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Figure from:Implementing Nonlinear Sound Strategies within Spatial Design: Learning sound and spatial design within a collaborative virtual

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maximum of 5-7 seconds duration. This would help keep overall project data file to a size allowing reasonable download times for ftp transfer. Further project size reductions could be achieved through conversion to a lower sampling rate than the 441000 H used for the studio. In the StringCVE environment a sound file is attached to an audio emitter which is placed in the 3D digital space. An editing mode in StringCVE supports clic k-and-drag editing of emitter locations. An audio profile associated with the emitter holds control information fo file such as proximity sensitivity, number of r the sound oops, and volume. The process of constructing an interactive soundscape in StringCVE is based around editing a source recording into mono files, assigning t hese to emitters and profiles, which are scattered throughout the virtual environment. Several student project s contained close to 200 such emitters producing an engaging immersive effect.

Figure 2 maximum of 5-7 seconds duration. This would help keep overall project data file to a size allowing reasonable download times for ftp transfer. Further project size reductions could be achieved through conversion to a lower sampling rate than the 441000 H used for the studio. In the StringCVE environment a sound file is attached to an audio emitter which is placed in the 3D digital space. An editing mode in StringCVE supports clic k-and-drag editing of emitter locations. An audio profile associated with the emitter holds control information fo file such as proximity sensitivity, number of r the sound oops, and volume. The process of constructing an interactive soundscape in StringCVE is based around editing a source recording into mono files, assigning t hese to emitters and profiles, which are scattered throughout the virtual environment. Several student project s contained close to 200 such emitters producing an engaging immersive effect.

Related Figures (2)

Figure 1: Environments in StringCVE by Lina Rahbek. StringCVE is hence virtual (as outlined by Kwinter) in that multiple interpretations of the same content allow design permutations to unfold. The key to this unfolding is time: the placement in a real time environment where educational research purposes. The initial impetus for the software development was to support architectural design, yet the aim of this development is to provide low cost desktop virtual environment solutions to facilitate
Figure 1: Environments in StringCVE by Lina Rahbek. StringCVE is hence virtual (as outlined by Kwinter) in that multiple interpretations of the same content allow design permutations to unfold. The key to this unfolding is time: the placement in a real time environment where educational research purposes. The initial impetus for the software development was to support architectural design, yet the aim of this development is to provide low cost desktop virtual environment solutions to facilitate
Figure 3: Environments in StringCVE by Fooch Chi. was minimal being restricted to occasional multiplayer sessions where fellow students could interact within the CVE and potentially give each other alternative insight into design possibilities. A more recent studio undertaken at the University of Auckland and the
Figure 3: Environments in StringCVE by Fooch Chi. was minimal being restricted to occasional multiplayer sessions where fellow students could interact within the CVE and potentially give each other alternative insight into design possibilities. A more recent studio undertaken at the University of Auckland and the