Picture Show,' bringing back the theme with slight variations.
  • This World Will Remember Me: A significant number in the musical, highlighting character introspection and resolve.
  • This World Tag: Tag extension of 'This World,' offering a reflective musical coda.
  • You're Goin' Back to Jail: A thematic piece reflecting the narrative of returning to confinement, with country music elements.
  • Jail Playoff: A brief tacet composition providing a musical pause in 'Jail Playoff.'
  • How 'Bout a Dance: A full version of 'How 'Bout a Dance,' reintroducing a key musical motive.
  • When I Drive: Musical representation of driving influence in the narrative journey.
  • God’s Arms Are Always Open: A hymn-like piece emphasizing themes of redemption and acceptance.
  • You Can Do Better Than Him: A confrontational piece challenging relationship decisions in a country waltz style.
  • To the Beauty Parlor: A tacet note segment leading to 'To the Beauty Parlor' section transition.
  • You Love Who You Love: Evokes emotional resonance through a powerful ballad format, underscoring romantic themes.
  • The Courtroom: Reflects judicial narrative moments in the story through intricate music patterns.
  • Raise a Little Hell: A dynamic piece with themes of defiance and energy, influencing act's climax.
  • This World (End of Act 1): Closes act one with impactful themes that resonate beyond the first act.
  • Entr'acte: A lively intermission section featuring rockabilly styles, bridging acts.
  • Made in America: Illustrates American identity themes through diverse musical expression.
  • The Holdup: Musical tension builds in this piece representing a heist scenario.
  • Too Late to Turn Back Now: Captures moments of desperation and realization in the narrative arc.
  • Now That's What You Call a Dream: Dreamlike melodies convey aspirations and longing in this segment.
  • What Was Good Enough for You: Reflects on past choices through poignant, reflective music.
  • The Bank: Recreates the intensity of a bank scenario within the narrative context.
  • The Sheriff's Office: Narrative judgment is passed through distinct musical phrases.
  • Bonnie: Focuses on Bonnie's character development through intimate musical explorations.
  • Raise a Little Hell (Reprise): Recapitulates and expands themes from the original 'Raise a Little Hell.'
  • More Hell: An extended part of 'Hell' with more musical depth and variation.
  • Dyin' Ain't So Bad: Considers mortality and acceptance through contemplative music lines.
UUUUUUUUUUUUUU UU UYU UU UU UUUU Ue KEYBOARD 2 Book by Ivan Menchell Lyrics by Don Black Music by Frank Wildhorn NOTICE: DO NOT DEFACE! Should you find it necessary to mark cues or cuts, use a soft lack lead pencil only. NOT FOR SALE This book is rented for the period specified in your contract. It remains the property of: PLEASE RETURN ALL MATERIALS TO: MTI MUSIC LIBRARY 31A INDUSTRIAL PARK ROAD. (Music Yaearae Inranwartonat NEW HARTFORD, CT 06057 42) Wee Sah Sot Neve York, NY 10019 (212) 541.4684 Book Copyright © 2011 Ivan Menchell Masic Copyright © 2011 Frank Wildhom Lyrics Copyright © 2011 Don Black KEYBOARD2 BONNIE & CLxvE [=] How ’Bout a Dance (Top of Show) sy fr Orhan aa is Gently (1 =96) Gra? comma) a =o. (Gade ou) Safety UUUUUUUUUUUUUUUUU EEUU UU UU UU uuu ee KEYBOARD 2 Bowe & Cuype 2 Picture Show (Part 1) ay a Terre ck Rubato (in 4) Ip Ip HER FAND) a = . fae ~~ : Dictated a ‘ In tempo, slo at first poco accel Brighter, Easy Tempo oF Gmc Am765) KEYBOARD2 92 — Picture Show (Part 1) 2] fe) In (GLOCKATART) [30] The Funeral mp Rubato (in 4) UVUUUUUUUUUUUUUUUUUU UU uuu uuu uu KEYBOARD? 82 — Picture Show (Part ) 13) poco rit, (White ey gliss,) 51 ‘Tempo -In2 2 2 Gra) B79) IEbm(sus) Eb a =o 75 = Z c Fraous Biv) ———— tf Buns) Downie & Ctyd _ KEYBOARD 2 #2 — Picture Show (Part 1) [4] 70) ” om 7 2 = o9 7" 7ause9) = Ftisus = 4 end) 4 fe UVUUUUUUUUUUU UU UU UU KEYBOARD 2 #2 Pleture Show (Part 1) [St [93 TACET ol fine = = 2 2 ” oe % 359) = = = 2 2 = > 10 one Atm 765) * Safety sine 7 i Gheoynt Abin)" 109] Slower, in4 a a a a Attacca mits, ee [22 | Picture Show (Part 2) es Atempo 2 e oo e + = % 7 Gmc | [es C | D 5) i Safety 2 WRRRAWRRARRBRRRRARRRRARRARARRARRRRRRMRAMRMRAMARK RA UUUUUUUUUUUUUUUUUUUU UU UU UU KEYBOARD 2 #20~ Pierare Shae (Part 2) 2] 2. 7 rn) 7 RE, Gintisus) uf * RNS) so Safety 7s) of ——== f fo] Freely (soto) a a Slower—Ind In 2 ” s % cae 39] Freely tempo Woe) 2 (Pno, HH, Bs) 4 4 0) VS. ony KEYBOARD 2 Ha Picture Show (Part 2) [3] | | | | | o a « @ Bonnie & Ciyde -10- oe#ee##x#H & ee ®e em eOmUaerhlUmaUCUCc cael a lUckatlkekllkeaeklaklkaklkakelckailakekthlckaklcrakahlckPhthlcealcrakhlUcrakhlhlcaelcrakalUcrkhhlhlUcrtlrkR le — — ce ann eet ee eee KEYBOARD 2 2a Picture Show Part 2) [if f o ra SSS fa Safety [Emines] (Woe tases) Fm, of Gm7sus) owt) ——===| ¢ UUUUNUUUUUUU UU UN UU UU UU UU —— Amm6s) vs. Bonnie Cleée ans [Turn with free hand} KEYBOARD 2 #24 ~ Picture Show (Part 2 [5] cy ” 98 = : i be 1 106 7 108) ao a ! clyde -12- WHWeRhRhRehW eeReenRnhhnhRRRhRARRRRARRARRRRARARMRAMNAN UUUUUUUUUUU UU UU UU UU UU UU UU KEYBOARD 2 BONNIE & CLYDE [20 | Picture Show (Reprise) Freely te Y 2 3 7 dictated Faster—in 4 a 3} Fim765) Bo (others play. (ir note triplets) Q 7 ‘Tempo ~in 2 8 > 2 cou 2 waa KEYBOARD? BOwNtE & CLYDE This World Will Remember Me Intempo J=117 Vamp (vocal lst rime) m~ np ( 2 4 (+v0eal) 8 Rockabilly aneer,menenernnmenrneeneeenenenernrerernrrnmrmrnAnmRRRARRRARRRAR VUUUUUUUUUUUUUUUUUUUU UU UU uuu uu KEYBOARD? AB— This World Wit Remember Me [2} bs) mp Bm Safety 2 rn =e nS Bonalee Clyie “1s KEYBOARD 2 48 — This World Will Rementher Me [3} 44] aaa sha 2 am Em Ann oe Gin7es) Chsus CBT Bonnie & Clyde -16- RrRmer,mnanmnRRRRRRRRRA AR UUUUUUUUUUUUUU UU UU UU UUU UU UU ue KEYBOARD 2 Gim765) #3 — This World Will Remember Me [4] KEYBOARD 2 43— This World Will Remember Ste [5] 93) a Gim765) * oe am 765) 06 7 8 roy ue nT | | | e r7 : Fim Fm Fim Fm ott Re Fm Fim FmFim lertiny Downie & Clyde -18- & RPRRPRRPPRRPRRRRRRRRRRARARKRRARANHARL nf A RRA UUUVUUNUUUUUU UU UU UU UU UU UU KEYBOARD 2 Freely (Pin soto) colla voce Tong ar ip meee. This World Tag -19- BONNE & CLYDE KEYBOARD2 You're Goin' Back to Jail [caareconcas) Freely ra a rs ro = 15 (2 Country 2 -20- whwerneene#eneenrneenenepenwerRmenenewmeRARRnRRnRARRRAMARMRAAP VUUUUUUUUUUUEUUUUUUUUUU UU uuu KEYBOARD2 4 You're Goin’ Back to Jai [2] cHe pm | g EmiA act |Bm7 waist SO] ORGAN) a st = ‘= s s US. Bonnie & Chsde sai [Turn wifree hand] KEYBOARD 2 | : | | Bonnie & Clyde Safety (cut on cue) An, 4 You're Goin’ Back to Jeit 5] Atempo: @ WWHhHMwWRARhReRRhRRRRRARRRRARRRARRRARARARPRARARAR VUUUUUUUUUUUEUUUUUUUUU UU ue KEYBOARD? homie & Clyde ESBS a Vamp #4— You're Goin Back to Jat [6] ‘oF = KEYBOARD 2 (is) acempo #4— You're Goin’ Back to Jait 5} Rubato ~ dictated 15 1 rit, atenpo 128 (use pedal motion) 2 10 o2ee oot’ ek) sel. Go deat) kar das oat am aus ew ‘ak: Se oe VUUUUUUUDUUUUU UU UU UU UU UU U Ue KEYBOARD 2 73] atempo Borate & Clyde ‘Abia’ br DoF BATIG -2s- AyBL BST 1 You're Goin’ Back to Jat [6) EvB> Segue [TACET] vuVUUVUUVUUuUuUUuUuUuUuUuUuUuUuUueuUueuvueeuewevwweee (BONNIE & CLYDE -26- Jail Playoff TACET KEYBOARD 2 UVUUUUUUUUUUUDUUUUU UU UU UU UU KEYBOARD 2 Rubato 4 rubato (vocal) How ’Bout a Dance dialogue = * tempo Pearcy 1 BONME® CLYDE vs. KEYBOARD 2 3 tempo rt? pr Dis Dhmaj? E15) Base HS —How "Bout a Dance [2) nm ¢ € < € ¢ ¢ € < ¢ ¢ RnmRnrRnrR KR KR AR RKRRARARAKHKAR nn Rnnhrnnh UVUUUUUUUUUUU UU UU UU UU KEYBOARD 2 AS How "Bout a Dance [3] molto rall EsT69) 1 37] arempo Ft rT ‘Dis ga ‘Dom(maj7) EbT(e5) Bounte & Clyde -20- KEYBOARD 2 Bownirs Cue Sa How ’Bout a Dance (Scene Change) Swing, faster than previous Lay pay T=? rf rh f L " Dhmaj? Dom6—Dam(majt) | bz rit, prt Dim Ki7¢s) Dis P Tr Clyde Out Window 5b TACET Enkei Buck & Blanche to the Chair Ao TACET e- nn nnanna AnRanannan RnOnNNRANARARARANRHRAARRRAANHAAR LH CUUEDUUTUUUUUUUU UU UU UU UU KEYBOARD 2 Bovyte & Crane When I Drive Under dialogue (J =112) ~~ ¢ El enantin » | a0 Tite (STRINGS) cigs) [25 a ne uS. KEYBOARD 2 cans) Fm Donnie & Clyde Amaj/B 4/8 Aim705) o32 6 — Whew 1 Drive 2) RnnAnnaARnRrnaAnARnrAnARRARARNRARARARRAHRNM.,. nnoaoneaennan nn VUUUUUUUUUUUU UU UU UU UU UU UU UU uu | | | | | | KEYBOARD 2 Gl 6 ~ Whew 1 Drive “Er BEDE Beanie @ Clyde Amaj7B A/B pala cara) = * vs. -33- KEYBOARD 2 Fim? 4 EK Atn765) ‘sub. mp eves * 100 10) 1 eke f 6 When 1 Drive 1) nNnnnrAraRnnaANnnrnAARAR LM n Anrmrnarnn nn NnraAnRANnRARARHAN UUUUUUUUUUUUUUU UU UU UU UU eu KEYBOARD 2 6 When 1 Drive [5] se tee Eto & sub, mperese Fim? EGE E@) & |e ET be ur 1a 1a in Dictated vit a VUUUUUUUU VUE UU UU UU UU UU eeu uuu KEYBOARD 2 ‘BONNIE & CLIDE [7] God’s Arms Are Always Open 2»:ow Hymn—(Chotr on stage) KEYBOARD 2 a) deity a ECR |Dsusa Bri Em? G7 T FF 7 God's Aruis Are Abways Open 3] NRARRANRAKRAARARARARARRAAAHRANHRANAANANAARANRAN KEYBOARD 2 #7 God's Arms Are Always Open Ii} By <___? Em Emp cm] c Ag VUUUUUUUUUUUUUUUU UCU UU UU uu Dom Dime mP Gus a F fe ce pw pf os Bowie & Clyde -39- KEYBOARD 2 Funky blues Half-time groove [a3] G7 #7 — God's Arms Are Always Open {5} may Annneneneneann RemernmeenernmerArnReARRARRARARANANA VUUUUUUUUUUUVUUU UU UUUUU UU UU UU KEYBOARD 2 #7 God's Avms Are Albvays Open [6] [79] Double-time gospel wm) vs. Ponste & Ciyde oan € a KEYBOARD 2 Go's Arms Are Abveays Open [7] Annannnanann 103 Pia7 STRINGS] RrnAarnrnARnprRaAR » oa 108 08 10 [ARCO STRINGS| a. mnen we menannr KEYBOARD 2 7 God's Arms Are Always Open [8} 121 1 q oo ° 8 oy 128) frezsinines] . Safety ——_~>>> [ARCO STRINGS) a wo —— VUUUUUUUUUUUU UU UU UU UU UU UU ——_~$>> ‘1 i ry ry a —— Bonnie & Ciyde “a KEYBOARD 2 97 God's Arms Are Always Open [9} Safety 2 Safety — om 186 oss) B Ab pyes | As Die pyc> | ab7 Diab ab Bomb | BIAS Bhmve> ab | Ab Bomie> | B/Ab Bhm/ES Ab 2 2 ‘quick fall ln Die |a7(6) | fe —— | 7 i 1 0 np pne € e e e t e < e € < e e € « e e € € e e < = = e < < = = UVUUUUUUUUUUU UU UU UU UU UU UU KEYBOARD 2 BONNIE CLYDE 8 You Can Do Better Than Him = Freely i) a (Clar) ~ ‘Tempo—Country Waltz - 12 Time Feet (Clary Ceca) 8 8 ae Tae o @ 128 -45- KEYBOARD 2 #8— You Can Do Bewer Than Him [2} [an In3 2 =| ~ = 2 = om — 7 4 ‘= eH © ‘ a rs < nn nm a om ™~ nnn ran rnn [75] Halftime nnenenan Boante & Chyde n46- VUUUUUUUUUUUU UU UU UU UU UU UU UU KEYBOARD 2 18 ~ You Case Do Bester Dhan Him [3] [3] ch 765) Dav _ | E(no3yGt ten(add2) Eten (99) 5 ee : #769) Btan(add2) ém(add) 107 1 1 we 4 Boante & Clyde -47- KEYBOARD 2 H8— You Can Do Better Than Him [4] poco rit. 2 15] atempo cim 765) us Ne 17 us uy 1 Daa zqosct — | rémaaay | C# Bi 1m ce) a 5 6 rig, straight 8ths (al fine) 132] Easy rit, 8 Ry Segue Bonnie & Ciyde n40- NA RRARARANRRANHRARARARARANHRANRANHRARARHRARA RAR VUDUUVUDUUUDUUUUUU UU UU UU UU UU KEYBOARD 2 (Clery To the Beauty Parlor TA oD Bowne & CLYDE CET (Pro, Dobro) i 49 mar KEYBOARD? Bowie Cue 9 < You Love Who You Love pc e cuss e Power Ballad J=68 ()=136) e e Giz e [Eras] ray e e p 5 5 + e e e e e e nf annann rRrnman nana VUUUUUUUUUUURPUU UU UU UU UU UU KEYBOARD 2 9 You Love Who You Love 2} | : 7 % » » 3 all. | 6) atempo cups pisuss vb fake > | | Tempo all 2 |e coy ps | Giunis =e [A oantet ip on Applause Segue KEYBOARD 2 ‘Bowes Come 9a The Courtroom My Fa ‘verti neil ‘pm __, EIGSTRINGS| (eame patch) t Fr > Safet ee ° ~ Safety (jump anytime) [6] aim ie Tension Safety td 4 + 4 2 8 Safety i Steady mar p a byork HAR RRA RARARHRKRAHRARARARARHRANHRAARAHRARAHANRARAN UUUUUUUUUUUUUUUE UU UU UU UU UU KEYBOARD2 on (BONME& CLYDE [10 | Raise a Little Hell a Bese Bluest act a Colla Voce 62003) A2(n03) E7(003) A2(n03) * [TIME 53 KEYBOARD 2 #10 Raise a Lite Hell 2} [19] Tempo di Murder (J=8s) ” oP TT =P? TPP 2h Colla Voce e525) v = = atempo Safety Safety iw ssn Bonnie & Chyte ose | nnmanmrnmranne RARAMRARARARMRARARNR ann annenaanwnanrnarnn VUUUUUUUUUUUUU UU UU UU UU UU UU KEYBOARD2 (U0 Raise a Lite Hell [3} 38] D7(n03) @ DT(n03) 7003) ‘ciel ‘ = 3 & wager poco rit (in tempo) A (iano Gis) eo EO motos D5(n03) F 2003) 62003), ——= s 7 Es # VS. Bennie & Clyde 55 KEYBOARD 2 60 | —— te = [7 Sneaky 2 e [85] | | | | s % #10 Raise a Lite Helt 4] Fig, s ° » atempo PPSICTIOND) poco rit. —— | mem M% [RNS] {8) ——= | rims) B78 o me) oe Atlaceu Act Finale RRA RARARARARARARAKRARHRANRRARARARHRAHRAAARHAaARA VUUUNUUU UU UU DUC UU UU UU UU UU KEYBOARD 2 Boswue e Cuxoe 11 [METAL HAR] a This World (End of Act 1) Freely (Woeal) 7 m& 7 Be Safety (cut on ewe, on “eof 2") ‘Threatening Four (searching Bonnie) SHENGS TREN = = (dialogue) Rubato a 2s] 7m 2 26 7 easy tempo (J =100 Emi KEYBOARD 2 [a4] cary A phat Clan) rit N1L~ This World (Ena of dot V) (2 Rubato 4 4 Ja tempo (in 2) (b2Bs Clan) as RRA RARRRRRARRARARRARRARARARARARARARNRARANHARNHRH A UVUUUUU UU UU UU UU UU UU UU UU UU UU UU KEYBOARD 2 M11 ~This World (End of Act (3) ie 2 m % o sit, 9f | | | | 78 | 7 wa On cue 2 Safety “Sina ke | Fm7es) | 2 3 om 5 Ve Domnie & Chide 59> [Turn w/RH] ™ KEYBOARD 2 11 This Wortd (End of Aet D nnmeaeanne mr € B79) = Zi 1 18 We 0 Tri08 Sfdm ebm Dm | Em Dm Em 1 rn vi = 3 1 RrRreemepeRReRARARRAARANHRARARAARARARAR A UUUUUUUUUUUUUUUU UU UU UU UU uuu KEYBOARD2 11-~ This World (End of Act I) [5] Safety Safety tt 148] = 4m 765) [ . Downie & Clyde yo vo yl yor yo yo youl Tas ir FT 1% 10 151 1s 1s is = 61 KEYBOARD 2 MLI~This World (End of Act 1) (5) Gm76s) Gim7@5) i 1 1% 15 "6 i Ghen765) 12 1S 1 18s oy 7 Bonnie & Clue -62- KEYBOARD 2 #11 This World (End of Act) (7) S = e Ghm76s) Fem Gim765) cenyct UVUUUUUUUUUUUUUUUU UU UU UU UU sos 7 : . End of Act Bowie & Clyde = KEYBOARD? ‘Bowne « crwe 12 Entr’acte siya ion Rockabilly 2 Oreherooiory fa Sai roi» [ % 5 ° o | Pint3) E:3 0 1 1B rn 6 6 "7 ic rim765) » ae AnnARnanan es NRARRARAARRARAARARHA RAR RnrmenmnPmerenenRera UUUUUUUU EUV UU UU UU UU UU UU UU UU UU KEYBOARD 2 — Gm76s) oi Gm765) Gm7es) [46] J=4) — (oowRo} Lf Cm Bonate & Clyde BbCe pick cn anf | cém -65- Eoce 412 Rneracte 2} A rail. fe Attacea “Made in America” (—23—] RERHOMED 2: BONNIE & CLYDE 13 Made in America 9 re oe 3] Rubato 2 ey i Easy at first (Clar. de. Gi) 8 ‘ane Gots chil - den Harms a= ay en We ust al hat ig ‘Tempo = 100 mf |ctrsusa 65 ¢ wi. wc a a, i. RARHRAAARKA VUUUUUUUUUUUU UU UVC UU UU UU uuu KEYBOARD 2 13 — Made in America DP} 23] = a ed = Se Avice |pim765) Ching agit |ptm705) Genes) Gtr) i; e Asict |Dém765) Chm Gé7sus_ Chins i = Se asict | pim7es) Cts DEm765) Genes) Gi7es = S agit |Dimrbs) Cl AD G#tsus Chm6 Gh Cim6Cms |em6 cine Gi Gt |G? Gt 2 a ° F ca = VS: Bonnie & Cirde -67~ KEYBOARD 2 413 —-Madle in America [3] Safety B SS sr 2 fh . Din765) a ft | aren pémres) e o @ 6 7 © o | AT@L) Dém7@s) | f Bonnie & Chyte -68- nm RRRARRARARARARAARARAARARANHRAHRANHA AAD KEYBOARD 2 UUUUUUUUUUUUUUU UU UU UU UU UU Pome Bic CmG BHC Safety (cut either bar) P —|P ‘Absus On cue #13- Made in America [1] Dm765) G7¢5) 69 us. KEYBOARD 2 $ Gres) #13— Made in America [5] \S : mips 67 Cm c 113] | bém765) Gmntsus cirts) 1 GHunis) Clim IDim7¢s) ates) Slowly and Evenly Asc? — |pem765) Gi Chm 18 i Ragin 4 poco a poco accel. mt65) ATeS) =70~ anne nmpeeesn an RARRARRARARRARRAA LR RPeRRARARRAR UVUUUUUUUU UU UU UU UU UU UU UU UU UU UU KEYBOARD 2 H13-~Mode in America [6 tempo Em7¢5) —A7@5) em7es) AT Dm 126] lrm76s) Bi7¢ES) F768) B78) 0768) BE Bo 78) 2 Ts) W7 ln © r ‘ BT BOT sb mp ——— a me ” = 8 Segue as one Sonate & Chyte on frie KEYBOARD? BONAtE & CLYDE 13a The Holdup ya oe retin te Mei Ominously: Safety ny TREMOLO STRING a 2 wm) wm (Gun Shots) “rks by Daa Bl —————— re es Ske oe P RARARARARARARARARARARNS RRARARARARRKHKRAN KEYBOARD2 #134 The Holdup (2) i) ‘Tempo -In2 fem Dm Bb UVUUUUUUUUNUUUDUUU UU UU UU UU UU eu uuu Rubato KEYBOARD 2 BONNIE & CLYDE Too Late to Turn Back Now 4 Freely ‘Tempo Brsusd F765) Esust a1 14 a by Fae Widow (rhea Sa eDai ChniG ip nm & nmnnnranAranrnAanAnARARRARARAARARN nnanmeanannarnnn KEYBOARD 2 W14~ Toa Late to Turn Back Now 2} Fz che IBrsus4F7¢11) sus [ 2 s 4 a PS: Borate € Clyde 75 UUUUUUUUUUU UU UU UU UU UU UU Uv KEYBOARD 2 WH T00 Late to Turn Back Now [3] Sp Gy S— |fp Gp D ACH F711) | Rsusd a s rs cs a [a2] 2 = 2 ee BT Gs ab | Bi Tall Slower we | pb > pb] ply Db eb ops] phy Db ES Db Boonie & Clyde -18- NQNMRARRhARARARARARRARARARARARARRARARARARAN UUUUUUUUUU UU UU UUUU UU UU UU UU KEYBOARD 2 Bowne & Cuvor Now That's What You Call a Dream Freely 1 KEYBOARD 2 AIS — Now That's What You Call @ Dream [2] 4 Reon HST visus GFT Chantada) 4 n < a atempo B16) E769), Gitsuss G7 a (Céan(add2) tap ener viol cts) Fétsusd Rem? Glisus GE Chniada2) EMM EHO | | , | 7 : | | Bonnie & Ciyie a1e RRARNDKRARARARRRARRARRARARRARRARARRRAKRL KEYBOARD? MS—Now That's What You Call « Dream [3 cirtisy Gtisus GH Clm(aaar — Ebb 9% UVUUUVU UCU UU UU UU UU UU UU UU UU UU UU Chada2) GHsus G cHen(ada |ctem(aaaa) molto rit. ETO re % 7 wi stompo . ail > 8 ry o aS Bonnie & Clyde -79- KEYBOARD 2 Bowne « Curve What Was Good Enough for You « nm Easy Swing 8ths 2 times 4 15} (voeal) 2 (Gwr2: Mando.) 1:6 a2 RARARRARARRRRRARARARAARARARRAANHARANHRARANHALNM 16 ~ What Was Good Enough for You [2) KEYBOARD 2 AA NNANNANAAANAAnnnAnAAAAAAAA AA Annan KEYBOARD 2 416 — What Was Good Enough for You [31 | | a o © 6 o we v 7 | | 7 7 7 wo @ | Bonnie & clyde nea RARRARAARARARAARRARARAARARARAANRAANRARALNM VUUUUUUUUU UU UU UU UU UU UU UU KEYBOARD 2 (3) Gmai7 Am Am(Maj7) Am? | E7susd H16~ What Was Good Enough for Vou [4] 769) poco rit. KEYBOARD 2 316 — What Was Good Enough for You I} 125] atempo Dmaj vall. (Poor stam) aN a 1369) by 0 ial ua Sigeeasane Bonnie & Clyde -e- RRnmRARRARARRAARARARARARAARAARARARARHRARRARA WUUUUUUUU UU UU UU UU UU UU UU KEYBOARD 2 BONNIE & CLYDE The Bank a [Gansrenes] 20) 1" 225) oe ws nes KEYBOARD 2 [25 Foreefully DISTORTED GUTTAR] After “The Bank” TACET 16a ~The Bonk 2} (Gun shoo) a 16b e = e€ < e nann QAnmneR,neAnMARARARARAAARARAARARAN LR VUUUUUUUUUUU EUV UU UU UU UU KEYBOARD 2 Bowne & CLYDE The Sheriff's Office El (dialogue) a molto rit. Dance Tempo ™p e < KEYBOARD 2 Bowe « cure e 17 < Bonnie “cme a otto — sonnens < 8 e e < c q (+Clars) A e ¢ i Abit brighter vit RARARAARARARARARARARARRARAARAR N KEYBOARD 2 ‘#17~ Bonnie [2] [26] (Rubato) VUUUUUUUUUUUU UU UU UU UU Dictated Gam765) ca) P 3] molto ratt, Bunnie & Clyde -88- KEYBOARD 2 Bonne & CLYDE Did You Hear Something? —»r«s Slower, like a heart-beat a a a a Redhead? Please... Gentle, steady (in 8) TACET ay solo 2 1) oa 3 Out of the Woods Rubato yay rane) Fal Fat rat ARF Ban ism Mr Direct Segue 90 e < e < e e e nmanrearanrenhaenaenwannaranrnanaannna one: wide eas eee VUVUUUUUUUUUU UU UU UU UU UU UU KEYBOARD2 Safety mf DSous ~ 2003) BONNE & CLYDE Raise a Little Hell (Reprise) «0m KEYBOARD 2 #18 Reise a Lite Hell (Reprise) (2) Safewy Safety Safety Sinear LE a te = [ [ G2(n03) G20) =| an Beanie & Clyde -92- RARRARAARARARARARANRAARARAAARAARANRANHRARARARAN KEYBOARD 2 #18 — Raise a Ltte Hell (Reprise) [3] Safety we) | om a Finns = > Pts o> ae 7 5 55] \c2(n03) D5sus | 62003) rit Woe: 62003) = ‘< J62¢009) 6 © ra i @ © " Donate & Cird -93- Re VUUUUUUUUUUU UU UU UU UU UU r KEYBOARD 2 WIS — Raise a Litte Hell (Reprise) [4] = Attacca NQRANRAANARAANRARARARARARARARAARARAANAARARARANM VUUUUUUUUUUU UU UU UU UU UU UU KEYBOARD2 (Drom fl) BONNIE & CLYDE More Hell Safety a a < < KEYBOARD? piven nis re] Dyin' Ain't So Bad ne e IOPEN PAGES} ees < Rubato € ¢< € < e C5) roca 5 Country ballad tempo < = e | ‘ € € B (hd2~Cy 6 rit Rubato mpFus GB C2 a tempo aRQnmenaeneennmnnnmnnmrnnanrarnnanan na VUUUUUUU UU UU UU UU UU KEYBOARD 2 819 Dyin’ Ain't So Bad [2] 27 all. o Bm765) BT Am(add2) = ce FA GB C2 Bit faster Bonsie & Clyde -97- KEYBOARD 2 BONNTE & CLxDE 20 The Shootout Mec fa ios (On-stage radio ewe) 7 7 T 3 TAN 3 | ; i769) - naeanmhaesask = m& ARAN < < e€ e RAR MMAMARAHAANAAAH HA AHA KEYBOARD2 420— The Shootout 2 VUUUUU UU UU UU ea ee [si ee —=—> o PP t t—r o TP Dmaj7 Dm at é7sus FET ca’ Dmé E75) (no rit.) Tr? pre |pre D6 Pmai7 _Pmé — Din(mnaj7) 3 Safety, jump on Gunshot rc 1? 3 mo E765) pre De Deal? ie & Clyae 99: ¥S. pe Q #20 The Shootowt 3 KEYBOARD? siraight Sths “ (ase) — > no § 9] ° t 8 WOG.s 3.31 Dbmaj7 QRARRRARARARAARRAARARRARARARARARAARHARNA VU UU KEYBOARD 2 #20~ The Shootout i} off J2 sy a yl [ oe = "Fe a 7F Doma a A) x a} 2 a Dima? 8 WW s £ 4 Safety rit, & fade on cue - : “t . “Fe Atacea Ronnie & Clyde -10.- (Bowvie & CLvDI KEYBOARD? Return to Dance ai Moderately Slow i tf tf grr Dé Dmaj7 Diné Dna?) a Safety rit De Dmaj7 Dmn6 E15) A -a02- ARRARARARAARARARNRE UVUUUUU UU UU UU UU UU UU KEYBOARD 2 Bove & CLYDE God's Arms Reprise Freely Wocel) slow arp, a ‘Tempo—evenly [CHAPEL ORGAN (na Leslie] 103 KevBOARD2 Bal Donate a chide ~1040- #21 God's Arms Reprise 2} RARRARARARRARRARRARRAARARAAKRARAARAKRARA VUUUUN UU UU UU UU UU KEYBOARD 2 ~205- #21— God's Arms Reprise [3] KEYBOARD 2 BovNte & CLYDE 22 Finale Reprises J] In One Aa (ioca) 2 (Ms, G9)_ T 2 e 6 16 Rubato, in 2 atempo | QRRARAARRARARRARARARARARAARARAARAARARRAHRARRLM WUUUUUU UU UU UU UU UU KEYBOARD 2 ‘Tempo di 'Pieture Show’ -107- #22 —Finale Reprises 2} cong KEYBOARD 2 BONviE & CLYDE Dyin’ Finale Reprise Evenly & Slowly ‘TACET é Slower poco ™ * > | f | | | won a a a. short and Tor =o? We, mat art so | had WAltIT3 Y yw "Segue as one RANAARARARRARARARAARARARARARARRARARARARARARA VUUUVUV UU UU KEYBOARD2 Bowste-& Cypr —— Not Slow Swing 3 = es 23a Finale — How ’Bout a Dance \ E769) vs. (Turn w/LH) ee KEYBOARD2 2a Finale How "Bout a Dance 2} i) Cm(maj7) rit, Colla Voce = 7 c6Cmaj7_— | Cms v7¢s) —=— | G rit, molto rall. a a tempo =—— Bennie & Cisde 120 | AMRRAAARAARARARARARARAARARAARAARAHANHRARAL VUUUUU UU KEYBOARD2 Rockabilly 2 Bows Fie, Sees (08 Bowne & CL¥D8 KEYBOARD2 Fim7¢5) & FAn7@5) o112- #24 — Hows 2} NRA AA AARARAARARARARAARARRAARRARRARKHRAAKN GVUUUUU UU UU KEYBOARD2 #24— Bows 13) a Gm7bs) Safety Gm7es) [ai Slow Rock 4 "2 mies) Bonnie s clyde n113- Bennie & Ciyde wane 424— Rows 14) RRAAAARHAHAAANRHRARARRARAANAARARARARAARARARARARAR SUV UU KEYBOARD 2 #24 — Bows (st p> Bim bm D> Rockabilly 2 2 8 yeuilall ror vs. Bonnie & Chyte wans- KEYROARD2 ic 2times Gm765) Gm765) chen) Ronnie & Clyde -ans- 424 — Bows (6) ARARAARRARAARARARAARARARARARARARARAARAN VUUUUUU UU UU KEYBOARD 2 #24— Bows (71 Fm Em Fm Em Fm 1 = a ie Fm Em tf eine Em Em 93] Big Ballad 4 ee, ee cm Act Bim? = Gunaj7 "Hell tempo Em? Fim7—Gmaj7_ GIA. \c2(a03) DSsus 62(n03) = Beanie & Clyde -17- - KEYBOARD 2 #25 — Bows (5) > ee eee A 62(003) G2(n03) Am(sus) | ps Gaus = End of Act I Bonnie & Clyde mare AARARRARRAARARARARARARARARARARARARARARARA

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