The new Axe-FX has all the functionality and tonal quality of the old model, and then some. The introduction of the original Axe-FX unit into the pantheons of guitar FX processors was akin to the invention of the wheel. The new unit is like having four wheels and racing into the abyss.

John Mayer uses the Axe-Fx III both live and in the studio, including some standout moments on his latest album Sob Rock. We’re honored that he continues to be inspired by it.

We wanted to hate the Fractal. All that work formulating and honing the Metallica guitar sounds was going to be lost. We couldn’t have been more wrong! It opened the door to way more options than we had ever had before. In short WOW. — “Big Mick” Hughes Engineer Metallica

The Edge is known for his signature sound—a combination of musical elegance, exquisite core tone, and innovative effects—especially echo. For him to trust this illustrious sonic asset to the Axe-Fx expresses that it meets his exacting needs, but also demonstrates that this guitarist is a veritable force at the forefront of both music and technology. We’re proud that he chose to be listed here.

The Axe-Fx completely and forever changed the way I look at guitar processing. The new model takes everything I love about the old one to the next level. All of the FX sound richer and the new interface makes it even easier to use. My rig has a new openness and clarity and sounds so much better as a result.

The quality of all the effects is superb. There is great depth and transparency, and excellent imaging that makes listening with in-ear monitoring a wonderful aural experience. The choices are limitless and it’s fully loaded with all the options you’d ever need. Take it for a test drive, you won’t be disappointed.

I’ve tried every modelling unit available on this planet and the Fractal is by far miles ahead in every area. It’s also proven to be flawlessly dependable in the studio and live performances. So no matter who tries to get what out of me…. you’re not getting my Fractal…

Fractal Audio has the best amp sound I’ve heard, ever. I want one of these everywhere.

The new Axe-Fx made my head spin. Amazing amp feel and endless tone. It truly is a quantum leap… a major milestone in guitar technology.

Phil Collen – I’d been using the same amp for years. I tried the Axe-Fx III and everything sounded incredible… I switched over just like that. This is the best my guitar has ever sounded. Amazing!

Rick Savage: When I tried it, I couldn’t believe my ears. It makes you sound a better player. There’s a clarity without sacrifice. This is the best rig I’ve ever EVER used.

Vivian Campbell: The Axe-Fx III has a very strong dynamic element. It actually breathes… responds to the touch. There’s a real clarity. It’s great.

Brad Whitford: I switched my main amp, cab, and effects over to the FM3 in rehearsals, then moved up to the FM9 for the Aerosmith residency in Las Vegas. Sounds amazing in the in-ear monitors and house. Makes my playing onstage effortless.

Tom Hamilton: I’d been hearing about these mysterious things called “Fractals” and about how people were loving them. I couldn’t believe how easy it was to get great sounds!  I put all my favorite basses through one and was astounded at how lush and rich they all sounded. Amazing tone. Totally natural!

The Axe-Fx is a tone generating powerhouse. I’ve been using it for writing recording and live performance. It always delivers the goods. Mike Keneally and I both have them integrated into our live rigs. They’re rock solid and sound great every night. The shows wouldn’t be as fun and exciting without them.

This is what I’ve been waiting for my entire life!

I looked at ‘going back to amps’ …but something wonderful happened, in that not only does the Axe-Fx III provide a truckload worth of tone in a unit I can carry in an overhead compartment, it also puts me in a position where in a very real way, I now prefer the tone over traditional amps. It is a total solution for me, and my life is literally better for it. I can’t recommend this technology enough.

Fractal Audio has finally achieved the goal of emulating real tube amps. You can achieve sounds that you would be hard pressed to get out of an amplifier. For The Madness of Many we had all these amazing high end amps at our disposal and were pretty committed to recording with them, but we found we were able to arrive at the tones we wanted with the Axe-Fx. In fact all of our albums have been recorded using the Axe-Fx.

The Axe-Fx was a game changer for us both live and in the studio. The new model takes it to an unprecedented level of realism and control. This is beyond modeling or effects processing… this is the new standard for guitarists.

Finally a digital panacea for guitar tone which actually works: I never thought the day would come but the sound and feel of this magic black box are so “real” that witchcraft would appear to be the only logical explanation… Most pleasing!

Siiiicckkk!