COLE PORTER KISS ME, KATE CHAPPELL & CO. LTD TAHARMS COMPANYKISS ME, KATE Music and Lyrics by COLE PORTER Book by SAM and BELLA SPEWACK based on William Shakespeare's ‘The Taming Of The Shrew’ All rights reserved. This publication may not be resold, or let on hire, and no part of it may be reproduced or transmitted by any means (including photo copying) without the written permission of the copyright holder, Piano Reduction by Robert H. Noeltner CHAPPELL & CO. LTD. 50 New Box Sraner, Loxpox, W-1 T. B, HARMS COMPANY 609 Fit Avenue, New YorkKISS ME, KATE Produced by SAINT SUBBER and LEMUEL AYERS Fiest performance December 30, 1948 at the New Century Theatre, New York Directed by JOHN C, WILSON Choreography by Hanya Holm Settings and Costumes by Lemuel Ayers ‘Musical Director Pembroke Davenport Orchestrations by Robert Russell Bennett Incidental Ballet Music Arranged by Genevieve Pitot Cast of Characters (In order of appearance) FRep Granam Alfred Drake Haggy TREVOR ‘Thomas Hoier Lois Lane. Lisa Kirk RavPH Don Mayo Lint VaNesst Pateicia Morison Hare ‘Annabelle Hill Pau Lorenzo Fuller Bit CaLnoun Harold Lang. First May) Harry Clark SecoND MAN Jack Diamond STAGE DOORMAN Dan Brennan Harnison Howett Denis Green Speciauty DANCERS Fred Davis, Eddie Sledge "Taming Of The Shrew" Players BiANcA Lisa Kirk Barrista ‘Thomas Hoier Gremio Edwin Clay HorreNsio Charles Wood Lucentio Harold Lang KATHARINE Patricia Morison, Perruciio Alfred Drake HABERDASHER John Castello SINGING ENSEMBLE: Peggy Ferris, Florence Gault, Joan Kibrig, Gay Laur ence, Ethel Madsen, Helen Rice, Matilda Strazza, Tom Bole, George Cassidy, Herb Fields, Noel Gordon, Allan Lowell, Stan Rose, Charles ‘Wood Danaic ENsempLe: Ann Dunbar, Shirley Eckl, Jean Houloose, Doreen Oswald, Ingrid Secretan, Gissela Svetlik, Jean Tachau, Mark Breaux, John Castello, Victor Duntiere, Tom Hansen, Paul Olsen, Glen Tetley, Rudy ToneKISS ME, KATE Synopsis of Scenes ACT I SCENE 1: Stage of he Ford These, Baimore Scent 2: The corde, backstage SCENE 3: Dressing rooms of Lil Vine and Fred Graham, Scent 4: Padua SCENE 9: Suet scene, Padua Scene 6: Brdsage SCENE 7: Dressing oomsof il Vanes and Fred Graham, SceNE 8: Thechutch ACT IL SCENE 1: Thestge doo al. Scent 2: Beforethecarain ScENE 3: Perthio's howe Scent 4: Thecrtidr, cage ScENE 5: Dresing rooms of il Vanes and Fred Grakam, Scent 6: The orien, bcatage, Scene 7: Before these cuts SCENE 8: Bap’ howe Instrumentation No. 2: Clariet/Alt Saxophone! Bas Cevinet No. 3: Clainet/Tenor Ssxophone/ Oboe! English Horn No. 4: ChatinedTenoe Saxophone Flute Piccolo. No. 5: Clrinet/Baitone Saxophone! Basson French Hora, 5 Trumpets, Trombone, Percuston Harp, Pano/Celeta, Guitar! Madoia Violins Lil, Viola, Cello, BassMusical Programme ACT I No. a Overture : 1. Another Op'nin’, Another Show s 1a, — Dance 1b, REPRISE: Another Op'ain', Another Show le, — Change of Scene 2. Why Can't You Behave? 2a, — Change of Scene 3. Wunderbar 4 Soin Love 5. Paoua StnEEY SCENE: We Open In Venice Sa, — Dance 6. Tom, Dick or Harry 62, — Encore 1. Rose Dance 8. Te Come To Wive It Wealthy In Padua 9. T Hate Men 9a, — Encore 10, Were Thine That Special Face 11, — Change of Seene 11a, — Change of Scene 12, I Sing OF Love 12a, — Dance: Tarantella 13. Finale Act ns ACT IL 14, Entéace 124 15. Too Darn Hot 130 =Bous 143 152, — Change of Scene 46 16, Where Is The Life That Late I Led? 149 162. — Change of Scene 160 17. Always True To You In My Fashion 162 17a, — Lut Encore 166 176, — 2nd Encore 170 17. — Change of Scene 13 18, Bianca 174 —Dance 182 18a, lacidental Music 183 19. Repnist: So In Love 184 192, — Change of Scene 188 20. Brush Up Your Shakespeare 189 202, — 111 Encore 194 20b.— 2nd Encore 17 21. Pavane: Why Can't You Behave? 200 22, L-Am Ashamed That Women Are So Simple 202 23, “Shrew” Finate: So Kiss Me, Kate 208 24, Fuvate: Dance 208 2a. Gran Fiat: Last Curtain aunKISS ME, KATE COLE PORTER Overture Allegro an A‘ Chimes hc A | Low Sir gSaas, Hn. Timp. = e__*_A_4__4%_ = LO cymwe AKA Dance tempo [Link] AAA ww PEEING , TF pyri ign i JoeB Wharton, a Tree Lay and Met or etn fea Ceara ate ay Buxton Hill Music Corpor af poblicaion and ale ghee ah A rage ens Cpa “clove cad, 5 Sew ed Se, non * at cuppng, aranging or adapting of his work wt he consent of the owner an infingement of copyrightSlower (in 4) sie pf eee ai pe Ss fe ‘Tp. Saxs ving. Via } © Eh ‘as = —_ pi om{] Valse Viennoise Sexstig..Tib., St am mp |nwle. FF Bar... —— icy ey nla. ng FF as. @ecued) 7 \~ane, Mes - —— [Link] ie FP J] rt. guotto pe motto nit rpg aaes fe FAS oh. parts retain Ab slgnarur.10 (ova) Hp vie Moderato (always with great warrth) = == = 55 + = : —— = t rE(vETE [Te Sp eo F s _ I eel = oo = ——— SE Poets? *tset “Fat wetww. ‘pt. atv, Hn. Te FTELiPO PIE Oe) SPO PLY PSS ?Hp. a8 Allegretto gars Sse : ib. solo 5 TWN po. sow - BAe | and ! ving fv: Vin VEE, 4 We Su. pizeae a Ee eee LE eee a = = = , Ble ie) I. N po, Vivg. sat ee + Shute ym Psa. s_/ 3 Ve ve B3 Maestoso > |= vines (vias, 8ya) bd 3 52 > es t Pr siz| [er ay cotta ra r i nivy _ A — —=_, (Hp. ais.) we AWW.27 ce el Vo yh ga chess fe ff (comy) Aa29 765) $8 by tr 17, = e = sempre cresc. rif a peop i er piper = TPP —— SP S80, Vins e Low St, Trb., Po.30 ‘sax. omWee, 205] A tempo (in 2)ey No.1b Reprise: Another Op’nin’, Another Show Ltistesso tempo ge geee sm. .W.W. Piano be worse.—HATTIE and icy cuonus big first night! The == a - bout to Slart__ cross your fin ~ An = oth - er op! > hint, Just Just an oth =e op! = aint of ancoth - ome - A 3 sew | = + = & Srp aS Eee i « pay ie ‘4 oe 4 L rd == A Es = t feed ¥ + ¥ 9 diy ae a tempo = z for ce = er Suu youtre all in theworld 1 eves, elena” oad ib. cadents Cy oa I al-ways == need you kid—38 pes. __ (applause) = put wh A be = bee He new you did mut wt Zee you be = have 7a = Ria * Str.,Cls. 2 Vins. Soli 2y P = a2 as = P| No.2a Change of Scene Andante ‘Tp.,Cls.8ra eb gle er Sw, W. We, TH, Hae = - t r on39 No.3 Wunderbar cue: LILLI: No,dear. We were both in the Chorus! 7 sm. PP (under dialogue) End of dialogue (LILLD) Your Highness -- LILLE(spoken) Wunderbart er = Faea “mln the moonlight be- iS a poco rit. a tempo nign, To the joy of our dream come true poco rit. of our dream come true @ tempo W.W.,TpES,THb., Bells was be poco rit. Hap arpeg, > “a tempo a) 4, ye x == = —— — an ea ? ae | if2 eS Wun = der- 2 Wun - derWhy, it's more than Wun ~ der~ bar! > 4" at Lag | gear a 7 ¢ A little brighter Say you long,(] motto rit. What a bright shin - ing star!_______ Like our. molto rit, ~ Like our ¢ | p molto rit. Hp. aspeg. Both waltz Won = der - bar! Hn. ,Celi, en om46 ss) Wun ~ der ~ bar! Wun - der ~ a tempo molto rit. ‘And you're mine dear!___ Wun = der ~ bar, Wan ~ der - bar! Vins. Via. aoa 7 ; 7 mp = - subito p e|molto rit. a tempo (@r-tacet to end - a bright There's our molto rit. star! Like our love, it's Wun ~ der ~ bar! molto rit. - star! Like our love, it's. Wun ~ der - bar! molto rit.ar No.4 So In Love cue: LILLI: My wedding bouquet. Andante HATTIE: 111 get you some coffee. Piano pp ~~ imted Str (under dll [Link]) Fra. Copyright© 1988 Copyright lined ha om (of Literary and Musical Trusts under declaration of wus4849 ‘pts. muted with the night mys - te _- rious, ——av a te pit espres. cali |new that you tr could \ J——]- ded r rite fe FL,Cl.8va z Te a SE52 sm gee ¢ 4) Se espressivo [Link]. £ zZ Hp. (8s. plzz) om9 $$$) [Link] i rar:No.5 Padua Street Scene-We Open In Venice cue: FRED: You will, my sweet, you will eee ee are (ee iy fia HET |We Open In Venice +cl GS) Lively (4=9) ———— ENSEMBLE: ~ A (Like a Guitar) A oa) KATHERINE: troupe of strol-ling play - ers + Mand. » io. Hp. ™p f supise. Cello. , Bs plzz ENSEMBLE: May - er's just a sim- ple Copyright © 1949 by Cote Porter Copyigpt gies John F? wtaron a6 Tastee om (of Literary and Musical Trost ander declaration of tsi by Cole Foret dated July 6, 1963, as amended)st +s See Ealmecame dyig subs set PETRUCHIO: No The-a-tre Guild at -trac-tion are ENSEMBLE But just a cra-zy group nev-er ceas-es to Se. arcoydiv. col gua map of lit-tle 1 tal ou58 retrain: TT (play 4 times) ENSEMBLE pis ISS SE =——— === ee 1 We o-pen in Yen-ice, We next play Ve - romm, ae KATH) Lotsa laughs in auc) botsa ‘bare in Gre mo-na (ta) Lotsa dough in Gre - cul in Cre & “3 beer-less, cheer-less, do - pey, mo ~ pey, hgart-less,tart - less, _men-ace. 2 Zz Segue as one[Link] Dance (End Padua Street Scene) Listesso tempo Nes er MF in. stow Ste. Fro. ty wy [Link] Be ey $F mf tin. iow Se. oN simile60 lL, Vins ar poco rit. with stage sole _————, a. ben. ,Cello (27) Moderato elena Soto Low Str + Bma oe Xyl FL .Cl eS vie. cette,Hs, om6 No Tom, Dick or Harry Cue: BIANCA: Ab! me! Allegretto (brightly) eaeeio) = t) =e Fac Sita suy€, 186, a amended) om (of Literary and Musical Trust fa63 end~ ing thou art pepitag? plo45). sw, (oe SS cay ~ing fam-i- ree, = To give a so-cial lift to thy po- ycogtin-tly Je a) oH, = [ae SS es SE oe (With exaggerated passion) eel a ee —mar-ry me, eer me! Mar- ry , GREMIQ & 1 _———S a oe Mar- ry65 Refrain: 63] dou - ble quick GREMIO: * = Tom, Harry or Dfek. 11m the Tom, Dick or Har-ry,66 [29 Tempo di Fox-Trot (slightly faster with a bounce) ase BIANCA oneMto: LUOENTIO: =—= —= — 7 = = 6 ret EG ==! = a =f = =F = st man thou should'st mar ~ ry. How - dy, How-dy Mom! ‘I'm the ba pe) ? aS cP. thou should’st += gp & HORTENSIO: BIANCA: —s a ct fr Se == re Ue nan thou should'st_mar-ry, How-dy, pall, Howdy, Chick!_— Art. thou SS = - YB 2 aie Har - ry or see omA Cappella BIANCA: | # tar - ry; I'm long-er Tm raid who would mar=ry And would SUITORS; = = She's a mald who would mar-ry And would no long-er tar - ry;She's a (Ore. ee eS SSS SS SSS maid who would mar- ry; May my hopes not mis - car- ry! I'm a maid take ~ dou - ble ee =F mary, And will take dou - ble ge : os = a fe fp + t+68 Molto sostenuto (broad) ~ @ Timp.) Suddenly Hot Fox-Trot Acdick-a - dick, A-dick-a - dick, Ardick-a - dick, A-dick-a~ Dick; A-dick-a - dick, we @abaa) yD yb wK in 2 PD sce agen pF a — = ; Feo SS SS SS dick, A-dick-a ~ dick, A-dick-a - diek! Segue after applause om69 No6a Encore-Tom, Dick or Harry With a nice bounce a4 eae a! F SSS oo mmald__who wouldmanry Andwauld 30 long-er SUITORS \ ee ae Maid who would marry And would Poo.» PP oy who would mar-ry, May my hopes not_mis ~ car-ryt I'm be & * hopes not mis - car-ry!She's a 4 tar~ry,She'sa maid who would mar-ry, May her mar-ry,And will take dow take dou-ble — quick mar-ry, And will om: $5 (Skat) Se a 3 ee fe Meet Some Harvey or ich, Rab da I = + or da datedo- dat ; “pi a = = = -+-3- SS ea 3 Se 7 Dick, Dick, Dick, A-dick-a, Dick, Dick, Dick, Cie ty Dick, Dick SS SSS SISn No.7 Rose Dance Cue:LUCENTIO; ...washed with dew. Sweet Blanca Moderato. gare: € tu SF S$esa5 ee 7 =n 115) Pil mosso a a ad) ES e a — = F ogn zy3 (SE Broader ¢ in one)“4 Nos I’ve Come To Wive It Wealthily In Padua Dialogue: PETRUCHIO: And the botany! Allegretto giocoso come towive it wealth -I-ly in wealth {ly thenom MALE CHORUS: MALE CHORUS “. + st + =| ees SSS SSS Grnues se.) a oa # — eS et ey PETRUCHIO r = =o — =e 1 >. T heard you mut-ter "Zounds, a loath-some lad you are I shall se =e not be dis-turbeda bit, bets, W. 1 she ae iF While she pow-ders her dog: GyMALE CHORUS: a vi come to wive it - 2 Spit fe = vel, z L my = ~ a f — = simile =e == es heard you say "Gad zooks, com-plete-ly mad FA cl Gaol —— "Twould-n't Io SSS aw shock, It her wi 3 knees,now and then, should knock, Wher aneyeswerea wee bit crossed, Were she wear-ing the hair she'd lost, wo. damsel TU make my dame, J Tm the dank they are al__the same. 7 ae eee a tempo] ee SS SS come to wive it wealth - i-ly im PETRUCHIO. =8 = = heard you say "Good crow oc * 2 e t Vaaen eae mind if she fret and fuss, If she fume like Ve-su- vi -_ us, If she Hin EH, —— Hn. £.8. ba a - ee) On the rough A-dri-at - ie — a4 = va seream like a teeth - ing SSS If she seratch like a ti - geryee ce oh: bf hh ‘or < a! fc: [es ets => 2 + — = int 7 SSS Sa a y PETRUCHIO: SS SS SE Hun-ny, nun-ny,nun-ny, And a hey, hey, hey, Not to men-tion mon-ey, mon-ey Cee are: 1, low St. 3s =o. a PETRUCHIO and MALE CHORUS: (eee — w - Tt (ve rainy day come to wive it 7 tite's on80 Nod I Hate Men Cue:KATHERINE: Lucentio, thou meacock wretch + Timp. Z fo SSS ae Ao, fold the trav‘lling sales-man,taougha ev-er mar-ry one of them,I'd on - ly_give you both-er per-fume from A~ ra~ by. SS SS a vir gin rath - Of course, I'mawf-ily gi For From Chi hus - bands are a bor- ing lot and he will bring you jade and had to mar-ry fa-ther, But fun and thee the ba ons ori (of Literary and Nusical Tova under © 1848 by Cole roner loin F? whartony as ion of tat by Cole Foner te ‘sted july 6, 1961, a8 amended)Cantabile T) caity all the types I've ev- er met,with- thoushouldstwed a, bus'-ness man, Be in our do - mo - era - ey, 1 hate the most, the ath - lete with his wa - ry, oh be wa - ry, He'll tell you he's de - tained in town on + — nee = = t 3 manner bold and brass - y. bus'- ness nec = es - sar - y. may have hair bus’ - ness is set up - on his chest, But the bus! - ness which he = & 4No.9a Encore-I Hate Men og) Mogerat Solemnly 8) xaTHERE ugh roostersthey, I will not play the Tada doe é ee hkgies 2S) SSS i) = 25 83 55 = pouse an old - er man; through girl- ish op - tl - mi - sm, He'll Ur ee FESPA OS Gaity S== = SS From all T'ye read, a - lone in bed, From34No.10 Were Thine That Special Face (Cue: PETRUCHIO: Ay-there's the rub. gi ‘Andantino PETRUCHIO: Catto soto [RAF ee 2P ie 4 a, ae which fills iF 2 lithe and slen-der, Were thine the arms so warm, 80 Copyright © 1048 by Cole Pre as Copytght signed t0 jon Wharton, (of Litecty and Musical Trt tng eclaration of BUR BY Cole Foret dates July 6, 1961, at amended)he + _ + Peer == = SS] : = SS a ow. oS, 7 = ” Y rFitire flipepliee FL PP P| e Pet ‘na. ,ceutol ea os oi | | e a 4 a aaa) ae Fe SSS SS [° : these charms are thine, 2 oe om43) Quasi recitativo and tenderly wrote class - ie style I wrote it with my tongue in my cheek And my lips in a smile, = But of late my po - em Has a mean-ing so. new, yoP $e aba ie . at >t Tt Wy, (oo) Poco sostenutoModerato a la beguine FL hy - thm'd ee ee ae — OTH Fontes if at: 7? reer? oe = = SS 3 789 and Tp. fea) Vins. div, (Vlas) the love fora Sa these charms | are Shas aa = + ~ goa aa + Timp.{f0l) Dance Beguine tempo FL Et yCLSS =93 Al Ste 6 Hn95or Be. ve pe te 244 Td venom ae Es tii Fin ie = SS = : ‘When all those = = = ee ———_ 7 4 Saati ssl Ftthe = 7 | pepe ee Pe ae SSS eS ——— 7] = | en youl be a pet i a res trey ree SSS om97 No.11 Change of Scene Cue: PETRUCHIO: All right, Miss Vanessi, you asked for this, and you're going to get it. Allegro Praca Q wm S Sy timp + Timp. Fade on cue uy omEe Change of Scene [Link] (Scene 6-7) Cue: FRED: That's all I need---a blind stage manager. 38) Fadeon cue BD witse. re99 No.12 I Sing of Love Cue: FRED: This is an outrage. Allegro con gioia 7p. tur ) [Link] Cepyraht © 1949 by Cate Sones a Copyright ausiged to Jann F) wharion, 24 Tru (of Lecary and Musical Tass er declaration of tu by Cole Pare dated July 6, 1961, as amended)100 Vamp CHORUS: + F1.,0b. ve‘Bm. Via. Celle (@m.,Cello mu.) 101 — ing ‘til they're gone. peo-ple who dream,—— _ So 400.5, f102 is ev - ‘ry-bod - y's bus Tove, e's con - (088, ae | ao fo (SS a SS SS poco ral. — ree a ~S S Ria Se = — we nev - er sing of an - y-thing but love, su.,Wm + Tp + Tp Patter: (marciale) perni esAst GIRL: 2nd MAN: pas ek = — a 2 ees ena oases ee 0s SB 489 y sig-ni - fi-cant mat-ters. = Pasa le G 3sing105 om107 No.12a Dance-Tarantellaey LT = = ie: > F wae p 1“ Jaa oie (ee ae = Cee aa f= 3S Ha, tacen 33 = eo, cer & se ee iae=es DES eee 5 via gh eSuz Hp. gis. Hp. ptm) oneNo.13 Finale Act I Cue; PETRUCHIO: Stop my way in Padua! Moderato |__@ PETRUCHIO: —_ - _ : = — E = ie FSS SE 5 50, kiss _me,Kate, Thou love - ly loon, els bd Se Ere we start On — our hon-ey-moon, Oh,_—_—Kiss me, Kate, Dar-lingkiss him, Kate, Thou —love-ly loon, —___— Bre you start On-your (06% oot horas wo AF 50.00.60. hon - ey -moon, — Kiss me, Kate Darling, dev-il_ di ~ vine. ee kiss him, Kate_____Dar - ling,aur Allegro (d=4.) § Kind - ly drop I shall ney ~ er be mfcrese. Now thou shall ev - er GIRLS-PRINCIPALS and SINGERS: |, |, Now thou shall ev ~er be Now thou shail nev-er be Br WW Yes, mine, So She called him a swine om = = ==. F + crack your pate, wt t t price - less prize!SS of fish she would b po ks . = ats = SSS = we heard? What's that we heard? Oh, kiss him! What's that120 Kiss me! him, Kiss him, Kiss him, 4 dd. Kiss him, Kiss e Quasi Cadenza kare ay Pp pif Nev-er,never, nev om121 Slowly hey - erwnbv-er, nev - er, never,neverynevernevennevennevenneven never, nev eri, GIs: ea a= Oh, PETRUCHIO and BASSES: _ Stop! Joke. (bird and sho) —~s y pp Hp. & Lively GIRLS: crese. poco a poco = - him, Kate, mm(59) (4 = 2) (in 1) (apes ase Fe adn ty, wine thm, Mise Am, Ka, Kiss Nm, Kise Him, Kate, eB a Ftp ee ET eS Se Ge in ka ha kus Kar Bey Re Bm, Kl do ga 4 44 gf By z a as PSS ret t {+t om —— = = = a a a Sas ea ¥ v Kiss him, Kate,. Kiss bim, Kate, Kiss him, Kate,— ph er rerin Kiss me, Kate,— Kiss me, Kate, Kiss me, Kate, Kiss me, Kate, Kiss me, Kate,.GANGSTER: ae (spoken) Aw-kiss him. = a po a 7s — — — ie (scream) ~ (scream) Kiss him, Kate, Kiss him, Kate, ee ee ——= Beep eS Kiss him, Kate, Kiss him, Kate, ereeyy $4 Kiss me, Kate, Kiss me, Kate,124 No.14 Entr’acte Grandioso wat. ead legato t Pao. Solo P08 | loco (0pt.Pa0.) ree se, om135 [19] Tempo di Valse Viennese Vin. Via. FJ Ch ” Br. Sans, en. +.cz1"™P 7) Very Viennese FF 2 pa Fe eiyien ee 7 we sr) 5 FF ‘Tb. Bar. Sax. om) ilk ome(C1. 2000) 5 SSS p —— = Sis aT =F FsBe Up. 4 jig bil od fa et -—— Perl per ? ¥ BB) vine, cont.) ving,S Vin. soto (8"2) 2 + Sans, (P) Sax Soll onBr. div 129 Segue after Conductor’ s bowpe Act II Too Darn Hot Allegro t Play 3 times (vont TH) pp = =f = =a 7 7 darn hot, He's too. darn—hot,——T'd__Like to sup__ too darn hot, =—st's. too dara hot, PAUL: I'd like to stop too darn holy —«*W'S too. darn hot, PAUL'd like to fool —— seus rr a opyright © 1948 by Cote Forter Copyright tight John 2 ihartons as Trustee om (of tserary and Msteal Tous sues declaration Of tat Py'cole Porter dated July 6, 1961, ae amended)131 5 25) SS — == = s+ Fe = Se Se a + with my ba-by to-night, And play the pup for my ba-by to- night, ‘And blow my top with my bas by to = night, Break ev - "ry rule with my ba-by to ~ night. with my ba-by to ~ night. —_ with my ba-by to ~ night Fo RF | Wd) || og} — = FF # baby to-night. And play. the pup_ with «my ba-by to-night. But fasby to-night. And Blow my top— with my ba-by tocnighe> But T'd Break “ev - "ty rues with my basby focnighe= But oF T ain't upto my baby to-night'Cause it's too dara hot. BOYS: It's be a flop_ with my ba-by to-night Cause it's too darn hot. BOYS: It's ba~by to-night Cause it'sAst Refrain av-er-age man you Much pre - fers to play his fav- si —! + * orchsparts retain "G" signature throughout vocals omone 133 weath-er is sizz - ling hot__ PAUL: Mis-ter A- dam aa ([Link]) mf Pe ot. Pe& cause it's ne BOYS: ° PAUL: It's134 B Play 3 times Go tpt. pt) = fe: ee Sass eS ———— Ma like to coo to_— my ba-by to~nighty, ? a= sz of? F = == ae give my all off my fe pitch the woo. spice. So. e on my — baby _ to-night, _ my ba - by to-night, my baby to-night, onw (tptopt.) cH Giigd doe = ae Sa ba - by to~ night,PAUL:But 1 +--+ #¥ can't play ball with my ba- by to-night_'Cause it's ery coueeae ee Mees eaehete) oat otumectcut a BIB Rc Be RLS mE BCR Ecame eae > 145 € lt go: ¢ Goa = ey 2nd Refrain: hot. P. & BOYS: It's hot. BOYS: It's hot. —-P, & BOYS:Ac ~ te = = ss SS (Gee ee Soe ete oe eed — ot : tA as fers to play his fav ~ our-ite sport When the tom-per-a-ture Is low. Bit136 stax - lin’ when the ther-mo-me-ter goes ‘way up And the weath-er 1s, aad NF KS 85) parlando Mis-ter Gob For his squab, ‘A mar ~ ine For his Vins, 3 t ey @ For his cut-ie ple Is "Cause it's too, too, om437 1] Bright Fox-trot mecnhaty Sax, Pag, A +78. ,2 Saxe (T5}cu. att 8 bases) ust oe soe ae138 Tacet for Da ¢ Too hot! Too hot! Too darn hot!__| Too darn hot! "Tot Sologmused) aw. = (330, ut) one©) up.,su. plzz. (octaves) 2 t fe r pu. piza. (octaves) weave eee a.‘Via, Celto (aut142. iA —_ = = ae Gab baw le 5? = == = s == = ~ cata, 8 ams) swat pj TS eae = == Z oe ear Tag SS sp(Vinny ba__d) om14s tpt sd___yd _ BrCl gd Smet. etl, Poo es Ty Spe. vs i (vise vi) 2 ft. _fi1ii 0s oS : rie |? et Vine. Vi, ? a ‘Tate uns145. Too Darn Hot-Bows Cue:RALPH: On stage everybody! Liistesso tempo ae a (Fade out on cue)146. No.15: ota Change of Scene Cue: FRED: Thank ¥Bo + Tp = * SSS SS to? aha pare Poco mare._| passionately Bian t mn 4 bar Ist ending inserted in orch. ‘parts. r +9.D..Hp.No. 16 Where Is The Life That Late I Led? Me Cue: PETRUCHIO: She has performed, while I did act the dolt. Allegro con fuoco tet F (ee. muied) P (Che.,bm. mx.) wt’? 5 oie Copyright © 1949 by Cole Forter pr’ coogi ge ee Y St, aan (tcc do yo st, a ameadeSs al - ways had152. Sanne 2 ‘Subito p f yanealle a oe pro rais-ing an heir Could nev-er com-pare — With_rais-ing a Where is_thestill 153 tures of the serip - tures in sell ~ ing those 3 pic - ‘And Ca-ro cl. ¥ piz - "za in ‘A ~ lice, Still there in your pret-ty, it - ty-bit - ty Pit- t 3 ee = na, Where are you Su. pied at 5 Still ped-dling your cu. = the streets o' Ta - or - mi - na?— And in = seatco ¥ — pal - ‘ace?! And sweet Luc- (ob... 2 ye Cetto,t,= in the ra ~ ins of Pom - A ae muted) Where is it _——155 — aS Where has it es gone? Gone with the wind _—— The156 = ty a SS Se ee = —— = a ee eens se and a ec | PRET or mas Sed 3 oe) a 77 - 37 I Where is Re - bec - ca,—— my Beck-i - weck-io? — Could still she be vine, Mana wise yy rinse ot ee | ee, i es Vian, Cellastip. caste: cruls -ing that a-mus - ing Pon - te = * cettoytip. Where is Ve - ins. Man 94== = ne = tla, who loved to ——~ <7 a ae laz - 20? And love-ly 0b. Cis meaning to the lean - ing tow'r of 3 1st160 No. 16a Change Of Scene Allegro i seswwavs (1) 68, and —— ae 7 [ee == = Sere — os an Te F ° i t tf = Ve 33 TT ON et = nm D =F Trt?@timp..pp ) ‘Timp.No.17 Always True To You In My Fashion Cue: LOIS: ... and wants to get along-- with her fellow man! Moderato can't you be — have jeal -008 When you know, ba-by, I'm your 1'm just a mm, Tit laeeal: —_ ame : mm, dolce rit. fenly ho f pf, Suddenly hot —* te mad for you, And I'll al- ways beBut | nat-ur-al- comms) Br, muted, Cs. dolce vit. Copyright © 1948 by Cote porter onyrignt aed itn Warn as True ons (of Literary and Musical Tru der declaration of wust by Cole Porter dates Fly 6, 1961, as amended)163 8) Medium bounce 2S cus-tom tail - ored vet — ‘Asks me out for some-thing wet, — When the asked to have a meal—p,, By a big ty -coon in steel, — gy the vet be - gins to ery "hoo ray! ‘meal in-cludes a accept I may! always true to you — dar -lin',in my fash - ion, 2c. ,Yla.,Cello —== al-ways true to you,164 =, Rd joy & ten- der pass— By the boss of Bos-ton Mass. ‘Though his hev-er curl my lip-— ,,., To a dazz-lin' dia-mond clip, ‘Though the ¥ — pass Is mid-dle class_ and not "Back Bay!" —_____ clip meant "let ‘er rip" I'd not say "Nay!" al-ways true to you, dar -lin',in my fash - fon. — 2cls,Via.,cello al-waystrue to your dar-lin'in my way —— There's & There's an — om+ Who is plan-ning to at ~ tack, — Who is keen to give me checks— 4 mad at-tack— means a Cad ° checks I fear,__mean that Tex is here— to — al- ways true to you, my fash - ion, — Ss Tua 165 cs ose airS al-ways trie to you dar-lin', in my way = z 2, «ve been166 dar -lin!, in my al > ways true to you, ED Or ween, * £85 1st Encore Segue after applause No.17a Always True To You In My Fashion Medium bounce = = wealth- y Hin - du priest — Who's a wolf, to say the least, When the Bring Apriest goes too far East, I also al-ways true to you,— dar ~lin',in my — 167 But I'm i to you, al- ways true nny wa —_ dar-lin', in - se lush from Port -land,Ore— g,., Who bf om ee ‘There's a168 - = bore falls on the floor,— 1 let him lay, —————_____— i mf dar-lin', in oF pr169 Har-ris pat_ Means a Paris hat, Ba - be ~~~ Oo-la-lal Mais je — Soop = suis tou ~ jours fl -dele,— Dar - lingin my — fash - ion, sabito p Dar -ling, in s.,Hn,, Cello Segue after applaust om egue after applause170 2nd Encore No.17b Always True To You In My Fashion Medium bounce ___ tows. 4 ——— = eee == ay . a Lo : From O- f Tat a Tho «iss ee - ; if ee ae a 4 ete So ie eee et : fit = : — SS = = SS SS SS es SS SS aS PS z biG, ats - fOr Thorne Calis me up 60m night morR— Mis - ter med PP Ge eae Spa =p = Ps iS SS ee ‘Thorne once cor-ner'écorn_ and that ain't hay, -————______ But I'mal-ways true to you,— dar-lin', in my way. ~ notch, Mis - ter ia = eae Blotch is full of Scotch and full of play. ———-——________ But I'm Ving AL + ways true to you dar — atin my tec a ———_ 7 Mery ut tr sagt poi | 4 5 aa ( yi os 2 al - ways true to you , in my way Mis-ter es eelee| ht. = _ - Vath HH = € ea es, Wantsme on bis boat to 344 HORNPIPE DANCE Ga - ble boat Means a sa - ble coat, An-chors a-weigh! » a, Pa0. hd ram 4 Plee. Clk. 53.878 (area) ++ Be St plea, om ~ Segue after applause erat = \ ssChange Of Scene (Why Can’t You Behave?) ‘pts. ,cls. 88 (Fade out on scene) Sais owe a ais cle, pte 5 OH + Ee —ms No.18 Bianca Cue: FRED: You bore me. Allegro agitato Ast MESSENGER BOY: pg ~ === SSS z = Pack-age for Miss Lois Lane-~ Copyrghe © 1248 by Cole Foe right alee toe FWhastony a8 an (of Literary and Musical Trusa‘under declaratiot of wut by Cole Porter dated Puy 6, 1901, as amended)175 Gu OL taughing Ha, ha, arte. piez Cree A Tein je——— 2nd MESSENGER BOY: GIRLS: for Miss Lo-is For your Bi - an Ha, ba, —— Lo-is Lane. +S. pine. a | S Fao P| pitt agitato (Cet cont.) 4th MESSENGER BOY: (Banker) = Pack-age — for Miss176 MD Sth MESSENGER BOY: (Truckman) GIRLS: ha, ha, ba, ba, ha, Ha, ba, ha, ha, ba, ha, ha. [Link] wee S. a 5 POO BILL: Suddenly slow SB Allegretto Sweet Bi - an - ca,—— While re -hears-ing with Bi - an-ca, She's the Hp, @r-ticep m. +H. | Cello pizz. dar-ling I 7 stage, I found, She's been a - round, But I omam Ei Altegrerto love song, Though I'm just an a -ma = tur, tt Soft Shoe tem) see if it'swor-thy of Are you list ~'nin'?_ fotoF fF 5. = a cae (GIRLS whistle)+ beus (GIRLS whistle) om(GIRLS whistle bet ~ ter an - swer (GIRLS whistie) (Bell) =A oma9 Sweet BI - an-ca, Bi omYou'd bet - ter an-swer m, 1 You'd bet - ter_an -swer181 There's noth -ing 27) would glad -ly give up 1 would glad -ly give up Bi-an- ca, For you. For you.182 a DANCE St tps div. (osaxs ut cle ge 2 om183 we te 7 (159) = eo No.18a Incidental Music Cue: FRED: A spark of affection---a glimmer of love-~ Slowly finder dialogue) ore184 No.19 So In Love—Reprise Cue; DOORMAN: Your cab's waiting, Miss Vanessi. Slowly Strange, TTT ectfete lieve li ese li ete se, (+ Chaat) ? with you am Pid mosso (with freedor & In love with the night a FE Het, ou=_ fp fot — =— a a = * = + a =} ‘The night when(58 Appassionaro jy. sm 8v8 So in lov | (Celeta) (WW, eves) attacca188 Change of Scene No.19a Moderato ‘Tox, routed Fade out on cue ou189 No.20 Brush Up Your Shakespeare Cue: 2nd GANGSTER: It's a boy. Bowery Waltz. tempo npmase, dvtm E ot IP (sxc. cued in Be.) plzz Vamp till ready 2 GANGSTERS: their hearts, one must quote with ease ie T Copyright © 1949 by Cote Porter Sopra tpi to Joka F Whee, as tases one (of uerary and Musical Trust Under decfaratio of ust by Cole Porter date July 6, 1961, at amended190 ‘Aes-chy-lus and Eu +8. blieve me, Soph - o-cles, ci Fl.,S. less you know Shell-ey and Keats dope. Celle, Ba. deb-bies will1st Strat~ford- on - A- von," CUPay 3 times L GB sae es BSS a a ros Coon | ra aces) Sate caus aa oe oat ee a eo) na) Baas eles a QD Lp ty dis _ le BH J up your Shake-speare SD Jour shake-speare we Jour Shake-apeare L ‘=e 1 3 5 =: tr pepe Fe 44 ly 4 a= i om192 you will. wow. @ndG.) Just de -claim a few lines from 0 - the! - la you will wow. (ist G) With the wife of the Brit-ish Em -bessi - da you will wow. @ndG.) If you can't be a ham and do Ham -let, a, cot. ‘And they'll think you'rea hell-uv-a fel la, (1st G.) If your blonde won't re - Try a crack out of Tyoi-lus and Cressi-da, (2ndG.) If she says she won't ‘They will not give a damn or a damn-let, (ist G.)Just re - cite _an_oc ~ ri cece ls.,Vin.,Cello ba Fl tip, }——~ spond when you Mlat-ter'er, Tell her what To-ny toldCle-o - pat-er-er. nd G.)If_ she buy it or tike— it, Makeher tike itywhat'smore,As You Like It. (BOTHVIT she sion-al son -_net, ‘And your lap ‘Il have "Hon-ey"up- on it. 2nd G.) When your TSN 0b., Vie. ee ————— SS ae fighte when her clothes you are musa~ ing, (BOTH) What are clothes? Muck A~ says your be - hav - jor is hein~ ous, Kick her right’ in the Du’. "by is plead ~ ing for pleas - ure, (BOTH) Let her sam ~ ple your er 4 nee . . Fe =. = = aH 44 eo? woe e 2: = rs 7-3 omdo A-bout Nuss ~ing. Cor -i-0 ~ la - mus. Meas-ure for Meas - ure. And they'll all And they'll all ‘And they'll all up up up your Shake-speare your Shake-speare Your Shake-speare For~sooth,And they'll all ot a St.,Ob.,Be. faith, And they'll all kow a g ze Fu 7 SAF attacca194 First Encore No.20a Brush Up Your Shakespeare Liistesso tempo Ae Sina Ld me ee jj m4 7 [FF ©] (TWO GANGSTERS): === = eS = = SS SS rus tp your Stake - apeare, : wh a eay TER TEE att ltte rh) ee ge av i ES See eee =SS—— + = oa 7 ~ 5 : _™ Start quot - ing him ae ie 71) 2 TEP [EFF tS S| = 24 SS 42) Ist: Mer ~ chant men - ton the Bet - ter cot va sweet pound flesh you would give you still she won't y t omSecond Encore No.20b Brush Up Your Shakespeare Listesso tempo i, | , sooth g| Cd 4 —~ {t 7 T [tt F 8 (rwo Ganasters): Brush198 a Wash- ing - ton heights dream,"Lay on, Mac - duf - fyi” attacca200 No.21 Pavane (Why Can’t You Behave?) Tptt Andante 900 gtr 5 Mee on“Sa o [Link] "ig = ec ce.vin3) avis oe 2 2 = + [o_2 attaccaNo.22 I Am Ashamed That Women Are So Simple Cue: PETRUCHIO: Duty they do owe to thelr lords and husbaods ,_Andancino KATHERINE: with ealm diction almost er (pS a a Tam a@shamedthat wom-en are so Se, Hp.,Celena Solo Cello Conpane © 148 by Cote Fe Copygh aged Joao Far om (ot tuerary and Manca! Ts Ut decleaion of tat by Coe Porter dat July 6, 1063, a8 amended)+ Caiio,bm, Your hand ‘neath the sole of your hus - band's foot, , +— sib Fries $ jas + ¢ to-ken of which du~ty, if he please, €- Pe FR ey SSS om204 No.23 Shrew Finale So Kiss Me, Kate (Cue: PETRUCHIO: Come on and kiss me, Kate, Moderato KATHERINE: = PETRUCHIO: mit = ——! TENORS: BARITONES and BASSES: om205 Car - iss -206 Kiss me, Kate, W.W,,H.,Br. calla voes) yy ‘an-gel, di- vine! ev - er be Now thou shall Now thou shall (50, Wi Ha. colla voce) Gr ae.) nf———207 Dar - ling,208 cresc. moltoGrand Finale-Last Curtain No.24a Bowery Waltz tempo “piepeqp) dnd yp) — dd : a —+— —— z ————— = = Piano rar SF. 5] ENTIRE COMPANY: Hp. Ped wes oe== night just re - cite to your TT: eee nis, Tutt Printod by Watkiss Studios Lt. Biggleswade, Beds, 169 " 2 ND OF ACT It