LARGE FORMAT PHOTOGRAPHY! FOCAL LENGTH & PERSPECTIVE !
PAOLO ROVERSI
METZ+RACINE
TECHNICAL
SHIFT CAMERA
DIGITAL MONORAIL CAMERA:
LINHOF M679
5X4 FIELD CAMERA: WISTA VX
5X4 MONORAIL
CAMERA: HORSEMAN
RICHARD MISRACH
SIMON ROBERTS
JOEL STERNFELD
JOEL STERNFELD
OLIVIER RICHON
TODD McCLELLAN
DAN TOBIN SMITH
CHRIS JORDAN
SIMON WARD
BERND & HILLA BECHER
WHAT WILL YOU NEED?
WISTA FIELD CAMERA
HORSEMAN MONORAIL CAMERA
LOUPE
TRIPOD
INSTANT FILM BACK
DARK CLOTH
CABLE-RELEASE
DARKSLIDES
CHANGING BAG
DUST-OFF
WHITE COTTON GLOVES
NOTE BOOK & PEN
FILM
MASKING TAPE
SPIRIT LEVEL
VIEW CAMERA CONTROLS: THE LENS
3. SHUTTER COCK LEVER
1. SHUTTER SPEED
4. LENS CLOSE LEVER
5. SHUTTER RELEASE LEVER
2. APERTURE LEVER
EQUIVALENT FOCAL LENGTHS FOR DIFFERENT FILM FORMATS
SLR 35mm
28mm
50mm
70mm
Medium Format 6x6
Large Format 5x4
40mm
80mm
120mm
90mm
180mm
240mm
VIEW CAMERA CONTROLS: SET TO ZERO
FRONT-STANDARD
BELLOWS
GROUND-GLASS VIIEWING
CABLE-RELEASE
TRIPOD-MOUNT
REAR-STANDARD
FIRST STEPS
USE A SPIRIT LEVEL & SET FRONT AND REAR STANDARDS TO ZERO
USE A LOUPE AND
A DARK-CLOTH TO FOCUS
FIRST STEPS cont.
IF THE CAMERA MOVES,
EVEN SLIGHTLY YOU MUST RE-FOCUS & USE A LOUPE AGAIN.
FOCUS IS CRITICAL
VIEW CAMERA PERSPECTIVE CONTROL
VIEW CAMERA BASIC MOVEMENTS: RISE & FALL
SIDE VIEW
TOP VIEW
SIDE VIEW
TOP VIEW
RISE & FALL
SHIFT
TILT
SWING
VIEW CAMERA SHIFT
VIEW CAMERA IMAGE CIRCLE
The Image circle must be considered when employing
extreme camera movements. Otherwise vingetting will occur.
Always check the corners of the ground glass screen before shooting.
VIEW CAMERA TILT
5x4 DARKSLIDES LOADING FILM
LARGE FORMAT RESOURCE
ROBERT WHITE
SILVERPRINT
TEAMWORK
LEAF SHUTTER FLASH SYNC AT ALL SPEEDS
BUT EXPENSIVE & FRAGILE
FOCAL LENGTH: ANGLE OF VIEW
Increasing Focal Length, whilst keeping the same lens-to-subject distance, increases the magnication, but decreases the angle of view
FOCAL LENGTH: ANGLE OF VIEW
28mm
50mm
85mm
135mm
300mm
500mm
1000mm
FOCAL LENGTH: CAMERA FORMAT
FOCAL LENGTH: PERSPECTIVE
FOCAL LENGTH CHANGES, ! ! CAMERA POSITION STAYS THE SAME
SHORT FOCAL LENGTH LENS FAR FROM SUBJECT
MEDIUM FOCAL LENGTH LENS FAR FROM SUBJECT
LONG LENS FAR FROM SUBJECT
FOCAL LENGTH STAYS THE SAME,! ! CAMERA POSITION CHANGES
SHORT FOCAL LENGTH LENS FAR FROM SUBJECT
SHORT FOCAL LENGTH LENS MEDIUM DISTANCE
SHORT FOCAL LENGTH LENS CLOSE TO SUBJECT