Chaucer - Reeve - S Tale
Chaucer - Reeve - S Tale
Introduction
The Reeve's story is, as he himself says, a retaliatory response to the tale of the Miller.
Suspicious mind that he is, he always brings up the rear of the procession of pilgrims so that
he can see all the others. Not surprisingly, he suspects that the Miller's tale, in which an old
carpenter has been made to look foolish, is directed against himself. He is probably right; for
although he is not an old carpenter, he is old and has been a carpenter in his earlier years.
The Reeve's bawdy tale follows his sermonizing response to The Miller's Tale. The substance
of that sermon is in part that old men who are past doing naughty deeds have an ineradicable
urge to tell naughty tales. And they have other vices: boastfulness, lying, anger, greed. These
are also the vices of the miller and his wife in the tale he is about to tell, a naughty fabliau like
the pilgrim Miller's, and told with some of the same "churl's terms," that is, coarse words.
The Reeve's tale tells of two young Cambridge students with marked provincial accents who
set out to see that the arrogant and dishonest miller who grinds the college wheat does not
cheat them. They plan to watch everything he does, but he quietly lets their horse loose, and
while they chase it, he and his wife steal part of their flour. Because the students do not catch
the horse until near dark, they have to ask the miller for lodging for the night. He agrees (for
a fee), and celebrates his victory by getting tipsy. In the course of the night the sleepless
students get their revenge on the miller by entertaining his wife and daughter in bed.
Critics have busied themselves in finding differences between these first two tales, mostly to
the greater or lesser derogation of the Reeve's. Some even profess to find the Reeve's yarn
"darker," "more corrosive," "destructive," making too much earnest of game again, as is the
wont of scholars who fail to notice that in the sexual couplings or "swivings" of the tale a
good time seems to be had by all. Charges of rape move the story out of the region of
bedroom farce where it belongs and into that of realistic crime where it does not. The main
victim is the burly miller, whose only physical "punishment" is to miss the fun, and get a
bloody nose and a lump on his thick head. The carpenter in The Miller's Tale falls two floors
and breaks his arm. If one wants to be "realistic" about which tale is "darker" or "more
destructive," one might ask a carpenter how he would ply his trade with a broken arm.
But one should not get too realistic. "How many children had Malin McMiller?" is not an
appropriate question to ask of a fabliau. All the pilgrims, Chaucer tells us, laughed at the
pilgrim Miller's yarn. At the end of the Reeve's tale, we are told, the Cook cannot contain his
THE REEVE'S TALE 3
glee, and we assume that the Cook's hearer-response represents that of most of the pilgrims
as it does ours, except the most delicately sensitive.
I have said that the Miller's story seems to be a parody of the tale of the Knight which
precedes it. There is no question that in its turn, it provokes the response of the Reeve, which
in turn induces the unfinished tale of the Cook. In this, the first four-tale Fragment of the
Canterbury Tales, Chaucer makes a very successful effort to relate each tale after the first to
what has gone before it, something he does again more than once in the later tales. And very
satisfying this narrative architecture can be.
The tales of the Miller and the Reeve illustrate what wonderful variations can be wrought on
essentially the same material by a crafty artist. In each case a jealous husband is cuckolded
by students ("clerks") whom he has let into his house, and he gets physically hurt as well.
Both husbands are jealous, but John the carpenter's jealousy is simply stated as the inevitable
feeling of a "senex amans," a silly old man who has married a much younger woman. By
contrast, the possessiveness of Simon the Miller, which is dwelt on at humorous length,
threatens not the happiness of his wife, but the life and limb of would-be flirters, as he struts
before his "lady" on Sundays with an armory of swords and knives to protect her "honor" and
his. She is proudly the possession of the proud miller, unlike Alison, the unwilling captive of
an old carpenter.
The miller's pride is comic, of course, especially for what it consists in the wife's "noble"
lineage: she is the bastard daughter of the local priest! And parents and grandparent have no
end of ambition for their (grand)daughter whose agricultural charms are painted in a few swift
strokes; she is "beef to the heels," as James Joyce would put it, but she has nice hair! There
is small-time, small-town snobbery in 14th-century Trumpington as later in
turn-of-the-century Dublin: always tuppence-halfpenny looking down on tuppence. But
Chaucer makes it a source of outright humor rather than pity, pathos or scalding satire. The
miller and his clerk-begotten wife think themselves and their child so much superior to their
neighbors that they have plans to marry the girl into the aristocracy, as is appropriate for a
daughter of Holy Church and the exalted House of Simkin!
In some ways the student-clerks would be considered their social superiors (the priest who
fathered the miller's wife is superior because he is a clerk), but the miller and his wife think
themselves superior in some ways to these clerks who are from an obscure town in the north
of England and who betray their origins in a provincial rustic accent and usagefeatures of
speech which Chaucer takes pains to depict as he does nowhere else in the Tales. (The details
of the students' dialect speech will be pointed out in the glosses to the text).
4 CANTERBURY TALES
These unsophisticated clerks may have heard lectures on philosophy or law, but Simon and
his wife have studied Applied Economics: How to Take Friends and Fleece the People; How
to Divert the Attention of the Client; How to Conceal the Skim off the Top; How to make
the Client pay for his Fleecing, etc. But they were absent for the lecture on Keeping Sober
until the Deal is Complete. Hence the failure to realize that if you get drunk on a combination
of ale and victory over the book-learned, you will have no control of the two-legged stallions
who will behave like the four-legged stallion which you released earlier to run after the mares
in the fen. (It is not accidental that the stallion is an old symbol of unbridled lust). How
ironically true the wife's words to the students at that point will prove to be later:
Indeed.
And if either of these lusty young males knows how to compose a rustic aubade (a poem of
farewell after a night of love) it will not matter that it is spoken in the accents of Northumbria
not of Provence. The grateful female will respond by helping to recoup material losses. One
of the clerks does know how, and so they both return to Cambridge qualified to give lectures
on "Using your knowledge of literary conventions to best the rustic aristocracy for fun and
profit."
Their knowledge of natural philosophy does not allow them to take up the Miller's taunting
challenge to expand the size of the bedroom in order to avoid proximity with the Miller's
more private and prized possessions, his wife and daughter; but when that very proximity
expands their erotic imaginings, the knowledge of the philosophy of law comes in useful; it
provides for Alan a legal theory to justify his urge for sexual relief. No matter if it is a real
legal maxim or just a maxim for the moment; it is convincing, if you want to be convinced:
The delicious melding of the legal and sexual meanings of "relieved" and "easement" is like
the coupling of Alan and Malin, and shows the value of a university education when one
needs a law to justify one's lust. A nice goliardic joke.
The Miller's humiliation at the end is directly related to his absurd pride set out at such length
at the beginning, and his reaction is correspondingly grotesque when he finds out what Alan
and his daughter have been doing all night: he lets out a howl of rage that his daughter, this
highly-descended girl, has been swived by an uplandish clerk with an uncouth accent and no
brains; now she is spoiled goods. His delusion of marrying her into "blood of ancestry" is
shattered. Her ancestral blood is that of her grandmother who has bequeathed to her only a
weakness for sweet-talking clerks with a lot of brass.
1
A reeve was a manager of a country estate.
6 CANTERBURY TALES
The Reeve is the only one with a grumpy response to the Miller's Tale
1
"He had hoarded a lot secretly."
2
It is not clear whether the Reeve sometimes lends money to his master from his (i.e. the Reeve's)
resources or from his lord's own resources but giving the impression that the Reeve is the lender.
3
REEVE'S PROLOGUE 7
So theek ... forage: "I declare that I could easily get even with you, and wipe a miller's eye if I chose to
tell a coarse tale (ribaldry), but I am old, and because of my age I don't care to (me list not) jest; green-
grass time is over, and all that is left is dying hay (forage)."
8 CANTERBURY TALES
In response to the Miller's tale the Reeve will tell a tale about a miller
"He swore that nobody would lay a hand on him without paying for it promptly."
2
His name ...: "He was called Proud Simkin" (a form of Simon). Both forms of the name are used
the tale.
3
With her ...: He gave as her dowry a lot of money so that Simkin would marry her (an illegitimate).
4
For Simkin ...: "He wanted no woman as a wife who was not well brought up (y-nourished) and virgin (a
maid)--to accord with his social standing as a freeman."
10 CANTERBURY TALES
Their daughter
1
There durst ...: "Nobody dared call her anything but `My lady,'" a designation generally reserved for women
well above her social rank.
2
Algate: "At least they would like their wives to think so."
3
for she was ... bisemare: These lines seem to mean: "For one who was somewhat soiled (she was a bastard)
she was inordinately proud and full of scorn and haughtiness. She thought that a lady should hold herself
exclusive."
4
And strange...: "He made the conditions for marrying her very demanding." In the following lines the
sarcasm of the author is evident at the absurd ambitions of the priest for the granddaughter that he should not have
had, and his willingness to misappropriate church funds for her.
REEVE'S TALE 11
Two students think they are a match for the cheating miller
1
"For which reason the head of the college complained and made a fuss."
12 CANTERBURY TALES
Of one town were they born that hight Strother, same town / called
4015 Far in the north I can not tell where.
This Alan maketh ready all his gear,
And on a horse the sack he casts anon;
Forth goes Alan the clerk and also John,
With good sword and with buckler by his side. shield
4020 John knew the way; he needed no guide;
And at the mill the sack adown he layeth.
1
4023 ff: The speech of the North-of-England students is the first attempt in English to represent dialect. In
the marginal glosses that follow, the words that come after the equals sign are southern English equivalents of the
dialect forms in the text. Curiously, some of the dialect forms have become the standard: "has, fares, falls," etc.
2
: "The teeth (wanges) in his head ache so constantly."
REEVE'S TALE 13
1
As whilom ...: "As the mare said to the wolf once (whilom)." The hungry wolf, saying he wanted to buy the
mare's foal, was told that the price was written on its back leg. Trying to read it he was kicked hard, and the mare
made the remark cited.
14 CANTERBURY TALES
1
"I am as fast, God knows (wat) as a roe [deer]."
REEVE'S TALE 15
They suppen and they speak them to solace, & t. chat pleasantly
And drinken ever strong ale at the best.
About midnight wenten they to rest.
Well has this miller varnishd his head; slang:drunk deep
4150 Full pale he was fordrunken, and not red. quite drunk
He yexeth and he speaketh through the nose belches
As he were on the quakk or on the pose. hoarse or had a cold
To bed he goes, and with him goes his wife.
As any jay she light was and jolife, bird / jolly
4155 So was her jolly whistle well y-wet.
The cradle at her bedd's feet is set
To rocken, and to give the child to suck.
And when that drunken all was in the crock, all that was
To bedd went the daughter right anon.
4160 To bedd goes Alain and also John.
There was no more; them needed no dwale. sleeping draught
This miller hath so wisly bibbd ale drunk so much
That as a horse he snorteth in his sleep;
Nor of his tail behind he took no keep. no heed
4165 His wife him bore a burden, a full strong. kept harmony
Men might her routing hearen a furlong. snoring / 1/8 mile
The wench routeth eke, par company. in counterpoint
1
Heardest ....: "Did you ever before hear such a song? Listen, what a compline (they are singing) among
them all." Compline is the last part of the Divine Office for the day, sung in monastic houses just before retiring to
bed. The general tenor of the readings is to urge Christians to be sober and vigilant, "to have compunction in your
beds" (Ps. 4); and the prayers are for chaste thoughts!
2
Wha hearkened ...: "Who ever heard such an amazing thing"?
REEVE'S TALE 17
For John," said he, "as ever mote I thrive, so help me!
If that I may, yon wench will I swive. that girl / tumble
Some easement has law y-shapen us; provided for us
4180 For John, there is a law that says thus:
That if a man in one point be aggrieved,
That in another he sal be relieved. = shall
Our corn is stolen soothly, 'tis na nay, truly / no denying
And we have had an ill fitt today, bad time
4185 And since I sal have naan amendment = shall have no
Against my loss, I will have easment. relief
By God's soul, it sal naan other be." = shall no
This John answred, "Alan, avis thee! be careful
The miller is a perilous man," he said,
4190 "And if that he out of his sleep abraid, wakes
He might do us both a villainy." injury
Alan answred, "I count him not a fly,"
And up he rist, and by the wench he crept. rose
This wench lay upright and fast slept, on her back
4195 Till he so nigh was ere she might espy so near
That it had been too lat for to cry;
And shortly for to say, they were at one.
Now play, Alain, for I will speak of John.
1
Unhardy ...: "Gutless is luckless ..." i.e. fortune favors the brave.
18 CANTERBURY TALES
1
and gan: gan here is probably just a past tense marker like "did", rather than a short form of "began."
2
Eh, ...: "Bless me! Then I would have made a mistake!"
3
The "third cock" probably refers to the third crowing of the rooster around daybreak.
4
whereso ...: "Wherever I walk or ride (i.e. wherever I go) I am forever your devoted clerk, as sure as I hope
for heaven." Alan's farewell (in dialect) and Malin's response are parodies of the aube, aubade, or tagelied, the
genre poem of the dawn parting of aristocratic lovers. But the aristocrat would not refer to his lady as wight, and
neither one would ever use lemman, a very plebeian word for "lover." Also the aube rarely dealt with the details of
REEVE'S TALE 19
4240 "Now, dear lemman," quod she, "go, farewell. dear lover
But ere thou go, one thing I will thee tell:
When that thou wendest homeward by the mill, as you go home
Right at the entry of the door behind
Thou shalt a cake of half a bushel find,
4245 That was y-makd of thine own meal,
Which that I helped my sir for to steal. my father
And, good lemman, God thee save and keep."
And with that word almost she 'gan to weep.
1
"And he (Alan) in turn seized (hent) Simkin fiercely."
2
The wife thinks she is being assailed by at least one incubus, a wicked spirit (fiend) that supposedly came
upon women at night and impregnated them. Hence her prayer to the cross to repel this devil. Her use of the
compline prayer: In manus tuas: Into thy hands, O Lord ..., is definitely too late.
REEVE'S TALE 21
4305 And weened have hit this Alan at the full intended to hit
But smote the miller on the pild skull bare skull
That down he goes and cried: "Harrow! I die!" Help!
These clerks beat him well and let him lie,
And greythen them, and took their horse anon, got ready
4310 And eke their meal, and on their way they go[n], And also
And at the mill yet they took their cake,
Of half a bushel flour full well y-bake.
1
Him that ...: "He who does evil should not expect good; a deceiver shall be deceived himself."
2
This miller ...: This miller got the worst of his own "argument" about lodging. This is probably a reference
back to the miller's would-be clever response to the clerks' request for lodging: My house is small, but you are
book-learned, and so you can turn a small space into a large one by philosophical reasoning.
22 CANTERBURY TALES
1
If ever ...: "Ever since I was christened Hodge of Ware." Hodge or Hogg seems to be a diminutive of Roger.
2
Sooth play, quad play ...: "A true jest is no jest" meaning "A joke that is really a home truth is not very
funny" or "If you can tell a joke with an edge to it, so can I." Why the proverb is attributed to a Fleming is not
clear.
COOK'S PROLOGUE 23
The Cook starts his tale of Perkin Reveller, an apprentice more fond of dancing, dicing and
general revelry than of trade. The tale has all the appearance of yet another fabliau, but
it stops after about sixty lines and Chaucer apparently never finished it. As the marginal
note in the Hengwrt MS put it: "Of this Cook's tale maked Chaucer no more."