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KEYBOARD 3
A musical by Alain Boubil and Claude-Michel Schénberg
Music by Claude-Michel Schénberg
Lyrics by Richard Maltby, Jr. and Alain Boubil
Adapted from the original French lyrics by Alain Boubil
Music THEATRE INTERNATIONAL
NOTICE: DO NOT DEFACE!
* Should you find it necessary to
mark cues or cuts, use a soft black
lead pencil only.
NOT FOR SALE
* This book is rented for the period
specified in your contract. It remains
the property of
‘Music THEATRE INTERNATIONAL
421 West 54th Street
New York NY 10019
(212) 541-4684
www.MTIShows.com,
Copyright © Cameron Mackintosh Li,Keyboard 3
Patch List
Strings, Koto, Trombones, Piccolo, Electric Guitar, Acoustic
Guitar, Shamisen, Bass, Marcia, Clarinets, Tuba, BassoonKeyboard 3 Page -2- Miss Saigon (Reduced)
1. OPENING ACT ONE
Relentlessly /=108
4
mf
a
Strings i cresc. molto
harmonics
1
5
fmf ———————| gz
=
(Orhastratlon by Was D. Bohn
(Orchestral Adaptation by Sean Alderking
ZzKba3 Page-3- _1.Opening Act 1/Miss Saigon (Reduced)
*
* FuriosoKbd3 Page-+ — 1.Opening Act 1/Miss Saigon (Reduced)
s) as
yp a ieKbd 3 Page-5- _ 1.Opening Act 1/Miss Saigon (Reduced)Kbd3 Page-6- _ LOpening Act 1/Miss Saigon (Reduced)Kba3 Page-7- _1.Opening Act 1/Miss Saigon (Reduced)Keyboard 3 Miss Saigon (Reduced)
2. THE HEAT IS ON IN SAIGON
1
Trombones 5% |=
Sf
(Orchestration by Wim D. Brot
(Orchesta Adaptation by Seana Alderking
4Kbd 3 Page -2- 2.Heat is On /Miss Saigon (Reduced)
Clarinets
nf | f F
Electric GuitarKbd3 Page -3- 2.Heat is On /Miss Saigon (Reduced)
14
Strings | 7%?Kbd3 Page -4- 2.Heat is On /Miss Saigon (Reduced)Kbd3 Gg Page -5- 2.Heat is On /Miss Saigon (Reduced)Kbd3 Page-6- 2.Heat is On /Miss Saigon (Reduced)Kbd3. Page-7- 2.Heat is On /Miss Saigon (Reduced)Kbd3 Page -8- 2.Heat is On /Miss Saigon (Reduced)Kbd 3 Page -9- 2.Heat is On /Miss Saigon (Reduced)
2
\aKeyboard 3 Miss Saigon (Reduced)
3. THE MOVIE IN MY MIND
27\ Slowly colla voce
Strings con sord.
palatal a
(Orchestration by Willa D. Broa
COrcheseal Adaptation by Seana Alderking
0Kbd3 Page -2- 3.Movie/Miss Saigon (Reduced)
eee
atempo
(poco pit mosso)
rall. 50
Pit mosso %
zyKbd3 Page -3- 3.Movie/Miss Saigon (Reduced)
atempo appassionato
PC mato
=
tempo primo
rail. a tempo pi
fi 3Kba3 Page-- 3.Movie/Miss Saigon (Reduced)Kbd3 Page-5- 3.Movie/Miss Saigon (Reduced)
~ BB DS all.
S ee
=
rd
Meno mosso
ral. a tempo primo
&
gw err.
owKeyboard 3
B Very rhythmic J.-122
Strings
f
Miss Saigon (Reduced)
4. BARTERING FOR KIM
=> A
Orchestration by Willam D. Bron
Orchestral Adspiation by Sean Alerkng
aKbd.3 Page-2- 4.Bart. for K./Miss Saigon (Reduced)Kbd.3 Page -3- 4.Bart. for K./Miss Saigon (Reduced)
en
ccaKbd. 3 Page -4- 4.Bart. for K./Miss Saigon (Reduced)
2Kbd.3
Page -5-
4.Bart. for K./Miss Saigon (Reduced)
SlowerKeyboard 3 Page-2- Miss Saigon (Reduced)
5. KIM AND CHRIS DANCE
Slowly and dreamil
45)
8 Strings
PP | non vibrato
Cello harm, —
non vibrato
Cello harm. =
CN en ee ee
(Orchestration by Wiliam D.Brohn
Orchestral Adaptation by Sean Alderking
3)Kbd3 Page -3- 5.K&C Dance/Miss Saigon (Reduced)
32Keyboard 3 Miss Saigon (Reduced)
5A. TRANSITION TO WHY GOD, WHY?
Lento tranquillo
7
Q :
non vibrato
Strings con sord.
non crese.
‘Orchestration by Willa. Brokn
(Ones Adaptation by Seana Alderking
a>Keyboard 3 Miss Saigon (Reduced)
6. WHY GOD, WHY?
Liistesso tempo
>
PP non vibrato
Strings “ con sord.
‘Orchestration by Willan D, Bron
(Orhestral Adapiation by Soann Alerking
WNKbd3 Page-2- 6. Why God/Miss Saigon (Reduced)
‘poco a poco con vibrato
o
ral a tempo
#9]
a tempo
aeKbd3 Page-3- 6. Why God /Miss Saigon (Reduced)
Io
£
a7Kbd 3 Page-4- 6. Why God/Miss Saigon (Reduced)Kbd3 Page -5- 6. Why God /Miss Saigon (Reduced)
igs
a4Kbd3 Page-6- 6. Why God /Miss Saigon (Reduced)
tat 1 J) port aumpo pine Sumy
dim. poco a poco
4oKeyboard 3 Miss Saigon (Reduced)
7. THIS MONEY'S YOURS
56 |Andante ae 108
‘Orcheseation by Wiliam. Broba
Orchestral Adapaton by Senn AlderkingKbd.3 Page-2- 7. This M's Yrs. / Miss Saigon (Reduced)
rall.
Strings =
con serd e
OA
2 ff
19
gp |e Le
=
“y
Pi mosso pocorall. a tempo
pizz. senza sord.
mp
| zKbd.3 Page-3- 7. This M's Yrs. / Miss Saigon (Reduced)
eco pit masa g
woe We <——_
eee rall. atempo ral.
uduyKbd.3 Page-4- 7. This M’s Yrs. / Miss Saigon (Reduced)
a tempo ‘Tempo primo (faster)
4Keyboard 3 Page-2- Miss Saigon (Reduced)
8. SUN AND MOON
64) Allegretto amabile! = 16
Shamisen PP
a tempo
—)
(Orchestration by Willa D, Bron
Orchestral Adapiton by Seana Aldering
ubPage-3- _8Sun and Moon/Miss Saigon (Reduced)
8 rall.
SS
atempo
ay «Pid mosso (poco agitato)
os 7
Es
(Turn with RH.)
WIKbd3 Page-4 8Sun and Moon/Miss Saigon (Reduced)
Maestoso | =.
(rhapsodic)
uyKba3 Page-5- 8 Sun and Moon/Miss Saigon (Reduced)
poco rall.
Meno Mosso 3 a m~
|
|
.
pizz.
4Keyboard 3 Miss Saigon(Reduced)
8A. UNICORN
1 GB Adagietto
Koto
P
harm. &
(rchesuation by Wilism D.Brokn
(Orchestral Adaptation by Sosa AldekingKeyboard 3 Miss Saigon (Reduced)
9. TELEPHONE SEQUENCE
Urgently J = 152
15 3 DI
(Orchesttion by Wl D. Broke
Crhesral Adaptation by Seann Alderhing
s\Kbd3 Page -2- 9.Tel. Seq. /Miss Saigon (Reduced)S>Kba3 Paget 9.Tel. Seq, / Miss Saigon (Reduced)
‘mp cresc. poco a po}Keyboard 3 Miss Saigon (Reduced)
9A. THE DEAL
Orchestration by Wiliam D.Brobn
(Orchestral Adaptation by Seann AlerkingKbd3 Page -2- 9a.The Deal/Miss Saigon (Reduced)
= = #Keyboard 3 Page 2- Miss Saigon (Reduced)
10. THE WEDDING
Moderato assai d= 120
harm. oe
a
i
ae
arco
F mf
le
(Orchestration by Wiliam D. Brohin
(Orchestral Adaptation by Senna Aldering
ofKba3 Page-3 10. Wedding / Miss Saigon (Reduced)
(@sr
x4Kbd 3 Page-4 10. Wedding / Miss Saigon (Reduced)
Prenton GZ) J
2 Andante Semplicee = 80
faeat
arco harm.
all a tempoKbd3 Page -5- 10. Wedding / Miss Saigon (Reduced)
(TIME)
ehKbd3 Page -6- 10. Wedding / Miss Saigon (Reduced)
b?Keyboard 3 Miss Saigon (Reduced)
11. THUY'S INTERVENTION
(Version A)
Ad lib. colla voce
ho: =
Slowly,
strings P fp Sp Sp f
non vi
‘Tempo moderato J=2.
(Orchestration by Witism D.Braha
‘Orchestral Adaptation by Sean Alderking
e4Kbd3 Page -2- 11-Thuys Int. /Miss Saigon (Reduced)
Version A
o
ee yyKbd3 Page -3- ‘Thuys Int./Miss Saigon (Reduced)
Version A
GGKbd3 Page -4- T1Thuys Int. /Miss Saigon (Reduced)
= Version A
SD ss
lol Marcia
2
a molto rit. colla voce rall.
67Keyboard 3 Page -2- Miss Saigon(Reduced)
12. LAST NIGHT OF THE WORLD
Languidly J = 118
10
Orchestration by Wiliam D, Bron
‘Orchestral Adaptation by Sean Alderking
4Kbd3 Page-3- 12.Last Night/Miss Saigon (Reduced)
64Page-+- 12.Last Night/Miss Saigon (Reduced)
est EN
a tempo
nvKbd3 Page -5- 12.Last Night/Miss Saigon (Reduced)
f mp
= | S|
a tempo
fKbd3
Page -6- ‘12.Last Night/Miss Saigon (Reduced)
cd
ke
Poco pitt mosso
BKeyboard 3 Miss Saigon (Reduced)
13. THE FALL OF SAIGON
Marcia J = a wo
(Orhestrationby Wl D. Bros
(Orhestal Adaptation by Seann Aldeking
a4Kbd3
Page -2-
13. Fall of Saigon/Miss Saigon (Reduced)
poco accel,Kbd3 Page-3- 13. Fall of Saigon/Miss Saigon (Reduced)
Poco pitt mosso
46Kbd3 Page-4- 13. Falll of Saigon/Miss Saigon (Reduced)
alKbd3 Page-5- 13. Fall of Saigon/Miss Saigon (Reduced)
74Kbad3 Page-6- 13. Fall of Saigon/Miss Saigon (Reduced)Kba3 Page-7- 13. Fall of Saigon/Miss Saigon (Reduced)
glKbd3 Page-8 13. Fall of Saigon/Miss Saigon (Reduced)
4aKbd3 Page-9- 13, Fall of Saigon/Miss Saigon (Reduced)
2
rall, Meno mosso
Pit mossoKbd 3 Page-10- 13. Fall of Saigon/Miss Saigon (Reduced)
y SS
Faster
aKbd 3 Page-Il- 13. Fall of Saigon/Miss Saigon (Reduced)
— oS
68Kbd3 Page-12- 13. Fall of Saigon/Miss Saigon (Reduced)
erese. molto
geKbd3 Page-13- 13. Fall of Saigon/Miss Saigon (Reduced)
be te 2 te ie
*
Feroce
$7Kba3 Page-14- 13, Fall of Saigon/Miss Saigon (Reduced)
$8Kbd3 Page-15- 13. Fall of Saigon/Miss Saigon (Reduced)
t & ef te f
AKbd3 Page-16- 13, Fall of Saigon/Miss Saigon (Reduced)
aoeae eee
Keyboard 3
‘Tempo rubato
atempo
Page -2- Miss Saigon (Reduced)
14, ISTILL BELIEVE
(Orchestration by Wiis D. Bron
(Orchesrl Adapation by Saann Alderking
aaKba.3 Page-3- 14. IStill Bel. / Miss Saigon (Reduced)
a tempo — —
8——8 g—_3 Ss bS rall. colla voce
S. s
te
‘te 0
an ——~
gz
loko.
Ho:
‘ORe:
-
z
a a tempo
— 11
il
ADKbd.3 Page -+- 14. IStill Bel. / Miss Saigon (Reduced)
rall.
3
Pid mosso oe?
3 tee all.
ayKbd.3 Page-5- 14. IStill Bel. / Miss Saigon (Reduced)
a tempo
<= ee
<> : molto rit,Keyboard 3 Page-2- Miss Saigon (Reduced)
15. COO-COO PRINCESS
Y
Fairly Fast
mf
molto rall.
(Orchestration by Wiliam D Brobn
‘Orchestral Adaptation by Seana Aldesking
abKbd3 Page -3- 15.Coo-Coo Princess /Miss Saigon (Reduced)
= Meno mosso ®
pizz.
Agitato (pitt mosso)
3. @
atKba3 Page -4- 15.Coo-Coo Princess /Miss Saigon (Reduced)
‘mf non vib,
[726] Poco piti mosso
arco
s
aaKbd3 Page -5- 15.Coo-Coo Princess/Miss Saigon (Reduced)
tall. Poco meno mosso.
ANP cresc. poco a poct
Page -6-15.Coo-Coo Princess /Miss Saigon (Reduced)
3
02Kbd3 Page -7-15.Coo-Coo Princess / Miss Saigon (Reduced)
\o\\o2Kbd3
Page -8- 15.Coo-Coo Princess /Miss Saigon (Reduced)
Marcia 3 2
(Turn with RH.Kbd3 Page -9- 15.Coo-Coo Princess /Miss Saigon (Reduced)
(eoKbd3
Page -10-15.Coo-Coo Princess / Miss Saigon (Reduced)
\oKbd3 Page -11-15.Coo-Coo Princess /Miss Saigon (Reduced)
‘Tempo giusto
pL
Op |
~Kbd3 Page -12-18.Coo-Coo Princess/Miss Saigon (Reduced)
2 poco rall. a
\o7FKbd 3 Page -13-15.Coo-Coo Princess /Miss Saigon (Reduced)
3
LogKbd3 Page -14-15.Coo-Coo Princess /Miss Saigon (Reduced)
a ‘Meno mosso
2Kba3 Page-2- _16-Thuy's Death/Miss Saigon (Reduced)
16. THUY'S DEATH
Fast
pizz. | = 144
os
—
(Orchestration by Wiliam D. Bron
(Orchestral Adaptation by SeannAlderking
AO.Kbd3 Page-3- _ 16.Thuy's Death/Miss Saigon (Reduced)
Andante appassionato «.
a tempo
f
(LH.tumn)
aeaKbd 3 Page-4- _ 16.Thuy's Death/Miss Saigon (Reduced)
a tempo
wadKbd3 Page-5- _16:Thuy's Death/Miss Saigon (Reduced)
weKbd3 Page-6- _16.Thuy's Death/Miss Saigon (Reduced)
poco rall.
a tempo
ygKba3 Page-7- _16-Thuy's Death/Miss Saigon (Reduced)
veKeyboard 3 Miss Saigon (Reduced)
17. IF YOU WANT TO DIE IN BED
Faster J =152
“strings Sf
E
:
e
COschestrtin by William D,Brobn
Cres Adaptation by Seann Aldering
\\7Kbd 3 Page-2- 17.If You Want../Miss Saigon(Reduced)
Lightly 1
12
Clarinets
Tuba
Meno mosso
plzz.
\M4Kbd 3
‘Tempo I
Page-3- _‘17.1f You Want../Miss Saigon(Reduced)
poco accel
f
ia)Kbd3 Page-¢ 17.1 You Want../Miss Saigon(Reduced)
Tuba
Meno mosso
(peKbd3 Page-5- 17.1 You Want../Miss Saigon(Reduced)
a tempo (con moto) #
see
—
Tuba &
<< e
A tempo primo
g Slower (colla voce)
etKbd3 Page-6- 17.1f You Want../Miss Saigon(Reduced)
sp Grandioso
Te
oa eras ai.
Ebeboke
E abels
Ipv
Ibv-)
Moderato stringendo poco a poco
Electric Guitar
120Keyboard 3 Miss Saigon (Reduced)
18. KIM AND ENGINEER
Aggressively 5
; A)
2
Electric Guitar &
ral. Lento rubato
a %
161)
arog 5
P
11 Strings
mp| —— | mp
VS.
(Orchestration by Willam D Brohn
‘OrcheslAdaptation by Sean Aldesking
\a%Page-2- 18. Kim & Eng. / Miss Saigon (Reduced)rit, &
te
Kbd3 Page-3- 18. Kim é& Eng. / Miss Saigon (Reduced)
@
eo
Energico Very bright
yeeKba3 Page-+ 18. Kim & Eng. / Miss Saigon (Reduced)
accel. 3
Freely accel. rall, atempo 5
‘Tempo!Keyboard 3 Miss Saigon (Reduced)
19. FINALE ACT ONE
WBancante b,
1 Strings = P
Not too slow
‘Acoustic Guitar
Darenpo :
rall.
P strings
C—O
G —
(Orchestration by Wiliam D. Boo
(Orheatal Adaptation by Seana AMrking
127Kbd.3 Page -2- 19. Fin. Act 1/ Miss Saigon (Reduced)
rall. #
ite] a tempo
2Kbd.3 Page -3- 19. Fin. Act 1/ Miss Saigon (Reduced)
‘mp sub.
Dw _—
(4Kbd.3 Page -4- 19. Fin. Act 1/ Miss Saigon (Reduced)
SlowerKbd.3 Page -5- 19. Fin. Act 1/ Miss Saigon (Reduced)
a a tempo
Aah\3aKeyboard 3 Miss Saigon (Reduced)
20. OPENING ACT TWO
oO Agitato
Meno mosso ¢
(Orchestration by Willa D Boba
Orchestal Adapiton by Sana Aldeking
\3>Kbd 3 Page-2- 20.Opening Act 2/Miss Saigon (Reduced)Page-3- 20.Opening Act 2/Miss Saigon (Reduced)
Kbd3
Faster (in 4)
s
Shamisen
Strings
f—————- pp
ew
BSKeyboard 3 Miss Saigon (Reduced)
21. BUI-DOI
Slowly, with dignity 5
11
slight rall. @ tempo
(Orchestration by Winn D. Bro
(Orchestral Adaptation by Seann Alerking
\abKbd3
Page -2-
slight rall.a tempo
21.Bui-Doi/Miss Saigon (Reduced)Kbd 3 Page -3- 21.Bui-Doi/Miss Saigon (Reduced)
=
—~,
13%Keyboard 3 Miss Saigon (Reduced)
22. POST BUI DOI
Vivace
‘Orchesuationby Willan D. Brohn
‘Ores Adaptation by Sean Alderking
134Kbd.3 Page-2- 22. Post Bui-Doi/Miss Saigon (Reduced)
Con moto ral. aatempo
{Keee Oe eee
Kbd.3
Slower
2. Post Bui-Doi/Miss Saigon (Reduced)
yahKbd.3,
ete t
Page-4
22. Post Bui-Doi/Miss Saigon (Reduced)
pits
Moderato llKeyboard 3 Miss Saigon (Reduced)
23. BANGKOK
Moderato 4
(schesteation by Wit. Bro
‘Orchestral Adaptation by Seana Aldaring
(43Kbd3 Page -2- 23.Bangkok/Miss Saigon (Reduced)
3 _ @
3
* yasKbd3 Page -3- 23.Bangkok/Miss Saigon (Reduced)aeKbd 3 Page-4- 23.Bangkok/Miss Saigon (Reduced)
(XIKbd3 Page -5- 23.Bangkok/Miss Saigon (Reduced)Kbd 3. Page -6- 23.Bangkok/Miss Saigon (Reduced)
boo We
v4Kbd3 Page -7- 23.Bangkok/Miss Saigon (Reduced)
Faster 2
NieKbd 3 Page -8- 23,Bangkok/Miss Saigon (Reduced)
a rall. =
3 3
a tempo 7
ee ees iaKbd3 Page -9- 23.Bangkok/Miss Saigon (Reduced)
22:
2Kbd3 Page -10- 23.Bangkok/Miss Saigon (Reduced)
accel.
12 Poco meno mosso 2
ioe———
ee
Kbd3
Poco meno mosso
Page -11-
is
23.Bangkok/Miss Saigon (Reduced)Keyboard 3 Miss Saigon (Reduced)
24, PLEASE
‘Orchesetion by Willa D. Brak
(Orhusrl Adaptation by Seana AlderingKbd3 Page -2- 24. Please/Miss Saigon (Reduced)Kbd3 Page 3- 24, Please/Miss Saigon (Reduced)
—v
ees
a tempo
g.°
\s1Kbd 3 Page -4 24, Please/Miss Saigon (Reduced)
tall.
iS Le
molto rall.
z
molto rall.
70] a tempo a goolions
ee
\58Keyboard 3 Miss Saigon(Reduced)
25. CHRIS IS HERE
B Driving tempo
cp
= Eu
Pid mosso
Crime
Orchestration by Wiliam D. Braba
Cnchesral Adaptation by Seana Aldesking
54Kbd3 Page-2- _25.Chris is Here/Miss Saigon (Reduced)
i) 2
Pill mosso 8
Poco meno mosso
\ 6°ee Oe eee
Kbd3
rall.
25.Chris is Here/Miss Saigon (Reduced)
2 = =
= = = #
a tempoKeyboard 3 Miss Saigon (Reduced)
26. KIM'S NIGHTMARE (PART 1)
Bsiomy 269 poco a poco accelerando
‘Orchestration by Wis D-Brohn
‘Orchestral Adaptation by Sean Aldeking
442Kbd3 Page-2- 26. Nightmare Pt 1/Miss Saigon (Reduced)Kbd3 Page-3- 26. Nightmare Pt 1/Miss Saigon (Reduced)
Be Poco pid mosso a
uyKbd3 Page-# 26. Nightmare Pt 1/Miss Saigon (Reduced)
ela) (eee) eee peeledKeyboard 3 Page-2- Miss Saigon (Reduced)
27. KIM'S NIGHTMARE (PART 2)
B Frenetically
1 oF
Crhesration by Wilam D.Brohn
(Orcheseal Adaptation by Seana Aldecking
aKba3 Page-3- 27. Kim's N. Pt.2 / Miss Saigon (Reduced)Kbd3. Page-4- 27. Kim's N. Pt.2 / Miss Saigon (Reduced)Kbd3 Page-S- 27. Kim's N. Pt.2 / Miss Saigon (Reduced)
(eAKbd 3 Page-6- 27. Kim's N.Pt2 / Miss Saigon (Reduced)
o 2
[1°Kbd3 Page-7- 27. Kim's N. Pt.2 / Miss Saigon (Reduced)
Passionato e allargando
« “?
Ile
(ulKeyboard 3 Page-2- Miss Saigon (Reduced)
28. KIM'S NIGHTMARE (PART 3)
Frenetically D
Strings
‘orchestration by Wiliam D. Broa
‘Oreeszal Adaptation by Seana Alderking
\daKbd. 3 Page-3 28. Kim's N. Pt 3 /Miss Saigon (Reduced)
\1>Kbd.3 Page-4- 28, Kim's N. Pt3 /Miss Saigon (Reduced)
ap
goha ich gy
o
|
!
pee
|
.Kbd.3 Page-5- 28. Kim's N. Pt.3 /Miss Saigon (Reduced)Kbd.3 Page-6- 28. Kim's N. Pt3 /Miss Saigon (Reduced)
rall. molto rall.
e a penKeyboard 3 Page-2- Miss Saigon (Reduced)
29. SUN AND MOON (REPRISE)
@ ‘Maestoso > * is aI da
oo
Pid mosso
:
r
f
‘Omen by Wiliam D. Brokn
‘Orchesta Adaptation Seana Alderkng
(17\1¢Kbd.3
Gently
Page-3-
vu
29.8. & M. Rep. / Miss Saigon (Reduced)Kbd.3 Page-+ —29.S. & M. Rep. / Miss Saigon (Reduced)
Poco agitato
Poco pitt mosso
pi mos
mf
\GKbd.3 Page-5- 29.S.& M. Rep. / Miss Saigon (Reduced)
Maestoso
Ort
‘Tranquillo
\e\G4Kbd.3 Page-6- 29.S. & M. Rep. / Miss Saigon (Reduced)
molto accel.
\W>Keyboard 3 Page 2- Miss Saigon (Reduced)
30. KIM AND ELLEN
BB nina _
f
2 - oe
ig
41
os
‘Oncheseton by Wiliam D Bra
(Orchestral Acapation by Seann Aldeckng
\erKbd.3 Page 30. E. and K. / Miss Saigon (Reduced)
molto rubato
_P.
Electric Guitar
jolto rubato 7 Slow 4
\6SKbd.3 Page-4- 30. E. and K. / Miss Saigon (Reduced)
Piit mosso 6 ae
‘orese. poco a poco
rit.
rubato 4 Bo con moto accel. pocd'a poco
\ GhKbd.3 Page-5- 30. E. and K. / Miss Saigon (Reduced)
quasi recit.
colla voce 4
(aKeyboard 3 Page -2- Miss Saigon (Reduced)
31. NOW THAT I'VE SEEN HER
o
p Strings
p~ Ce)
(Orchestration by William D. Bohn,
(Orchestral Adaptationby Seana Alderking
A849Kbd3 Page-3- 31. Now That I've/Miss Saigon(Reduced)
Pid mosso — ee
€
\54Kbd3 Page-4- _31.Now That I've/Miss Saigon(Reduced)
a tempo pocotenuto a tempo
rit, a tempo
EE PAS
——= | ¢Kbd3 Page-5- 31.Now That I've/Miss Saigon(Reduced)
2
rall. poco a poco
& —f rall.
a tempo rit.Keyboard 3 Page-2- Miss Saigon (Reduced)
32. ELLEN AND CHRIS
(Version A. Understudy Key)
BH sues energin
Piz
Strings fz
2
Poco meno mosso
Orchestration by Will D. Bohn
‘Orchestral Adaptation by Seann Alerking
\eee
eee
Kbd3
Page-3-
32.Ellen&Chris/Miss Saigon(Reduced)
Version A
i.
oe TRANSPOSE +2Kba3 Page-+ _32.Elleng&Chris /Miss Saigon(Reduced)
oe Version A
senza vibrato
P
yanKbd3 Page-3- --32.Ellené&«Chris/Miss Saigon(Reduced)
TRANSPOSE +2 Version A
-: . = Te
IF
rall. a tempo
Y
\AeKbd 3 Page-6- _32.Ellen&Chris/Miss Saigon(Reduced)
frsion A
4 4
4
—_
S TRANSPOSE =O) poco a poco acel e cresc.
eo
‘Tempo giusto
Poco meno mosso
Half tempo 2
me eee
\aea tempo
Page-7-
\~a
32.Ellené&Chris/Miss Saigon(Reduced)
Version AKeyboard 3 Miss Saigon (Reduced)
32A. PAPER DRAGONS
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Orsheetration by Wiliam D. Baba
Orshestral Adaptation Sean Alderhing
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33. THE AMERICAN DREAM
Very free - 2
Meno mosso 3
Moderato
col legno
(Orchestration by Wiliam D. Broa
‘Orchestral Adaptation by Sean Aldering
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poco ral
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Keyboard 3
Majestic
Strings
Page 2- Miss Saigon (Reduced)
34, FINALE ACT TWO
(Orchestration by Wiliam D. Bron
(Orheszel Adaptation by Sennn Aldecking
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2
Poco agitato
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34, Finale Act 2/ Miss Saigon (Reduced)
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Misterioso
BS Agitato pi mosso
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Adagio, tristemente 7
poco a poco cresced accel.
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ZAGKeyboard 3 Page -2- Miss Saigon (Reduced)
35. PLAYOUT
oe appassionato
COrcheation By Willams D. Bron
Orchestral Adaptation by Seann Alderking
zzo35. Playout/Miss Saigon (Reduced)
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Grave Ana
marcato ep
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