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- Bonnie & Clyde Introduction: The introductory page of the sheet music for Bonnie & Clyde, providing copyright information.
- How 'Bout a Dance (Top of Show): Sheet music for the opening number in the musical, setting the tone for the show's beginning.
- Picture Show (Part 1): First part of the sheet music for 'Picture Show,' featuring rubato tempo instructions.
- Picture Show (Part 2): Continues the 'Picture Show' piece with a diverse musical tempo.
- Picture Show (Reprise): A reprise of 'Picture Show,' bringing back the theme with slight variations.
- This World Will Remember Me: A significant number in the musical, highlighting character introspection and resolve.
- This World Tag: Tag extension of 'This World,' offering a reflective musical coda.
- You're Goin' Back to Jail: A thematic piece reflecting the narrative of returning to confinement, with country music elements.
- Jail Playoff: A brief tacet composition providing a musical pause in 'Jail Playoff.'
- How 'Bout a Dance: A full version of 'How 'Bout a Dance,' reintroducing a key musical motive.
- When I Drive: Musical representation of driving influence in the narrative journey.
- God’s Arms Are Always Open: A hymn-like piece emphasizing themes of redemption and acceptance.
- You Can Do Better Than Him: A confrontational piece challenging relationship decisions in a country waltz style.
- To the Beauty Parlor: A tacet note segment leading to 'To the Beauty Parlor' section transition.
- You Love Who You Love: Evokes emotional resonance through a powerful ballad format, underscoring romantic themes.
- The Courtroom: Reflects judicial narrative moments in the story through intricate music patterns.
- Raise a Little Hell: A dynamic piece with themes of defiance and energy, influencing act's climax.
- This World (End of Act 1): Closes act one with impactful themes that resonate beyond the first act.
- Entr'acte: A lively intermission section featuring rockabilly styles, bridging acts.
- Made in America: Illustrates American identity themes through diverse musical expression.
- The Holdup: Musical tension builds in this piece representing a heist scenario.
- Too Late to Turn Back Now: Captures moments of desperation and realization in the narrative arc.
- Now That's What You Call a Dream: Dreamlike melodies convey aspirations and longing in this segment.
- What Was Good Enough for You: Reflects on past choices through poignant, reflective music.
- The Bank: Recreates the intensity of a bank scenario within the narrative context.
- The Sheriff's Office: Narrative judgment is passed through distinct musical phrases.
- Bonnie: Focuses on Bonnie's character development through intimate musical explorations.
- Raise a Little Hell (Reprise): Recapitulates and expands themes from the original 'Raise a Little Hell.'
- More Hell: An extended part of 'Hell' with more musical depth and variation.
- Dyin' Ain't So Bad: Considers mortality and acceptance through contemplative music lines.
UUUUUUUUUUUUUU UU UYU UU UU UUUU Ue
KEYBOARD 2
Book by Ivan Menchell
Lyrics by Don Black
Music by Frank Wildhorn
NOTICE: DO NOT DEFACE!
Should you find it necessary to mark cues or cuts, use a soft lack lead pencil only.
NOT FOR SALE
This book is rented for the period specified in your contract. It remains the property of:
PLEASE RETURN ALL MATERIALS TO:
MTI MUSIC LIBRARY
31A INDUSTRIAL PARK ROAD.
(Music Yaearae Inranwartonat NEW HARTFORD, CT 06057
42) Wee Sah Sot
Neve York, NY 10019
(212) 541.4684
Book Copyright © 2011 Ivan Menchell
Masic Copyright © 2011 Frank Wildhom
Lyrics Copyright © 2011 Don BlackKEYBOARD2
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Bonnie & Clyde -e-
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424 — Bows (6)
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Fm Em Fm Em Fm
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93] Big Ballad 4 ee, ee
cm Act
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62(n03)
=
Beanie & Clyde -17--
KEYBOARD 2 #25 — Bows (5)
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= End of Act I
Bonnie & Clyde mare
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