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Model Posing Guide

This document provides guidance on posing models and lighting setups for fine art nude photography shoots. It includes diagrams demonstrating three lighting setups: a basic setup with two lights at 45 degree angles; a high key setup with softboxes above and below the model and lights behind a white background; and a low key setup with softboxes on each side of the model and a black background. The document also lists the essential equipment for a studio photography kit, including flash lights, umbrellas, softboxes, lighting stands, and background materials.

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Andrei Mihail
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4K views2 pages

Model Posing Guide

This document provides guidance on posing models and lighting setups for fine art nude photography shoots. It includes diagrams demonstrating three lighting setups: a basic setup with two lights at 45 degree angles; a high key setup with softboxes above and below the model and lights behind a white background; and a low key setup with softboxes on each side of the model and a black background. The document also lists the essential equipment for a studio photography kit, including flash lights, umbrellas, softboxes, lighting stands, and background materials.

Uploaded by

Andrei Mihail
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
  • Model Posing Guide
  • Model Lighting Guide

Model posing guide

Your quick reference guide to posing a model for a fine-art nude shoot.
Each pose suggests a great starting point from which other poses
and subtle variations can evolve as you work
1

10

11

12

Model lighting guide


Your quick reference guide to three great lighting setups for a fine-art nude shoot
top elevation

Basic

BLACK BACKground

MODEL

SOFTBOX

REFLECTOR
OR SOFTBOX

CAMERA

top elevation

This basic setup is a good starting point for a


nude shoot. Place two studio lights at a
45-degree angle to the model at a distance of
about four to six feet. Set one light as the main
light by positioning it a little higher (about six
feet high) and increasing the intensity of the
flash using the dial. Locate the other light a little
lower than the main light and reduce the
intensity of the flash. If you only have one
studio light a simple reflector makes a good
alternative to the second light.

High key
WHITE
BACKground

brollies

BLACK
FLAT

BLACK
FLAT

CAMERA

SIDE elevation

SOFTBOX
low

SOFTBOX
HIGH

top elevation

To create a soft even light, position one light


with a softbox attached in front of the model
on the floor pointing upwards. Position a
second softbox above the first at about seven
feet pointing slightly downwards. Use a further
two lights with umbrellas to light the
background so its a clean white. To separate
the model from the background, position two
large black flats each side of the model (two
large pieces of black card will do) this will
create a lovely black rim.

Low key
BLACK BACKground

SOFTBOX

SOFTBOX

MODEL
CAMERA

Fine-art nude lighting is all about showing off


the beautiful lines, curves and shapes of your
subject. To create more depth set the position
of the softboxes so theyre slightly behind the
model, pointing back towards the camera.
Experiment with the intensity of each light
using the dials on the flash heads. You might
need to use a lens hood to avoid flare ruining
your shot. Just using one light can also work
very well with this technique, especially for
more abstract images.

Essential studio kit


There are plenty of
studio starter kits
that provide a great
entre into studio
lighting. Here are
the five basic Flash lights
elements you Studio flash lights have
should look for dials on the back that

control the flash output


and a constant modelling
light so you can see the
effect of the light while
youre posing your model.

Umbrella

An umbrella is standard
issue with most studio kits.
They usually come in
white, silver or gold and are
used to reflect light onto
the subject. They are easily
attached to the flash.

Softbox

A softbox fits onto a flash


unit and diffuses light onto
the subject. They come in
different shapes and sizes
and produce a softer,
more even effect than
an umbrella.

Lighting stands

Lighting stands are vital for


positioning flash units. The
flash units attach to the
top of the stands, making
them top heavy, so secure
them with a counterweight
to increase their stability.

Backgrounds

Art nude shoots are best


shot in monochrome, so
keep your backgrounds
simple and stick to black,
white or grey paper rolls.
Black velvet is even better
for rich black backgrounds.

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