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World Literature Today
Coordinated by Scott Slovic I have given the compilers of the following lists an almost impossible task: to select no more than five important works of "environmental literature" from their home countries (or regions) around the world or from literary traditions in which they have particular expertise. The point here is not to produce exhaustive or definitive lists of "the best" works, but rather to give experts a chance to present some of their own favorites in the hope of inspiring readers to plunge into the wealth of additional works from these places and elsewhere in the world. Environmental literature is a vast and varied field, and it exists wherever human beings write (or speak) to each other about the physical places where we live, about the other species with whom we share this planet, and about the increasingly pressing questions of access to natural resources, mitigating toxic contamination, and how to control our species' ecological footprint. In coordinating this list, I have tried to seek out scholars located in (or knowledgeable about) diverse regions of the world, but I realize many regions are not represented in this booklist. Each of these scholars responded within a few weeks' time, so these are basically top-of-the-head lists, not products of lengthy consideration. The main criteria were that the works be from the past 250 years, that they display genuine "literary quality," and that they have achieved popular appeal. Brief annotations for each title can be found in the online edition of WLT.
Handbook of Anglophone World Literatures
Anglophone world literatures are challenged by and participate in the formation of the environmental humanities, marked by collaborations across disciplines and the development of new methodologies. Informed by new materialism, posthumanism, and multispecies studies, writers, poets, and literary scholars seek to redefine the task of literature and literary studies from within the environmental humanities. At a time when literature's core concerns, "questions of meaning, value, ethics, justice and the politics of knowledge production" (Rose et al. 2012, 2) cut across cultural, national, linguistic, and species boundaries under pressure of anthropogenic climate change, the worlding of literature seeks to contribute to solutions. In storying these anthropogenic anxieties and hazards that affect human and nonhuman ecologies on a planetary scale, literature translates the phenomenon of climate change, and its immense sea of data, into the microcosm of human experience and understanding.
2019
Finalist, 2022 Ecocriticism Book Prize awarded by the Association for the Study of Literature and the Environment. How do literature and other cultural forms shape how we imagine the planet, for better or worse? This book argues that assumptions about what nature is are at stake in conflicts over how it is inhabited or used. Working between postcolonial theory, environmental humanities, and world literature studies, I show how both environmental discourse and world literature tend to confuse parts and wholes. Drawing on insights from political ecology, geography, anthropology, history, and law, the book considers what it means to read for the planet: to read from near to there, across experiential divides, and at more than one scale. A supple understanding of cultural imagination and narrative logics, I argue, can foster more robust accounts of global inequality and energize movements for justice and livable futures. The Disposition of Nature has been shortlisted for the 2020 Book Prize awarded by the Association for the Study of the Arts of the Present (ASAP). https://twitter.com/ASAP_artsNOW/status/1315763489571561474/photo/1
Interdisciplinary studies in literature and environment, 2015
The Cambridge Companion to Literature and the Environment is an authoritative guide to the exciting new interdisciplinary fi eld of environmental literary criticism. The collection traces the development of ecocriticism from its origins in European pastoral literature and offers fi fteen rigorous but accessible essays on the present state of environmental literary scholarship. Contributions from leading experts in the fi eld probe a range of issues, including the place of the human within nature, ecofeminism and gender, engagements with European philosophy and the biological sciences, critical animal studies, postcolonialism, posthumanism, and climate change. A chronology of key publications and bibliography provide ample resources for further reading, making The Cambridge Companion to Literature and the Environment an essential guide for students, teachers, and scholars working in this rapidly developing area of study. LOUISE WESTLING has been teaching in the English Department at the University of Oregon since 1977. She served as a visiting professor at the University of T ü bingen and a Fulbright Professor at the University of Heidelberg, and as a president and founding member of the Association for the Study of Literature and Environment.
Environmental …, 2005
TO MARK THE end of Environmental History's tenth year, I asked sixty scholars to write essays about books that should be better known in the field. I was aiming for thirty essays, and I was delighted instead to get thirty-nine! (Another scholar I invited, Spencer Weart, offered to write about a mural-so his essay appears as a "Gallery" in this issue.) Even very busy people, it turned out, were excited about the chance to write about books they admire. The range of the essays is impressive. Six are about works of fiction. Several consider primary sources, often from centuries ago. Some of the essays are appreciations of books by historians from other fields, including urban history, legal history, and intellectual history. Several are about works by scientists. Two discuss books by literary scholars. Many are about works by writers outside academia. A list of all the books is on page 768. I hope the essays will surprise you as much as they surprised me. I had read only about a quarter of the books discussed in this forum, and the essays on those books often gave me wonderful new insights. More than a third of the essays were my introduction to their subjects. Many others made me keen to dig into books that I knew something about-and even own!-but had not read. Like the anniversary forum in the January 2005 issue, these essays collectively attest to the richness of our field. We have a great subject, and we have many, many talented colleagues. As I wrote in January, I can't wait to see what we do next!
MFS Modern Fiction Studies, 2009
Ecozon@, 2017
Ein interdisziplinärer Beitrag zu den environmental humanities (Frankfurt am Main: Peter Lang, 2014), 399 pp. Environmental and ecological delineations transgress political boundaries. Yet Reinhard Hennig successfully demonstrates with his study of environmental texts from Iceland and Norway that national boundaries and the concomitantly varying ecological practices can be quite meaningful. Not surprisingly, different nations' cultural assumptions shape their environmental practices and laws, thereby altering the forms of human impact on their material surroundings. More surprisingly is how age-old visions of cultural integrity wend their way through even the most seemingly modern industrial practices: the Icelandic sagas in their written form are claimed by Iceland and still guide them as a "literary nation" of farmers, whereas the Norwegian self-description as a democratic major power based on free access to "nature" also reverberates in their contemporary laws. Ancient narratives and mythological frames, we learn, are a powerful directive; by providing this evidence in the case of both of these nations, Hennig makes a noteworthy contribution to ecocritical understandings of regions, nations, and cultural boundaries. Indeed, Hennig's compellingly thorough research in Umwelt-engagierte Literatur aus Island und Norwegen: Ein interdisziplinärer Beitrag zu den environmental humanities [Environmentally-engaged Literature from Iceland and Norway: an interdisciplinary Contribution to the environment humanities] demonstrates clear examples of nationally defined environmental practices. His book is the first, as he notes, to address at length either of these two countries and their environmental texts; thus this study lays the groundwork for future projects on Icelandic and Norwegian literature. It also will interest any scholars studying how ideas about national heritage can impact environmental assumptions and engagements. Furthermore, the book is a significant contribution to the inevitably multicultural European ecocritical studies. Particularly relevant is the assessment of Iceland's and Norway's cultural narratives in conjunction with each other and in relation to each nation's choices regarding hydroelectric plants, hunting and fishing, oil reserves, agricultural plans, and responses to globalism. Hennig also provides a general introduction to recent ecological texts from both countries, many of which have not yet been translated into any other languages, including the Icelandic authors
Since prehistory, literature and the arts have been drawn to portrayals of physical environments and human-environment interactions. The modern environmentalist movement as it emerged first in the late nineteenth century and, in its more recent incarnation, in the 1960s, gave rise to a rich array of fictional and nonfictional writings concerned with humans’ changing relationship to the natural world. Only since the early 1990s, however, has the long-standing interest of literature studies in these matters generated the initiative most commonly known as “ecocriticism,” an eclectic and loosely coordinated movement whose contributions thus far have been most visible within its home discipline of literature but whose interests and alliances extend across various art forms and media. In such areas as the study of narrative and image, ecocriticism converges with its sister disciplines in the humanities: environmental anthropology, environmental history, and environmental philosophy. In the first two sections, we begin with a brief overview of the nature, significance, and evolution of literature-environment studies. We then summarize in more detail six specific centers of interest: (a) the imagination of place and place-attachment, (b) the enlistment and critique of models of scientific inquiry in the study of literature and the arts, (c) the examination of the significance of gender difference and environmental representation, (d ) the cross-pollination of ecocritical and postcolonial scholarship as ecocriticism has extended its horizons beyond its original focus on Anglo-American imagination, (e) ecocriticism’s evolving interest in indigenous art and thought, and ( f ) ecocriticism’s no less keen and complex attentiveness to artistic representation and the ethics of relations between humans and animals.
Journal of Postcolonial Writing, 2019
Chapter in Companion to Environmental Studies, Edited by Noel Castree, Mike Hulme and James Proctor (Routlege, 2018)
PMLA/Publications of the Modern Language Association of America, 1999
THE FOLLOWING letters were submitted in response to a call for comments on the growing importance and expanding scope of the fields of environmental literature and ecological literary criticism.
Global Ecologies and the Environmental Humanities: Postcolonial Approaches, 2015
This book examines current trends in scholarly thinking about the new field of the Environmental Humanities, focusing in particular on how the history of globalization and imperialism represents a special challenge to the representation of environmental issues. Essays in this path-breaking collection examine the role that narrative, visual, and aesthetic forms can play in drawing attention to and shaping our ideas about long-term and catastrophic environmental challenges such as climate change, militarism, deforestation, the pollution and management of the global commons, petrocapitalism, and the commodification of nature. The volume presents a postcolonial approach to the environmental humanities, especially in conjunction with current thinking in areas such as political ecology and environmental justice. Spanning regions such as Africa, Asia, Eastern Europe, Latin America and the Caribbean, Australasia and the Pacific, as well as North America, the volume includes essays by founding figures in the field as well as new scholars, providing vital new interdisciplinary perspectives on: the politics of the earth; disaster, vulnerability, and resilience; political ecologies and environmental justice; world ecologies; and the Anthropocene. In engaging critical ecologies, the volume poses a postcolonial environmental humanities for the twenty-first century. At the heart of this is a conviction that a thoroughly global, postcolonial, and comparative approach is essential to defining the emergent field of the environmental humanities, and that this field has much to offer in understanding critical issues surrounding the creation of alternative ecological futures.
Ecozon@: European Journal of Literature, Culture and Environment
International Journal of Scientific Research in Science and Technology, 2023
Nature can’t speak for herself and thus time and again she retorts with calamities, making us vulnerable and impotent. This paper proposes to explore the various geopolitical and socio-political intricacies of man versus nature, which are portrayed by Indian English writers. The genuine concern for nature along with marginal demography and water habitats is the main focus around which Amitav Ghosh’s (2016)‘The Hungry Tides’ and Arundhati Roy’s (1999) ‘The Greater Common Good’ revolves. The paper aims at establishing intertextuality between the two texts focusing on the concerns of both the writers over nature and also depicting vulnerability of humans in front of the wrath of nature. The texts lack literary similarities but the theme revolves around interference of human beings in the disruption of the ecological balance and about the sufferings of the marginal people being a part of the broader nature encompassed in its thrall. Both authors bring forward to the global community issues which can damage nature and human beings bringing out the hidden socio-political reasons along with environmental concerns. As the paper proceeds, we will explore the tangible yet profound manifold relationship between human and nature. The true meaning of symbiosis is established not in the society of civilization but through roots that penetrate into the soil sustaining life. These discussions will be done through the mentioned literary texts to provide a basic guidance to researchers and fellow environmentalists before they venture into the world of the 'other'
students will learn how the natural world informed innovative writing about the environment and the imagination. They will gain an appreciation of 'nature' as a contested term, analysing and evaluating uses of the pathetic fallacy and more direct engagements with the nonhuman environment. Terms such as "the edge of the public way" (Wordsworth) will be critically considered, along with some essential ecocritical theories of poetry and the imagination.
Theory and Practice in Language Studies
The reciprocal relationship between humans and nature is determined based on their respective natures. This mutualism symbiosis is based on a relationship of use for mutual prosperity. Living together with nature means living in cooperation, mutual help and tolerance. The whole relationship becomes an inseparable entity; all things are interrelated and functional and have the same goal of protecting and preserving nature. Protecting the environment is key to the survival of fragile ecosystems, wildlife, and even humankind. However, the endless human needs often make humans act excessively, exploiting the environment as much as possible to meet the needs of life, resulting in severe environmental damage. This is the rationale for raising the theme of environmental conservation through literary media by referring to the concept and theory of eco-literature. The whole research is conducted using a qualitative descriptive method that focuses on content analysis, revealing the concept of...
2015
All work rests on other work, sometimes evident in the fi nal product and sometimes invisible. First, we want to thank Shannon Brennan for her meticulous indexing and Catherine Zusky for her painstaking transcription of our interview with Elaine Scarry. We want to thank Elaine Scarry for her generous commitment to the interview, during a busy season of winter holidays. We also wish to acknowledge the dual conferences that gave birth to the interview and to this volume. In May 2009, Elaine Scarry gave a keynote lecture at "Beyond Environmentalism: Culture, Justice, and Global Ecologies," a conference organized by Stephanie LeMenager at the University of California, Santa Barbara, with major funding from the UC Humanities Research Institute. Six other chapters from this volume refl ect the intimate and challenging conversations that took place at this conference, which also featured a brilliant keynote by Ursula Heise. In March 2009, Jill Casid offered a keynote lecture at "Before Environmentalism," a conference organized by Ken Hiltner and sponsored by the Early Modern Center at the University of California, Santa Barbara. Several chapters in this volume refl ect the central goal of that conference, to explore early modern literary and cultural responses to the environmental issues that preceded and gave shape to modern environmentalism. Without the collegiality and vitality of our conference participants in both venues, this collection would not have gotten off the ground. Lawrence Buell's stunning lecture on environmental memory at UC-Santa Barbara, offered in November 2007, fi rst inspired our ambition to attempt the impossiblee.g., anthologizing a rapidly growing fi eld. Finally, we wish to thank the Association for the Study of Literature and Environment (ASLE), the professional organization that has made possible environmental criticism and our earnest conversation with it. Without the guidance of the good people at Routledge, too, we never would have found voice.
There can be little doubt that, in recent years, ecology has become one of the central discourses in the western world. Ecological issues are especially important in the social and natural sciences, who assume social and political responsibility by addressing urgent ecological problems and developing practicable and visionary solutions for them. From the perspective of cultural history, this begs the question which functions, concepts and paradigms of the relationship between nature and society can be found in literature and other forms of art, which relations those works bear to social reality and how this perspective in general can be successfully applied to our understanding of ecology. Certain parameters are already addressed in ancient literature, e.g. the opposition between human needs and the respect for the environment or the treatment of possible changes within nature, whose effects cannot easily be foreseen. Since then, these questions have undergone important historical changes, while at the same time remaining closely connected to their respective cultural and national contexts. In addition, one can observe that literature absorbs non-fictional discourses on ecology. The potential of new perspectives in literary and cultural studies on these issues becomes apparent if one applies Ette's concept of "Literature as Knowledge for Living", i.e. the notion that literature can precisely because of its fictional character develop, test and mediate different ecological constellations and concepts. After all, the critique of civilization, the dichotomy of nature and culture and the threat posed by forces of nature have always provided material for cultural debates on nature. These observations result in a set of questions: Which functions, which manifestations and which aesthetical treatments of connections between organisms can be found in literature and culture? How are ecological and economic concerns connected? What are the conflicts, what are the opportunities? How has the treatment of ecological issues in literature and art changed throughout history? How are current problems such as climate change addressed in literature and art? These are questions that will be raised and discussed at the XVI. Conference of the DGAVL. Thus, the goals are, firstly, to draw on existing research from the field of ecocriticism, secondly, to define and develop these approaches within a comparative perspective and, lastly, to discuss how our understanding of literature will change when discourses from literary criticism merge with those of other sciences. The term ecocriticism was first introduced by William Rueckert in his much-cited article "Literature and Ecology. An Experiment in Ecocriticism". Since then, ecocriticism has been a continually growing but also very divergent field in literary and cultural studies. Interest in nature and the relationship between mankind and nature or mankind and environment can be regarded as the common ground of these approaches. They have been well established in the Englishspeaking world for over 20 years now: The University of Nevada introduced the first chair for "Literature and Environment" as early as 1990. The US-American ASLE (Association for Study of Literature and Environment) was founded in 1992, its European counterpart EASLCE (European Association for the Study of Literature, Culture, and Environment) in 2004. In Germany, ecocriticism is well established most notably in English studies, but it is also grows in popularity in German studies, although here still rather isolated: Research mainly focused on concepts of nature in certain literary periods and on studies of works of one single author. It is striking that a distinctly comparative perspective has not been developed yet. It is the goal of the DGAVL-Conference in Saarbrücken to fill this gap. For this purpose, it can draw on current concepts of the newly DFG-funded network "Ethik und Ästhetik in literarischen Repräsentationen ökologischer Transformationen" ("Ethics and Aesthetics in literary representations of ecological transformations") under the direction of Evi Zemanek (Albert-Ludwigs-Universität Freiburg). The conference will focus on an intercultural, intermedial, and interdisciplinary perspective on the connection between literature and ecology. Literature and Ecology -possible fields of interest for a comparative ecocriticism The following areas can be studied either from a diachronic/historic perspective or from a synchronic/systematic one and might constitute the main branches of a comparative approach to ecocriticism. Concepts of nature, environment, and space: The aesthetics, perception and experience of nature, nature as metaphor and its realization in literary texts constitute important aspects of a literary and cultural ecocriticism. The discursive treatment of environment (in its very basic concept of space surrounding the human) proves to be an important category, as well, because it can be constructed either as wilderness, desert, or eternal ice, among others. And yet ecocriticism is not limited to ostensibly 'natural' surroundings, but includes rather seemingly farfetched spaces as well, e.g. the city, private spheres, mental spaces or outer space worlds. Theory and methodology of ecocriticism:
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