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Jin Nyodo Honkyoku Symbols Guide

This document lists Japanese symbols and terms used in Jin Nyodo Honkyoku, a traditional Japanese bamboo flute music. It provides the translations of symbols representing musical notes like do, re, mi. It also includes terms describing musical techniques and characteristics like pitch, volume, articulation. The list contains over 50 symbols and terms and their English translations to explain the musical notation and performance practices of Jin Nyodo Honkyoku.

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Javier Peris Sabater
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570 views2 pages

Jin Nyodo Honkyoku Symbols Guide

This document lists Japanese symbols and terms used in Jin Nyodo Honkyoku, a traditional Japanese bamboo flute music. It provides the translations of symbols representing musical notes like do, re, mi. It also includes terms describing musical techniques and characteristics like pitch, volume, articulation. The list contains over 50 symbols and terms and their English translations to explain the musical notation and performance practices of Jin Nyodo Honkyoku.

Uploaded by

Javier Peris Sabater
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
  • Symbols Used in Jin Nyodo Honkyoku - Part 1: This section introduces the numerical symbols and specific characters used in Jin Nyodo Honkyoku, particularly focusing on initial concepts and their names.
  • Symbols Used in Jin Nyodo Honkyoku - Part 2: Continues the exploration of symbols, discussing advanced character meanings and applications in musical contexts.

Some symbols used in Jin Nyodo Honkyoku
























ro
tsu
re
u
chi
ri











0tsu (lower octave)



dai (great, big)

meri (pitch
lowered)

ichi (one)
ni (two)
san (three)
yon or shi (four)
go (five)


























hi
i
ha
a
ho
ko

kan (second
octave

chu (not so
big)

kari (pitch
normal or
raised)
























hiku (lower head)


kasashi (hole
shaded)

nayashi (play meri


of previous note,
then come up to
pitch)












yuri (head vibrato)



osu (press, hit)
utsu (hit)

tsuyoi (strong)
kiru (cut)






tamane (flutter)


muraiki (rough
sound)

dasu (raise)


furi (one head


movement)
suru (slide)

oshi (hit)
aku (open)

yowai (weak)
onaji (same
way as before)
komi buki
(rhythmic
breath
technique)

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