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Seussical Violin2Score

Violin 2 score for Seussical the musical (for reference only)

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Patrick Buzza
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0% found this document useful (0 votes)
2K views111 pages

Seussical Violin2Score

Violin 2 score for Seussical the musical (for reference only)

Uploaded by

Patrick Buzza
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF or read online on Scribd
  • OH, THE THINKS YOU CAN THINK (Intro & Parts 1 & 2): This section introduces the musical number 'Oh, The Thinks You Can Think' with respective parts including Intro and Parts 1 & 2 focusing on various musical dynamics and style.
  • OH, THE THINKS YOU CAN THINK (Parts 3 & 4): Continuing the musical number with Parts 3 & 4, adding new thematic elements and transitions.
  • OUR STORY BEGINS: A new musical piece titled 'Our Story Begins' introducing thematic elements and transitions.
  • HORTON HEARS A WHO!: This section features 'Horton Hears a Who!' with its unique musical arrangement and thematic elements.
  • BIGGEST BLAME FOOL (Part 1): Musical arrangement for 'Biggest Blame Fool' focusing on initial rhythmic and melodic themes.
  • BIGGEST BLAME FOOL (Part 2): Continuation of 'Biggest Blame Fool' in Part 2, accentuating its musical progression.
  • BIGGEST BLAME FOOL (Parts 3 & 4): Completion of the musical number 'Biggest Blame Fool' with Parts 3 & 4, enhancing the thematic closure.
  • BIGGEST BLAME PLAYOFF/GERTRUDE McFIZZ: Transition musical piece focusing on themes surrounding 'Gertrude McFuzz'.
  • HERE ON WHO (Part 1): The initial part of 'Here on Who', highlighting delicate orchestral elements.
  • HERE ON WHO (Parts 2-5): Successive parts of 'Here on Who' exploring elaborate musical progression and development.
  • MEET JO-JO THE WHO: Introduces the piece 'Meet Jo-Jo The Who' setting a mysterious tone.
  • OH THE THINKS REPRISE: Revisits and develops thematic ideas from 'Oh, The Thinks You Can Think'.
  • IT'S POSSIBLE (Parts 1-3): Explores various auditory experiences through 'It's Possible', in three distinct parts with changes in mood and tempo.
  • HOW TO RAISE A CHILD: A sprightly piece titled 'How to Raise a Child', employing upbeat musical themes to portray narrative elements.
  • THE MILITARY (Verse): Introduction to 'The Military' highlighting a robust thematic approach.
  • THE MILITARY (Genghis' Verse): A vibrant musical depiction within 'The Military', expanding on fresh dynamic elements.
  • THE MILITARY (Parts 1 & 2): Continuing 'The Military' further into Parts 1 & 2, expounding on military motifs.
  • THE MILITARY (Part 3): Concluding 'The Military' with Part 3, sequenced with intense emotional builds.
  • ALONE IN THE UNIVERSE (Part 1): Introspective piece called 'Alone in the Universe', filled with tender musical lines.
  • ALONE IN THE UNIVERSE (Part 2): Develops on the melody and harmonies presented in Part 1, progressing one's solitary journey.
  • ALONE IN THE UNIVERSE (Part 3): Concludes the auditory exploration with passionate musical elements in the final part.
  • GERTRUDE McFUZZ: Whimsical piece celebrating 'Gertrude McFuzz' with folk influences.
  • AMAYZING MAYZIE: Playful and vibrant musical description of Mayzie's character with Latin nuances.
  • AMAYZING GERTRUDE (Part 1): Part 1 delivers musical dimensions focusing on 'Gertrude'.
  • AMAYZING GERTRUDE (Part 2): Part 2 continues with similar focus, moving through different musical phases.
  • MONKEY AROUND: Energetic piece weaving in mischievous themes with lively rhythms featuring 'Monkey Around'.
  • CHASING THE WHOS (Parts 1-4): A thrilling pursuit-themed progression observed across multiple parts.
  • HOW LUCKY YOU ARE: An uplifting reflection through musical expression highlighting joy and luck.
  • NOTICE ME, HORTON: Noteworthy piece emphasizing emotional connections and vocal expressions.
  • HOW LUCKY YOU ARE (REPRISE): A reprise that re-evaluates past themes with a fresh perspective.

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