S

electing a Brass Mouthpiece

In selecting a brass mouthpiece one should strive for optimum tone quality
and accurate intonation.
All teachers and players of brass instruments, both professional and
amateur will benefit much by understanding the various parts or surfaces
of a brass mouthpiece and what functions each has only then can one
make intelligent and practical recommendations as to which mouthpiece
will produce the desired results with a particular player.
Often the best possible mouthpiece is an intelligent compromise. Every
teacher and player should strive for the optimum combination of the major
variables. When a player wishes a better mouthpiece, I usually ask him
several questions. What mouthpiece are you using now? What difficulty,
if any, do you have with that mouthpiece? In what direction do you want
to go? A change of tone color? Increased range? Better intonation?
Increased endurance? The answers to these questions determine what new
mouthpieces should be used.
Renold O. Schilke

4520 James Place Melrose Park, IL 60160 USA

P: 708-343-8858 F: 708-343-8912
www.schilkemusic.com

Pp

ontents

Selecting a Brass Mouthpiece__________________ 4

The Schilke Mouthpiece Labeling System_______ 5

Cup Diameter . . . . . . . . . . . . . . . . . . . . . . . . . 6

Cup Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Rim Contour . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Backbore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Standard Mouthpiece Models__________________ 8

Trumpet/Cornet . . . . . . . . . . . . . . . . . . . . . 9-12

Heavyweight Trumpet . . . . . . . . . . . . . . . . . . 13

Horn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Trombone/Euphonium . . . . . . . . . . . . . . . 14-17

Tuba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Custom Mouthpiece Models__________________ 18

Symphony Series Trumpet . . . . . . . . . . . 19-20

Symphony Series Cornet . . . . . . . . . . . . . . . . 20

Symphony Series Trombone . . . . . . . . . . . . . 21

Faddis Model . . . . . . . . . . . . . . . . . . . . . . . . . 22

Concert Cornet Series . . . . . . . . . . . . . . . . . . 22

Flugelhorn Series . . . . . . . . . . . . . . . . . . . . . . 22

Concert Tuba Series . . . . . . . . . . . . . . . . . . . 22
Custom Mouthpiece Services_________________ 23

The complete essay How to Select a Brass Mouthpiece

by Renold O. Schilke from the original Schilke Mouthpieces
for Brass catalog is available for download as a .PDF file at
www.SchilkeMusic.com.

Pp

electing a Brass Mouthpiece...

Renold O. Schilke had a profound influence on the development of brass

mouthpiece design and pedagogy in the 20th century. His wisdom and
insight have influenced several generations of performer, educator and
student while setting the standard for other manufacturers. Today, Schilke
Music Products continues to offer the highest level of expertise in assisting
musicians when determining what mouthpiece might work best for the their
playing needs.
It is important to remember that a quality sound is a musicians greatest
asset. The instrument acts as an amplifier for the vibration produced
within the mouthpiece. The mouthpiece is critical in determining the
character of the sound, response, and intonation
along with consistency of sound quality in all
registers and dynamic levels. A mouthpiece
is created of several components or variables
that greatly influence a players sound. These
variables include rim contour or rim shape, inner
rim diameter or cup diameter, cup shape or cup
volume, the throat, the backbore and shank or stem.
All of these components play a major role in the final
sound production on a brass instrument. General
knowledge of these concepts and how they work
can only assist the player in selecting equipment that
improves their sound.
In addition to several new mouthpiece models from the
Schilke custom mouthpiece division, Schilke Music Products
continues to offer a unique mix of classic designs that
were a result of custom consultation with many notable
professional musicians and colleagues of Renold O.
Schilke. A labeling system was later developed to reference
each mouthpiece while describing the general resistance
variables of each model. The Schilke mouthpiece model
nomenclature offers information on the following primary
mouthpiece characteristics:
CUP DIAMETER
CUP VOLUME
RIM CONTOUR
BACKBORE
Understanding these variables will help a player make an
educated, musical choice in selecting a new mouthpiece.

Pp

he Schilke Mouthpiece Labeling System

When a standard model Schilke mouthpiece has a standard backbore, rim

and cup, only the cup diameter (first number) is shown on the mouthpiece
to designate the model number. For example, in the case of the model #14
trumpet mouthpiece, it is only necessary to identify the mouthpiece with the
first number because it has a standard C cup, standard 3 rim and standard
c backbore. It could be cataloged as a 14C3c but the nomenclature was
dropped, since the remaining variables are standard. The model 14A4a has
a shallower A cup, flatter 4 rim shape, and a tighter a backbore than the
#14 model.
Regarding the Schilke mouthpiece numbering system,
using the model 14A4a as an example:

14 refers to Cup Diameter= smallest numbers have the smallest

diameters. Diameter size increases as the number increases.

A refers to Cup Volume

CUP DIAMETER

A. Small shallow
B. Medium small
C. Standard (medium size)
D. Medium Large
E. Large

RIM CONTOUR
CUP VOLUME

4 refers to Rim Contour

1.
2.
3.
4.
5.

Roundest
Semi-Round
Standard
Semi-flat
Flattest

a refers to Backbore
a.
b.
c.
d.
e.

Tight
Straight slightly more open
Standard
Medium Large- slightly curved out
Large

Pp

BACKBORE

CUP DIAMETER (First number in label 14A4a)

The first number (i.e. 14) refers to the cup diameter; smaller numbers have
smaller diameters. Cup diameters increase as the model number increases.
Most trumpet and cornet mouthpieces have a cup diameter that falls
between .600 inch and .725 inch. Nos. 5 to 24 in the Schilke system
represents sections of .005 inches each between these two measurements.
This is also referred to as inner diameter (id).
Cup diameter or inner rim diameter is the most common way players
compare one mouthpiece to another. It is individual choice determined by
a players embouchure, experience, strength, instrument, personal playing
style or musical prerequisites. Generally, a small diameter may improve the
upper register and endurance but resonance and volume may be affected.
A narrow diameter may produce a strained sound without focus and
control if a player needs more room. A larger diameter allows the player to
vibrate a larger surface area of the lip into the bowl of the mouthpiece
thus providing more sound volume and depth of sound. However, this may
affect endurance and require more strength to maintain a balanced sound
in all registers.
CUP VOLUME (First letter in label 14A4a)
The first letter or second character (i.e. A) refers to the cup volume, which is
classified as a shallow volume cup shape. It is dropped from the model name
if it is the standard C cup shape and all remaining variables are standard.

A = Small cup most shallow

B = Medium small
C = Standard (medium size)
D = Medium large
E = Large

Cup volume helps determine tone quality, tone color, and intonation. In
general, deep cup mouthpieces produce the darkest sounds with more core
and less highs in the sound. In reverse, shallow cup mouthpieces produce
the brightest sounds with more high overtones present in the sound. This
aids in the production of the high register. The standard Schilke C cup is
a compromise, which offers both full tone and ease of sound production.
Resistance is also affected by volume. A shallow cup offers more resistance
for the player. Conversely, a deeper cup offers less resistance or more
freedom.

Pp

RIM CONTOUR (Second number in label 14A4a)

The second number or third character (i.e. 4) refers to the rim contour of the
mouthpiece, which classifies it as a semi-flat rim contour.

1 = Roundest
2 = Semi-round
3 = Standard
4 = Semi-flat
5 = Only slightly rounded

The rim is the connection between the players body and the instrument.
This is critical because it is what you feel as the player and it is what
creates the seal. The thickness of the rim or bite of the inner diameter
can greatly affect response and articulation clarity. Generally, a rounder
rim will allow greater flexibility but sometimes tires the player sooner. The
location of the high point of the rim contour may change the way a player
perceives the cup width. A flat rim often feels the most comfortable but
tends to hold the lips in a fixed position, thereby reducing flexibility.
The #3 standard Schilke rim has the feel that most players prefer in a rim. It
has flat enough contour to distribute the slight pressure needed to provide
an air seal but is rounded slightly to offer increased flexibility. The flatter #4
rim provides cushion and comfort in the upper register.
BACKBORE (Second letter in label 14A4a)
The second (last) letter or fourth character (i.e. a) refers to the backbore,
which classifies it as a tight tapered backbore.

a = Tight
b = Straight
c = Standard
d = Slightly curved out
e = Large
x = Piccolo backbore

The backbore describes the taper or rate of change inside the mouthpiece stem
following the throat as it opens into the mouthpipe. As an extension of the
instruments mouthpipe, the backbore shape plays a significant role in sound
color, tone quality, intonation and resistance. A tighter tapered backbore offers
more brilliance and control while providing more resistance. This generally will
assist a player in the upper register. If the backbore is too small, the resulting
sound is stuffy and lacking resonance. A large backbore offers a darker,
thicker sound with more depth and volume but with less resistance. If there is
not sufficient backbore resistance, the resulting sound is harder to control and
intonation is less stable with the upper register being slighter sharper.
Schilke mouthpieces all come with standard backbores (c), which permit the
maximum in tone and range. Other backbores are available (letters a, b, d, e)
which may suit a particular need depending on the type of sound required.

Pp

tandard

Brass Mouthpieces

Pp

rumpet and

ornet

As is generally known, the diameter of the shank of a

cornet is smaller than that of a trumpet. Most Schilke
models are available for both the trumpet and cornet.
In general, a slightly larger cup and throat favors the
cornet tone.
When ordering Schilke mouthpieces please indicate
model nomenclature and whether a trumpet or cornet
mouthpiece is desired. If this information is omitted, a
trumpet mouthpiece will automatically be supplied.
Trumpet and Cornet Mouthpiece Descriptions
Model

mm

inches

Description

5A4

15.84

.624

New Small cup diameter with shallow A

cup and semi-flat rim offers comfort and
resistance in the upper register.

6A4a

15.99

.630

A shallow A cup with cushion #4 rim for

extreme high register work.

7B4

16.08

.633

Excellent for the player with thin lips. A #4 rim

provides good endurance with a brilliant tone.

8A4

16.25

.640

The slightly funnel-shaped cup at the entrance

to the throat provides a good tone and the #4
semi-flat rim gives superior endurance.

8E2

16.15

.636

The deep funnel-shaped cup provides

a smooth tone and is very flexible in all
registers. Recommended for cornet players.

16.33

.643

Standard characteristics allow for a full

penetrating tone quality.

9C4

16.36

.644

Like the #9, however the #4 semi-flat rim

provides excellent endurance.

10A4a

16.43

.647

The combination of the shallow A cup, semiflat #4 rim and tight a backbore assists with
upper register work.

10A4

16.43

.647

Same as the 10A4a but with a standard c

backbore, which offers less resistance.

10B4

16.43

.643

A medium-small funnel-shaped B cup offers

both a quality sound and support in the
register

11A

16.51

.650

This rim size and contour is similar to the #11

but with a shallower A cup.

Pp

T
Model

mm

inches

Description

11Ax

16.51

.650

This model was developed for the Schilke piccolo

trumpets. The x backbore improves the ease of
playing and opens up the sound on the piccolo.
Also available in a trumpet shank.

11C2

16.51

.650

Similar to the #11 featuring a slightly rounded

#2 rim contour.

11

16.53

.653

A superior mouthpiece with standard

characteristics for a free blowing mouthpiece.

11D4

16.58

.653

Slightly deeper than the #11 with a #4 semiflat rim, which provides a definite cushion feel
for endurance.

11E

16.58

.653

The large funnel-shaped cup encourages a big

round tone, ideal for cornet.

12A4a

16.71

.658

Similar to the 12B4 but with a shallow A

cup, tight a backbore, which adds both
endurance and range.

12A4

16.71

.658

This mouthpiece is the same as a 12A4a but

with a standard c backbore.

12B4

16.71

.658

This medium-small conical B cup provides

a full tone and the #4 semi-flat rim allows for
more endurance.

12

16.69

.657

A traditional medium size mouthpiece that

includes a #3 standard rim and c backbore
allows the player a full spectrum of sound.

13A4a

16.76

.660

The shallow A cup, semi-flat #4 rim and tight

a backbore creates an ideal lead mouthpiece.

13A4

16.76

.660

Same as the 13A4a but with the standard c

backbore which allows a freer blowing feel.

13B

16.77

.660

This mouthpiece has a B cup that is slightly

deeper than the 13A4 and also offers a
narrower, round rim.

13

16.89

.665

New Ideal choice for a student or developing

player with standard #3 rim contour. Rounder
rim provides increased flexibility and quick
response. C cup offers volume for tone.

13C4

16.89

.665

A somewhat sharp inner-edge combined with

a funnel-shaped C cup offers a clear tone.
The #4 semi-flat rim adds increased endurance.

rumpet and

ornet

P 10 p

rumpet and

Description

ornet

Model

mm

inches

13D4

16.89

.665

New Best option for a player looking for a

thick, rich, weighted sound. Medium large D
cup offers a tone that is colorful with depth. #4
semi-flat rim affords comfort with sharper bite
for superior articulation clarity. Diameter ideal
for all players from student to professional.

14A4a

17.09

.673

One of our most popular mouthpieces, the 14A4a

offers a shallow A cup, semi-flat #4 rim and
tight a backbore allows a player a strong upper
register without sacrificing tonal production.

14A4

17.09

.673

Same as the 14A4a but with a standard c

backbore which offers a more open feel.

14A4x

17.09

.673

Based on the popular 14A4a, this mouthpiece

creates a very open blowing feel with the large
x backbore. This backbore improves the ease
of playing and opens up the sound of our piccolo
trumpet. Also ideal for Eb soprano cornet.

14B

17.02

.670

Similar to the #14 but with a B (mediumsmall) cup size.

14C2

17.02

.670

This C cup and #2 semi-rounded rim

produces a rather large tone and good center.

14

17.02

.670

With a standard rim, cup and backbore, the 14

is an excellent choice for all-around playing.

15A4a

17.14

.675

A larger diameter mouthpiece with a shallow

A cup and tight a backbore for upper
register playing. #4 semi-flat rim offers
comfort in upper register.

15A4

17.14

.675

Same as the 15A4a but with a larger c

backbore for an open feel.

15B

17.12

.674

With the same diameter as the #15, this mouthpiece

includes B style cup which produces a more
brilliant sound than the standard #15 mouthpiece.

15

17.12

.674

An excellent all-around mouthpiece which

offers a free blowing, clear sound.

15C4

17.14

.675

This mouthpiece is similar to the #15 but with

the #4 semi-flat rim for increased endurance.

16B4

17.20

.677

New Same as the #16C4 except the shallower,

medium-small B cup offers more resistance,
providing a brighter quality of sound. The 16B4
is excellent choice for Eb trumpet when a player
requires a bigger rim diameter.

16C4

17.20

.677

Similar to the 16 in dimensions, this

mouthpiece offers our #4 semi-flat rim for a
more traditional feel and increased endurance.

P 11 p

T
Model

mm

16

17.20

.677

With all the standard Schilke characteristics,

this medium-large diameter mouthpiece
produces a full, free blowing quality.

16C2

17.20

.677

This model offers the same options as the 16, but

instead offers a #2 rim for increased flexibility.

17B4

17.33

.682

New Well suited for the player looking for a

shallower cup in a larger diameter. Medium-small
B cup offers more brilliance for projection with
#4 semi-flat rim for comfort.

17

17.33

.682

A compromise of all the medium

characteristics, this mouthpiece is an excellent
medium to large diameter mouthpiece.

17D4

17.33

.682

This mouthpiece includes a deeper D cup

and #4 semi-flat rim for improved endurance.

17D4d

17.33

.682

A larger blowing mouthpiece than the 17D4

because of the increase d backbore.

18B4

17.52

.690

New Ideal for a classical player looking for

a commercial sound, the medium shallow
cup and semi-flat rim provide resistance and
comfort for upper register playing. Cup shape
offers some sparkle in the sound with enough
volume for tone.

18

17.52

.690

The high point being nearer to the center

makes this mouthpiece feel smaller than it is.
The standard characteristics produce a rich,
brilliant tone

18C3d

17.52

.690

Similar in dimension to the 18 but with a larger

d backbore producing a large, teutonic tone.

19

17.65

.695

The C cup, #3 rim and standard c

backbore are similar to the #20 but with a
slightly smaller diameter

20

17.78

.700

This large diameter is for the robust

embouchure. Original mouthpiece of choice
for Renold O. Schilke.

20D2d

17.73

.698

Similar to the #20 in diameter but includes a

larger D style cup, #2 semi-round rim and
larger d backbore.

22

18.03

.710

Similar to the #20 but with a larger inside

diameter.

24

18.29

.720

Our largest cup diameter offered. This

mouthpiece provides a huge volume of sound.

rumpet and

ornet

inches

Description

P 12 p

eavyweight
Mouthpieces

rumpet

A Heavyweight profile trumpet mouthpiece option is available

in the following best selling rim sizes only. The additional mass
provides a darker focused sound, with more secure slotting and
increased projection at louder dynamic levels.

Heavyweight Trumpet Mouthpiece Descriptions

Model

mm

inches

6A4a

15.99

.630

Small diameter mouthpiece with shallow A

cup and cushion #4 rim.

Description

13A4a

16.76

.660

The shallow A cup, semi-flat #4 rim and tight

a backbore creates an ideal lead mouthpiece.

13

16.89

.665

Rounder rim provides increased flexibility and

quick response. C cup offers volume for tone.

14A4a

17.09

.673

A shallow A cup, semi-flat #4 rim and tight

a backbore for lead work.

14

17.02

.670

With a standard rim, cup and backbore, the 14

is an excellent choice for all around playing.

15A4a

17.14

.675

A larger diameter mouthpiece with our A cup

and tight a backbore for upper register playing.

15

17.12

.674

An excellent all-around mouthpiece with

standard C cup and #3 rim.

16C4

17.20

.677

A standard cup and #4 semi-flat rim for a more

traditional feel.

17

17.33

.682

A standard cup and #3 rim, this model is well

suited for both classical and jazz styles.

18

17.52

.690

A larger diameter mouthpiece with our standard

C cup and #3 rim. Ideal for symphonic work.

20

17.78

.700

This large diameter is for the robust emboucure

and offers a huge volume of sound.

P 13 p

F H
rench

orn Mouthpieces

French Horn Mouthpiece Descriptions

Model

mm

inches

Description

27

16.25

.640

A narrow diameter and thin rim creates a

special mouthpiece for the first horn player.

28

16.15

.636

A true French model mouthpiece having a

small cup and throat that definitely favors the
high register. Recommended for the Descant
Horn.

29

17.53

.690

Offers a balanced option that is very

adaptable to both the younger player and
the professional needing a stronger upper
register with a large rim diameter, standard
rim contour, cup, and smaller bore.

30B

16.92

.666

This model was designed with a smaller B

style cup and thin, flat rim.

30

17.03

.670

The original Farkas Model, the wide rounded

rim and fairly deep cup makes the 30 a good allaround mouthpiece for the experienced player.

31

17.14

.675

This model has a V shaped cup, thicker

standard rim and a slightly larger diameter to
aid in producing a greater volume of sound.

31B

17.40

.687

A wide rim with a higher center point and a

medium depth bowl shaped cup produces a
rich, dark tone.

31C2

17.43

.688

The 31C2 has a very thin rim and mediumlarge cup offering a great volume of tone.

32

17.83

.702

The extra large cup diameter, cup volume, and

backbore produces a rich, dark tone color.

P 14 p

T T
E
B
enor

rombone,

uphonium and

ass

S = Small shank for Tenor Trombone, Baritone or Euphonium

L = Large shank for Large Bore Tenor Trombone, Baritone
or Euphonium
E = European shank for Euphonium
B = Bass Trombone
Tenor Trombone, Euphonium and Bass Mouthpieces
Model

mm

inches

Description

Shank

40B

22.51

.886

Extremely small inner rim diameter and

shallow B cup. This mouthpiece, with
its wide-rounded rim, works well for the
trumpet player who doubles on trombone.

40

22.53

.887

Since the cup diameter is small, the upper

register is improved. In addition, the tone
has considerable projection. It is excellent
for the bass trumpet and valve trombone.

42B

22.99

.905

Contour profile this mouthpiece is well

suited for the small tenor trombone and
lead/commercial playing.

42

23.22

.914

Slightly larger diameter and deeper than the

42B, the 42 features a standard C cup.

43A

23.57

.927

Contour profile this mouthpiece was

designed for the lead trombone player
desiring an easy high register.

44E4

24.28

.956

Though a small cup diameter, this

mouthpiece offers a very deep E cup
and semi-flat #4 rim.

SL

45B

24.30

.956

Contour profile designed for the lead

trombone player with a larger cup volume
than the 43A.

45

24.38

.960

The semi-flat rim has a high point close

to the center of the mouthpiece, which
allows for a great deal of flexibility. Ideally
suited for the beginning trombone player.

46

24.54

.966

Slightly larger than the 45, this is also a

good beginners mouthpiece.

SL

46D

24.76

.975

The cup diameter and volume is slightly

larger than the 46, producing a full,
resonant tone. Also recommended for the
younger baritone/euphonium player.

SL

* Contour profile pictured in silver above

P 15 p

T T
enor

rombone and

uphonium

Model

mm

inches

Description

Shank

47B

24.87

.979

Contour profile This mouthpiece is a

good all-around mouthpiece for the jazz
player that is requiring quick response and
a resonant high register.

47

24.99

.984

For both professionals and students alike,

this outstanding mouthpiece combines
good response with superior tone quality
and intonation.

SL

47C4

25.10

.988

Like #47 but with a slightly wider, semi-flat

#4 rim.

SL

50

25.40

1.00

Particularly adapted to the medium and

large-bore tenor trombones. The Schilke
standard options make this a fine allaround mouthpiece.

SL

51B

25.63

1.010

This mouthpiece incorporates a large

diameter with a medium-small B cup
and small throat

SL

51

25.63

1.010

A large bowl shaped cup producing a rich

tone quality. Ideally suited for large bore
tenor and orchestral performers.

SLE

51C4

25.63

1.010

Similar to the #51 with a slightly shallower

cup, smaller throat and semi-flat #4 rim.

SL

51D

25.55

1.005

One of our most popular, this mouthpiece

offers a very large D cup and is
excellent for the strong player. It is
particularly suited for the Euphonium,
producing a full dark tone.

SLE

52

25.78

1.015

Slightly larger diameter than the 51, this

mouthpiece produces a slightly broader
sound.

52D

25.78

1.015

Like the 51D, the large D cup makes

this mouthpiece ideal for symphonic
trombone playing. Also a good choice for
the Euphonium player requiring a larger
diameter than the 51D.

SLE

52E2

25.91

1.020

With its extremely deep E cup and

narrower, rounder #2 rim makes this
mouthpiece an ideal symphonic choice
for the robust player. Also a good choice
for Euphonium player requiring more cup
volume than the 52D.

SL

53

26.24

1.033

This combination of large cup diameter

and bowl shape is widely favored by those
who desire a rich full sound.

SL

P 16 p

SL

B T
ass

rombone

Model

mm

inches

Description

Shank

57

26.52

1.044

This model is an excellent choice for those

who play tenor and bass trombone.

58

27.68

1.090

A highly recommended mouthpiece for

those who double on tenor and bass, and
the full-time bass trombonist, combining
both good intonation with great lower
and upper registers.

59

28.52

1.123

An outstanding mouthpiece for the fulltime bass trombonist, combining great

intonation with excellent lower and upper
registers.

60

29.03

1.143

Our largest bass mouthpiece offering a full

body of sound for the experienced player.

T M
uba

outhpieces

Tuba Mouthpiece Descriptions

Model

mm

inches

Description

62

31.85

1.254

A superior standard mouthpiece with a good

centered sound and easy response in the high
and low register with good intonation. Also
recommended for Eb or F tuba.

66

31.52

1.241

Designed from the original Helleberg, this

mouthpiece offers a smaller inside cup
diameter but still produces a rich tone quality
with a wealth of volume.

SH

31.84

1.253

This Schilke Helleberg model offers a rim

contour that is different from our #66. This
mouthpiece produces a sound that is clear and
dark.

67

32.41

1.276

Similar to the SH model, but slightly larger.

The contour is also similar to the #66 but
offers improved tonal response.

69C4

32.76

1.290

With a very comfortable rim and cup that is

not too deep, the 69C4 offers an excellent
characteristic sound and facilitates all registers
of the instrument.

P 17 p

ustom Series

Brass Mouthpieces

Schilke Custom Mouthpieces are

produced by our custom mouthpiece
division and are built one at a time.
Designed by professional players
along with the staff at Schilke, these
models will offer different cup, rim,
and shank sizes not available in the
standard Schilke mouthpiece line.

P 18 p

Symphony Series
Utilizing concepts from the standard Schilke
mouthpiece line, the Symphony Series
models for trumpet, cornet, and trombone are
large diameter mouthpieces offering a deep,
vibrant sound with a well-focused center. They were
developed to meet the demands of the modern
orchestral player and have comfortable rim shapes
that provide a nice clarity in attack.

S S
T
ymphony

eries

rumpet Mouthpieces

Symphony Series Trumpet

Mouthpiece Descriptions

Symphony Series #1 Rim Comparison=Schilke 19/20 or 1C

M1

Standard bowl shape C cup with a 24 throat and Schmitt

backbore. Excellent all around mouthpiece for both C and Bb
trumpet.

M1D

Standard bowl cup with 24 throat and TIGHTER Schmitt backbore.

Very good option for either Bb or Eb trumpet playing.

M1*

The * models share same rim and cup as the M and MD

models. They have a LARGER Schmitt backbore with a shorter
throat that creates less resistance and a more open feel.

D1

Deeper bowl shape cup that still provides feedback for control.
The D cups have a smaller version of the Schmitt backbore,
tighter to balance the deeper cup.

F1

The F models offer a deep V shape cup that provides darker,

warmer, more conical color allowing one to project at full capacity
but maintain a soft mellow sound. These models utilize a shorter
shank to compensate for cup volume plus a larger throat size &
backbore taper.

Symphony Series #150 Rim Comparison=Schilke 18 or 1.25C

M150

Slightly smaller 150 Rim diameter, standard bowl shape C cup,

24 throat and Schmitt backbore.

M150D

Slightly smaller 150 Rim diameter, standard bowl shape C cup,

24 throat and TIGHTER Schmitt backbore.

M150*

LARGER Schmitt backbore with a shorter throat in a 150 rim

diameter. More open feel.

D150

Deeper bowl shape cup in 150 rim diameter.

F150

F cup model with shorter shank in 150 diameter. Offers a dark,

mellow sound.

P 19 p

ymphony

S T
eries

rumpet

Symphony Series #2 Rim Comparison=Schilke 16C4/17 or 1.5C

M2

Slightly smaller 2 Rim diameter, standard bowl shape C cup, 24

throat and Schmitt backbore.

M2D

Slightly smaller 2 Rim diameter, standard bowl shape C cup, 24

throat and TIGHTER Schmitt backbore.

M2*

LARGER Schmitt backbore with a shorter throat in a 2 rim

diameter. More open feel.

M2X

This model has the rim, throat, and backbore of a M2 but the cup
shape of the M1 for slightly more cup volume.

D2

Deeper bowl shape cup in 2 rim diameter.

F2

F cup model with shorter shank in 2 diameter. Offers a dark,

mellow sound.

Symphony Series #3 Rim Comparison=Schilke 15/14 or 3C

M3

Slightly smaller 3 Rim diameter, standard bowl shape C cup, 24

throat and Schmitt backbore.

M3D

Slightly smaller 3 Rim diameter, standard bowl shape C cup, 24

throat and TIGHTER Schmitt backbore.

M3*

LARGER Schmitt backbore with a shorter throat in a 3 rim

diameter. More open feel.

D3

Deeper bowl shape cup in 3 rim diameter.

F3

F cup model with shorter shank in 3 diameter. Offers a dark,

mellow sound.

S C

ymphony
eries
Mouthpieces

ornet

A deep traditional V shaped cup along with a larger rim

diameter, intended for the player looking for the customary warm,
rich cornet sound in the British band style while providing the required
resistance and focus when playing fortissimo in the upper register.
Symphony Series Cornet Mouthpieces
Model

Description

V1

Rim Comparison=Schilke 19/20 or 1C

V150

Rim Comparison=Schilke 18 or 1.25C

V2

Rim Comparison=Schilke 16C4/17 or 1.5C

V3

Rim Comparison=Schilke 15/14 or 3C

P 20 p

ymphony

S T
eries
Mouthpieces

rombone

Symphony Series Trombone Mouthpiece Descriptions

Symphony Series 5.1 Rim Comparison = Schilke 51/ 5G
M5.1

A medium shallow cup that provides more brilliance, and

projection due to additional high overtones in the sound core.

D5.1

A standard cup shape that provides a deeper bottom to the sound

core and excellent articulation clarity. Resistance variables are ideal
for a principal player.

D5.1*

For a more open feel with additional depth to the sound and
greater flexibility, the standard cup with tapered throat provides
slightly less resistance than the D model.

Symphony Series 5.2 Rim Comparison = Schilke 52/ 4G

M5.2

A medium shallow cup that provides more brilliance with a larger

rim diameter than the 5.1 models.

D5.2

A standard cup shape that provides a deeper bottom to the sound

core.

D5.2*

Standard cup with tapered throat. More open than D5.2

Symphony Series 5.3 Rim Comparison = Schilke 53/ 3G

M5.3

A medium shallow cup that provides more brilliance with a larger

rim diameter than the 5.2 models.

D5.3

A standard cup shape that provides a deeper bottom to the sound

core.

D5.3*

Standard cup with tapered throat. More open than D5.3

Symphony Series 6.0 Rim Comparison=Schilke 60/1G

M6.0

This deep cup is similar to a standard 59 model yet maintains the

rim diameter of a 60. It includes a large Schmitt backbore and
more open O throat. It is an efficient, even playing mouthpiece
that provides brilliance for maximum projection when desired.

D6.0

Slightly more open feel than a standard Schilke 60 while

maintaining the same rim diameter. It includes a large Schmitt
backbore and more open O throat. Maintaining efficiency, this
extra large bowl provides more depth to the sound core with
clarity and consistency at all dynamic levels.

P 21 p

F M
addis

odel

Faddis Model (XL Heavyweight)

An extra large Heavyweight trumpet
mouthpiece, this models design is based on
the mouthpiece used by legendary jazz artist, musician, conductor, composer
and educator Jon Faddis for his Schilke S42L Faddis Model set-up. JFXL
inner rim equivalent = Schilke 11 with an extra shallow cup.

C C S
oncert

ornet

eries

Concert Cornet Series

Based in design on several of our best selling rim
sizes, these mouthpieces offer a deeper traditional
British style cup, which is V shaped. Available in 6E4, 13E4, 14E4, 15E, 16E4,
17E, 18E and 20E rim sizes, these models offer a warm, rich, true cornet sound
with a balanced resistance while maintaining articulation clarity.

lugelhorn

eries

Flugelhorn Series
The flugelhorn requires a deeper cup and larger
throat than a trumpet or cornet mouthpiece.
The Flugelhorn Series feature a deep V-shaped
cup, large throat and backbore with a American shank for a soft, dark tone in
the following sizes: 6F4, 13F4, 14F4, 15F, 16F4, 17, 18F and 20F.

C T S
oncert

uba

eries

Concert Tuba Series

SH-II The Helleberg SHII is made along the
same lines as the 66,67, and standard Helleberg.
It has the same Helleberg-style cup shape with
the same inside diameter as the 69C4 (32.76 mm), a slightly tighter throat
and standard backbore.
SH-IIF The Helleberg SH-IIF has the same rim as the Helleberg SH-II but
with a shallower bowl-shaped cup to accommodate the smaller F tuba. The
throat is smaller than the SH-II. The backbore is slightly larger, similar to a
Schmitt shape that opens up quicker under the throat to reduce resistance.
GEIB The Geib model has the same inside diameter as the Helleberg SH-II
with a modified rim contour. The Geib cup is more bowl-shaped and slightly
shallower than the SH-II. The entrance to the throat is tighter yet it shares
the same throat size as the SH-II with a standard backbore.

P 22 p

C M
ustom

outhpieces

ervices

The Schilke Custom Mouthpiece Division can make modifications or alterations

to a mouthpiece that may improve response, intonation, and articulation
clarity or adjust sound color and depth. These adjustments can make the
difference for the player in accomplishing their individual musical goals.

RIM ALTERATION

We offer the following services:

Modification Modifying an
existing mouthpiece.

CUP ALTERATION

o Rim Alteration
o Cup Alteration
o Enlarge throat

THROAT ALTERATION

o Enlarge Backbore
o Stem Alteration
Duplication We can make
a Digital or Manuel copy of a
mouthpiece or key components
(i.e. rim, throat, cup, or backbore)
upon request.
Custom-Built to Order Blending
aspects of different mouthpieces
to create something new, unique
and built to your personal
specifications.

BACKBORE ALTERATION
STEM ALTERATION

Threading Mouthpiece threading

in a variety of configurations.
Plating Mouthpiece re-plating
services available on request.
Consultation Personal
consultation by phone, email or
factory appointment.

We welcome visitors to the Schilke factory. Please call in advance to schedule

an appointment.

uarantee

All SCHILKE products are guaranteed against defects in materials and

workmanship. PLATING which is the best that we can obtain, is not included
in the guarantee.

P 23 p