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A passionate pursuit: foxhunting as performance

2003, The Sociological Review

Early in the morning a farmer, dressed in dull green and brown work clothes, a dog at his side, leaves his house and walks quietly along a hedgerow towards a wood. At the edge of the wood he takes two cartridges from his pocket and puts them into his shot gun. He removes the safety catch. With the gun ready he continues slowly and quietly along the edge of the wood-an unobtrusive presence in the landscape. All of his senses alert, his eyes scan the near distance. He is not interested in the occasional pheasant that flaps out of the trees and into the field, nor the rabbits feeding along the hedgerows. His aim, if his aim is true, is to shoot one of the local foxes that might turn their attention to his poultry or lambs. There is intense activity by mid-morning in a grassed paddock in front of a farmhouse. Dozens of people, dressed in highly polished boots, cream jodhpurs, red or black coats and velvet-covered hats, are mounted on immaculately groomed horses. It is a convivial social gathering. Each of them take a drink offered on trays by members of the farmer's family and move on to greet and chat with friends. At the edge of the assembling riders is a man dressed in formal riding attire with a red jacket; 1 around his horse are a score or so of increasingly restless hounds. Although he talks with those who greet him, his attention is on the hounds and he occasionally raises his voice to one which attempts to slip away from the pack. Mixing with this group of riders are men, women and children, dressed in everyday country clothing, who pat the hounds, stroke horses while talking with the riders, share a drink and joke with other people on foot. The man with the hounds raises his horn to his lips and blows. The hounds move off excitedly, the crowd parts to let him through. The riders will follow when he is at some distance from them, and those on foot follow on behind. A foxhunt has begun. In a sense each of these practices are foxhunts-in each there is an attempt to find and kill foxes-but the similarity ends at this very basic level. Although both take place in the spaces of the English countryside, and both centre on interactions between humans and animals, the nature of these interactions are differently configured and differently performed. The first example is a private, individual, everyday working practice and unmarked; the second is a public, communal, and highly elaborated event. Nobody attends to watch the farmer in his attempt to kill foxes whereas on any hunting day large numbers of people, on foot and on horseback, will gather to follow the activities of the Huntsman 2 and his hounds as they attempt to bring about the death of a fox. The over-