Appendix 4: Index of music titles

APPENDIX 4
Index of music titles
Generic dance names such as pavan, galliard, fantasia, branle etc. are not listed unless they include a
dedication or other qualification.
All sources for any piece are listed, including sources where the music is untitled but has been identified from
concordances, regardless of whether they are the same piece or version of a piece. This differentiation is
made in the source inventories, Appendices 1 and 2.
The composer is listed where known: more than one name indicates settings by more than one composer,
where the names are separated by an oblique stroke, the ascription is contested.
Title
(Spelling standardized)

Source(s)

ADIEU SEE ALSO DOWLAND' S ADIEU FOR MASTER OLIVER CROMWELL

Adieu.....................................................[John Maynard and other settings/unascribed] Dallis 251/2
Le Roy 1574 80v [68v]
Maynard 1611 J2v
Ah alas you salt sea gods............................[Farrant/Parsons] Brogyntyn
126/2-127/1 (consort song
arr.)
Alas alack, my heart is woe.........................Brogyntyn 128/2 (consort song arr.)
Alfonso's Pavan.......................................[Augustine Bassano] Dd.3.18 36v (consort part)
All Flowers of the Broom............................408/2 103/4
All in a Garden Green.................................Vallet 1616 7
All Night in Venus' Court............................Dd.3.18 53/3 (consort part)
All of a Green Willow Galliard......................[Thomas Dallis] Dallis 26/2
Lodge 19/2
All You That Love Good Fellows/Nancy..........Vilnius 14v/2
Alleuia...................................................[Taverner arr.?] 4900 59/2 (lute song)
ALLIANCE ALMAIN SEE EMPEROR' S ALMAIN
Allison's Knell........................................[Richard Reade/Richard Allison] Dd.3.18 31v-32/1 (consort
part)
Allison's Pavan........................................[Richard Allison] Dd.3.18 19v-20/1 (consort part)
Aloe......................................................[John Dowland] Dd.5.78.3 38v-39/1
Euing 21v-22/1
Trumbull 25/2
Alpha Pavan............................................Brogyntyn 13/2 (duet part)
Altezze/Prince of Parma's Almain..................Adriansen 1592 81
Richard 21
Thysius 475
An Answer to Cuckoo................................[C.K.] Cosens 12v-14
And Have I Hope.......................................4900 58/3 (lute song)
And Shall My Faith...................................4900 60/2 (lute song)
And Thou Ever My Own Thing......................Straloch 18-19/1
Angelica Volt..........................................Herbert 43/2
Schele 94/2
Antick, The.............................................Lodge 7/2-7v/1
Arthur's Dump..........................................[Philip van Wilder] Marsh 175/2-176 and 426/2-428
Osborn 9v-10/1
As it Fall on a Holiday...............................[Anthony Holborne] Dd.5.78.3 5v/1
AS-TU SEE HAS-TU
Attend the ..............................................Andrea 2/6
Au Jolie Bois...........................................Dd.2.11 61v/1
Autant Qu'on void.....................................Le Roy 1574 81v [69v]
Avec vous...............................................[Lassus arr.?] Dd.2.11 20/2
Away, I have Forsworn her Company.............Welde 6v/2
Bacheler's Delight....................................[Richard Allison] Dd.3.18 44v/2-45 (consort part)
Bagpipes, The.........................................Lodge 9/2
Ballard's Courant......................................[Robert Ballard] Dowland 1610B 31v/1
Ballet des Folles.......................................Besard 1603 151/2 (duet part)
Board 43/2
Dd.9.33 57v/3-58/1
Dolmetsch 137v
ML 20/2
Ballet des Jardiniers..................................Krakow 13v
Baloo....................................................408/2 111/4

801

Appendix 4: Index of music titles

Bara Faustus's Dream.................................Ballet 29/1 (l.v.)

Dlugoraj 453
Nn.6.36 20/2
Pickeringe 24/4
Stobaeus 76
Valerius 1626 111
Vallet 1615 93
Vilnius 42/1, 59/3 and 66v/1
Battle Galliard.........................................Dallis 152
Thysius 34-34v, 36v-37 and 37v-38 (duet part)
Battle Galliard/King of Denmark's Galliard/Mr Mildmay's Galliard........[John Dowland] Board 17v-18
Brahe 33
Dd.9.33 23 and 94v
Dowland 1610B 22v-23
Folger 10v-11
Fuhrmann 1615 112-113/1
ML 12v-13/1
Pickeringe 17v-18/1
Sampson 7v
Vilnius 22v/2
Welde 5v
Battle of Harlaw.......................................Rowallan 30
Battle Pavan............................................Dallis 60-67, 68-69/1, 97/2-98/1, 128-129, 240/2-242 and
238-240/1 (duet part)
Dd.2.11 29v-31/1
Dd.3.18 31/1 (consort part)
Folger 19v-21v/1
ML 23v-25/1
Phalse 1563 60v-61 (duet part)
Pickeringe 52v-54 (duet part)
Thysius 144-144v/1
Bear's Dance............................................Board 39v/1
BEDLAM SEE GRAY' S INN MASKE
Before the Greeks Durst Enterprise................Rowallan 12
Bell Almain............................................Board 31
Bells of Paris, The....................................[Gaultier] Besard 1617 47/2
Herbert 42/2 (incomplete)
Bells, The...............................................[Thomas Robinson] Board 32v/1
Robinson 1603 14/1 and 14/2 (duet parts)
Belvedere...............................................[Thomas Robinson] Robinson 1603 42-43
Benedicam..............................................[John? Johnson] 4900 61 (lute song)
Benedicta es Coelorum Regina.....................[Josquin arr.?] Thistlethwaite 47v-50 and 81v-84
BERGERA , LA SEE PRINCE OF PORTUGAL' S GALLIARD
Besse Bell..............................................Pickeringe 51v/2 <88v> [inv.]
BETTY SEE HEALTH TO BETTY, A
Bien Qu'un Cruel Martire Courant .................[Belleville] Herbert 69v/1
St Petersburg 36
Bitter sweet, The......................................Brogyntyn 133/3 (consort song arr.)
Blacksmith, The.......................................408/2 84/2
Blame Not My Lute...................................Lodge 4v/2
Bo Peep/Toy...........................................[Thomas Robinson] Robinson 1603 13 [inv] Sampson 12v/1
(duet part)
Boar's Dance...........................................Dd.5.78.3 44v/2
Nn.6.36 3/3 and 3/4
Richard 59v/1
Bodkin, The............................................Dd.3.18 44/2-44v/1 (duet part)
BONNY SWEET ROBIN SEE ROBIN HOOD
Bonny Sweet Boy.....................................[Thomas Robinson] Dd.2.11 66/2
Dd.9.33 82/2
Robinson 1603 47/2
Bontade Courant, La..................................[Robert Ballard] Ballard 1614 47/2-49/1
Dolmetsch 60v-61, 189v-190
Fuhrmann 1615 163/1
ML 25v/1
Moy 1631 16
Werl 74, 150
Bourre Ostend/d'Avignon..........................Fuhrmann 1615 115/2
Straloch 12/2-14/1
Vallet 1615 55

Appendix 4: Index of music titles

Vallet 1616 5/2

Bourre, La/Voici, La/Parson's Farewell..........[?Robert Parsons] Rowallan 13
Stobaeus 81/2
Vilnius 16/4
Bow Bells...............................................[Richard Mathew] Mathew 1652 20
Branle de la Torche....................................Board 23/3
Branle de Metz.........................................Pickeringe 47/1 <84> [inv.]
Branle de Poictou......................................Adriansen 1584 91v-92/1
Besard 1603 141/2 and 141v/1
Denss 1594 94v/2
Le Roy 1568 39v
Straloch 8/2-10
Thysius 446v/1
Bray Pavan.............................................[William Byrd arr. Francis Cutting] Barley 1596 (Orpharion)
76-78 (D3v-D4v)
Dd.9.33 12v-13
Brett's Courant.........................................Beckmann 3v-4
Besard 1603 153v/2 [first strain]
Dd.5.78.3 74v/1
Dd.9.33 42v/1 and 58/3
de Bellis 39
Dolmetsch 22v-23
Dusiacki 4v
Fuhrmann 1615 174/1
ML 3v/1
Montbuysson 25v/1
Rowallan 3
Trinity 126-125/1
Valerius 1626 52-53
Wemyss 19v/2
Werl 91v
Buckingham's Ghost.................................Wemyss 20/1
Buckingham's Saraband..............................Board 34/2
Sibley 68/2-69/1
Trinity 113/2
Buffoons, Bergamasca Setting.....................[Giovanni Battista Domenico and other settings/unascribed]
408/2 104/4
Brahe 10/1, 18/2
Dallis 3/2
Dolmetsch 228-231
Fuhrmann 1615 182/2-184/1
Herhold 28/2-31v/1
Hove 1612 54v-55
Schele 10/2-11
Stobaeus 68-69/1
Straloch 1/1
Thysius 373/2
Vallet 1615 41-42
Vilnius 4/3 (deleted) and 68v
Buggle Borne..........................................Dd.2.11 82/1
Building, The..........................................Trinity 136/1
Butts.....................................................Dd.9.33 52/2
C'est a Grand Tort.....................................[Sermisy arr.?] Osborn 18/2
Cadence.................................................[Gabriel Battaille] Herbert 39v/1
Calleno Casturame Galliard.........................[Busnois arr.?] 408/2 85/1
Dallis 79/2
Callinoe.................................................Dd.3.18 3 (duet part)
CAN SHE EXCUSE SEE EARL OF ESSEX' S GALLIARD
Canaries.................................................Bern 3v-4/1
Besard 1603 168v/1
Besard 1617 27/2 and 49/2
Board 38/2
Dolmetsch 193v-194
Fuhrmann 1615 146/2
Hove 1612 66/3
ML 26/3
Nn.6.36 3/5
St Petersburg 39

Appendix 4: Index of music titles

Straloch 2/1 and 11-12/1

Thysius 392
Trinity 5/2
Captain Candish's Galliard..........................[John Dowland] 2764(2) 6v/1
Dd.2.11 56/1
Hirsch 11v/2
Mynshall 1/3
Captain Digorie Piper's Galliard...................[John Dowland] 31392 28v-29/1
Besard 1603 107v/2
Board 21v/1
Cosens 3v-4
Dd.2.11 53/1
Dd.5.78.3 9av [21v]-10/1
Dd.9.33 73v
Dolmetsch 92v-93
Euing 28v
Hirsch 11/3
Montbuysson 70v-71/1
Captain Digorie Piper's Pavan......................[John Dowland] 31392 27v-28
Barley 1596 (Lute) 37-41 (E3-F1)
Cosens 2v-3
Dd.2.11 46v/2-47/1, 82/2
Euing 29v/1
Hove 1612 37v
Montbuysson 70v-71/1
Pickeringe 19v-20
Caracosa................................................Dallis 175
Care Who So Will.....................................Osborn 32/1
Carman's Whistle.....................................[John Johnson] Dd.5.78.3 48v-49/1
Pickeringe 32v/2-33/1
Catin.....................................................[Lassus arr.?] Dd.2.11 50v/1
Ce Faux Amour.........................................[Lassus arr. Le Roy] Le Roy 1574 55-55v/1 [first setting]
Le Roy 1574 55v/2-56v [second setting]
Ce n'est Bien...........................................Le Roy 1568 12v-13
Ce n'est Point..........................................Le Roy 1574 84v [72v]
Change Thy Mind.....................................[Richard Martin] Marsh 380/3
Chi Mi Donna..........................................[Gorzanis arr.?] Dallis 176
Chi Passa...............................................[Clement Cotton, John Johnson and other settings/
unascribed] 408/2 86/3-87
2764(2) 12v/1
Adriansen 1584 82v/2-83
Dallis 1, 3/1, 227/2
Dd.3.18 7v-8/1 (duet part)
Marsh 30/1, 30/2, 73, 151/3-153, 251/2, 360-361, 380/1,
380/2 and 419/3
Phalse 1563 62v/2, 63/2 [inv] and 82v-83/1
Thysius 7v, 8v and 12/1
Vilnius 57/2 [deleted] and 65/2
Willoughby 84v-85/1 (duet part), 83v-84, 85/2, 87v-88/1,
89/2 and 90/2
Chow Bente............................................Dd.2.11 79/1
Pickeringe 32v/1
Chromatic Galliard ...................................[Peter Philips] Dd.9.33 15/2
Chromatic Pavan......................................[Peter Philips] Dd.5.78.3 65v-66/1
Dd.9.33 14v-15/1
Fuhrmann 1615 181-182/1
Schele 97-98/1
CHURCH ' S GALLIARD SEE SINKAPACE GALLIARD
Ciel qui Fuit, Le........................................Le Roy 1574 76 [64]
Clark's Galliard/Quadran Galliard/Jest............[Anthony Holborne] 408/2 89
Ballet 10-11/1
Dd.2.11 60v/2
and 72v/1
Hirsch 7v/1
Nn.6.36 14v/1
Trumbull 4/2
Wickhambrook 11/2
Clement's Squirrel.....................................Dd.2.11 42v/2
Clerk, The..............................................Dd.9.33 37/3

Appendix 4: Index of music titles

Cobbler, The...........................................Folger 9/2

ML 7v/1
Come Again, Sweet Love Doth Now Invite......[John Dowland] Montbuysson 1v/1 and 64v/1
Nn.6.36 21v/2
Valerius 1626 167
Come Sheep Herders, Deck Your Heads...........Valerius 1626 229
Come to the Court.....................................Trinity 135/2
Come tread the paths.................................Brogyntyn 131/2-132/1 (consort song arr.)
Comfort.................................................[Francis Cutting] Barley 1596 (Orpharion) 72 (D1v)
Comment peut avoir Roye...........................[Josquin arr. Spinacino] Dallis 168-169
Complaint Pavan......................................Vallet 1615 20
Con Io Credo Fantasia................................Herbert 80v
Conde Claro/Hornpipe/Philida Galliard/Queen of Scots Galliard........... [Guillaume Morlaye] 408/2 108/2109
Dd.5.78.3 73v-74
Marsh 61/2, 232-233
Willoughby 38-39v
Content est Riche, Le................................[Sermisy arr.?] Dallis 106-107/1
Dd.2.11 25/2
Lvov 21/2-22 (?)
Cor Mundus.............................................Dallis 210
Corbe and the Pyget..................................Wemyss 27/2
COUNTESS OF ORMOND' S GALLIARD SEE LIGHT OF LOVE
Countess of Bedford's Galliard......................[H. Porter] Dd.5.78.3 70v/1
Countess of Pembroke's Funerals, Pavan.........[Anthony Holborne] Dd.5.78.3 11v-12/1
Euing 18/2
Herbert 6v
Pickeringe 34/1
Countess of Pembroke's Paradise Pavan..........[Anthony Holborne] Dd.9.33 70
Welde 9v/1
Countess of Sussex's Galliard (1)..................[Philip Rosseter] Barley 1596 (Orph.) 55-56 (B1-B1v)
Countess of Sussex's Galliard (2)..................[Philip Rosseter] Barley 1596 (Orph.) 57-58 (B2-B2v)
Countess of Sussex's Galliard (3)..................[Philip Rosseter] Barley 1596 (Orph.) 59 (B3)
Herbert 21v/1
Countess of Sussex's Pavan.........................[Philip Rosseter] Herbert 21
Courant on the Courant of Julien Perrichon......[Jacob Reys] Herbert 36v/2
Courant Sarabande, La................................[?Robert Ballard] Aegidius 33
Ballard 1611 57/2-58/1
Ballard 1614 37/2-39/1
Dolmetsch 20v-21 and 21v
ML 29v/1
Moy 1631 24v
Pickeringe 42
Schele 63/1
St Petersburg 37/2
Stobaeus 53v/1 and 54/2-54v/1
Valerius 1626 239
Vallet 1615 83
Coy Toy, A/Mrs Vaux's Jig.........................[John Dowland] Dd.9.33 20v
Mynshall 7/1
Cradle of Conceits Pavan............................[Anthony Holborne] Dd.2.11 45v, 51v/1 and 61/1
Cosens 1v-2
Herbert 53v
Cuckoo Volt............................................Fuhrmann 1615 190/2
Cummer Tried..........................................Rowallan 33
Custard, The............................................Board 39v/3
Cutting Comfort.......................................[Francis Cutting] Barley 1596 (Orpharion) 72 (D1v)
D'ARCY SEE LADY CLIFTON' S SPIRIT
D'un Grosier............................................Le Roy 1574 85 [73]
Daphne and Corridon.................................[John Whitfield] Board 40/2
Pickeringe 35v-36/1
Dargesson..............................................Dd.2.11 8/1
Dauphine Courant, La................................Krakow 12v/2-13/1
Day Dawns in the Morning, The...................Straloch 2/2-3
Wemyss 17-18
De Guerre, A Mort.....................................Dd.9.33 38/2
De La Court.............................................Dd.3.18 47v-48/1 (consort part) and 72v
De La Tromba Galliard................................Brogyntyn 27/1-28/1 (duet part)

Appendix 4: Index of music titles

De La Tromba Pavan..................................[?Thomas Morley arr.?] Brogyntyn 26-27/1 (duet part)

Dd.2.11 82v/2
Dd.3.18 40 and 45v-46 (consort parts)
Pickeringe 6v/2-7 and 7v-8/1 (duet parts)
Sampson 10v-11/1 (duet part)
Decrevi Pavan..........................................[Anthony Holborne] Dd.2.11 49v/1
Euing 38v
Herbert 7v
Delacourt Pavan.......................................Board 1v/1
Dd.2.11 2v/1
Delight Galliard.......................................[John Johnson] Board 7v/1
Marsh 166
Naples 365
Pickeringe 32/2
Vilnius 61
Welde 4/2
Wickhambrook 10/2
Willoughby 28-29/1
Delight Pavan..........................................[John Johnson] 408/2 92-94/1
Board 6v-7/1 and 14v-15 (duet part)
Brogyntyn 13/1 (duet part)
Dallis 84-85/1 (ground)
Dd.3.18 20v-21 and 59v-60 (consort parts)
Folger 14v-15 (duet part)
Marsh 164-165/1
Mynshall 7v/1
Thysius 147v
Trumbull 4v-5 (consort part)
Vilnius 62v-63v/1 (consort part)
Waissel 1591 L4/1
Welde 3v-4/1
Wickhambrook [9v]-10/1 (fragment)
Willoughby 25v-27v
Demande, First Almain...............................Dallis 218/1
Demandes-Tu...........................................[Philippe da Monte arr. Le Roy] Le Roy 1574 82v [70v]
Devil's Dance..........................................ML 30v/1
Doctor Case's Pavan..................................[John Dowland] Dd.2.11 14v/3
Dolce Nenne Galliard, La............................Dd.3.18 53/1 (consort part)
Doleful Deadly Pang, A..............................[Nicholas Strogers] Brogyntyn 131/1 (accompt only)
Dolor es maesto.......................................Brogyntyn 127/2
Dolorosa Pavan........................................[Richard Allison] Dd.2.11 4v-5/1
Dd.3.18 46v-47 and 53v (consort parts)
Dd.5.78.3 32v/1
Dont Vient Cela.......................................Marsh 107
Thysius 163-163v
Dormendo un Giorno.................................[Philippe Verdelot arr.?] Marsh 400-401
Douce Maitresse Touche.............................Le Roy 1574 83 [71]
Douce Memoire........................................Dallis 110-111
Thysius 173-174
Doux Henay, Un.......................................[Lassus arr. Le Roy] Le Roy 1574 34-35 [first setting]
Le Roy 1574 35v-37 [second setting]
Thysius 201v-202
DOWLAND' S BELLS SEE LADY RICH' S GALLIARD
Dowland's Adieu for Master Oliver Cromwell/Resolution.......[John Dowland] Dowland 1600 Sig.N1v
Nn.6.36 17v-18/1 and 18/2-18v/1
Dowland's First Galliard.............................[John Dowland] Board 22v/1
Dd.2.11 56/5, 60/3 and 95/1
Dd.4.23 28 (cittern)
Euing 23/2
Dowland's Galliard....................................[John Dowland] Dd.2.11 7v/3 and 67v/2
Osborn 10v (bandora)
Sampson 6v/2
Thysius 22
Downright Squire......................................Dd.2.11 70/2
Marsh 40-41
Dr James's Galliard....................................[Richard Reade] Dd.3.18 34/3 (consort part)
Dr James, Dean of Christ Church's Pavan/Reade's Seventh Pavan.......... [Richard Reade] Dd.3.18 12/2 and
28v-29/1 (consort parts)
Draw near to me and love me........................Pickeringe 28/3

Appendix 4: Index of music titles

Dream....................................................Board 20v/2-21/1
Drewry's Accords......................................Ballet 48 and 49/1 [inv] (duet parts)
Brogyntyn 30 (duet parts)
Pickeringe 6/2 and 6v/1 (duet part)
Du Corps Absent......................................[Lassus arr. Le Roy] Le Roy 1574 41-41v/1 [first setting]
Le Roy 1574 41v/2-42v [second setting]
Duchesse Courant, La.................................Krakow 12v/1
DUKE OF BUCKINGHAM' S MASKE SEE GIPSY' S MASKE
Duke of Millom's dump..............................Dd.2.11 3v/1
Duke of Parma's Almain..............................Marsh 383/2
Duke of Somerset's Dump............................RA58 51v-52/1
Dulciana.................................................Board 83v/2
Duncome's Galliard...................................Dd.3.18 17/2 (consort part)
Sampson 12/1 (duet part)
Durette, Courant de la.................................[Robert Ballard] Ballard 1611 49/2-50/1
ML 18v/2-19/1
Montbuysson 65v/1
Moy 1631 22v-23
Valerius 1626 20 and 119
Vallet 1615 82
Earl of Derby's Courant/French King's Maske...408/2 111/5
Bautzen 69/2
Board 8/2
Dd.2.11 61v/2
Montbuysson 3v/1
Vilnius 57v/3
Earl of Derby's Galliard..............................[John Dowland] Dd.5.78.3 38/2
Dowland 1610B 24v
Euing 21/3
Herhold 39v/2-40v
Nn.6.36 1 and 2
Sampson 13v
Schele 142
Welde 7/3
Earl of Essex's Dump/Heavenly God...............[William Hewes] Dallis 202-203/1 and 212
Lodge 13v
Mynshall 6v/2
Earl of Essex's Galliard/Can She Excuse..........[John Dowland, Thomas Robinson] Barley 1596 (Orpharion)
62 (B4v)
Ballet 36/2-37/1 (l.v.)
Bautzen 31/1
Cosens 48
Dd.2.11 40v/1 and 62v/1
Dowland 1610B 24
Euing 24/1
Folger 16
Fuhrmann 1615 121/2-122
Herbert 55/2
Hirsch 11v/1
Montbuysson 2/1 and 56v/2-57/1
Nn.6.36 37
Thysius 22v/1
Vallet 1615 36-40
Vilnius 58v/2
Earl of Essex's Measure..............................Trumbull 13/2
Earl of Oxford's Galliard.............................2764(2) 5/2
Dallis 89
Folger 4v/1 [fragment] and 5v/1
Earl of Oxford's March...............................408/2 95/3
2764(2) 7v/2-8/1
Dd.3.18 20/2 (consort part)
Mynshall 7/3
Thysius 373v
Echo Almain...........................................[Marchant/Francis Pilkington] Brogyntyn 31 (duet part)
Sampson 11v/1 (duet part)
Edward Porter's Pavan................................[Francis Cutting] Dd.2.11 73/2
Eglantine Branch......................................Board 25/3
Eglantine Jig...........................................[Richard Reade] Dd.3.18 34/2 (consort part)

Appendix 4: Index of music titles

Elizabeth Jones's Galliard...........................[Richard Shellower] Vilnius 60v/1

Emerald Galliard.......................................Dd.3.18 52v/1 (consort part)
Emperor's Almain/Alliance Almain...............Besard 1603 155v/2 (?)
Denss 1594 87/1 and 91/1
Marsh 382/2-383/1
EN ME REVENANT SEE MORE PALATINO
En Espoir Vis ..........................................[Lassus arr. Le Roy] Le Roy 1574 38v-39/1 [first setting]
39/2-40 [second setting]
En Un Lieu..............................................[Lassus arr. Le Roy] Le Roy 1574 49-49v [first setting]
50-51 [second setting]
English Fool, The.....................................Thysius 396
English Hunt's Up.....................................Pickeringe 32/3
Entrelu, L'...............................................[Thomas Robinson] Basle 63v-64/1
Robinson 1603 48/2
Eradi Maggio...........................................Dallis 83/2, 88/2, 174 and 85/3
EST-CE MARS SEE SELLENGER' S ROUND
Estois, L'................................................Le Roy 1574 83v [71v]
Expectare Pavan.......................................Marsh 398/2 and 399
Fa Mi Fa Mi Re........................................Dallis 259/1 [fragments]
Fair Ministers Disdain Me Not.....................Board 23v/2
Fairy Round Galliard..................................[Anthony Holborne] Dd.5.78.3 47/2 and 68v/3
Dd.9.33 62/2
Fairy's Dance...........................................ML 10/2
Nn.6.36 24v/1
Farewell.................................................[Anthony Holborne] Dd.2.11 63v/3
Dd.3.18 18 (consort part)
Farewell Dear Love....................................[Robert Jones] Dolmetsch 129v
Thysius 402v
Valerius 1626 68-69
Vallet 1616 9/2
Farewell Fancy.........................................[John Dowland] Dd.5.78.3 43v-44
Euing 41v-42/1
Fuhrmann 1615 18-19
Lvov 41v-43
Mylius 1622 1-2
Farle Become...........................................408/2 83/4
Fileu.....................................................[Despond] Herbert 41v-42/1
First Branle of Malta .................................Le Roy 1568 24v-25
First Dump..............................................[John Johnson] 31392 22v/2 (duet part)
Dd.3.18 3v/1 and 3v/2 (duet parts)
Marsh 144/2 and 144/3-145 (duet parts)
First Galliard...........................................[Francesco da Milano] Le Roy 1568 34v-35
First Tune of the Lord's Maske......................[Robert Taylor] ML 30v/2
Board 27v/3
Flames of fire, The....................................Brogyntyn 134/2 (consort song arr.)
Flat Courant............................................Wemyss 31/2-31v/1
Flat Galliard ...........................................[John Johnson] Ballet 19
Dd.2.11 1v/2
Dd.9.33 92v/2
Mynshall 5/1
Dd.3.18 22 (duet part)
Pickeringe 5v/1 and 5v/2-6/1 (duet parts)
Flat Pavan ..............................................[John Johnson] Ballet 18
Board 2v/1
Dallis 92/1, 264 (vocal arr.)
Dd.2.11 87/1
Dd.3.18 21v (duet part) and 60v-61 (consort part)
Dd.9.33 90v-91 (consort part)
Euing 8v
Folger 10 (consort part)
Lodge 6v/2-7/1
Mynshall 4v
Pickeringe 4v/2-5/1 and 5/2 (duet parts)
Trumbull 10 (consort part), 15/1 and 17v-19/1 (duet parts)
Vilnius 55/3
Flow Forth Abundant Tears..........................Board 14/2
Flower Almain.........................................Denss 1594 88/1
Flying Horse, The.....................................ML 16v/2-17/1

Appendix 4: Index of music titles

Folia ground Variations..............................Marsh 162-163 and 165/2 (duet parts)

Folia, La................................................Trinity 104
For a Loving Constant Heart........................Ballet 51
For He That is Mighty................................4900 64 (lute song)
For Kissing, for Clapping, for Loving, for Proving.............[William Mure] Rowallan 25 and 38
Forlorn Hope Fancy..................................[John Dowland] Dd.9.33 16v-17/1
Lvov 54v-56
Mertel 1615 210/2-211/1
Mylius 1622 37-38/1
Fortune Alas Almain..................................[?John Dowland] Adriansen 1584 87
Richard 22, 62
Thysius 477/1 and 477v-478/1
Vallet 1615 49-50
Fortune Farewell Fantasia...........................[John Dowland] Dd.9.33 41v-42 and 50v-51
Fortune is Fickle......................................Dallis 209
Fortune My Foe........................................[John Dowland] 408/2 111/1
Ballet 14 (consort part)
Barley 1596 (Lute) 45-46 (F3-F3v)
Beckmann 13v/2
Brahe 14/2
Dallis 49/2-50/1, 71/2 (divisions)
Dd.2.11 56/2 (duet part)
Dd.4.22 11v
Dd.9.33 89 (duet part)
Euing 27/2
Folger 57v [inv]
Herhold 18v/2-21/1
Hove 1601 106v/1 (Divisions)
Mynshall 9v/1
Nn.6.36 15/3
Thysius 185v/2, 387/1 and 387v
Valerius 1626 132-133
Vallet 1616 8/1
Vilnius 7v/1, 20v/2, 27v and 60/1
Welde 2/2
Fourth Branle of Malta...............................Le Roy 1568 27v-28
Fourth Galliard.........................................Le Roy 1568 37v-38
Fourth Pavan...........................................Dd.3.18 39v (consort part)
Fredon on the Romanesca...........................Le Roy 1568 32v-33
FRENCH KING' S MASKE SEE EARL OF DERBY ' S COURANT
FRENCH TUNE SEE SELLENGER' S ROUND
French Courant........................................Board 43/3
Folger 14/2
Occ254 144v/2
Trinity 118/1
Valerius 1626 271
French Dance...........................................Trinity 117/2
French Galliard........................................[John Johnson/(Francesco da Milano)] Cosens 33v/3
Dallis 40-41/1 (divisions)
Dd.2.11 41/2
Dd.5.78.3 41/2
Lodge 16v/2-17v
Marsh 46-48 and 148/3-149 (duet part)
Och1280 3-4
Thysius 16v, 20/2, 19v and 20v (consort parts), 24-24v/1
Valerius 1626 189
French Passamezzo Pavan...........................Dallis 7 and 39/2
French Toy/Ballet.....................................Besard 1617 43/2
Besard 1603 43
Fuhrmann 1615 148/2
Mylius 1622 89/1
Nn.6.36 9/2
Sibley 36/1
Thysius 381v
Vallet 1616 1/3
FRENCH TUNE SEE SELLENGER' S ROUND
French Volt.............................................Adriansen 1584 91/2
Dd.3.18 8/2 (consort part)
Euing 23v/2

Appendix 4: Index of music titles

Thysius 370/1
FRIAR AND THE NUN, THE SEE NEW MEDLEY
Frog Galliard/Now O Now...........................[John Dowland] Brahe 15v-16
Cosens 42v-43/1
Dd.2.11 40v/2 and 93/2
Euing 26v-27/1
Folger 12v
Schele 144/2-145/1
Thysius 28v
Vilnius 21/1 and 22v/1 (duet parts)
Galantyne, La..........................................60577 190
Galliard on a Galliard of Daniel Bacheler.........[John Dowland] Board 16v-17/1
Dd.5.78.3 35v-36/1
Euing 20v-21/1
Fuhrmann1615 108/2-110/1
Herbert 54v-55/1
ML 15v
Montbuysson 94v-95
Galliard on Gregory Huwet's Galliard..............[John Dowland] Vilnius 66/1
Gallua Tom.............................................Straloch 26/2
Gathering Peascods...................................[John Johnson] Board 26/2
Dd.2.11 20v/2 and 56/4
Dd.9.33 28/2 and 82/1
Gautier's Adieu Courant..............................[Gaultier] Herbert 49v/2
Schele 89/3
St Petersburg 74v-75 and 75v
Gautier's Saraband.....................................[Gaultier] Wemyss 26/2
Gay Berger, Un........................................[Crequillon arr.?] Dallis 248-249
Thysius 174v-175
George Pilkington's Funeral........................[Francis Pilkington] Dd.2.11 6/1
Gerrard's Mistress.....................................[Richard Mathew] Mathew 1652 15
GHOST, THE SEE VOICE OF THE EARTH, THE
Giles Hoby's Galliard.................................[John Dowland] Dd.5.78.3 16v-17/1
Herbert 10/1 (consort part)
Hove 1612 52v/2 (?consort part)
Gillyflower, The.......................................Board 25v/2
Gipsy's Lilt.............................................Rowallan 46-48
Gipsy's Maske/Duke of Buckingham's Maske...Board 38v/3
Give Thanks............................................Le Roy 1574 87v [75v]
GO MERRILY WHILE SEE HUNT' S UP
Go From My Window.................................[Richard Allison/Edward Collard/John Dowland/Francis
Pilkington/Thomas Robinson] 2764(2) 9v (duet/consort
part)
31392 26v-27
Barley 1596 (Orpharion) 66-69 (C2v-C4)
Board 10/3
Dd.2.11 3
Dd.3.18 34v-35 (consort part)
Dd.5.78.3 39v-40 and 40v
Dd.9.33 31v-32
Euing 17v-18/1 and 48v-49/1
Folger 17
Montbuysson 1/1
Pickeringe 29v
Robinson 1603 29
Thysius 395/2
God Be With Thee Geordie...........................Straloch 14/2-15/1
God be with my Bonny Love........................Wemyss 27/1
God be with the Franks...............................Pickeringe 25/2
God is My Light.......................................Thysius 155v
GODS OF LOVE, THE SEE TURKEYLONY
Goodnight..............................................[John Johnson/Clement Cotton] 408/2 85/3-86/1 (duet part)
Brogyntyn 7/5 (duet part)
Dallis 16/1 (duet part)
Dd.2.11 8v-9/1 and 86/2 (duet parts)
Dd.3.18 15v-16 (duet part)
Marsh 26-27, 158-160, 362-363 (duet parts) and 397/2
Willoughby 3v-5 and 5v (duet parts)

Appendix 4: Index of music titles

Gordian Knot, The....................................[Anthony Holborne] Board 21v/2-22

Dd.2.11 59v
Dd.9.33 52v-53/3
Gray's Inn Maske/Mad Tom of Bedlam/Poor Tom of Bedlam...Board 23/2, 31v/1, 38v/2, 44/2 and 44/444v/1
ML 14/2, 29/2, 30/2 and 32/2
Trinity 137
Wemyss 18v-19/1
Green Garters...........................................Dd.3.18 23v-24/1 (duet part)
Green Grow the Rushes/I Kissed Her While She Blushed........Straloch 16/1 and 27/1
Greensleeves...........................................[Francis Cutting, Henry VIII and other settings/unascribed]408/2 104/1
31392 29/2
Dd.3.18 8v-9 (duet part)
Folger 5/1 and 5/2 (duet parts)
Hove 1601 107v/2
Mynshall 3/2-3v/1 (duet part)
Thysius 390/1 and 390v/1
Grey Steel...............................................Straloch 7/2
Griffe's Delight........................................[Thomas Robinson] Bautzen 86/1
Dd.5.78.3 75v/1
Dd.9.33 81v/2
Robinson 1603 20
Griping Grief, The....................................Brogyntyn 126/1
GRIT.....................................................Stowe389 120v/2
Groninge's Pavan.....................................[Francis Cutting] Dd.9.33 34v-35
Hirsch 12
Half Hannikin..........................................Board 38/1
Hall's Galliard..........................................[Richard Greene] Willoughby 32v/2-33v
Halloo My Fancy......................................[Richard Mathew] Mathew 1652 2
Hamburg March........................................Dd.2.11 95v/1
Hanc Tua Penelope....................................Lodge 12v/2
Has-Tu...................................................Le Roy 1574 79v [67v]
Hasselwood's Galliard................................[Anthony Holborne] Dd.9.33 17/2
Hirsch 5/2
Have at Thy Coat Old Woman.......................Board 38/5
Have Over the Water..................................[R. G.] Straloch 24/2-25
Hay, The................................................Dallis 77/2
Health to Betty, A (Toy).............................Trinity 118/2 and 136/2
Heart Opressed, The...................................Le Roy 1574 89 [77]
Mynshall 2/2 (duet part)
Heart's Ease.............................................[Anthony Holborne] Dd.2.11 44/2
Heaven and Earth/King's Pavan....................Osborn 1v-2v/1
RA58 52/4 and 55v
Sampson 4/1
Thistlethwaite 87v-89
HEAVENLY GOD SEE EARL OF ESSEX' S DUMP
Heigh Ho Holiday Galliard..........................[Anthony Holborne] Board 20v/1
Dd.5.78.3 34v/1
Welde 6v/3
Helena Lo Pavan.......................................Dd.2.11 7v/1
Hemp-Dresser, The....................................Board 38/3
Hence to me Molly Gray.............................Straloch 28/2
Hight Mistress Whiller..............................Lodge 6/2
Highway, The..........................................Ballet 33/1 (l.v.)
Hillary March..........................................Dd.2.11 61/2
Hit........................................................408/2 84/1
Hit it and Take it Almain.............................[Robert Johnson] Board 41/4-41v/1
Krakow 9v/2-10/1
ML 20v/1
Mathew 1652 34-35
Holborne's Farewell..................................Dd.2.11 63v/3
Dd.3.18 18 (consort part)
Home Again, Market is Done.......................Board 11/2
Hone.....................................................[Richard Mathew] Mathew 1652 18
Hornpipe................................................Ballet 12-13/1
Dd.2.11 81/1
Lodge 9/3

Appendix 4: Index of music titles

Pickeringe 51 <88> [inv.]

Hunt's Up/Go Merrily While/Sweet Oliver.......[John Johnson and other settings/unascribed]408/2 84/6 and
104/3
Board 3/2 (duet part)
Dd.2.11 13/2 and 64/3
Dd.3.18 40v-41/1 (duet/consort part)
Folger 4/2 (duet part)
Hove 1601 107v/1
Lodge 12/2
Marsh 397/4
Stobaeus 79v/2
Thysius 472/1
Trumbull 2/2 (duet part)
Vilnius 15/4
Hunter's Carrier........................................Board 27v/1
Straloch 16/2-17/1
Hunting of the Mouse................................Dd.2.11 41/4
I Am My Lord Gray's Man...........................Lodge 4/2-4v/1
I Cannot Keep My Wife at Home...................Board 11/3
I Give O Jesu...........................................4900 60/1 (lute song)
I KISSED HER WHILE SHE BLUSHED SEE GREEN GROW THE RUSHES
I Left my True Love...................................Wemyss 24/2
I Loathe that I did Love...............................4900 63/3 (lute song)
I Long for the Wedding...............................Straloch 6/3-7/1
I Long for thy Virginity.............................Straloch 26/1
I Never Knew I Loved Thee..........................Wemyss 25/2
I sigh to see............................................Brogyntyn 130/3
I Trust In God...........................................Le Roy 1574 85v [73v]
If all the Gods..........................................Brogyntyn 125/4 (consort song arr.)
If Care Do Cause Men Cry...........................Osborn 32v/1
RA58 52/3
Stowe389 120/2
If friendless faith......................................Brogyntyn 130/1 (consort song arr.)
Image of Melancholy Pavan........................[Anthony Holborne] Dd.9.33 71v/2-72
Euing 40v/1
In An Inch I Warrant You............................Rowallan 42-43
In Crete When Daedalus First Began...............408/2 90/2
Lodge 19v-20/1
Mynshall 8/1
In Nomine..............................................[Taverner arr. Nicholas Strogers] Dallis 130-131
Dd.2.11 19/2 and 73v/1
Dd.9.33 61
Marsh 136-137, 274 and 426/1
Mynshall 10v/1
In Nomine Galliard....................................[Nicholas Strogers] Dallis 94/1 and 93 (duet parts)
Dd.2.11 95v/2
Dd.9.33 60v
Hirsch 3/1 (duet part)
Pickeringe 17/2
Thysius 31v/2
Trumbull 6/2
In Nomine Pavan......................................[Nicholas Strogers] Bautzen 72/2-73/1
Dallis 81 (duet part)
Hirsch 2v (duet part)
Trumbull 16v-17/1
In terror's trapped.....................................Brogyntyn 129/1 (consort song arr.)
In Winter's just return/Fifth Galliard..............[?Francesco da Milano] Le Roy 1568 38v-39
Lodge 13
RA58 52/2
In Youthful Years......................................[Parsons] Dallis 204-207/1
Infernum................................................[Anthony Holborne] Dd.5.78.3 12v-13
Euing 22v-23/1
Initium et Finis........................................Lodge 11/2-11v/1
It's a Wonder to See How the World Does Go....Straloch 17/2
J'Ai Bien Mal Choisi.................................Le Roy 1574 84 [72]
J'ai Me Roi Mieux D'Or..............................Le Roy 1568 33v-34
J'astois brise mes fers Courant .....................[Gaultier] Herbert 50/2

Appendix 4: Index of music titles

J'attend secours........................................[Dirick Gerard] Dd.2.11 29/1

James's Galliard.......................................[James Harding] Dd.3.18 58v (consort part)
Dd.5.78.3 25/2 and 45/2
Jamie has lost his Digger............................Folger 87v/3
Je File...................................................[Philip van Wilder arr.?] 4900 62 (lute song)
Brogyntyn 14
Osborn 17v-18/1
Je L'Aime Bien.........................................[Lassus arr. Le Roy] Le Roy 1574 26v-27v [first setting]
28-29 [second setting]
Je Ne Veux Plus........................................[Lassus arr. Le Roy] Le Roy 1568 7v-8/1
Je Ne Veux Rien.......................................[Lassus arr. Le Roy] Le Roy 1574 52-52v [first setting]
53-54v [second setting]
Je Suis Desherite.....................................[Cadac/Lupus arr. Alberto de Rippe] Dallis 112-113/1
Marsh 74/1
Jean Linsey's Port.....................................Straloch 19/2
J EST SEE CLARK' S GALLIARD
Jeune Fillette, Une/Nonette.........................[John Dowland, Daniel Bacheler] Adriansen 1584 88/2
Bautzen 18/2
Besard 1603 131v-132
Besard 1617 4/1-6/3
Herbert 23v-25
Hove 1612 55v-56v/1-57
Montbuysson 11v-12
Phalse 1563 88/1
Pickeringe 30v-31/1
Richard 25, 35v-37v/1
Schele 25-28/1
Thysius 380 and 509
Valerius 1626 180-181
Vallet 1615 43-44
Vilnius 2v/1
Jeune Fillette, Une/Nonette, Courant on.........Richard 35
Jew's Dance.............................................[Richard Nicholson] Dd.3.18 48/2 (consort part)
Jewel.....................................................[?John Johnson] Dd.5.78.3 49/2 SEE ALSO LORD BURGH ' S
GALLIARD

Jiggy Joggy............................................Dd.9.33 77/2

Jocundarie..............................................Andrea 2/3
cf. Herdringen9825 6
John Bluncuilles Last Farewell Pavan.............Cosens 6v-7
John Come Kiss Me Now............................Cosens 69v-70v
ML 11v-12
Welde 10v-11 (duet part)
John Petit John........................................Dd.2.11 74/1
J OHNSON' S J EWEL SEE LORD BURGH' S GALLIARD
J OHNSON' S SECOND DUMP SEE QUEEN' S DUMP
Jour desire..............................................Dd.2.11 27/2
Jour Passe, Un.........................................[Lassus arr.?] Dd.2.11 20v/1
KATHERINE D'ARCY ' S SPIRIT SEE LADY CLIFTON' S SPIRIT
Katherine Bairdie......................................Rowallan 49-50
Kemp's Jig/Parliament...............................Dd.2.11 99v/2
Folger 4v/4
Richard 63v/1
Thysius 486v
Killken..................................................Ballet 33/2-31/3 (l.v.)
KING OF DENMARK SEE BATTLE GALLIARD
King of Africa, The...................................Dallis 213/1
KING' S MORRIS SEE THE MAY POLE
KING' S PAVAN SEE ALSO HEAVEN AND EARTH
King's March, The....................................Pickeringe 47/2-46v/1 <84> [inv.]
King's Pavan, The.....................................Stowe389 121v/3-122
Knole's Galliard.......................................[Knowles] Marsh 319
Trumbull 8/2
Wickhambrook 17/5
La Sol La................................................Dd.2.11 13v/1
Labandalashot Galliard...............................Dallis 14
Marsh 103 and 368
Mynshall 6v/3

Appendix 4: Index of music titles

Willoughby 22v/2-23
Lachrimae Fantasia...................................Hove 1601 4-4v
Herhold 14v-16v/1
Schele 38-39/1
Lachrimae Galliard....................................[John Dowland] Dowland 1612 Sig.N2v
Stobaeus 44v/2-45/1
Lachrimae Pavan......................................[John Dowland] 2764(2) 5v-6/1
6402 1/1
31392 35v-36
Ballet 42-3 (l.v.)
Barley 1596 (Lute) 33-36 (E1-E2v)
Besard 1603 16v-17/1
Besard 1617 7-8 (duet/trio parts)
Board 11v-12/1; Cosens 4v-5 and 36v-37
Dd.2.11 75v-77/1, 81v and 84v/2
Dd.3.18 16v-17/1 (consort part)
Dd.5.78.3 9v-9a [21]
Dolmetsch 225v-227v
Euing 25v-26/1
Folger 18v-19
Fuhrmann 1615 60-61/1
Herbert 8v-9
Herhold 24/2-27/1
Hirsch 11v/3
Hove 1601 94/2-95/1 and 95/2 (reprise)
ML 22v/2-23
Montbuysson 5/1-5v and 55v-56/1
Mynshall 11/2 (fragment)
Pickeringe 16v-17/1
Schele 17-19/1
Stobaeus 21v-22v/1
Thysius 388v and 389v
Valerius 1626 217-218
Vilnius 24v/1
Welde 4v
Lachrimae Prelude.....................................Hove 1612 2v
LADY ANN GORDON' S LILT SEE SHOES RARE AND GOOD
LADY ELIZABETH' S MASKE SEE PRINCE' S MASKE
Lady Banning's Almain..............................[John Sturt] Board 10/2
Krakow 2v
Lady Clifton's Spirit/Katherine D'Arcy's Spirit...................[John Dowland] Dd.2.11 58/2
Dowland 1610B 25v-26/1
Lady Harcourt's Galliard..............................Dd.3.18 52v/2 (consort part)
Lady Hunsdon's Puff..................................[John Dowland] 6402 2/2
Dd.5.78.3 7
Dd.9.33 38/1
Folger 22v
Lady Laiton's Almain.................................[John Dowland] 2764(2) 10v
Besard 1603 139v
Dd.2.11 48/3
Folger 11v
Fuhrmann 1615 80/2
Hove 1612 59/2
Mynshall 10/1
Richard 59v/2-60
Schele 145/2-146/1
Thysius 492/1
Vilnius 66v/2
Welde 5/3
Wickhambrook 17/3
Lady Laiton's Pavan/Dream.........................[?John Dowland] Dd.2.11 48/2
Hirsch 3/2
Lady Lothian's Lilt....................................Straloch 21/2-22/1
Lady Mary's Galliard..................................Dallis 211
Mynshall 9v/2
Lady North's Galliard.................................Cosens 46v
Dd.5.78.3 36/2 and 62v-63/1
Lady Phyllis's Maske, The..........................Board 17/3
Lady Rich's Galliard/Dowland's Bells.............[John Dowland] Ballet 37/2 (l.v.)

Appendix 4: Index of music titles

Brahe 25v-26/1
Dd.5.78.3 9/1
Dd.9.33 91v
Dowland 1610B 25
Marsh 190 (first six bars) and 381
Mynshall 8/3
Pickeringe 18/2
Schele 146/2-147/1
Thysius 21v/1 and 392v
Vilnius 21/2, 21/3 (duet parts), 21v/2 (fragment) and 56v/4
Welde 5/1
Lady Russell's Pavan.................................[John Dowland] Cosens 5v-6
Dd.5.78.3 64v-65
Dd.9.33 5v-6
Euing 37v-38/1
Larmes, Les.............................................[Gaultier] Herbert 87/2
Larousse.................................................408/2 103/3
Las Je Ne Veux.........................................Le Roy 1574 81 [69]
Thysius 198v-199
Las que Nous............................................Le Roy 1574 77 [65]
Las Voulez Vous.......................................[Lassus arr. Le Roy] Le Roy 1574 58-58v [first setting]
59-60 [second setting]
Last Will and Testament Pavan.....................[Anthony Holborne] Dd.2.11 32/2 and 57v-58/1
Euing 32/2
Hirsch 7v/2-8
ML 13v-14/1
Lavecchia Galliard....................................[John Johnson] Ballet 46 & 47 [inv] (duet parts)
Brogyntyn 29/2 (duet part)
Lodge 12v/1
Marsh 264
Pickeringe 4/2 and 4v/1 (duet parts)
Wickhambrook 16/1 and 16/2 [inv] (duet parts)
Lavecchia Pavan/Mrs Lee............................[John Johnson] Ballet 45 [inv] (duet part)
Brogyntyn 28/2-29/1 (duet part)
Dallis 85/2
Dd.2.11 36v-37/1 (bandora)
Dd.3.18 61v (consort part)
Folger 12 (duet part)
ML 7
Mynshall 12
Pickeringe 4/1 (duet part)
Sampson 9v
Schele 143-144/1 (duet part)
Vilnius 7
Welde 2v/1
Wickhambrook 14/2, 15v/1 and 15v/2 [inv] (all duet parts)
Leaves be Green the Nuts be Brown, The.........[John Johnson] Dd.3.18 17v (duet part)
Dd.9.33 63v-64 (duet part)
Pickeringe 14v-15/1 and 15/2 (duet parts)
Lesson...................................................Marsh 60
Leve le Coeur...........................................Dallis 35/2, 36/2, 37/1, 69/2, 119/2, 120/1, 195, 217/3,
222/2
Light of Love/The Countess of Ormond's Galliard................408/2 103/2
Adriansen 1584 92v/3
Andrea 2/2
Board 5/3
Dallis 171
Dd.2.11 74v/2
LO WHAT IT IS TO LOVE SEE O WHAT IT IS TO LOVE
Long Galliard ..........................................[John Johnson] Dd.2.11 46v/1
Wickhambrook 17v/2
Long Pavan.............................................[John Johnson] 408/2 99/2
Dd.2.11 47v-48/1 and 64v (bandora)
Wickhambrook 17v/1
Lord Burgh's Galliard/Johnson's Jewel Galliard...................[John Johnson] Board 21/2
Dd.2.11 99/2
Dolmetsch 91v-92
Thysius 32v
Welde 14/2

Appendix 4: Index of music titles

Lord Hastings' Good Morrow.......................[Francis Pilkington] Dd.2.11 5v/2

Lord Hay's Courant....................................Board 8/1
Folger 24v/1
Herhold 7v/2-8/1
ML 2v/2-3/1
Sampson 6/1
Lord Hereford's Galliard..............................Marsh 25/2
Lord Strang's March..................................[John Dowland] Dd.2.11 58/4
Lord Strang's Galliard................................Marsh 357/1
Wickhambrook 10/3
Lord Willoughby's Welcome Home/Roland......[John Dowland, Thomas Robinson] Besard 1603 134v/2
Dd.2.11 14v/1 and 58v/2
Dd.5.78.3 28v
Euing 38/2
Folger 9v/1 (duet part)
Hove 1601 107v/3
Mynshall 1/2
Pickeringe 25/3 and 33v/1
Richard 24
Robinson 1603 40-41
Sampson 11v/2 (duet part)
Thysius 389/1
Valerius 1626 83
Vallet 1615 47-48
Vilnius 14v/1 and 57/3
Wickhambrook 12/2
Lord Zouch's March...................................Vilnius 56v/2
Lord Zouch's Maske...................................[John Johnson] Dd.4.22 3v
Dd.9.33 88/1
Dlugoraj 295, 395
Dolmetsch 148v-149
Folger 8/2
Hove 1601 106v/2
ML 7v/2-8/1
Montbuysson 24/1
Mynshall 7v/2
Nrnberg 38
Vallet 1615 91
Vilnius 56v/2
Lord's Maske Dance...................................Board 39v/5-40/1
Lord's Maske Second Tune ..........................ML 30v/3
Loth To Depart Galliard..............................[John Dowland] Board 7v/2
Dd.2.11 9/2
Dd.9.33 68v-69v
Euing 28/2 and 31/3
Pickeringe 33/2
Love Will Find the Way/Over the Mountains....Board 38v/1
Trinity 135/1
Lullaby..................................................[Byrd arr. Francis Cutting/Anthony Holborne] Dd.2.11 65/2
Dd.9.33 4v-5/1
Thysius 400v/1
Lume Alta Galliard, E.................................408/2 97
Marsh 79
Willoughby 20v-21/1
Lusher's Almain.......................................[Lusher] Dd.2.11 60v/1
Dd.5.78.3 75
Euing 20
Vilnius 59v/2
Lusty Gallant...........................................408/2 83/3
Adriansen 1584 92v (duet parts)
Dallis 170/1 & 170/2
Marsh 61/1
Thysius 393v
Ma Pauvre Bourse.....................................[Philip van Wilder] Dallis 50/2-51
Dd.2.11 17/2
Wickhambrook 12v
MAD TOM OF BEDLAM SEE GRAY' S INN MASKE
Madonna................................................[William Jenning/Mr Edward] 4900 66 (lute song)

Appendix 4: Index of music titles

Thistlethwaite 36v-37
Maggie Ramsay.......................................Rowallan 31-32
Magnificat: Belle que tient ma vie.................Dallis 5/1
Maids in Constrite, The (?Constraint)............Pickeringe 30/2
Mais Voyez.............................................Le Roy 1574 78 [66]
Mall Peatly.............................................Board 30v/3 and 41v/3
Mall Sims...............................................[Hassler and other settings/unascribed] 6402 2/1
Cosens 43/2
Dd.9.33 62v/2-63
Folger 15v
Hove 1612 59/1
ML 9v/2-10/1
Montbuysson 4/2 (?) and 59v-60/1
Mynshall 11v
Pickeringe 26v-27
Valerius 1626 207-208
Vallet 1615 92
Vallet 1616 8/2-9/1
Vilnius 6/1, 35, 41v, 54v/1 and 58/2
Malt's Come Down....................................Dd.9.33 89v (duet part)
Marigold Galliard.....................................[?Anthony Holborne] Board 26v/1
Hove 1601 82/2
Marigold Pavan........................................[Anthony Holborne] Vilnius 63v/2-64v/1
Marigold, The..........................................Dd.3.18 23/2 and 23/1 (duet parts)
Mary Beaton's Row...................................Rowallan 28-29/1
Mary Thorny's Galliard..............................408/2 101/2
Maske of Augurs Dance..............................Board 40v/2
Master Mathias's Galliard...........................[Anthony Holborne] Ballet 6
Dd.2.11 89/2
Dd.5.78.3 19v/1
Dd.9.33 66v-67/1
Mathew's Delight.....................................[Richard Mathew] Mathew 1652 3-5
Mathew's Dream.......................................[Richard Mathew] Mathew 1652 7-8
Mathew's Melancholy Good Night................[Richard Mathew] Mathew 1652 36-38
May Galliard...........................................[Edward Collard] Dd.5.78.3 33v/1
Welde 9/2
May Night at Venus's Court.........................Montbuysson 25v/2 and 27v/1
May Pole, The/The King's Morris.................Board 27/2
Folger 35v (fragment) and 57 [inv] (fragment)
Measure.................................................Lodge 20/2
Melancholy Galliard..................................[John Dowland] Dd.2.11 12/2
Euing 24v/1
Mercure Courant, La..................................Wemyss 29/2
Merry Melancholy....................................[Thomas Robinson] Robinson 1603 25
Merry Merchan, Thet.................................Board 33v/2
Merry Mood, A........................................Sampson 12/2 (duet part)
Mi Sfidate...............................................Dallis 116-117/1
Midnight................................................[John Dowland] Board 26v/2
Mignarda................................................[?John Dowland] Dd.2.11 77/2
Dd.5.78.3 31v/1
Dd.9.33 29
Trinity 123
Milk Maid, The........................................Trinity 4-5/1
Militis Dump...........................................31392 16v/2-17
Lodge 14-15v/1
Marsh 359
Mingo...................................................Brogyntyn 134/1
Miserere.................................................Dd.2.11 22v-23/1
Mistress Chidley's Farewell.........................Dd.2.11 44/4
Mynshall 7v/3
Mistress Norrish's Delight..........................[John Dowland] Marsh 382/1
Mistrust misdeems amiss............................Brogyntyn 130/2 (consort song arr.)
MOLLY GRAY SEE HENCE TO ME MOLLY GRAY
Mon Coeur..............................................Le Roy 1574 88v [76v]
More Palatino/En Me Revenant....................[Daniel Bacheler] Besard 1617 9 (duet/trio parts)
Board 25v/3
Brahe 35v/2-36
Brahe 37
Cosens 43v-44

Appendix 4: Index of music titles

Fuhrmann 1615 158-159

Herbert 31/2 and 44/2
Herdringen 9829 9v-10
ML 8v/2-9
Phalse 1547 6-6v/1 (first 33 bars missing)
Pickeringe 28v/1
Stobaeus 65-65v/1, 65v/2, 65v/3, 66/1 and 66/2
Trinity 138 (first 33 bars missing)
Morris, The.............................................Mynshall 8/2
Motley, The............................................Lodge 6v/1
Mounsieur's Almain..................................[Daniel Bacheler] 2764(2) 12v/2 (duet/consort part)
Dd.3.18 35v (duet part)
Dd.4.22 12
Dd.5.78.3 70v/2-71/1
Dd.9.33 38v-40, 47 and 53v
Dowland 1610B 27-28v
Euing 19v (duet part)
Folger 13
Genoa 139v-140
Hove 1601 99v and 108v
Marsh 18
Mynshall 10/2 (duet part)
Schele 147/2-148/1 (consort part)
Thysius 484
Valerius 1626 286-287
Vilnius 1/3 (consort bandora part)
Welde 14v/2-15 (duet part)
Wickhambrook 17/2
[John Danyel] Cosens 15v-17, 44v-46
Dd.2.11 33v-34/1
Mounsieur's Galliard..................................408/2 100/2
MR MILDMAY' S GALLIARD SEE BATTLE GALLIARD
Mr Anthony Mildmay's Galliard...................[Edward Collard] Dd.5.78.3 54v/2-55/1
Mr Anthony Mildmay's Pavan......................[Edward Collard] Dd.5.78.3 53v-54v/1
Mr D. Bond's Galliard................................[Anthony Holborne] Dd.5.78.3 5v/2
Euing 30/2
Mr John Langton's Galliard.........................[John Dowland] Dd.9.33 17v-18/1
Euing 18v
Mr Knight's Galliard..................................[John Dowland] Dd.5.78.3 56/2
Dd.9.33 19v/1
Mr Southcote's Galliard..............................[Anthony Holborne] Ballet 16/1
Dd.5.78.3 22/2
Dd.9.33 84/3
Mr Strang's Gregory Hitts...........................[S. Whitfield] Dd.2.11 10/3
Mr Tallis's Offertory..................................[Thomas Tallis] Dd.9.33 77v-81
Mr Timothy Wagstaff's Content of Desire.......[Francis Pilkington] Dd.2.11 5v/1
MRS LEE SEE LAVECCHIA PAVAN
MRS VAUX' S J IG SEE COY TOY, A
Mrs Ann Roger's choice.............................Nn.6.36 24/1
Mrs Anne Green Her Leaves Be Green.............[John Danyel] Cosens 60-61v
Danyel 1606 Sig L1v-L2v
Mrs Anne Harcourte's Galliarde.....................[Francis Pilkington] Dd.2.11 85/2
Mrs Anne Markham's Pavan........................[Francis Cutting] 31392 36v-37
Cosens 48v-49
Dd.9.33 32v-33
Euing 33/2
ML 28v-29/1
Pickeringe 21v-22/1
SEE ALSO SOLUS CUM SOLA
Mrs Anne Markham's Galliard......................31392 37v-38
Mrs Brigid Fleetwood's Pavan/Solus Sine Sola.[John Dowland] Dd.9.33 33v-34
Mrs Clifton's Almain.................................[John Dowland] Dd.9.33 28v
Euing 44/2
Folger 23v
Mrs Eleanor Stafford's Galliard.....................[Robert Kennerley] Dd.5.78.3 7v, 8v/1 and 72/2
Mrs Elizabeth Murcott...............................[Francis Pilkington] Dd.2.11 5/2
Mrs Elizabeth Murcott's Courant...................[Francis Pilkington] Dd.2.11 3v/3
Mrs Elizabeth Murcott's Delight...................[Francis Pilkington] Dd.2.11 4/2
Mrs Francis Taylor's Galliard.......................[Robert Kennerley] Dd.5.78.3 8

Appendix 4: Index of music titles

Mrs Jane Laiton's Choice............................[John Dowland] Mynshall 6v/1

Mrs Lettice Rich's Courant..........................[Julien Perrichon] Board 18v/2
Dowland 1610B 31v/2
Mrs Lettice Rich's Lavolta..........................[?Julien Perrichon] Board 18v/3
Mrs Mary Hoffman's Almain........................[John Sturt] Dd.4.22 10v/1
Krakow 1v/1
ML 2v/1
Valerius 1626 267-268
Mrs Mary Oldfield's Galliard........................[Francis Pilkington] 31392 22v/3-23/1
Mrs Millicent's Pavan................................[Richard Allison] Dd.3.18 57v-58 (consort part)
Mrs Nichols' Almain.................................[John Dowland] Dd.2.11 100v/2
Euing 24/2
Richard 60v/1
Mrs Vaux's Galliard...................................[John Dowland] Dd.5.78.3 18v/2-19/1
Dd.9.33 20
Fuhrmann 1615 108/1
Mrs White's Choice/Thing..........................[John Dowland] 2764(2) 6/2
Dd.2.11 63v/2
ML 2/1
Pickeringe 19/4
Sampson 7/1 and 7/2
Wickhambrook 15/2
Mrs White's Nothing.................................[John Dowland] Dd.2.11 22/2
Mrs Winter's Jump....................................[John Dowland] 31392 23/2
Barley 1596 (Orph) 71 (D1)
Euing 24v/2
Folger 5v/2
My Heart is laid on the land.........................Stowe389 120/1
My Heart is surely set................................Dd.2.11 2v/2
My Lady Binny's Lilt.................................Wemyss 26v/2
My Lady P. Pavan.....................................Dd.2.11 55
Trumbull 13v-14
My Lady Strang's Almain............................[Robert Johnson] Dd.9.33 42v/2
My Lady Mildmay's Delight........................[Robert Johnson] Folger 22
ML 16v/1
Mynshall 12v
Nn.6.36 11
Vilnius 20v/1
Welde 15v/2-16
My Little Pretty One..................................4900 63/1 (lute song)
My Lord Chamberlain's Galliard, for two to play on one lute..[John Dowland] Dd.9.33 90/2
Dowland 1597 Sig.L2v/1 and L2v/2
My Lord of Dehims Lamentation...................Dd.2.11 41/1
My Mistress Farewell................................Board 17/2
NANCY SEE ALL YOU THAT LOVE GOOD FELLOWS
New Almain............................................Willoughby 15/2-17
New Hunt's Up.........................................[John Johnson] Board 2v/2-3/1 (duet part)
Dd.3.18 4v and 13v-14 (duet parts)
Folger 3v-4/1 (duet part)
Marsh 183-186/1 and 186/2 (duet parts)
Trumbull 1v-2/1 and 15v-16 (duet parts)
Welde 13/2-14/1 (duet part)
New Medley/The Friar and the Nun.................[John Johnson] Pickeringe 34/3 and 34v-35/1
Trumbull 6v-7
New Rant................................................[Richard Mathew] Mathew 1652 11
New Saraband..........................................[Richard Mathew] Mathew 1652 12
New Year's Gift Galliard..............................[Anthony Holborne] Dd.2.11 54v/3
Marsh 118/1
Night Watch Almain..................................[Anthony Holborne] Dd.2.11 36/3 (bandora)
Welde 6v/1
Nightingale, The......................................[Gaultier and others] Dd.3.18 22v/2 (duet part)
Pickeringe 48-47v/2 <85-85v> [inv.]
Richard 54/2, 63
Trinity 130
Noble Men's Maske, The............................Dd.4.22 8v-9/1
ML 19/2
NONETTE SEE UNE J EUNE FILLETTE
North....................................................[Richard Mathew] Mathew 1652 19

Appendix 4: Index of music titles

Not she..................................................Brogyntyn 132/2-133/1 (consort song arr.)

NOW O NOW SEE FROG GALLIARD
Now is the Month of Maying.......................[Philip Rosseter] Vilnius 8/2
Now to Bed.............................................Trumbull 3v
Nusquam Galliard......................................408/2 106-107/1
Marsh 35
Willoughby 80/2
Nutmegs and Ginger..................................Dd.3.18 33/2 (consort part)
O
O
O
O
O
O
O
O

Dear Life when shall it be.........................Marsh 383/3

Lord Give Ear........................................Le Roy 1574 86 [74]
Lord of Whom I Do Depend.......................[Thomas Robinson] Robinson 1603 56/1
Lord That Art My Righteousness................[Thomas Robinson] Robinson 1603 56/2
Passi sparsi o pensier Vaghi.....................[Costanzo Festa arr.?] Dallis 32-34/1
S'io Posessa.........................................Dallis 188/1
Ta Che Mi Dai by Luca Marenzio................Thistlethwaite 34v
What it is to Love..................................2764(2) 12/2
Dallis 17/1
Oeil Gracieux, L'.......................................[arr. Alberto de Rippe] Marsh 366-367
Of Love to Learn The Skill..........................Lodge 11v/2
Offertory................................................[Thomas Tallis arr.] Dd.9.33 77v-81
Old Ground..............................................[Thomas Robinson] Robinson 1603 48/3
Old Man, The...........................................Straloch 6/2
Old Medley.............................................[John Johnson] 31392 18v-19v/1
2764(2) 3v-5/1
Adriansen 1584 92/2
Brogyntyn 16-17/1
Dallis 53
Dd.2.11 88v-89/1
Marsh 270-271 and 272
Thysius 192-193
Valerius 1626 99-100
Waissel 1591 L2v
Welde 8v-9/1
Old Spagnoletta.......................................Vilnius 71v
Old Spanish Pavan....................................Trumbull 23v-24v/1
OLIVER CROMWELL SEE DOWLAND' S ADIEU FOR MASTER OLIVER CROMWELL
Omnino Galliard.......................................[John Johnson] 408/2 90/1
Brogyntyn 21/3
Dallis 31/1 and 95/1
Lodge 12/3
Marsh 287
On Me Peut.............................................[Lassus arr.?] Dallis 78-79/1
Only Joy................................................Dd.9.33 5/2
Or Voy-Je Bien........................................Le Roy 1574 79 [67]
Orlando Sleepeth/Orlando Furioso.................[John Dowland] 408/2 111/2
Bautzen 50/1 and 50/2
Board 1/3
Dd.2.11 55v/3
Fuhrmann 1615 47/2
Hove 1601 106/2
Montbuysson 23v/2 and 38
Mynshall 5v/3
Schmall 22v
Thysius 399/1
Vilnius 1/1 (duet part), 1/2 (consort bandora part)
Ough Warder Mout....................................RA58 54v/2
OVER THE MOUNTAINS SEE LOVE WILL FIND THE WAY
Over the Broom Bessy...............................Dd.2.11 80v/2
Welde 6
Over the Deck Davy...................................Rowallan 34-35
Packington's Galliard................................2764(2) 2v-3 (duet part)
Brogyntyn 19/2 (duet part) and 19/3
Marsh 268 (duet part)
Mynshall 9 (duet part)
Sampson 9/1 (duet part)
Packington's Pound...................................[Francis Cutting] Barley 1596 (Orpharion) 69 (C4v)
Mynshall 8v/2

Appendix 4: Index of music titles

Nn.6.36 21/3
Thysius 401v/2
Paduan Galliard........................................Le Roy 1568 19v-20
PARLIAMENT SEE KEMP' S J IG
PARSON ' S FAREWELL SEE BOURRE, LA
Passe Velours..........................................Le Roy 1568 20v
Passion Galliard.......................................[Anthony Holborne/Francis Cutting] Dd.2.11 83/2-82v/3
Trumbull 19/2
Patience Pavan.........................................[Anthony Holborne] Dd.2.11 83/1
Euing 39v
Patientia Courant......................................[?Anthony Holborne] Board 34/4
Panmure5 6v
Pickeringe 51v/1 <88v> [inv.]
Sibley 65/1
Thynne 3v, 69v
Trinity 110
Werl 2/2, 13v/1, 87v/1, 87v/2 (divisions)
Paul's Wharf............................................Folger 4v/2
Peg a Ramsey..........................................Ballet 7/2 (fragment) and 26/2
Pepper is Black........................................Marsh 44-45
Petit Cheval............................................Lodge 4/1
Petit Gentilhomme, Le...............................Le Roy 1568 23
PHILIDA GALLIARD SEE CONDE CLARO
Piccarde, La.............................................Trinity 124/2
Valerius 1626 243
Vallet 1616 18
Playfellow Jig.........................................[Anthony Holborne] Dd.2.11 32v/2-33/2 and 66/4
Dd.5.78.3 51/2
Welde 6v/4
Ploravit.................................................[Anthony Holborne] Dd.2.11 10/1
Poor Man's Dump.....................................RA58 55/2
Port Priest..............................................Straloch 5-6/1
Port Robart.............................................Wemyss 24v/1
Porter's Galliard.......................................[Walter Porter] Dd.3.18 49/2 (consort part)
Porter's Pavan..........................................[Walter Porter] Dd.3.18 48v-49/1 (consort part)
Posthuma Pavan.......................................[Anthony Holborne] Euing 41/2
Pour Vos Amis.........................................[Philip van Wilder arr.?] Willoughby 9/2-10v/1
Praise Ye the Lord.....................................Le Roy 1574 89v [77v]
Prannel's Galliard.....................................408/2 111/3
Primero..................................................[Richard Allison] Board 13v-14/1
Dd.2.11 87v
Dd.3.18 32v-33/1 (consort part)
PRINCE OF PARMA' S ALMAIN SEE ALTEZZE
Prince of Portugal's Galliard/La Bergera Galliard.................[Philip Rosseter] Board 23/1
Dd.3.18 41/2 (duet/consort part)
Prince's Almain/Wilhelmuslied....................[Robert Johnson] Adriansen 1584 84v
Board 16/2
Dallis 35/1, 217/1 and 220/1
Dd.4.22 10/2
Herbert 70v/2
Krakow 3/1
ML 17/2
Nn.6.36 15v/3
Trinity 115/2
Valerius 1626 213
Vallet 1616 26-29
Prince's Courant.......................................[Robert Johnson] Board 27/1
Prince's Maske, second dance.......................[Robert Johnson] Krakow 1v/2-2/1
Prince's Maske/Lady Elizabeth's Maske..........Board 28/1 and 30v/2
Krakow 1/2
Prince's Masque, third dance........................[?Robert Johnson] Krakow 2/2
Montbuysson 78/1
Nn.6.36 18v/2
Prince's Pavan.........................................Stowe389 122/2-122v
Princesse de Cond Courant, La....................Ballard 1611 19/2-21/1
Fuhrmann 1615 163/2-164/1
Krakow 13/2
Montbuysson 58/1
Vallet 1615 81

Appendix 4: Index of music titles

Principlum..............................................Richard 20
Progress.................................................Dd.2.11 49/2
Proveribus..............................................Trumbull 24v/2-25/1
Put on thy Sark on Monday.........................Straloch 8/1
Quand ce Beau..........................................Le Roy 1574 76v [64v]
Quand J'esto............................................Le Roy 1574 77v [65v]
Quand Le................................................Le Roy 1574 78v [66v]
Quand Mon Mari.......................................[Lassus arr.?] Le Roy 1574 10v-12 [first setting]
12v-13v [second setting]
Thysius 204v/2-205
Quando io pens'al Martire...........................[Arcadelt arr.?] Dallis 114-115
Lvov 16v/2-18v/1
Queen Elizabeth's Galliard...........................[John Dowland] Dd.2.11 59/1
Dowland 1610B 23v
Queen Mary's Dump...................................2764(2) 1-2
Ballet 4-5/1
Dallis 192-193
Folger 1/2 (fragment)
RA58 54v/1
Queen of England's Courant.........................Sibley 54/1
Queen of Scots Galliard..............................Marsh 61/2
QUEEN' S MASKE SEE WITCHES DANCE
Queen's Almain........................................Dallis 47/3, 223/3
Trumbull 15/2
Queen's Dump/Johnson's Second Dump..........[John Johnson] Brogyntyn 7/1 and 7/2 (duet parts)
Dd.3.18 4-3v/3 (duet part)
Folger 6v-7/1 (duet part)
ML 4v-5/1 (duet part)
Pickeringe 8v/2-9/1 and 9/2 (duet parts)
Schele 138-139 (duet part)
Vilnius 61v-62/1 and 62/2 (duet parts)
Queen's Galliard.......................................[John Dowland, Edward Pearce] 408/2 94/2-95/1
Board 24/2
Dd.2.11 62/1
Queen's Goodnight....................................[Thomas Robinson] Robinson 1603 13/2 and 13/1 (duet
parts)
Queen's Ground........................................[?John Johnson] Folger 7/2 (duet part)
Queen's Jig.............................................[Thomas Robinson] Robinson 1603 37
Queen's Maske First Almain........................Dowland 1610B 29v/1
Queen's Maske last Almain..........................Dowland 1610B 30/2
Board 41/3 (?)
Queen's Maske.........................................Wemyss 25v/1
Queen's Maske, second almain.....................Dowland 1610B 29v/2-30/1
Quel Bien Parler.......................................[Sandrin arr. Alberto de Rippe] Marsh 64
QUI PASSA SEE CHI PASSA
Rant......................................................[Richard Mathew] Mathew 1652 9
READE' S SEVENTH PAVAN SEE DR J AMES DEAN OF CHRIST CHURCH ' S PAVAN
Reade's Almain........................................[Anthony Holborne/Richard Reade] Dd.2.11 70/3
Dd.3.18 19/2 (duet and consort part)
Reade's Eighth Galliard..............................[Richard Reade] Dd.3.18 30 (consort part)
Reade's Eighth Pavan.................................[Richard Reade] Dd.3.18 29v (consort part)
Reade's Eleventh Pavan..............................[Richard Reade] Dd.3.18 56v-57/1 (consort part)
Reade's Fifth Pavan...................................[Richard Reade] Dd.3.18 27v (consort part)
Reade's First Jig.......................................[Richard Reade] Dd.3.18 24/2 (consort part)
Reade's First Pavan...................................[Richard Reade] Dd.3.18 37-36v (consort part)
Reade's Galliard........................................[Richard Reade] Dd.3.18 22v/1 and 38v/1 (duet/consort parts)
Reade's Ninth Pavan..................................[Richard Reade] Dd.3.18 30v (consort part)
Reade's Tenth Pavan..................................[Richard Reade] Dd.3.18 55v-56/1 (consort part)
Reade's Third, or Flat Pavan.........................[Richard Reade] Dd.3.18 39-38v/2 (consort part)
Recordare...............................................Dallis 102-103/1
Redouble, La...........................................Herbert 49v/3
Reine, Courant de la..................................[Robert Ballard] Ballard 1611 40-62/1 (solo, duet and consort
parts)
Bautzen 2/2-3/1
Dd.9.33 43 and 87/2 [fragment]
Dolmetsch 213v-214 and 273
Fuhrmann 1615 164/2

Appendix 4: Index of music titles

Herbert 64/1
ML 26/2
Schele 56/1 and 57/1
Replete for three lutes................................Brogyntyn 18-19/1
RESOLUTION SEE DOWLAND' S ADIEU FOR MASTER OLIVER CROMWELL
RESURRECTION SEE TARLETON' S RESURRECTION
Robin Hood/Toy......................................408/2 104/2
Dd.2.11 80/2
Dd.9.33 81v/4
Lodge 5
Vilnius 56v/3
Robin is to the Greenwood Gone/Bonny Sweet Robin/Robin Hood.......[John Dowland] 408/2 113/2
2764(2) 12/3
31392 25
Ballet 27
Board 12v/2
Cosens 32v
Dd.2.11 53/2 and 66/3
Dd.3.18 11 (duet part)
Dd.9.33 29v-30
Euing 31/2 and 46v-47
Folger 16v
Fuhrmann 1615 114-115/1
Montbuysson 3v/2
Mynshall 8/4
Nn.6.36 19v-20/1
Pickeringe 22v and 35/2
Robinson 1603 36/1
Thysius 391v
Vallet 1616 40-41/1 (consort parts)
Vilnius 6v/1
Robin Redbreast.......................................Ballet 26/3
Pickeringe 33v/3
Robinson's May Almain.............................[Thomas Robinson] Dd.9.33 87v/1 and 92/2
Robinson's Riddle....................................[Thomas Robinson] Robinson 1603 28
Rocha el Fuso, La.....................................Dallis 250-251/1
Lodge 7v/2
Lvov 10/2-11/1 (?)
Phalse 1563 87/2
ROLAND SEE LORD W ILLOUGHBY' S WELCOME HOME
Room for Cuckoos....................................Trinity 132/1
Rory Dall's Port.......................................Straloch 20-21/1
Rosa Solis Jig.........................................[Thomas Robinson] Robinson 1603 31
Rosamund...............................................[John Danyel] Cosens 18v-19
Dd.9.33 48v-49
Rosignoll Courant, La...............................Aegidius 132v/1
Krakow 5v
Moy 1631 23v
St Petersburg 32v-33/1
Rossignol Almain, La................................Board 6/2 (duet part)
Pickeringe 8/2 and 8v/1 (duet parts)
Round Battle Galliard.................................[John Dowland] Folger 6/1
Row Well You Mariners..............................[Thomas Robinson] Robinson 1603 15
Ruggiero................................................[John Johnson and other settings/unascribed] 408/2 91/1
Board 2/1
Dallis 20/1-21, 92/2 (duet part) and 223/2
Dd.3.18 1 (duet part)
Marsh 38, 39 (duet parts) and 305
Mynshall 3v/2 (duet part)
Sampson 3v/1
Thysius 383/1
Trumbull 25v/1 and 25v/2 (duet parts)
Ruthven's Lilt..........................................Wemyss 32/2
S'io Fostri Certo.......................................Thistlethwaite 32
Sacred End Pavan......................................[Morley arr.?] Dd.9.33 25v-26
Herdringen 9829 17v-18
Thysius 148
Trumbull 2v-3

Appendix 4: Index of music titles

Saint I serve, The......................................Brogyntyn 125/2 (consort song arr.)

Sans Esperance........................................Dallis 31/2
Sans Per Pavan.........................................[Francis Cutting] Dd.2.11 84v/1
Dd.5.78.3 13v-14/1
Euing 32v-33/1
Pickeringe 18v-19/1
Saturday Night and Sunday Morn...................Board 38/6
Scolding Woman, The................................Board 5/4
Scotch...................................................[Richard Mathew] Mathew 1652 17
Scottish Dance.........................................Rowallan 18-19
Thysius 419
Scottish Galliard......................................Dallis 41/2 and 44-45
Dd.2.11 86/1
Marsh 99 and 117/1
Scottish Hunt's Up....................................[John Johnson] Mynshall 5v/2
Pickeringe 15v-16
Scottish Jig............................................408/2 83/1
Dd.9.33 18/2
Rowallan 29/2 & 39 (incomplete)
Second Almain.........................................Dallis 218/2
Second Branle..........................................Dallis 219/2
Second Branle of Malta..............................Le Roy 1568 25v-26
Second Galliard........................................[Francesco da Milano] Le Roy 1568 35v-36
Second Jig..............................................[Richard Reade] Dd.3.18 15/2 (consort part)
Second Pavan..........................................[Richard Reade] Dd.3.18 37v-38/1 (consort part)
Sedit Sola Pavan.......................................[Anthony Holborne] Dd.2.11 43v
Sellenger's Round/Est-ce Mars/The French Tune..................[Pierre Gudron and other settings/unascribed]
408/2 103/1
Andrea 2/4
Board 12/2 and 25/1
Brahe 10v/1
Dd.3.18 5 (duet part)
Folger 87v/4 and 87v/5
Hove 1612 61v/1
ML 16/3
Marsh 42-43 and 182 (duet part)
Montbuysson 30/2 and 94/2
Schele 59/2
Thysius 442/3 (?duet part)
Trinity 128/2
Valerius 1626 164
Vallet 1615 70
Vallet 1616 34/1-35/2 [inv] (consort parts)
Vilnius 58/3 and 68/3
Semper Dowland Semper Dolens...................[John Dowland] Euing 25
Hove 1612 38v-39/1
Pickeringe 31v/1
Welde 14v/1
Shaking of the Sheets, The..........................408/2 84/5
Sharp Galliard..........................................[?Richard Allison] Thysius 30v
Sharp Pavan............................................[Richard Allison] 31392 32v-33
Folger 17v-18 (duet part)
Fuhrmann 1615 59
Herhold 35v-37/1
Hirsch 4v-5/1 and 63v
ML 5v-6/1 (duet part)
Pickeringe 11v-12 and 12/2 (duet parts)
Trumbull 17/2 (duet part)
Sheffield................................................[Richard Mathew] Mathew 1652 22
Shepherd Saw Thou Not..............................Straloch 1/2
Wemyss 21/2-21v/1
Shepherd, The..........................................Dd.9.33 81v/3
Shoemaker's Wife, The/Toy.........................[John Dowland] Dd.5.78.3 6v/1
Dd.9.33 21v/1
Shoes Rare and Good/Lady Ann Gordon's Lilt...[Robert Gordon] Straloch 15/2
Short Almain 1........................................[John Johnson] Dd.3.18 9v-10/1 (duet part)
Short Almain 2........................................[John Johnson] Dd.3.18 10v (duet part)
Pickeringe 13v-14/1 (duet part)
Short Almain 3........................................[John Johnson] Dd.3.18 59 (duet part)

Appendix 4: Index of music titles

Short Almain, ground for 1 & 2 ....................[John Johnson] Pickeringe 14/2 (duet part)
Si Comme Espoir......................................[Maillard arr. Albert de Rippe] Marsh 74/2-75
Si Je M'Envoie Pavan................................Le Roy 1568 28v-30
Si Le Bien Lui..........................................[Lassus arr. Le Roy] Le Roy 1574 19-20 [first setting]
20v-22 [second setting]
Si Pochi Guardo........................................[Thomas Dallis] Dallis 76-77/1 and 105
Si Pur ti Guardo........................................Dallis 30/1
Si Vous Voulez.........................................[Philip van Wilder] Dd.2.11 24v-25/1
Trumbull 21v-23
Wickhambrook 13
Si Vous Voulez Pavan................................Dallis 133/1
Sick Tune, The.........................................Dd.5.78.3 39/2
Dd.9.33 73-72v/2
Welde 5/2
Sims Galliard...........................................Nn.6.36 32
Sims Pavan.............................................Nn.6.36 22v-23
Since Thou Art False..................................4900 58/1 (lute song)
Singer's Jig.............................................[Jo Singer] Board 9/2
Dd.9.33 81v/1
Nn.6.36 3/2
Sinkapace Galliard/Church's Galliard.............408/2 95/2
Dlugoraj 189
Marsh 126
Stobaeus 44/2
Vilnius 25/3 and 58/1
Wemyss 22v/2-23/1
Willoughby 90v
Sir Edward Noel's Delight............................Welde 7/2
Sir Fulke Greville's Pavan...........................[Francis Cutting] Dd.9.33 18v-19
Sir Henry Guildford's Almain.......................[John/Robert Dowland] Dowland 1610B 29
Sir John Langton's Pavan...........................[John Dowland] Dd.5.78.3 2v-3
Dowland 1610B 19v-20v/1
Fuhrmann 1615 53-55/1
Hove 1612 36v
Mylius 1622 48-49
Sir John Smith's Almain.............................[John Dowland] 2764(2) 10
Ballet 7/1 (?duet part)
Brahe 16v-17/1
Dowland 1610B 30v/2-31
Folger 13v-14/1
ML 8v/1
Marsh 384
Schele 148/2 (consort part)
Thysius 503
Sir John Zouch's Galliard............................[John Dowland] Dd.5.78.3 26/2
Sir Philip Sidney's Lamentation...................Dd.2.11 85v/2
Sir Robert Sidney's Galliard.........................Dd.2.11 72v/2
Sir Thomas Monson's Galliard .....................[Robert Dowland] Dowland 1610B 26/2-26v
Sir Thomas Monson's Pavan .......................[?Robert Dowland] Dowland 1610B 21v-22
Sir Walter Raleigh's Galliard........................[Francis Cutting/Richard Allison/William Bradbury] Aegidius
150v-151
Besard 1603 111/2
Board 23v/1
Dd.2.11 79v/1
Dd.5.78.3 46 and 45v
Dolmetsch 99v-100
Euing 40
Nrnberg 3v-4, 16v
Sithen I Have You Seen..............................Osborn 6/2
Sivit Saint Nicholas..................................Rowallan 8-9/1
Six Visages, The......................................60577 190v
Sixth Pavan............................................[Richard Reade] Dd.3.18 28 (consort part)
Slaepen gaen almain..................................Dallis 220/2-221/1
Slight conceit..........................................Dd.2.11 34/2
Soldier's Life, The.....................................Board 38/4
SOLUS SINE SOLA SEE MRS BRIGID FLEETWOOD' S PAVAN
Solus cum Sola.........................................[John Dowland] 31392 14v/2-15
Barley 1596 (Orpharion) 60-61 (B3v-B4)
Board 10v-11/1

Appendix 4: Index of music titles

Dd.2.11 58v/1
Euing 27v-28/1
Souris, La...............................................Le Roy 1568 21v-22
Spanish Measure......................................[Richard Allison] Board 5/2 and 4v-5/1 (duet parts)
Spanish Pavan.........................................[Francis Pilkington/Alfonso Ferrabosco/Thomas Robinson
and other settings] 408/2 112/1
31392 25v
Basle 64/2 [inv] (fragment)
Bautzen 48/2
Beckmann 8v and 14v
Besard 1603 105-106
Brahe 20
Cosens 20v-21
Dallis 162
Dd.2.11 66v/2
Dd.3.18 14v-15/1 (duet part)
Dd.4.22 3
Dd.9.33 82v-83
Dolmetsch 23v-25-26v (consort parts)
Folger 1v/2 (fragment)
Fuhrmann 1615 55/2
Mynshall 5/2-5v/1
Nn.6.36 23v
Pickeringe 10v-11/1 and 11/2 (duet parts)
Robinson 1603 44-45
Sampson 3v/2
St Petersburg 53v-54/1
Stobaeus 22v/2 and 23/1
Thysius 140/1 and 142/2
Valerius 1626 258-260
Vallet 1615 57, 86/2
Vallet 1616 6/2
Vilnius 27
Welde 1
Wemyss 23/3-24/1
Wickhambrook 14v-15/1
Spynelet Reformed....................................Rowallan 14
Spynelet................................................Rowallan 2
Squire's Galliard.......................................Ballet 15
Dd.2.11 49v/2-50/1 and 71v/1
Eijsertt 93-94v/2
Sampson 12v/2-13 (duet part)
Thysius 27v
Vilnius 23v
Squirrel's Toy, The....................................[Francis Cutting] Dd.2.11 77/4
Stabat Mater............................................Thistlethwaite 44v-47
Stanes Morris..........................................408/2 91/3
Trumbull 9v/2
SUSANNA GALLIARD SEE VISCOUNT LISLE' S GALLIARD
Susanna Jig.............................................Dd.9.33 37/1
Suzanne Un Jour.......................................[Lassus arr.?] Dallis 100-101 and 138-139/1
Dd.2.11 23v-24/1
Herbert 67v
Thistlethwaite 37v-39
Thysius 169v/2-181 (consort parts)
Wickhambrook 13v-14/1
SWEET OLIVER SEE HUNT' S UP
Sweet Briar: A Northern Jig.........................[Richard Reade] Dd.3.18 32/2 (consort part)
Sweet Jesu Who Shall Lend Me Wings............[Thomas Robinson] Robinson 1603 55/1
TALLIS' S OFFERTORY SEE OFFERTORY
Tant Que J'Estois......................................Le Roy 1574 82 [70]
Tantara..................................................[Richard Mathew] Mathew 1652 23-24
Tarleton's Jig..........................................[?John Dowland] Dd.2.11 56/3
Dd.3.18 53/2 (consort part)
Tarleton's Resurrection..............................[John Dowland] Wickhambrook 11/3
Tears of the Muses Galliard..........................[Anthony Holborne] Dd.5.78.3 17/2
Euing 40v/2-41/1
Herbert 21v/2
Ten Commandments, The............................Barley 1596 (Lute) 17 (C1)

Appendix 4: Index of music titles

Le Roy 1568 7
Terre, La.................................................Le Roy 1574 80 [68]
Testament Courant, Le ...............................[Julien Perrichon] Aegidius 106
Ballard 1614 33/2-35
Besard 1603 156/2
Besard 1617 26/2
Dd.9.33 56v/1
Dolmetsch 18v-19 and 178v-179
Herbert 30/2, 33/1
ML 26v/2-27/1
Moy 1631 10
Nrnberg 20, 27
Vilnius 4v/1 and 4v/2
Thestis a Seely Man..................................4900 58/2 (lute song)
Third Branle of Malta.................................Le Roy 1568 26v-27
Thou Sentst to me a Hart was Crowned............Ballet 44
Though strange I seem...............................Brogyntyn 135/2
Though your Strangeness............................[Robert Jones] Wemyss 20/2-20v/1
Tintalore................................................Le Roy 1568 21
Tinternel................................................Dallis 223/1
Tirantine, La...........................................Le Roy 1568 22v
To Plead My Faith Galliard..........................Ballet 17
Besard 1603 120v/1
Board 16/1
Dd.2.11 99v/1
Dd.4.22 6v-7/1
Dd.9.33 4
Dolmetsch 95v-96
Euing 21/2
ML 15v/1
Nrnberg 16
Welde 7v/1
To win renown.........................................Brogyntyn 128/1
TOM OF BEDLAM SEE GRAY' S INN MASKE
Traditore Galliard .....................................Osborn 19/2-19v/1
Tregians Ground.......................................Dd.2.11 101-101v/1 (?)
Trenchmore.............................................[John Johnson] Dd.3.18 12v-13 (duet part)
Lodge 10/2-10v/1 (duet part) and 12/1
Marsh 139/1 (duet part),139/2-141 (duet part)
Nn.6.36 33v-34 (duet part)
Pickeringe 51v/3 <88v> [inv.]
Welde 11v/1 and 11v/2-12 (duet parts)
Tres choses.............................................[Anthony Holborne] Dd.2.11 35v-36/1
Tresyll...................................................Dd.2.11 68/2
Trop Endurer ...........................................[Lassus arr. Le Roy] Le Roy 1574 43v-44/1 [first setting]
44/2-45 [second setting]
Turkeylony/The Gods of Love......................408/2 91/2
Willoughby 88v-89/1
Turtle Dove, The/Maske.............................[John Coprario] Board 45v
Trinity 132/2
Ultimi Miei Sospiri...................................[Verdelot arr. Alfonso Ferrabosco I] Hirsch 18v-19
Schele 52-55/1
Unwinding of a Pin, The (Prelude).................[Richard Mathew] Mathew 1652 40-41
Up Tails All............................................Dd.9.33 95v/2
Nn.6.36 10v
Pickeringe 34/2
Upright Squire.........................................Lodge 18v/2-19/1
Ut Re Mi Fa Sol La....................................Dallis 231 (fragments)
Schele 39/2
Ut Re Mi Fa Sol La Fantasia.........................[Thomas Robinson, Diomedes Cato, Alfonso Ferrabosco]
Dd.2.11 54v/1
Herbert 2v-3
Hirsch 64v/1
Robinson 1603 38-39
Swarland 8v-9
Vain is Worldly Pleasure.............................Lodge 18v/1
Vater Unser in Himmelreich.........................Dallis 5/2

Appendix 4: Index of music titles

Thysius 315/1
Vallet 1616 48-50
Vilnius 73/4
Veni Creator, Canticle...............................2764(2) 8/2
Viscount Lisle's Galliard/Susanna Galliard.......Dd.2.11 52/1
Dowland 1610A 2
Voice of the Earth, The/The Ghost.................408/2 113/1
Bautzen 85/2
Folger 7v-8/1
Montbuysson 24/2
VOICI, LA SEE BOURRE, LA
Volt of Provence......................................Le Roy 1568 23v-24
Volta Courant, La.....................................[Byrd arr.?] Aegidius 25v/1
Board 13/2
Dd.2.11 73/1 and 75/3
Dd.3.18 38/2 (consort part)
Fuhrmann 1615 140/1
Richard 44
Rowallan 1/1 and 6-7
Schele 91
Thysius 372/1 and 196v-197
Vrai Dieu Disoit.......................................[Lassus arr. Le Roy] Denss 1594 93v-94/1
Le Roy 1574 46-46v/1 and 46v/2-47v
Richard 65v
Thysius 197v-198
Wakefield on a Green.................................[John Johnson] Dd.3.18 11v-12/1 (duet part)
Marsh 146-148/1 and 148/2 (duet parts)
Walking in a Country Town.........................[Thomas Robinson] Robinson 1603 47/1
Walsingham............................................[Edward Collard, Francis Cutting, John Johnson, Anthony
Holborne, John Dowland, Marchant, Gergory Huwet] Barley
1596 (Orph) 73-75 (D2-D3)
Cosens 9v
Dd.2.11 29/2, 96, 96v-97/1 and 98/1
Dd.5.78.3 12/2 and 50v-51/1
Dd.9.33 21, 26v-28/1 and 67v-68
Euing 43v-44/1
Nn.6.36 19 and 20v-21/1
Welde 9v/3-10
Walsingham Courant ................................Vilnius 25/2
Walsingham Galliard.................................[John Dowland] Bautzen 35/1
Beckmann 5v-6
Dd.2.11 82v/1 (bandora)
Dd.5.78.3 37/2
Vilnius 24
Wickhambrook 17/4
Wanton Playfellow...................................[Anthony Holborne] Dd.5.78.3 49v/2
Dd.9.33 67/2
Watkin's Ale...........................................41498 38
Welde 8/2
Welladay................................................408/2 104/6 (duet part)
Welsh Almain..........................................Dd.2.11 60/4
West.....................................................[Richard Mathew] Mathew 1652 6
Westminster Branle...................................Hove 1612 61/2
Thysius 444
Weston's Pavan........................................[Weston] Dallis 22-23, 96-97/1
Lodge 20v-21
ML 10v-11/1
Marsh 50-54/1 and 188
Och1280 1-2
What Cause Have I to Rejoice.......................4900 63/2 (lute song)
What Heart can Think................................4900 59/1 (lute song)
What if a Day or a Month or a Year................[John Dowland] Basle 19/2
Dd.9.33 62v/1
Folger 23 and 87/1
Pickeringe 19/5
Trumbull 2/3
Valerius 1626 248
What time Ulysses....................................Brogyntyn 129/2

Appendix 4: Index of music titles

What You Will.........................................[Richard Mathew] Board 44v/4-45/1

Mathew 1652 14
When Daphne did from Phbus Fly................[Giles Earle] Montbuysson 26v/2-27/1
When Phoebus First Dame Nature Sought........[Richard Reade] Dd.3.18 29/2 (consort part)
When Women first dame nature wrought..........[Richard Edwards] Brogyntyn 129/3 (consort song arr.)
Where griping grief the heart would...............[Richard Edwards] Brogyntyn 125/3 (consort song arr.)
While Long While, A.................................Brogyntyn 135/1
Whip My Toudie.......................................Straloch 27/2-28/1
Whip of Dunbain......................................Dd.9.33 37/2, 37/4 and 72v/1
Wicked with His, The.................................Le Roy 1574 87 [75]
Wighorn's Galliard....................................Dallis 20/2
Wigmores Galliard....................................408/2 112/3
WILHELMUSLIED SEE PRINCE' S ALMAIN
Will Ye Walk the Woods So Wild..................[Charles Jackson] 408/2 84/3
Euing 33v-34v
Lodge 3
Wilson/Wilson's Son................................408/2 112/4
Wilson's Wild..........................................408/2 112/2
Dd.2.11 68v/2
Folger 3/1
Sampson 4/2
Winged with desire....................................Brogyntyn 133/2
Witches Dance from the Queen's Maske..........Board 26/1
Dowland 1610B 30v/1
ML 4/2
Woe Betide Thy Weary Body........................Straloch 22/2-23/1
Woodbine, The........................................Board 25v/1
Woodcock..............................................Nn.6.36 3/1
You Minor Beauties of the Night...................Wemyss 25/1