WORLD'S FAVORITE SOLOS FOR GELS EEN World's. Favorite Series No. SOR CARULLI TARREGA PURCELL COSTE BACH GIULIANI de VISSEE CARCASS] — MOZART MOLINO BYRD And many more Original transcriptions compiled & edited by HARVEY VINSON ASHLEY PUBLICATIONS, INC.WORLD FAVORITE SOLOS For CLASSIC GUITAR ORIGINAL TRANSCRIPTIONS: COMPILED AND EDITED BY HARVEY VINSON WORLD'S FAVORITE SERIES NO, 43 FOREWORD ‘The classic guitar has ascended to an “un contested prominence in the musieal galaxy” as expressed by the eminent guitarist, Andres Segovia. The recognized position of the lassie guitar in to-day’s music world has resulted from the devotion to the instrument and the nt works written for it by prominent composer-guitarists through the centuries, headed by Fernando Sor and Francioto Tarrega. Guitarists who have achieved world wide recognition have attested to the power and effectiveness of the classic guitar, like Alirio Diaz, Julian Bream and Manuel Gayol As the instrument gains popularity, the demand for great classic guitar compositions increases proportionately. We are here offering an anthology of the finest works ever written for the elassie guitar. These are the compositions that have been heard on the American and international con- ert stages time and time again, We have included proper fingering and valid dynamic and tempo indications, con- spicuously absent from many of the current editions of elassic guitar music. We are indeed fortunate in having obtained an editor whose years of study at the Julliard and the Man- hattan schools of music, and a wealth of experienee in teaching and performing on the instrument, qualify him for this highly specialized and intricate task. “The first printings of thls anthology were so well-received that anew volume: “Selected Masterpieces for the Classic Guitar" (World's Favorite Series No. $6) was added. At te suggestion of Mr. Davi of Lexington, Kentucky, both volumes have been pains- {akingly re-edited to improve fingerings and phrasings. 1 Is trough the help and advice of such experienced teachers as Mr. Thomson that the World's Favorite Series has gained its popularity among musica Thomson, Robert Kail Ashley Publications Copyright MCMLXVI by ASHLEY PUBLICATIONS, INC, 263 Veterans Blvd, Carlstadt, NJ. 07072 International Copyright Secured Made in US.ACONTENTS LUIS MILAN (1500-1561) Pavana No. 1 Pavana No, 2 WILLIAM BYRDE (1538.1623) Preludium ANONYMOUS Mascherata ROBERT DE VISEE (17th Century) Minuet In D Bourée Minuet In G Minor Sarabande Minuet In E Minor HENRY PURCELL (1659-1695) Minuet DOMENICO ZIPOLI (1675-1726) Little Fugue JOHANN SEBASTIAN BACH (1685-1150) Bourée In B Minor Bourée In E Minor Prelude Minuet WOLFGANG AMADEUS MOZART (1756-1791) ‘Andante FERNANDO CARULLI (1770-1841) Allegretto Rondo Waltz Andante Andantino FRANCESCO MOLINO (1775-1847) Prelude In D Minor Prelude In E Minor Prelude In B Flat Page TRADITIONAL 4 Spanish Balled 5 FERNANDO SOR (17781839) Study In C (Moderato) 6 Study In A (Allegretto) Study In D (Moderato) Study In B Minor : Study In A (Moderato) Study In D (Allegro) Study In C (Allegro) Stuay In A Minor Study In D Minor Study in G 10 Study In € (Allegro Moderato) Study In B Flat Study In A (Andante) 10 Rondo Leccidn In A Minor Leccion In A n Minuet In D Minuet In G (Andante) Minuet In A 2 Minuet In C (Allegro) a Minuet In G (Andantino) 16 Minuet In C (Allegretto) . Variations On A Theme Of Mozart ‘MAURO GIULIANI (1780-1840) os Allegro (E Minor) Macetceo Allegro (D Minor) » Dance Rondo 20 Cadence a Allegretto (A Minor) 2 ‘Andantino 22 Allegretto (F Major) Moderato (C Major) Moderato (A Minor) Allegretto (G Major) REB Allegretto (C Major) Andante ‘©Copyright 1966 by ASHLEY PUBLICATIONS, INC. International Copyright Secured Made in US.A. Page g SRELEKESSKEERBSERSRERERKRE BRE Rassssegaagas “AIL Rights Reserved, Including Public Performance for ProfitCONTENTS (Continued) DIONISIO AGUADO (1789-1849) Prelude Adagio LUIGI LEGNANI (1790-1877) Caprice (E Minor) Caprice (D Minor) MATTEO CARCASSI (1792-1853) Study In F Study In A (6/8 Tempo) Study In A (4/4 Tempo) Study In C (Allegro) ‘Study In A Minor (Allegretto) Study In A Minor (Andante) Study In C (Andante) NAPOLEON COSTE (1806-1883) Etude (Moderato) Etude (Allegretto) Etude (Andante) Etude (Scherzando) Prelude ROBERT ALEXANDER SCHUMANN (1810-1856) Bagatelle Melody FRANCISCO TARREGA (1854-1909) Recuerdos De La Alhambra Capricho Arabe Lagrima Mazurea Pavane Adelita Maria Page Prelude (Andante Sostenato) 5 Prelude (Andante) * Prelude (Lento) Marieta ISAAC ALBENIZ (1860-1909) 6 = Leyenda FERNANDO CARULLI (1770-1841) . Nocturne De Salon (For Two Gaiters) 0 a1 COMPOSERS a (inteeiee ooeeee) 83 Aguado, Dionisio 84 Albena, Isaac 85 Bach, Johann Sebastian Byrde, William Carcati, Matteo 6 Sarl, Fernando: Solo Pieces [ Duet (two guitars) gy Cate, Napoleon De Visée, Robert % Giatiant, Mauro Leguani, Laigh Milan, Lala 94 Melina, Francteco 95 Morart, Wolfgang. Amadeus Purcell, Henry Schumann, Robert Alexander gg 50% Fernando Tarregs, Francloso 100 : vo, Domenico 1085 ty ANONYMOUS SELECTIONS 107 Mascherata 108 Spanish Ballad Page no m m nz ne ne % ua 19 ne e 16 23 8 10 28 nPAVANA No. 1 LUIS MILAN Andante oe ee (1500-1561) 1pCu 4, aye td ad <= cur 1cn ien it cm 1fcn 1/2cuL 1zcn cuPAVANA No. 2 Andante an LUIS MILAN 1/2cn Tre —y alPRELUDIUM WILLIAM BYRDE (1538-1623)MASCHERATA Andante 1200 ANONYMOUS 12 cuROBERT DE VISEE Andantino, (17th Century) ROBERT DE VISEE Allegretto — ciizcm co cm fy | r r Trrprl aMINUET IN D MINOR Andantino ROBERT DE VISEE v —— ® oo ® ® ® i = le { ROBERT DE VISEE “dh ob, Moderato CV lerato cr cu__ ®LO MINUET IN E MINOR Andantino ROBERT DE VISEE oF gr , Fr MINUET HENRY PURCELL E Andantino (1659-1695)LITTLE FUGUE DOMENICO ZIPOLI Allegretto (1675-1726) eee aoe SS = = —— Sa 1/ecu 12cm —___ 1/f2cl pita = — — fyi — 3 2 : EEF prretty T ftp tet he—? [ © sft fT] mi pat pa ie r P fae mrt fo 4s a ‘ 9h ——s “Ff FP -¢ fEFERFegreer ayectt =JOHANN SEBASTIAN BACH Allegretto (1685-1750) vn ——_____ Cieseesa o— .® @ 1201Is Metallic cv. cw eeu Se 1peciv — e-———_ aioe © ft largamentea ® , ® 9® ~ ooo crese. © @*BOUREE IN E MINOR : Hederalely fast Allegretto JOHANN SEBASTIAN BACH 704 FQ, prt fara Frit & ! rete in)PRELUDE JOHANN SEBASTIAN BACHien m tt $tS Andantino JOHANN SEBASTIAN BACH Poe? c . rALLEGRETTO 7 FERNANDO CARULLI mi (1770- L841) m Bef daa SI 1 e a iH KR jg. aes Po 8 Db ee —— pe po A = toa alRONDO Poco allegretto FERNANDO CARULLI ch Toe dD Nea dp) 2 eee ee Se ee4 eae SI oe = -)e. P L [eee Hp FERNANDO CARULLI 4 al aq j any ay HI PRe is he “y) . We a ke a oT 1 Hl 5 yk sh : fhe “ “yy ia & Meme al i a 2 sae ah = ‘|| 2 Aral Nee TU, * “ | af ce Sal ARE a ee “TR tH a Allan me al Bi am a Fal lit Gl sth = Th on y sl g a] “We || Aw) RE 5 pay 4] 3 || H|||I (8 za | ze e3 PRELUDE IN D MINOR FRANCESCO MOLINO (1775-1847) @y a fat Moderato omPRELUDE IN E MINOR Moderato FRANCESCO MOLINOMaestoso PRELUDE IN B FLAT 4 FRANCESCO MOLINO ee i by dolce St = oT aR i eS a T tempo Sl a i a iFye ae == = += = fan cS a crese, | —20 SPANISH BALLAD Andante TRADITIONAL poe P‘ ) me | l mh RL aR N ‘| tit i bh it i he i y ia i = rir 5 1/2 CK. icv.FERNANDO SOR (1778-1839) STUDY IN C Sey r eels ae He 3 eee dy 2 — = er 12cm —__ ~ae 4 = = ae STUDY IN A FERNANDO SOR Allegretto3 STUDY IN D Moderato FERNANDO SOR I cn 12cu —__ a eat = 1/2c1 — 1/200 cnSTUDY IN B MINOR . md ee a eo am mi FERNANDO SOR m a Pp civ_____ m on @ ® ® ® lpoco rit, | Pp32 STUDY IN A Moderato 1/2 Cll —____ FERNANDO SOR y 12en tutetale Tete sie raty 2c che STUDY IN D Allegro FERNANDO SORSTUDY IN C a oe i = SS co ee eee pipi Allegro FERNANDO SOR a m ™ — cher coorSTUDY IN A MINOR FERNANDO SOR oo cv civ ri Moderato a , dy a) r pop cv civ cm cu cr ieee cv civ cmcn or sildabebbad cic dh aeen act30 Oe STUDY IN D MINOR cee a a i Andante 4 alll Hii aeol pen cur ® om__ ele = Ae cur ~ @= @* 1 aan jeu pod de 21) gl ys ne eee a et aH eg = SSS = ; oT egecipswadiisds a quill38 STUDY IN G Allegretto FERNANDO SOR i ———- —— — ect _ LCN, acy 1/2cm acu 12ct aa) cn cr 4S rel == 7 atts igcvn 12cv 1cul = 1/201 acuAllegro moderato ® FERNANDO SOR Sa ; . U 1pc vy i,t eSSTUDY IN Bb ahr FERNANDO SOR mi @™ mi am cr A mimi @mima Cll ee on tf @= STUDY IN A FERNANDO SOR 4 Andante y2cv . $1 1j2cnRv 12cn 12en46 Allegretto FERNANDO SOR pec eee htt dl sap sig a = = 12CUL acl —@ aeom —___ 7 3: i 4 1 ifs i |> rl led [LJ Ml el Se SS gis SE Te Te, SP TT rrLECCION IN A MINOR tad gf dal FERNANDO SOR Moderato => = f Vu LECCION IN A ‘ato, FERNANDO SORol MINUET IN D @ 4 cn FERNANDO SOR Andante maestoso » 31 f es va. 4 FA@2 MINUET IN G FERNANDO SOR tee inom = V/2cvMINUET IN A © FERNANDO SOR || ae roo4 MINUET IN C FERNANDO SOR Allegro e cm . - ; ts aah eagl a ‘ a oS Sat of es : eSa [Link] Fine MINUET IN G Andantino FERNANDO SORMINUET IN C Allegretto FERNANDO SOR Way D.C. al FineoO VARIATION ON A THEME OF MOZART Andante FERNANDO SOR® < oo on ed fle eee : ; Third Variation Moderato r Fourth Variation Allegretto cn 3 3 4 1 4Fifth Variation Allegrool ~ Sixth Variation PrestoALLEGRO MAURO GIULIANI (1780- 1840) 5 1 4 { + ia. Ta ms mn il wl! = ~ MAESTOSO MAURO GIULIANI rT Prrrr’ TTTALLEGRO MAURO GIULIANIDANCE RONDO Allegro 4, m ™ MAURO GIULIANI os ‘[Link](Ad660 CADENCE Andante ym ami p MAURO GIULIANI i = z r Tt ALLEGRETTO MAURO GIULIANIof68 ALLEGRETTO MAURO GIULIANI *70 MODERATO MAURO GIULIANI MODERATO MAURO GIULIANIpp FB aha ae bmALLEGRETTO m —m m1 m MAURO,GIULIANI D4 oo oF. eae: a= = = a — = “Hie gio’ oop’ oeMAURO GIULIANI TMAURO GIULIANI SS ine DIONISIO AGUADO pion 1789- 1849) PtADAGIO DIONISIO AGUADOCAPRICE Allegro ma non_tropo LUIGI LEGNANIcm Allegretto MATTEO CARCASSI (1792- 1853) 12cl 1A Vv.STUDY IN A MATTEO CARCASSLSTUDY IN A a MATTEO CARCASSBe STUDY IN C mimi MATTEO CARCASSI an Allegro mimi mim83 STUDY IN A MINOR Allegretto dai tat imi MATTEO CARCASSI ‘ami amiSTUDY IN A MINOR MATTEO CARCASSLSTUDY IN C : Andante MATTEO CARCASSI80 ETUDE NAPOLEON COSTE (1806- 1883) — me 1 SS SS Sr pant a ee oe bed ea ea eg Ss a - is 7d 7 a 7 2 a71zc1 act NAPOLEON COSTEELUDE 2 Andante oO cv NAPOLEON COSTEScherzando Veen cur 7 —T1/ = II TI TH! aiemooate PRELUDE cx NAPOLEON COSTE Andantino” BAGATELLE ROBERT ALEXANDER SCHUMANN a (1810-1836)7 MELODY Moderato ROBERT SCHUMANN ‘poco vit.96 RECUERDOS DE LA ALHAMBRA FRANCISCO TARREGA Andante, | @ —_— (1854-1909)Ww CAPRICHO ARABE @-> Andantino 4 ue 22 STS SERPs = FRANCISCO TARREGA cm__ Fos fr oF oo Ff pt SBA al J fTET TA, oft ee Soa = ? ro o Foe T © F ew _@ Ty 7 f 7 —————_————de i accel. cm= oom° a VII Mad oI +f g | ut toa Th ad) ae i o — =104 LAGRIMA ad FRANCISCO TARREGA a) cix__cvm ad tou | ‘“ cv cv cx cu ? 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FERNANDO CARULLI Guitar One (1770-1841) Allegro oft aft crese.NOCTURNE DE SALON 7 tar Tw i DG Guitar Two FERNANDO CARULLI (1770- 1841) Allegro = a= ae dim. ‘dolcebe Guitar OneGuitar Two122 Guar Cae Larghetto[23 Guitar Two Larghetto —— P vinf.Guitar Onefee Allegru Guitar Two120 Guitar One crese.127 Guitar Two P crese, cresc.HARES ia bes ia ‘Tawi FOR HANNO ORGANS. Bina et sr To PLAY ‘as acura Bsr TorLAV ein Pieces BSBA Hotton rcas ‘Sicha’ sift iis FoR AU Gogo oncaNs LASSI Eanreneatay uo Mu fee SE ALGNG SWS Ye cay wneries Bish wees ‘a sc FOR AL dceasions ‘Ci eokes ‘algNi Fa EASES OUD AND EW “Eaves Bsr het eon EsgeTO PAY ices Foe re rr a ecumer TOPLAYPebeS FOR TaoMBONE ‘Teast Yo PUnt MELODIES Fonaccoroon “Manoa “Hive Fn ALL ORGANS rei Mo soves ‘habbits FoR conner ‘vest PDEs For eure acest ie on sanorvone ive ECs Fon nomaone ‘ioe wate ‘gis $04 Foe PORTHELE CHORD ORGLAS Toatast Yo PAY seicerions mee RSV YOAY Sete rom curran FOE ow CASS isi OF Te TEE Be B's. ngs Dances, ria ea a i ‘Ba ES a ae 1) ‘SHEGTED WASTERPECES ror CLASSICAL GUITAR ‘BEETHOVEN BEST NG Puan SONATAS Ne MUSE fo ORGANS (54.35) “Eis ctASICS Fa Ocan ‘PRELUDES, GFFERTORES ano PosTLuoes FoR AL ORGANS Vota Bi Seo it ‘ii ai Fon PuaNO ‘SEPORAR WUSiC For ALL oncaN "Bene OFFERT ORES ano posruuoes. Fina oasis a Bich FG Reine 2) $395 $4.95 where noted “GHENGESTE Ae Sranonnos— "GREATEST OF A Tie SranaRDs— “GHEATESTOF AL Te Sonn FoR THe PANG —Vaue 2 “TiOFOT CREE Volime 3 “Wei i St site, ” FR THE Piano ene 1 ye so ‘ea'SoneS Or SE Beau row aL or orcas Wes SiC Fain sovo TINE STE retest Raine Campos) Beri sisi ano music Wz CLASicT6 CEronan Pao baste ‘eal Pane Star Ares Pata chr Oa Wye aOR oF hoi wna rosrioet ‘Ceobiny srawoanos ‘SELECTED MASTERPIECE ron ‘he cUssieGUITAR—Volime 2 ‘SEAT SHG FOR AL ORNs Pine a Se ees rox ure. OER SCHUMAN PANG recs Sieve ithe aes s,m, ath LENT ‘ie SMP Na Peces HEARSE Raa ine uN Pcs ‘at SOS de Crus a ii ees TERS BERN GRBAC ease