Academia.eduAcademia.edu

Humanism and technology

Unpublished

Abstract

In this essay I want to develop a comparison between the 'Letter on Humanism' (1946-7) by the German philosopher Martin Heidegger and the book Homocentrisme (1937) by the French Cubist painter, Albert Gleizes. Both writers are critical of 'humanism' as it is generally understood. Heidegger, responding to a Frenchman who has asked him 'How can we restore meaning to the word "Humanism?"' replies 'I wonder whether that is necessary' (p.219) but he makes it clear that this isn't because he is 1 rejecting 'humanity'. Quite the contrary, his complaint is that 'the highest determinations of the essence of man in humanism still do not realise the proper dignity of man.' (p.233) Gleizes claims that the changes that took place at the beginning of the century in his own field - painting-were the result of a deep dissatisfaction with the existing-humanist-idea of how human experience could be embodied in art: 'one thing is certain, and it cannot be denied, despite the opposition of those who are incapable of understanding anything. It is this: that, well before the problem of Man had begun to appear to be urgent, it had already been posed by the Cubist painters, and they did it by tackling, resolutely, and with a serious desire to resolve it, the mystery of "form"' (p.8). And he concludes that the Man to be recovered wasn't 'the HUMANIST, the man who was put forward at the time of the Renaissance. Great as the Humanist may have been, we, in our time, represent the last stages of the normal process of his degeneration. The man whom we need now is the man who, through a process that is traditional in nature, experiences himself as a process of growth, the man who has set off along the way of a living expansion, real on all the different levels of his existence, complete, and conscious of his completeness, the HOMOCENTRIST of the mediaeval, religious centuries' (p.13). 2