Music by Stephen Flaherty Lyrics by Lynn Ahrens book by Lynn Ahrens and Stephen Flaherty Co-Conceived by Lynn Ahrens, Stephen Flaherty and Eric Idle Based on the works of Dr. SeussOh The Thinks You Can Think Inset) - sae Ps You Can TDK (Pat norm 1, Ghetto Tris You Can Tink Pa 2) nremmenn Je onthe Tanks You Can Think Pat 3). {Scere Teun You Can Think (Pat) 2 Our Stary Beis ans Howton Dears A Wh een a 4 Biggest Blame Foo $a gest Blame Fel(Pat 2) mo ‘Biggest Blane Fool Part). fe Biggs Blame Foo Pa 8) anne ‘1a Biggest Blame Fool Geile Meu. 5: Bere On Wha Pat Do 3a. Here On Who (Pat 2: Dares). 5b, Here On Who (Pat: The Wa) Be Here On Who (at & The Lor) Bi Here On Who Pat) 5e: Met JofoThe Who a ‘Son The Thinks You Can Tink (Repti). 7.1¢s Possible (Pa). Jali Doble (Pax 2 Da) nme ois Possible (Pat). — 8 How Tose ACG, : She Mitr (Ve) on 7 — Sa The hiitary Genghis’ Ves) a ~ She ian Pat enn Se The Mir Pat) om s gb egeGpkeRRRBBSREEEE None nee ganeeee Ia, Alone fn The Universe (Det 2) ob. Alene in The Universe (Pa 3) nner Te Famer Tall OF Miss Geral MEF nv 12, Aneyzing Maye (Pa), 2a. Amayaing Genre (Pet ab, Amayaing Ceri Pat 2) 13, Moniay ArT 15, Chasing The Whos (Pat 1) a Chasing The Whos Pat? ‘ab, Casing The Whos Patt). |e, Ceaing The Whos (Pat) = 15: How Linky You Are. 46. Notice Me, Haran nr 16a How Lanky You Ae (Rez). Gp Maya's Ext Mos : 1 ac 1 Ber Sits On The Eg enn Fees (pa 2 Havoe’s Dien The FR) mon Typ Ele (Dat 3: How Lucky You Are Reps) s18 Seas! Ery Ate 18s, OuStay Resures (Pa 1). 180, Or Story Resumes (Pat 2) 19. Bgg Nest Tee wenger 20.The Cueus McG (Pat on 20a. The Coete MeGiris(Pat 2). 20b. The Ceus MeGias (Patt) = 206 TheGw On Tou Fw Lick You ei. 78 21. Mase InPalm Beach, ~ 21a. Mayne At The Gre 21h Anuyzing Horan Pat) ie Ale ee ene es 22. Sella Sollee 23, Green Ess And ian 23a. Tre Buter Bate 2b, Saving Pate flo. 24 Ino Te Whos’ sina 24a The Ganch Cased The Rent Bex 2b. Masigs om Tre rea Sali aps) — 2h. How Sdn 2a A Reersciment 25.Jojo Alene in The Urivere 26. Hawi ABE sn 26a. Havin’ A Huneh Part2 Nightmare Bait 2b Hit Airc 2a 3: Oy Te Tt) 26e Fv’ AHuneh Pat), 27. Gera spionage 27a. Al For YoutVess) 2b. A Fee Yon 27e. The Whos Reta. 28. The Pople Vem Hiss Tis Epa (Pa 1h 28a. The People Versus Horton The Elepiurt (Pat 2) 286. The People Versus Hort The Elghan (Pat 3) 28e, The People Vers Horan The Eiji (Pat) 28a Yoppl ere Tn The Universe (epi) 29. Oh Tre Tens You Can Ther! (eae Act). 50. GerEg Han Fee Bos: Si 31. But Me. oeBass Seussical (Male Version)| OH, THE THINKS YOU CAN THINK (Intro & Parts 1 & 2) INTRO Dictated eed > mo sus } ‘Segue as or (603) lBs 2. OH, THE THINKS YOU CAN THINK SEUSSICAL (sl Version) Groove! 2 SF Segue as'one (1B) 2p f P suddenly funky Slap» pop _ (6002)88 Seussieal [ 1 OH, THE THINKS YOU CAN THINK |_| (Parts 3 & 4) [PART 3} Litstesso, Menacing a a (oo, 4.2, OH, THE THINKS YOU CAN THINK Pars 3.& 4Seussical HORTON HEARS A WHO! 5 ‘an mB teat)bass 2. HORTON HEARS 4 WHO! SEUSSICAL 1, enon) : Calta voce Poco rt3, HORTON HEARS A WHO! SEUSSICAL, Rit, A tempo rn Colla voce a 3 ia) (0)« a ass ' Seussical BIGGEST BLAME FOOL (Part 1) £E0CCCOaana e e e e e e e e e e oe oe o “I o e e oe o oeBass Seussical BIGGEST BLAME FOOL 4A (Part 2) LE] J] A tempo - Driving w io) aBass 2. BIGGEST BLAME FOOL (Part 2) SEUSSICAT ___ Hatt-time feet ‘ ‘ ‘ « « ‘ « « « @ « « « @ « a @ e « (Gry 3 SS S ee 2) wass Seussical we + BIGGEST BLAME FOOL 7 (Parts 3 & 4)3. BIGGEST BLAME FOOL (Parts3.& 4) SEUSSIC © ‘Segue as one Applause segue! 5103)ass. Seussica: | BIGGEST BLAME PLAYOFE/ os GERTRUDE McFUZZ Abit faster s f “ ‘Segue as one (e103) 1S:HERE ON WHO (Part 1) 03) 4 Seussical: 2. HERE ON WHO (Par 1) Sousical eeeeeceeeeececrcecccecennran "Calliope"3. HERE ON WHO (Part 1) Seussical Slight pullback Atempo Cue only —____, ae Sogue as one 103) Be.as HERE ON WHO Seussical (Part 2: Dance) sass (Part 3: The War) [PART 2 } L'lstesso, pesante 2 re ™ a ‘Segue as one 2 wate yd ‘sat oonweeeeeeeee wee i 7 ‘Segue as one. HERE ON WHO Seussical -——] (Part 4: The Lorax) po (Part 5) [PART 4) Moderato, with motion, mournful and mysterious ded mp = 'F ° pp dolce PARTS) Segue as one Fate solo w/oeat Drab d. J.J, Slowly a 8 m=) “ ey 1” Pe ora Dictated Dictated pis ‘Applause segue 108) aBass Seussical [ (Male Version) MEET JO-JO THE WHO Mysterious A SSS == SSS “ A tempo: seid td aSeussical (Male Version) | 6 OH THE THINKS REPRISE Moderato 7 — =z = = rar 7 mf — 103) we-_ Seussical (Male Version) | 7 IT'S POSSIBLE oa (Part 1) a md 5 ‘Te 4 _ Sweety 2 Saeco (6103) as. “Seussical ass IT'S POSSIBLE : (Part 2) e e wen. 3) . | Ge in. vinsemy 4 e e — e oe « e oS e 1 = e oe « « € @ € « as ond Seque as ond « « ‘ ‘Ss Seussical [=] IT'S POSSIBLE (PART 3) Maestoso (Dictted) Pocorall, . Slower (pose) ys = ote he a 3) uSeussical [s. HOW TO RAISE A CHILD Alllegro A 2 fe Mod. "Gameshow" 4Bass Seussical THE MILITARY (Verse) Start 3] Bright “4” tempo Segue as one 03) u.ss Seussical THE MILITARY (Genghis’ Verse) (Snare rll ts 4) F | Broadly pompous A Rit mf fe nf ft = ] ATTempo - March ‘Vamp iG mp * ‘Segue as one POOCHEHHCEHOCOEEECEATELATETEEC TCR E CETERA E TS 0) yoass THE MILITARY oon (Parts 1 & 2) [PART 1 Lilstesso a Lf af we mp 7 oe P= Segue as one 603) oteSEUSSICAL, 2.THE MILITARY (Pat 12) é I) Segue as one mr. 103)ss : Senssical [| THE MILITARY (Part 3) ie ace ie SF tes, t = ae Segue as one ub mf THE MILITARY (Playoff) _ "Segue as one ine) 03) yy.iss Seussical ] 10 ALONE IN THE UNIVERSE (Part 1) Moderato me a A Poco rt Freely, a bit slower 6/03) x 6‘ 3ass Seussical i ALONE IN THE UNIVERSE 10A\¢ art 2) Crh by Doug Beeman ¢ A tempo (with wonder) Fue (1500) So PLAY Sweety2, ALONE IN THE UNIVERSE (Par 2) SEUSSICAL z a (ates) 8 a (IME) 6/03) oos. 3. ALONE IN THE UNIVERSE (Part 2) SEUSSICAL ; Oboe sal (ra) Al ee —"* Seguess oe @ « 103) %.sass Seussical 10B ALONE IN THE UNIVERSE (Part 3) ‘Atempo (‘esteem 5 (6/03) 9.ass Seussical GERTRUDE McFUZZ i Folky (else) A 3 es) 2 7 we on 2 ‘mf ole * Piu mosso -colla voce E: Atempo (Ving Fast, Latin ively! f Segueasone @_ Seussical [—_] 12 AMAYZING MAYZIE Bright, Latin feel (603) a.SEUSSICAL AMAYZING MAYZIE SS = a. 03). 3. AMAYZING MAYZIE 2 AA : = z z= + + — = (6003) 4,Seussical \ss [24] AMAYZING GERTRUDE (Part 1) Lilstesso (Vocal seappela) 8 (rem) Gracefully (sles) 8 wey = . Ss Segue as one 03) 4%.1ss Seussical [~ B AMAYZING GERTRUDE (Part 2) Slower, tentative 41 Pico) Rall (ice) ‘Kbd2 Oars) = he (Maris)fee nes er one o o sub. mp = Segue as one 8 8 2 8 @ “ TPSPoHoRFeSSeeeeeceseseseseanaanananaaanaana 2) oa)Bass 5 Seussical 13 MONKEY AROUND Menacing “Issac Hayes groove” Drums Pe) A _ 3 = SaaS q 103) %SEUSSICAL @ 2. MONKEY AROUND SECEESESFHSSTRGSEGES sogegea ee | \ mf 4 4 i ‘Segue as | Sn.(Parts 1 & 2) Fast rhythmic groove! PART 1 ‘Mareato! 2 e Bass CHASING THE WHOS _ Seussical [« 7 a 2 3 7 : * 7 2 (back to normal time) 5/03) f2. CHASING THE WHOS (Pats 182) Segue as; SESCSCSCSOTSOSCOTSSSTTTSTSTSL: a.Seussical 7 14B CHASING THE WHOS (Part 3) (6/03) %SSCECECECCTESESEEEESEEESS 7 BREEEERREREIBITITTTS SEUSSICAL, Segue as or 2 2. CHASING THE WHOS (PT. 3)Seussical CHASING THE WHOS = (Part 4) New slower tempo Dictated (in 6) —i— & od Short pause, thea ogc 3) &ss Seussical (Male Version) | 15 HOW LUCKY YOU ARE Easy "soft shoe" tempo ececcocgggaaage eeeeeeece eocvoentonetee >peeBass 2, HOW LUCKY YOU ARE seussica (ale Versio & (6103) cueSeussical NOTICE ME, HORTON 16 Breathless (F10b) 8 ] Lovcisys) 7 Poco rit. Freely ; oer wSiss) Pocorit, A tempo moderato a (0b,c1, Vi) 3 FI wil, Kb Alara cle wide ime ale eye ie aia ee oer ee{OTICE Me, HORTON SeUSsiCAL Abitslower Rit. Atempo Poco rit. a a Applause segue (Clock sound) 2 (Pice wisn Stes) Dry scene 03) cSSeussieal [—— A HOW LUCKY YOU ARE REPRISE oes) ae bluesy 4 nf 03) wt.aaan iss Seussical 16B MAYZIE'S EXIT MUSIC X 4 Very Bright, Latin Feel (Drs & Pere) ag f Segue as 0 rereeererereeecererereereaaetrteretonnsenass Seussical lesa ACT I FINALE (Part 1: Horton Sits on the Egg) Slower, “2” Groove, “Jungle drums” x 5 f “a : 3 aa (os) &.SEUSSICAL 6 3 i g ut. 2. ACTIFINALE (PART 1) 0)38 Seussical ACTIFINALE Mis} (Part 2: Horton's Dilemma/The Hunters) Lilstesso ait 2 — Zs 4 a He = = oe VS.: 2ACTIPINALE @AKT2) SEUSstcat ramatico! Rall. (Brie pause) Dramatic ek } Faster? a Dramatico! Rall. #3) Segue as oneBass Seussical 17B ACT I FINALE (Part 3: How Lucky Reprise) eg Briskly in 4 A Ter)4 End of Act1 Sf os: 03)See Nee eee eee men eee ee ee ee [=] Seussical f+ ENTR'ACTE --[] A tempo - Energetics Freely aot Applause segueass Seussical 18 OUR STORY RESUMES 7 (Parts 1 & 2) PARTI ; om oy oo 1am a a a Segue as one. [PART 2 18B leo eccconneanadananananaaseaetenncnnncagaaae - (Low temo - Dialogue) Poco rall. 2 8 ‘eeee Segue as oneEGG, NEST AND TREE Fast rhythmic groove (mareato) slap SeussicalSoaps Pop (ad lib) 5 (asis) Snap" Pop (ad lib) ats) aaaegeeggagaraagagnanganenna” ia cy = oz Slow, Blues ". Sinister Calliope o o e oe e ee ee e e eo e o © ‘Segue as one a4.‘THE CIRCUS McGURKUS a (Parts 1, 2, & 3) 38 (PART 1 Peasante - Sinister Heavy Ragtime 2 z a 7 fz ‘Segue as one (oo) aC2.THE CIRCUS McGURKUS (PTS. 1,2, &3) SFUSSICAL g ( ] Quast freely Dictated aD J Macstoso al Segue as one we.3. THE CIRCUS McGURKUS (PTS. 1,2, 3) SBUSSICAL, 20B [PART 3, ] Take it homet Applause segue % a.Se ‘ical : THE CIRCUS ON TOUR/ |20C HOW LUCKY YOU ARE (REPRISE) Fast Cireus “4” by aneanggeegeereggenaarerrraar@as W — gfe Segue asone! nb. AAAAARRARLATAESeussicas 1 MAYZIE IN PALM BEACH J] Bright latin feet ae cr Me ae ne be crs Emit ebrstt! os Abia, 13 qos o7 ce em Em argMAYZIE AT THE CIRCUS ib. (Calpe) sat (03) aLass Seussical 21B AMAYZING HORTON 6 Aceel. A bit faster, bright Latin tempo Poco rall. A VV TYYIITVIT ITT ITY iyryirrrriryrirrrtrrrr rrr"| 2. AMAYZING HORTON SEUSSICAL A bitslower, wistful =p dolce S 2) Freely Faster-over the top!!! Freely —v*s Silence %18s Seussical 21C ALONE IN THE UNIVERSE REPRISE Moderato 4 Poco rit. Colla voce Sweetly er = = ‘Segue as one ‘ime om) oe.ss 2 Seussical SOLLA SOLLEW * Gentle Iullabye (4 Obee, Kbd |: Bell Syatt) (Vora mp sweetly . 2 » eeeeeeeRPPPROKRKKRLLLTETELEATTTTTTTTToTCRTS ee.3. SOLLASOLLEW SEUSSICAL 2) 1DOSHSHHSSDSSSSHSSERDDDSSEEREREDTTEIIITITTTIL. | « q P Applause segu Freely 4.SOLLASOLLEW 9% Rall. Atempo 3Bass Seussical ie \ GREEN EGGS AND HAM II _— Accel. ‘Tempo Segue as o1 THE BUTTER BATTLE 23A 7] Slowly a a . 2 70 = Segui SAVING PRIVATE JOJO 23B Love explosion) Segue (onaBass Seussical INTO THE WHOS' 24 CHRISTMAS PAGEANT uC Bright, merry 4 Vins, Vi, Kis 2x af Segue as one GRINCH CARVED THE ROAST BEAST [asa Safety Last x: rit. & erese. (Hfermata) (cm) Op tact ‘ ( 03) 90.ass Seussicai A MESSAGE FROM THE FRONT/ 24B SOLLA SOLLEW REPRISE (ice, Tp, Tha, Sn) _ [Maret Tempo = 7 2 3 a iatogue) a Molto rall. a (Pes, ToT, Sa -B Moderato, sadly 5 (olla Sollew" groove) Rall, mp rae Segue as one (TIME Pian slo) a.ass Seussical 24D A RE-ENACTMENT Dye TART m1 oj (Lovd explosion) Tesi. = Cla. Vins, panai=ooe ot eee : —————————— aed ° Tenvivel = JO-JO ALONE IN THE UNIVERSE 25 fay) = x SiS i p ft — eal 5 2: = (ows) 03ass —_ Seussical (Male Version) | 26 : HAVIN' A HUNCH (CD siak & Moderato (Fun house) a 2 2 6003) as2. HAVIN AHUNCH, Seassial s (ale Version) HAVIN' A HUNCH (Part 2: Nightmare Ballet) [26a] OMA ARO R RAM MANDO MEEEDODHOMHDDE’4. HAVIN'A HUNCH (PART 2: NIGHTMARE BALLET) (tate ie ‘And you woa't goavay’ - pes A 3 (Glock) ft Segue as or (03) 0.ass Seussical (Male Version) HAVIN' A HUNCH (PART 3) (Oh, The Thinks) = beass ya TACT ee Seussical 7 FOR YOU (VERSE) 3 J Faster - Rhythmic Latin! ‘We bd LH 03) lo. « « « 4 ‘ ‘ ‘ ‘ t2. FOR YOU (VERSE) SEUSSICAL, Dictated - Dramatico!! Rall. Poco rit. 3) [0%ass Seussical FOR YOU “2” Feel)FOR YOU Deliberately (a bit slower) Colla voce waa * © pale aE) (os) (06Ba Seussical [2s | THE PEOPLE VS. HORTON (Part 1) Dictated Freely, with gospel fervor! fp os 3 $ f "hp B]_. Funky2 Groove fg af = = 2 703) tor,SEUSSICAL ¢ 2. THE PEOPLE VS, HORTON (Patt 1) Segue as one! lop. 503)28A THE PEOPLE VS. HORTON (Part 2) Rock! 6/08) log Ve2. THE PEOPLE VS, HORTON (PART 2) SEUSSICAL & : A Accel. ‘Tempo 1 » lo. "RERPROORRRO RR OR Ree Reet CeeseteenfennnnacataaBass Seussical | —— 28B THE PEOPLE VS. HORTON (Part 3) Sat Rock & roll C4) 7 i 7 wm ‘esha cll Steg.Gleck tas a B] Acapella vocal 3 q Deliberately Poco rall. VS. 103) tte‘ 2 2. THE PBOPLE VS. HORTON (PART 3) a 5 z 4 Dramatic! ®208 —3— ya me a ep = we Bright 4 A Rall. ‘Molto rall. Dialogue A = fe | Freely, with Gospel fervor! mp y Segue as one! We, 2 seeeegenanagnageneBass Seussical [—— THE PEOPLE VS. HORTON 28C (Part 4) L__ G1 _ New tempo - Lively Gospel 4 ‘Swing 8th's Let ‘Er Rip!! al 1g 8th's Let "Er Rip! A tempo - Gospel f ° = a lye Segue as oneass: Seussical YOPP!/ALONE IN THE UNIVERSE [28D (Reprise) st Moderato 1 Witdomey z Dole ~ ‘OGeeeeeeeeseaaeagaeaaseeneeeneaneeseneeoeeencFreely Deg Slower, simply (Cello sole) e Zz 2 —_——S “nm 71 amp dolce Ba 4 —— Dolce Poco rit, (A tempo) oP ga A tempo - Moderato (Stgstrem) 5. wt ‘Segue as one ° se3s Seussical OH, THE THINKS YOU CAN THINK! (FINALE ACT II) Moderato, warmly QOROCRRAERRRERRERRTERRERTEERTREREREROE REE TRvss Seuss | 39| GREEN EGGS AND HAM/BOWS Bright Swing ( Krupa" Drums) 3 = 103) WW.2. GREEN EGGS/BOWS SEUSSICAL gaa labs absic pba ner) bore m7 = E18 bag abs aborc oboe ab eh Fm erg ebtg ADS Abt ob ber abeeb abi ob7 D7 Abs Abts air) "A vbr De? abeeb Fm opr AE AS 7 ver ASE AS 7 = Bis pr ASE FEnT A oy OR? ASE M18 oy Dh ASE ANB v7 oO? AGE Fim7s) Fri ANE ooh eae ahs es ee Bbor on ts create om cbilt ceccececereceeeee PCE HHEKEREKELHFCRK Hee esebe e7 pbs ebe ET bis 1 brits) ee ev his fe be e°7 aber abs EbS G7 Bb AIF Bb1s a oy or his chr cnr SAD obs Gb8Db, abs Ais ‘ebm? ADIs TN = Bulg 3/03) : Ay wy.4, GREEN EGGs/BOWS SEUSSICAL @ 2 (Swing 8') z \ } DE? AISEA'8 pe vir AIEAI? DS fer _atareAIBehs 2 a rr 22 ae 1 e7 air ®13eho esr aha PISehe © ew?) 7h? Ob8C) aby Fic oc Abo Ac she ac cl ackhic cag cr) 1 190 12 12 1 1 1S ts toc Fe PUR SFTIA ahr porFTICFIC | obig C18 ty ein ahr 8% hohe Sh abr cbr 7 abrltmh Shh, po Ob phrlo a 148! = e és e chs cbreh chro abl? che cnr «= e e = : ‘ao ' A e & e o e . B) (we.i Seussical 3 | EXIT MUSIC [31 (9/03 Transp. up half sep t©D) ors) te