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Ellefson Warm-Up #3 2006: Buzz Etc

The document provides exercises and techniques for warming up on the trombone. It includes lip slurs, scales, and an Arban study to practice pianissimo playing. The exercises focus on relaxation, control, and developing a full sound across the range of the instrument.

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Сeргeй Ховятский
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© © All Rights Reserved
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454 views4 pages

Ellefson Warm-Up #3 2006: Buzz Etc

The document provides exercises and techniques for warming up on the trombone. It includes lip slurs, scales, and an Arban study to practice pianissimo playing. The exercises focus on relaxation, control, and developing a full sound across the range of the instrument.

Uploaded by

Сeргeй Ховятский
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
  • Ellefson Warm-Up #3: Provides warm-up exercises for trombone players focusing on buzzing, metronome settings, and tone production.
  • Lip Slurs: Contains exercises designed to improve lip flexibility and achieve smooth slurs across a range of notes.
  • Soft Palate Techniques: Discusses techniques for playing softly and maintaining tonal quality, including anecdotes and advice from experienced trombonists.
  • Scale Exercises: Presents a variety of scale exercises aimed at improving intonation, articulation, and overall ease of playing.

Ellefson Warm-Up #3 2006

'
# ! $ %$ $
$ %$ &
%$
!
Buzz

# " %&
!
# ! %$
!

$ $ $ $ $ $'
&

$ %& %$ $ $ %&
$

%$ %$ $ %$ %$ %$ '
&

etc.

"
!

$
etc.
$ %& ! (& ) $ & $ $ ) $
& )$ &!
!
!

$ $ $ $
%$
' $ $) $ $ $
'etc.
$
$ $ $
$
$
)$
%$
$
$
$
%$
$
Set metronome to 72 until page 3

Play with full, centered, relaxed sound

# *$ *$ *$ *$
# *$ *$ *$ *$
#

%+

%$* $* $* $*

Loosening up

%$, $, $, $, $ $ $ $ &
* * * * *, *, *, *,

$* $* $* $*
-

%$

%*$ *$ *$ *$ +

*$ *$ *$ *$ %+

*$ *$ *$ *$
+

*$ *$ *$ *$ +

$ $ $$
%
$
$
$

&

$*, $*, $*, $*, $ $ $ $ &


*, *, *, *,

)$ $ $ $
$
$
$

etc.

etc.

&

# $ $ $ $ *$ %$ $ $ $ $ $ $%$ $ $ $ $ $%$ $ $%$ *$ - %$ $ $ $ $ $ $ $ $ *$


*
*
Clear articulation, precise intonation (also do in minor mode)

'
# %$ $ $ $ $ $%$ $ $ $ $ $ $ - $ $ $ $ *$
#

$ $ $ $ $*

$ $ $ $ *$

$ $ $ $ $*

$ $ $ $)$ $ $ $ $ $($ *$
$

etc.
' $ $ $ $ )$ $ $ $ $ $ $ $ $

V.S.

2
Lip slurs

" #" "

#"

#$

#"

"
" #" " "

#$

#" " "

" " " #"


#
"
"
"

#" " %

#" #" " "


#" #" " "
" "
" "
" "
" "
#
"
#
"
! #" "
" #" "
"
3

#"

"
"

"
"# "# " " " " "
"
""
" #"

! #" "#"

#"
" "# "

" " #"

"

'"
" " " "

" " " " " "


'
"
" "
" "
3

"

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#$

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"# "# " " " " "
"
""
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""

#$

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""
"
" "
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"

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"

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"

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3

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""%
$

""

#$

""

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""""""""
"
"
" '"
"
" " etc.
"
! " "' "
"""
" $
"

&

3
Many trombonists struggle with playing softly. My IU colleague, Dee Stewart, points out that in his long
career, he has never known anyone who has lost their job due to not being able to play loudly enough,
but has known plenty who have been let go because they couldn't play softly enough. Just like any other
key fundamental, daily practice will improve ones pianissimo reliability.Play this Arban study as softly as
possible, beginning with any mid-range pitch. Don't always play the written keys. Choose the articulation,
and tempo prior to beginning the study but vary the style each day. Buzz the muthpiece if "no-speakums" or
"stickies" occur. Keep the air ample and intense yet relaxed. Keep the chops relaxed and don't pinch.
q=60

# #
#
#
#
#
#
#
#
# # # # # # # # # # #
!" # #
# #
""
ppp

# # #
!" # # # # # # # #
#
#
#
#
#
#
#
# $#
# #
""
# #
# #
!" # # # # # # # # # # #
# # # # # #
#
#
#
#
#
""
# # # #
# # # # # # # # # # &
!" # # # # # #
%
""

rest

! '''

# #
#
#
#
#
#
#
#
# # # # # # # # # # #
# #
# #

Repeat a tritone away (either above or below)

! ''' # # #
# # #
#
# # # # # # # # # # # # # # #
# '#
! '''

# #
#
#
#
#
#
#
#
# # # # # # # # # # #
#
#
#
#

! '''

&
# # # #
#
#
#
#
#
#
#
#
#
#
# #
# # %
# #

rest

Play the following scale exercises with a relaxed, precise slide. Pay close attention to achieve accurate
intonation. Apply various tempos and articulations but above all keep it sounding FREE and EASY!

" #" " "


"
#
"
"
"
#
"
" #" " #"

#" $" #"


#" $" #" $" #" $" #" #" $"

" #" #" "


"
#
"
#
"
"
#
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" #" " #"

#" $" #" $"


$
"
#
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$
"
#
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$
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#" $"

"
#
"
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"
$
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" #" " #" #" $"

" %"
"
#
"
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#
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#
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%" &" " #"

! " #" #" $" #" $" #" #" $" #" $" #" "

" "
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#
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#
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" #" " #"

! #" $" #" $" #" $" $" #" $" #" $" #"

#"

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#
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"
" #" " #"

! #" $" #" $" $" #" $" #" $" #" $" $ "

#"

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#
"
#
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$
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#
"
$
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" #"

" #" " "


"
#
"
"
"
#
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! " #" " #"

#"

$" #"

Descend in same pattern

'

" " " " " " " " " " " " %"

" " " " " " " " " " " " " " %" " "

"" (

" #" " " " " " " " " #" " "

#"#" " "#" " " " " " " " "#" " "# " # "

% " " " " " " " " " " " %"

%" " " %" " " %" " " " " " " " " %" %" " "

" (

%" (

rest

)
)
)

etc.

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