Gangs of Wasseypur
Anurags Gangs of Wasseypur is a rapture, rapture in our narrative of Gangsters. It does not
narrate a tale of two giants in conflict with each other. It tells us the blood soaked story of a
society that exists (within our own cities/towns) in accordance with its own rules. It captures the
very logic of the world that runs parallel, however uncovered within the official history and
sociology of our society. The world that silently appears in our public sphere mutely interacts
with our everydayness, silently but firmly assert its presence and dissolves in what appears
mundane. The existentiality of its habitants doesnt lie in its locality but in the psyche that
stretches from Sultana Daku to faizal Khan. Narrated in the background of murky coal business,
sprawling from British era to early nineties, the story tells us the saga of at least three
generations for whom life is defined by nothing but befuddling lasciviousness accosted by
Vengeance. The Sprawling Picaresque curated with series of discrete frames captures the
existentiality of a referential world where the civil life of metropolis, laden with fictions of
democratic and humane values, is as imaginary as the giggly soap of Saas bhi Kabhi Bahu...
kind.
GWP is a trip to our innerness, a journey to some corner of our own cities, to a world
that exists where most of us have grown up, are living and shall die. This is not a journey to a
garrison where all influential Mafias sitting in safe heavens decides the fate of others.
Wasseypur has a different logic, live-kill-live. Blood is in the phenomena in Wassypur and
automatic (gun) is inspiration. The generations of sultana daku and Sahid khan are in consistent
conflict with each other to snatch a little wheat, coal, sand, scrap, fish (immaterial what the
goods is) lying at the margins of the Big Imperial British, its successors TATA, BRILA, Thapars
and the new satrap of this black heritage Ramadhir Singh. The inhabitants of wasseypur are not
Dons, they do not have militia, they have their kith and kin that are revered by common glories
and are inflicted by common inspiration of retribution. The Pathans, The Qureshies in the
nineties are not killing each much for resources lying beneath and in around wasseypur, but for
the sake of the imagined dominance that traditionally Qureshies have inherited and the Pathans
lacked. Though the story is presented as the revenge saga of Sardar khan against Ramadhir
Singh (this is the training we have to understand a hindi movie), Anurags narration goes
beyond. Each frame in the movie reveals an aspect of the society that has only two operate
variables: Blood and Flesh. Sardar Khan, and so many others, through his life oscillate between
these two instincts. In Wasseypur, Anurag depicts, instincts are rules. The justification of these
rules appears from imagined narrative of dominance that Qureshies and Pathans share in a
hierarchical manner. At the confluence of these two instincts, so many wasseypurs in so many
of our towns/cities exists. At the confluence of these two instincts, natives of wasseypur, eat,
drink, work, love, marry, give birth and kill. Anurags GOW is a narration of the intertwined
instincts that gives the society called wasseypur an existence that is alean to the imagination of
Shining or Incredible Indians. It asserts a Beingness to its natives distinct from what the
suave citizen of metropolis of post-liberalisation inheres.
The saga drenched in blood and written on the canvas of coal is a departure from our
traditional understanding of violence as an individualistic phenomenon in hindi movies.
Individualistic violence is replaced here by the psyche that a society in its totality carries. GOW
leads us to a condition where Sardar Khan, ramadhir Singh, the Qureshies, the pathans, coal,
sand, fish and all that remains faints in the background. What persists is a penetrating lustful
glance of hunters searching for Blood and Flesh. And thats the rule of life in so many
Wasseypurs.
Note: One must add, this world is alien for many who do not know their own Wasseypur.
