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beauty is a rare thing:
the complete
atlantic recordingsee ke ee La
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released only in Japan; six previously unreleased compositions;
and Coleman’ two instrumental contributions to Gunther
Schuller’s Jazz Abstractions album. Although he recorded probably
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under contract with the label, only these six hours survive, due to a
warehouse fire that destroyed a large portion of our session tapes i
oe
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created considerable controversy. Yet, when listening to these
compositions with 1990s ears, with post-punk, post-metal, post-
minimalism, post-distortion, post-Metal Machine Music ears, itis hard
to understand what the fuss was all about. While the music in this set
still sounds like no other and retains all of its freshness and vibrant
vitality, it is in no way difficult, It is honest music, created by a free-
thinker whose only intention was to share his own highly personal
vision of beauty.
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day. In 35 years of recording, he has never compromised, never looked
for trends to follow. Rather, he has continued to play, to write, to paint,
to improvise, in the process influencing and inspiring several
generations of musicians in and outside of jazz. From the Art
nsemble of Chicago to Sonic Youth, from The Grateful Dead to
Living Colour, music would not be what itis today without Ornette’s
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nerous human being, Ornette Coleman
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it
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you come to his music with an open mind and listen with your heart,
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Atlantic Records