2 0 7
EXT. HOUSE. Night time.
Typing sounds. Cut to a computer screen as PETER is
writing a short story. He gets rid of a paragraph and
takes a sip of a cold cup of tea from a mug. He looks
over at a picture of him and his wife. All is calm when
suddenly a phone rings, breaking the silence. He is
startled and answers the phone.
PETER
Hello?
MYSTERIOUS VOICE
(quiet crying)
PETER
Hello? Who is this? Do you need help?
No reply
PETER hangs up the phone and puts his head into his arms
and briefly falls asleep.
A tall dark figure stands in his door way. The figure
slowly approaches. Not moving in height almost as if the
figure is floating. The figure reaches out and is about
to grab PETER
Phone rings causing PETER to wake up startled. He looks
around the room to see no one and nothing out of place.
He picks up the phone.
PETER
Hello?
MYSTERIOUS VOICE
I see you.
The voice is whispering
PETER
What? Who is this?
MYSTERIOUS VOICE
2 0 7
PETER
What? 2 0 7? Who is this?
Phone hangs up and Peter slams the phone down.
PETER
God Dammit!
Peter shouts in frustration
PETER
Im so tired of this.
Peter looks at the computer screen and goes to turn off
the monitor but quickly glances back at the screen. After
the last line he had written now wrote the words. 2 0 7.
See you then.
PETER
What the hell.
Before PETER can get an understanding of what happened
and how its happened. A load crash is heard coming from
his kitchen.
PETER
God damn Elizabeth go to bed its late. Ill bring you up
water when I got to bed OK. Dont worry babe.
Phone rings and PETER answers immediately.
PETER
Listen hear you. Im fed up of this. Youve been calling
me all night and Im fed up of this stupid childish
behaviour now tell me who the hell you are
Peter gets interrupted mid-sentence
ELIZABETH
What are you on about silly? Its me. Listen baby Im
sorry Im not home yet Ive been stuck at work. Doris is
off ill and Im having to work my ass off to secure this
deal Im so sorry.
PETER
Wait youre not home yet.
Peter says nervously.
ELIZABETH
No of course Im not silly. Ill be back late you might
as well go to bed well catch up tomorrow OK?
PETER
Uh. Yeah sure. Sorry babe Im not with it right now. See
you tomorrow.
ELIZABETH
OK babe. Remember you dont need to leave the door
unlocked Ive got my Key.
PETER
OK. See you later. Night.
Elizabeth hangs up the phone and peter slowly places the
phone back down. He turns to face the door. He is now
completely terrified. He grabs a torch out of a draw and
walks out of the room and into the Kitchen.
SCARY MUSIC PLAYS
Peter gets to the Kitchen and reaches for the light
switch. The audience can see a silhouette of a person
standing in the room however when the lights get turned
on the person vanishes with the light.
MUSIC STOPS
PETER notices nothing is wrong and he realises his window
is open and believes the wind has caused the loud crash.
INT. KITCHEN.
PETER goes to the tap and poors himself a glass of
water. The proceeds upstairs.
INT. CORRIDOR.
He follows a sort of routine. and sees a ghost in a
mirror he turns around and there is nothing there.
INT. DARK TO LIGHT. BEDROOM
He goes to bed and falls asleep however at 2 0 7am the
song Dream a little dream of me 1931 plays and PETER
awakes and turns as he can see and hear his wardrobe
slowly open a creak. He turns to his dresser and grabs
the touch he takes to bed with him.
He turns back to the wardrobe to see the entire door wide
open.
The music flickers with static and he turns briefly to
see the radio then looks back. In his face he sees a
horrifying monster. He goes to scream but a hand grabs
his face.
CUT TO BLACK
Final script written by Thomas Coyle
