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As a member of the social sciences, anthropology until recently (1980s) did not work systematically with mass communication. We did not know if anthropological research were following the same trend or not (comparing to communication research). We did not know if anthropology were answering questions posted by communication research. We did not know how many studies were conducted by anthropologists or where they were writing. We did not know if anthropology could make a contribution. The purpose of the present work is to answer all these questions in order to help in the institutionalization of an anthropology of mass communication. I think it is time to coined the term mass media anthropology.
Annual Review of Anthropology, 1993
There is as yet no "anthropology of mass media." Even the intersection of anthropology and mass media appears rather small considering the published literature to date. Within the last five or so years, however, as anthropologists have increasingly struggled to define what falls within the legitimate realm of the study of "a culture" and within the privileged purview of "a discipline" (48, 51, 75, 107, 164), there has been a dramatic rise in interest in the study mass media. Indeed, mass media themsclve~ have been ~ contributing force in these processes of cultural and disciplinary deterfitorialization. Mass media-~defined in the conventional sense as the electronic media of radio, television, film, and recorded music, and the print media of newspapers, magazines, and popular literature-are at once artifacts, experiences, practices, and processes. They are economically and politically driven, linked to developments in science and technology, and like most domains of human life, their existence is inextricably bound up with the use of language. Given these various modalities and spheres of operation, there are numerous angles for approaching mass media anthropologically: as institutions, as workplaces, as communicative practices, as cultural products, as social activities, as aesthetic forms, and as historical developments. But beyond approaching specific facets of mass media anthropologically, it seems that the greater challenge lies in integrating the study of mass media into our analyses of the "total social fact" of modem life. How, for example, do mass media represent and shape cultural values within a given society?
Media Anthropology Network e‐Seminar, 2009
The meeting between cultural anthropology and mass media is, in fact, a meeting between an object of research and a scientific discipline. In such a situation, the discipline brings with it certain delineations, a number of investigating methods, and a group of relatively specific ...
philbu.net
The purpose of this text is to answer why anthropology exhibits a growing interest in mass media. In order to accomplish the objective, I will review three research traditions that I argue can help in the understanding of this growing interest. Briefly, World War II, nationalism ...
“Anthropology and Mass Media.” In Annual Review of Anthropology 22:293-315.
2015
Media anthropology grows out of theanthropology of modern societies,on one hand, and the cultural turn in media studies, on the other. It turns its attention from “exotic ” to mundane and from “indigenous” to manufactured culture but preserves the methodological and conceptual assets of earlier anthropological tradition. It prepares media studies for more complete engagement with the symbolic construction of reality and the funda-mental importance of symbolic structures, myth, and ritual in everyday life. Even though it does not have to invent new theories and methods, media anthropology is not a mere exercise of mechanically applying anthropologists ’ concepts and techniques to media phenomena. The identity of anthropology
Travelling Concepts for the Study of Culture
The concept of 'media anthropology' does not delineate a well-defined, monolithic paradigm for the study of literature, culture and media. Rather than offering a cut-anddried methodology, media anthropology can be conceived as a transdisciplinary cluster of research interests and problems connected with a broad range of anthropological questions of human sense-making and cultural creativity in relation to (various forms of) media, including but not limited to so-called mass media. The scope of this term quickly transcends the boundaries of more traditional ethnographic studies of mass media in Western and non-Western cultures. (For an understanding of media anthropology from the disciplinary perspectives of ethnography, comparative sociology and cultural studies, see Askew and Wilk; Rothenbuhler and Coman).
International Lexicon of Aesthetics , 2024
It. Antropologia dei media; Fr. Anthropologie des médias; Germ. Medienanthropologie; Span. Antropología de los medios. Media Anthropology designates a broad field, generally concerned with media's specific preconditions, effects, and opportunities as seen from anthropological, ethnological, and ethnographic perspectives. Theoretical frameworks and research methods may vary, yet all approaches share a comparative perspective on individuals, sociocultural contexts and their respective media practices. While the American tradition in Media Anthropology examines the production, consumption and distribution of (mass) media, the focus of this entry is on an approach developed in Germany and in particular in Weimar. This approach, rooted in German Media Philosophy and Philosophical Anthropology, is centered on the concept of Anthropomediality, which highlights the constitutive relationship between humans and media. Rejecting a uniform concept of "human nature", this specific Media Anthropology considers that not only perception and knowledge conditions are determined by media, but also modes of existence as such. Aesthetics play a central role in the methodology of Media Anthropology, as aesthetic milieus offer themselves as privileged vantage points for analyzing the operational and procedural relations between humans and media. Moreover, aesthetics has an "anthropomedial performativity", since artistic practices not only allow for the observation of existing modes of human-media interactions but can also negotiate, transform, and create new ones. HISTORY OF THE CONCEPT AND THE AMERICAN APPROACH TO MEDIA ANTHROPOLOGY From its terminological beginnings around 1970, "Media Anthropology" designated a diverse field, unified by "an awareness of the interaction (both real and potential) between the various academic and applied aspects of anthropology and the multitude of media" (Eiselein/Toppler 1976: 114), and encompassing different philosophical, anthropological, ethnological, and ethnographic perspectives on the specific preconditions, effects and opportunities of media perceived as pervasive. Theoretical frameworks and research methods in the "messy and open field" (Costa et al. 2023: 2) of Media Anthropology are diverse, yet all approaches share a comparative view on media, focusing on the individual, specific sociocultural MEDIA ANTHROPOLOGY 2
International Social Science Journal, 2010
Her research in India includes work on filmwatching, class identity, and politics, and on domestic service, class relations, and gender. Her publications include Cinema and the Urban Poor in South India (1 993). and a forthcoming co-edited book on domestic service and identity politics in South and Southeast Asia.
2015
How should we best imagine the relationship of anthropology and media studies? Will this be a fruitful union? Arguably anthropology and media studies are at their best when they are critical, in the double sense not only of interrogating and seeking to understand the conditions of possibility of their subjects ’ thinking, but also of their own criteria and practices of inquiry. So I will consider how critical reflection on revered anthropological tenets has surprising implications for the presuppositions of media studies. I will start with a critical analysis of an anthropological venture into media studies then show how it invites a radical (i.e. critical presuppositional) rethinking of a ‘hegemonic text ’ of media studies, Stuart Hall’s Encoding/Decoding. Ships passing in the night? Speaking as an anthropologist, a brief critical reading suggests there is a curious sense of something lacking in media studies itself, which has inspired hope among some critical media scholars of fin...
Postill, J. 2009. ‘What is the point of media anthropology?‘ Social Anthropology 17(3), 334-337, 340-342.
In this debate with Mark Peterson, I argue that media anthropology has four main contributions to make to the interdisciplinary study of media and communication. In addition to Peterson’s three contributions (ethnographic, geographical and theoretical), I propose a fourth potential contribution: media historical research. It is time, I suggest, to venture beyond our ethnographic comfort zones and into the media worlds of our ancestors.
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