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Signal Flow Chart

The document describes an audio setup with a control room, live room, DAW, audio interface, and console. Microphone and line-level signals from the live room are sent to the console via the audio interface. Signals can then be recorded through the DAW or monitored. The console provides cue mixes and effects sends and returns that allow signals to be routed for monitoring or processing.

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PanyBbly
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756 views5 pages

Signal Flow Chart

The document describes an audio setup with a control room, live room, DAW, audio interface, and console. Microphone and line-level signals from the live room are sent to the console via the audio interface. Signals can then be recorded through the DAW or monitored. The console provides cue mixes and effects sends and returns that allow signals to be routed for monitoring or processing.

Uploaded by

PanyBbly
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

CONTROL ROOM

DAW

LIVE ROOM
LIVE ROOM SOURCE
9-24

THUNDERBOLT TO FIREWIRE

CONTROL ROOM SOURCE


1-8

AUDIO INTERFACE
ANALOG

ADAT

ADAT

BOX 2

FX1

AUX 1

FX2

AUX 2

FX3

AUX 3

FX4

AUX 4

FX5

AUX 5

FX6

AUX 6

FX7

AUX 7

FX8

AUX 8

AD
1-8

AD
9-16

AD
17-24

MTK
25-32

MTK
33-40

BOX 1

MTK
41-48

CONSOLE

AUX 9

CUE MIX 1

AUX 10

CUE MIX 2

AUX 11

CUE MIX 3

AUX 12

CUE MIX 4

STEREO
BUS

POST FADER SENDS

ANY 2 Channels

PRE FADER SENDS


MONITORS
1

RECORDING-MONITORING PATH

DAW

1. MIC-LINE INPUT in
Console / Interface
2. Check METER

CONTROL ROOM SOURCE


1-8

3. Into DAW via DIRECT OUT


(Pre EQ on console)

AUDIO INTERFACE

4. Create track (mono/stereo)


5. Choose INPUT
6. Choose OUTPUT
7. RECORD ENABLE to
receive input level
LIVE ROOM SOURCE
9-24

8. Check Protools METER


9. Monitor the signal at the
RECORDING PATH

CONSOLE

10. Monitor the signal at the


MONITOR PATH

STEREO
BUS

You are now ready to record!!!

REC PATH
MON PATH

MONITORS
2

CUE MIXES

1. From the MTK RETURNS


choose the channel you want
to send to the CUE MIX

DAW

CONTROL ROOM

LIVE ROOM

AUDIO INTERFACE

2. Select CUE MIX (AUX 9-12)


and make it PRE FADER

ADAT

ADAT

3.Via the encoder, SEND signal


4. Check MASTER AUX
5. Do the same for any channel
you need to go into Cue mixes

MTK
25-32

MTK
33-40

CONSOLE

MTK
41-48
AUX 9

CUE MIX 1

AUX 10

CUE MIX 2

AUX 11

CUE MIX 3

AUX 12

CUE MIX 4

PRE FADER SENDS

FX SENDS & RETURNS

DAW

LIVE ROOM

THUNDERBOLT TO FIREWIRE

CONTROL ROOM SOURCE


1-8

LIVE ROOM SOURCE


9-24

AUDIO INTERFACE
ANALOG

ADAT

ADAT

BOX 2

FX1

AUX 1

FX2

AUX 2

FX3

AUX 3

FX4

AUX 4

FX5

AUX 5

FX6

AUX 6

FX7

AUX 7

FX8

AUX 8

AD
1-8

AD
9-16

AD
17-24

MTK
25-32

MTK
33-40

MTK
41-48

CONSOLE

BOX 1
1. From the MTK
RETURNS choose the
channel you want to send
to the FX processors
2. Select FX from library,
choose path (AUX 1-8) and
make it POST FADER
3.Via the encoder, SEND
signal
4. Check MASTER AUX

POST FADER SENDS

FX RETURNS (2-Channels in the console)

5. Input patch the FX


returns into 2 channels on
the console
4

FX SENDS & RETURNS into CUE MIX


1. From the MTK RETURNS choose the channel you want to send to the FX processors
2. Select FX from library, choose path (AUX 1-8) and make it POST FADER
3.Via the encoder, SEND signal
4. Check MASTER AUX
5. Input patch the FX returns into 2 channels on the console
6. Select the FX returns channels and send them into desired CUE MIX (AUX 9-12)

FX1

AUX 1

FX2

AUX 2

FX3

AUX 3

FX4

AUX 4

FX5

AUX 5

FX6

AUX 6

FX7

AUX 7

FX8

AUX 8

MTK
25-32

MTK
33-40

MTK
41-48

CONSOLE

POST FADER SENDS

FX RETURNS (2-Channels in the console)


5

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